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COMPILED FROM A NATIONAL SAMPLE OF R&B RADIO AIRPLAY MONITORED BY BROADCAST DATA SYSTEMS, Bllboa R&B RADIO PLAYLISTS AND RETAIL SINGLE SALES COL- LECTED, COMPILED, AND PROVIDED BY SoundScarr, 30, 1996 r. IIIIIII NOVEMBER RgIll 1 GLE$TM Z III z 0 0 cn 0 I-- O Y ,C ARTIST aY '--- TITLE ARTIST Vj.,', t5Li,' 0 !4 Z..,_ TITLE ,.,., 0 PRODUCER (SONGWRITER) LABEL & NUMBER/PROMOTION LABEL 0-o0- 1-= n ,-.,(.32 3 PRODUCER (SONGWRITER) LABEL & NUMBER/PROMOTION LABEL Q_ Q_ `) CNI NEVER MISS THE WATER CHAKA KHAN FEAT. ME'SHELL NDEGEOCELLO 50 54 2 50 * * *No. 1 * * * D.GAMSON (G.DEVEAUX,C.MOLE) (C) (D) (T) (V) (X) REPRISE 17503/WARNER BROS. 2 3 9 NOBODY 1 week at No. 1 KEITH SWEAT FEAT. ATHENA CAGE I CI TOUCH MYSELF (FROM "FLED") T-BOZ )(SWEAT (K.SWEAT,F.SCOTT) (C) (D) (T) (V) (X) ELEKTRA 64245/EEG 51 48 60 17 23 D.AUSTIN (D.AUSTIN) (C) (D) IT) (X) ROWDY/LAFACE 35080/ARISTA 1 13 PONY GINUWINE 1 2 1 YOU COULD BE MY BOO THE ALMIGHTY RSO FEATURING FAITH EVANS TIMBALAND (E.LUmPKIN,T.MOSLEY,S.GARRETT) (C) (D) (1) 550 MUSIC 78373/EPIC 52 53 69 3 52 CRAZY C (M.ENNIS,R.SCOTT,S.CULLINS) (C) (D) RAP-A-LOT/NOD TRYBE 3857INIRGIN NO DIGGITY BLACKSTREET (FEATURING DR. DRE) 1 3 3 2 8 BEFORE I LAY (YOU DRIVE ME CRAZY) CECE PEN ISTON T.RILEYASTEWART (T.RILEY,C.HANNIBALLWALTERSASTEWART,DR.DRE,I.HAYES,D.PORTER) (C) (D) (MI (TI (X) INTERSCOPE 97007 63 2 53 0 J. HAILEY (J.HAILEY,D.PEARSON) (CI (D) (T) (X) A&M 582004 13 WHAT KIND OF MAN WOULD I BE MINT CONDITION 2 4 4 4 SPIRITUAL THANG ERIC BENET MINT CONDITION (L.WADDELL) (C) (D) (X) PERSPECTIVE 587558/A&M 2 54 58 E.BENET,G.NASH,JR.,D.POSEY (E.BENET,G.NASH,JR.,D.POSEY) (C) (D) (V) WARNER BROS. 17498 5 0 UN -BREAK MY HEART TONI BRAXTON 6 7 6 RICHIE RICH 0 D.FOSTER (D.WARREN) (CI ID) (M) (T) (V) (X) LAFACE 24200/ARISTA LET'S RIDE 55 55 NEW A.MALIK (A.MALIK,R.SERRELL,G.CLINTON,JR ,P.WYNN) (C) (D) (T) OAKLAND HILLS 41510/DEFJAm 575774/MERCURY 6 5 6 6 THIS IS FOR THE LOVER IN YOU BABYFACE FEAT. LL COOL J, H. HEWETT, J. WATLEY & J. DANIELS 2 (C) (D) (T) (V) (X) EPIC 78443 WHY DOES IT HURT SO BAD (FROM "WAITING TO EXHALE") WHITNEY HOUSTON BABYFACE (H.HEWETT,D.MEYERS) 56 52 52 18 22 BABYFACE (BABYFACE) (C) (D) (M) (T) (V) (X) ARISTA 13213 I'M STILL IN LOVE WITH YOU/YOU DON'T HAVE TO WORRY NEW EDITION 7 7 8 4 CD 1.1AM,T.LEWIS,S.COBEIS,C.TKOMPSON OEMS IILT.LEIVISACOMBS,C.THOMPSOKHEAVY DAPARNERB.JONES,M.SCANDRICK) (C)(D1897100MEX 55264 FRONT LINES (HELL ON EARTH) MOBB DEEP 57 73 3 57 MOBB DEEP (JOHNSON,MUCHITA) (T) LOUD 64693* 0 9 ii 9 FALLING MONTELL JORDAN 8 0 J.E.JONES (m.JORDAN,J.E.JONES,A.TYLER,T.ALLEN) (C) (D) (T) DEF JAM 575648/MERCURY WHO IS HE AND WHAT IS HE TO YOU ME'SHELL NDEGEOCELLO 58 50 46 34 D.GAMSON (B.WITHERS,S mCKENNY) (C) (D) (V) MAVERICK/REPRISE 17600/WARNER BROS. 9 8 9 15 LAST NIGHT (FROM "THE NUTTY PROFESSOR") AZ YET 1 BABYFACE,M.WARREN (BABY FACE,K.ANDES) (C) (D) (M) (T) (V) (X) LAFACE 24181/ARISTA STAY WITH ME JASON WEAVER 59 59 59 4 59 DON'T LET GO (LOVE) (FROM "SET IT OFF") EN VOGUE RJERKINS,K.DEANE (H.BROWN) (M) (1) (X) MOTOWN 860591' 13 28 4 10 0 ORGANIZED NOIZE (ORGANIZED NOIZE,AMARTIN,IMATIAS,M.ETHERIDGE) (C) (D) (MI (T) (V) (X) EASTWEST 64231/EEG LIKE I DO FOR REAL i 60 51 48 11 48 D.AUSTIN (D.AUSTIN,E.HOLLAND,L.DOZIER,B.HOLLAND) (C) (D) (T) (V) (X) ROWDY 35079/ARISTA TELL ME (FROM "EDDIE") DRU HILL 5 11 10 5 15 S.BROWN (S.BROWN,M.DAVIS,A.CANTRALL) (C) (D) ISLAND 854660 IT'S ALRIGHT KAYCEE GROGAN 65 70 4 61 STEELO 702 12 C.BREEDING,DALDRIDGE (C.BREEDING,D.ALDRIDGE,B.TILLMAN,R.CARTER,N.GISCOmBE) IC) IT) (X) COLUMBIA 78376 12 12 0 12 CI C.ELLIOTT,G.PEARSON (C.ELLIOTT,M.ELLIOTT,G.PEARSON,G.SUMNERS) ICI (D) (T) BIV 10 860530/MOTOWN THE MOMENT KENNY G 62 62 62 5 62 MISSING YOU (FROM "SET IT OFF") BRANDY,TAMIA GLADYS KNIGHT & CHAKA KHAN KENNY G (KENNY G) (C) (D) (X) ARISTA 13260 15 10 13 11 10 - B.J.EASTmOND (B.J.EASTMOND,G.CHAMBERS) ' (C) (D) (V) EASTWEST 64262/EEG NOBODY ELSE ANTHONY HAMILTON 63 64 72 6 63 NO TIME LIL' KIM FEATURING PUFF DADDY J.C.OLIVIER (A.HAMILTON,J.COLIvIER,G,R PEARSON,JJENKINS,R.miDDLETON,S.BARNES) (C) (D) (M) (T) 00 MCA 55215 14 14 8 14 a S.COMBS,STEVIE J. (K.JONES,S.COMBS,S.JORDAN) (C) (DI (T) UNDEAS/BIG BEAT 98044/ATLANTIC THE RHYME KEITH MURRAY 64 66 71 62 5 KNOCKS ME OFF MY FEET DONELL JONES 15 E.SERMON (K.MURRAY,E.SERMON,F.BEVERLy) IT) JIVE 42405. 17 18 a D.WHITTINGTON (S.WONDER) (C) (DI (TI (V) (X) LAFACE 24210/ARISTA GOOD LOVE JOHNNIE TAYLOR 65 55 57 19 39 - HOW COULD YOU (FROM "BULLETPROOF") K -CI & JOJO OF JODECI C.R.CASON (C.R.CASON) (C) (X) MALACO 2525 16 27 3 16 a JON -JOHN (J.J.ROBINSON,G.STEWART,J.ELIAS) (C) (D) MCA SOUNDTRACKS 55279/MCA DA' DIP FREAK NASTY 66 73 80 5 63 COME SEE ME 112 17 FREAK NASTY (FREAK NASTY) (C) (T) (X) HARD HOOD/POWER 0112/TRIAD 20 36 4 0 TIM & BOB (T.KELLEY,B.ROBINSON,S.COMBS,T.KELLY) (C) (D) (T) (X) BAD BOY 79073/ARISTA LADY MISTA 61 67 IF YOUR GIRL ONLY KNEW AALIYAH 1 NEW ORGANIZED NOIZE (ORGANIZED NOIZE,M.ETHERIDGE) (C) (D) EASTWEST 64222/EEG 18 15 13 14 TIMBALAND (T.MOSLEY,M.ELLIOTT) (C) (T) (X) BLACKGROUND 98067/ATLANTIC OUTKAST ELEVATORS (ME & YOU) 5 ASCENSION (DON'T EVER WONDER) MAXWELL 8 68 56 58 19 19 19 19 16 OUTKAST (A.BENJAM1N,A PATTON) (C) (D) (M) (T) (X) LAFACE 24177/ARISTA MUSZE (muszE,sHuR) (c) (D) (T) (X) COLUMBIA 78372 I GOT IT BAD TEVIN CAMPBELL DO YOU THINK ABOUT US/WHEN BOY MEETS GIRL TOTAL 69 61 54 13 41 28 34 6 20 K.CROUCH (T.CAMPBELL,K.CROUCH,K.JONES) (CI (D) (V) QWEST 17602/WARNER BROS. 0 aSMDQP.WILLIAMS.C.HUGO,S.COMK INNONTLUDW.WILIJAMS,C.HOGO,O.PARKEEM 5 - CILIESNVEY) (011)111)(10BADBOY790/41ARISTA JUST WHAT IT TAKES KENNY LATTIMORE 10 60 55 11 55 * * * GREATEST GAINER/AIRPLAY * * * K.CROUCH (K.CROUCH,K.JONES) (C) (D) COLUMBIA 78340 STREET DREAMS THE LOVE SONG BUSH BABEES FEATURING MOS DEF 21 21 5 VS 21 88 87 8 66 0 POKE,RED HOT LOVER TONE (A.LENNOX,D.STEWART,N.JONES,J.C.OLNIER,S-BARNES) (C) (D) (M) (1) DO COLUMBIA 78409 0 POSDUNOUS (A.D(LLON,J.HANNA,H.LEE,D.BEZE,J.CASTORAPRuiTT,J.THOMAS)(C) (T) WARNER BROS. 17586 ORGANIZED NOIZE (FEAT. ANDREA MARTIN & QUEEN lATIFAH) NEVER LEAVE ME ALONE NATE DOGG FEATURING SNOOP DOGGY DOGG SET IT OFF (FROM "SET IT OFF') 51 25 30 4 22 12 68 68 12 CI ORGANIZED NOIZE (ORGANIZED NOIZE,S.STANDARD,A.MARTIN,I.MATIAS,D OwENS) (CI(D)(M) (T) (X) EASTWEST 64253/EEG KURUPT THE KINGPIN (NATE DOGG,SNOOP DOGGY DOGG,R.MACDONALD,W.SALTER) (C) (D) DEATH ROW 97012/INTERSCOPE ONLY YOU 112 FEATURING THE NOTORIOUS B.I.G. 3 LEAVIN' THE TONY RICH PROJECT 23 23 23 '27 NEW 73 S.COMBS,STEVtEl. (S.COMBS,SJORDAN,M.SCANDRIDLOPARKERAKEITH,DJONES,D1ROGERS,H.CASEY) (C) (D) (M) (T) (X) BAD e0179060/ARIsTA 0 T.RICH (T.RICH) (C) (D) (T) (XI LAFACE 24204/ARISTA 11 YOUR SECRET LOVE LUTHER VANDROSS 5 DO THANGZ MEN OF VIZION 24 24 17 14 67 53 6 53 L.VANDROSS (L.VANDROSS,R.VERTELNEY) (C) (D) (V) LV 78400/EPIC T.RILEY,S.wILLIAMS (T.RILEY,S.BLAIR,L.C.SMITH,M.SMITH) (C) (DI (MI (T) (X) M11/550 MUSIC 78422/EPIC FLOATIN' ON YOUR LOVE THE ISLEY BROTHERS FEAT. ANGELA WINBUSH ALL I SEE A+ 25 18 16 10 14 15 71 61 19 29 A.WINBUSH,R.ISLEY (R.ISLEY,A.WINBUSH,R.GRIFFIN) (C) (D) (T) T -NECK 854738/ISLAND C.CARR (C.CARR,R.JERKINS,SMITH BROTHERS) (C) (M) (T) (X) KEDAR 56003/UNIVERSAL THE THINGS THAT YOU DO GINA THOMPSON YA PLAYIN' YASELF JERU THE DAMAJA 26 31 15 22 12 16 70 74 57 R.JERKINS,S.COMBS,C.THOMPSON (RJERKINS) (C) (D) (T) (X) MERCURY 578158 9 DJ PREMIER (K.J.DAVIS,C.MARTIN). (T) PAYDAY/LONDON 120100NISLAND SITTIN' ON TOP OF THE WORLD DA BRAT 18 LIFT OFF GROOVE COLLECTIVE 27 22 22 8 17 81 84 12 73 J.DUPRI (J.DUPRI,DA 8RAT,R.JAMES) (CI (T) SO SO DEF 78426/COLUMBIA I.SHUR,G,SIRAISI,GROOVE COLLECTIVE (I.SHUR,J.MARON) (C) (D) (T) GIANT STEP/IMPULSE! 30B8/GRP YOU'RE MAKIN' ME HIGH/LET IT FLOW TONI BRAXTON 1 THE FOUNDATION XZIBIT 28 29 29 26 78 78 BABYFACE,B.P.WILSON (8.WILSON,BABYFACE) (C) (D) (M) (T) (V) (X) LAFACE 24160/ARISTA NEW MUGGS (A.JOINER,L.MUGGERUD,B.JOEL) (C) (D) (V) LOUD 64708 USE YOUR HEART SWV 6 29 26 24 16 AT NIGHT I PRAY WILD ORCHID (C) (D) (T) RCA 64607 19 72 67 11 67 P.WILLIAMS,C.HUGO (P.WILLIAMS,C.HUGO) B.SANDSTROM,R.FAIR (WILD ORCHID,B.SANDSTROM,M.DURAN) (c) (D) (T) (X) RCA 64628 BOW DOWN WESTSIDE CONNECTION 19 30 30 25 11 LOVE LIKE MINE ZAKIYA BUD'DA (ICE CUBE,MACK 10,W.C.,BUD'DA) (C) (D) (T) LENCH MOB 53227/PRIORITY 80 77 66 60 10 P.TEMPLE,R.RIDEOUT (R.RiDEOUT,P.TEMPLE,H.MARSHALL,E.GOSEIN,S.COLLINS)(C) (D) (T) (X) DV8 581852/A&M JUST THE WAY (PLAYAS PLAY) ALFONZO HUNTER 31 31 32 32 11 WU-WEAR: THE GARMENT RENAISSANCE (FROM "HIGH SCHOOL HIGH") RZA FEAT.
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    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS AND SCIENCES IDENTITY AND HIP-HOP: AN ANALYSIS OF EGO-FUNCTION IN THE COLLEGE DROPOUT AND THE MISEDUCATION OF LAURYN HILL LAURA KASTNER SPRING 2017 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts & Sciences and Statistics with honors in Communication Arts & Sciences Reviewed and approved* by the following: Anne Demo Assistant Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Senior Lecturer of Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In this thesis, I will be analyzing how Kanye West and Lauryn Hill create identity for themselves and their listeners in the albums The College Dropout and The Miseducation of Lauryn Hill, respectively. Identity creation will be analyzed using Richard Gregg’s concept of ego-function. By applying the three stages of the theory – victimization of the ego, demonization of the enemy, and reaffirmation of the ego – to both albums, I hope to uncover the ways that both West and Hill contribute to identity creation. I also discuss the ways in which they create identity that cannot be explained by ego-function theory. I also briefly address the following questions: (1) How does the language of ego-function differ between the artists? (2) How does their music speak to listeners of different ethnicities? (3) What role does gender play in ego-function? Does the language of ego-function differ between genders? ii TABLE OF CONTENTS Acknowledgements ………………………………………………………………......iii Chapter 1 Introduction ................................................................................................. 1 Kanye West: The Jerk and the Genius ............................................................................
  • Mona Scott-Young

    Mona Scott-Young

    Mona Scott-Young Mona Scott-Young has proven that with integrity, hard work and dedication, anything is possible. She is a successful talent manager, television producer, publisher, TV host and CEO and Founder of multi-media entertainment company Monami Entertainment (www.monamient.com) - home to Grammy Award-winning artist Missy Elliott, publishing imprint Monami Books and VH1’s most popular docu-franchise Love & Hip Hop. As executive producer of Love & Hip Hop and the highly rated spin offs Love & Hip Hop: Atlanta, and Love & Hip Hop: Hollywood, Scott-Young has a unique ability to create, develop, and produce programming that resonates with a large urban demographic. She has also executive produced the related series, Stevie J & Joseline Go Hollywood and K. Michelle: My Life, as well as numerous reunion shows and specials for VH1 where Scott-Young also has served as on-camera host and narrator. Her current shows attract more total viewers than the shows of all other unscripted franchises on cable television. Scott-Young’s business and philanthropic achievements have garnered recognition from a variety of organizations and publications, including Black Enterprise, Vibe Magazine, People Magazine and The Hollywood Reporter. She has been honored with awards from the National Association of Black Female Executives in Music Entertainment, ASCAP’s “Woman Behind the Music” Award,“ Marketer of the Year” by Ad Age, and she was recently recognized by the National Congress and Convention of Haitian-Americans for her philanthropic work. Essence Magazine also named her a “21st Century Renaissance Sister.” While television production, talent management and publishing for Monami Entertainment are at the core of her business, Scott-Young is also part owner and Chief Marketing Officer of Myx Fusions Moscato, (www.myxfusions.com) - a premium, ready-to-drink wine beverage currently in over 60 markets worldwide.
  • Letter in Support of Commutation Petition of Chauncey Hawkins Page 2

    Letter in Support of Commutation Petition of Chauncey Hawkins Page 2

    The Weldon Project 3218 Glendale Blvd Los Angeles, CA 90039 www.theweldonproject.org June 13, 2019 President Donald J. Trump The White House 1600 Pennsylvania Ave NW. Washington, D.C. 20500 RE: Commutation Petition of Chauncey Hawkins Dear Mr. President: On behalf of Amir Muhadith (previously known as Chauncey Hawkins and Loon) and his family, we strongly urge you to grant him a presidential commutation of sentence without delay. The undersigned—musicians, actors, filmmakers, and community leaders strongly believe that justice necessitates the exercise of executive clemency in this case. In 2013, Mr. Hawkins was sentenced to 14 years’ imprisonment for a minor role in a non-violent drug case.1 His sentence was subsequently lowered to 136 months (11 years, 4 months) as a result of the All Drugs Minus 2 Amendment by the U.S. Sentencing Commission in 2014. He has served over 7 years of his sentence. We believe this should be enough. Chauncey Hawkins was born in Harlem, New York, and as a young adult he started his career in the music industry as a member of Mase’s rap group Harlem World and then became part of P. Diddy’s Bad Boy Records under the name Loon. He released his self- titled debut album Loon and made many guest appearances on songs of the R&B and hip hop genres.2 But he is most known for his appearance on P. Diddy’s hit songs “I Need A 1 Former Bad Boy Rapper Loon Gets 14-Year Sentence, BET (July 19, 2013); http://www.bet.com/news/music/2013/07/19/former-bad-boy-rapper-loon-gets-14-year- sentence.html 2 See https://en.wikipedia.org/wiki/Loon_(rapper) 3218 Glendale Blvd Los Angeles, CA 90039 | www.theweldonproject.org Letter in Support of Commutation Petition of Chauncey Hawkins Page 2 Girl” featuring Usher and “I Need A Girl Part 2” featuring Ginuwine.3 In 2004, Loon left Bad Boy Records to start his own label, Boss Up Entertainment.
  • Mariah Carey Butterfly Mp3, Flac, Wma

    Mariah Carey Butterfly Mp3, Flac, Wma

    Mariah Carey Butterfly mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Butterfly Country: Malaysia Released: 1997 Style: RnB/Swing MP3 version RAR size: 1601 mb FLAC version RAR size: 1876 mb WMA version RAR size: 1660 mb Rating: 4.1 Votes: 752 Other Formats: AA AC3 VOX AHX VOC AAC MPC Tracklist Hide Credits Honey Backing Vocals – Melonie DanielsDrum Programming – Q-TipEngineer – Dana Jon Chappelle, Glen Marchese, Rich TravaliEngineer [Assistant] – Ian Dalsemer, Ken Ross Keyboards – Stevie J.*Lead Vocals, Backing Vocals – Mariah CareyLyrics By – M. 1 Carey*Mastered By – Herb Powers, Jr.*Mixed By – Tony MaseratiMusic By – B. Robinson*, 5:01 K. Fareed*, L. Price*, M. McLaren*, M. Carey*, R. Larkins*, S. Combs*, S. Hague*, S. Jordan*Producer – Mariah Carey, Sean "Puffy" Combs*, Stevie J.*, The UmmahProgrammed By [Keyboard Programming], Drum Programming – Stevie JVocals [Additional] – Mase, The Lox Butterfly Backing Vocals – Mary Ann Tatum, Melonie DanielsEngineer – Dana Jon Chappelle, David Gleeson, Mike Scott Engineer [Assistant] – Ian Dalsemer, Oliver "Wiz" Bone*Keyboards 2 [Additional], Drum Programming, Programmed By [Rhythm], Sound Designer, Programmed 4:35 By [Computer Programming] – Dan SheaKeyboards, Synthesizer, Programmed By – Walter AfanasieffLead Vocals, Backing Vocals – Mariah CareyLyrics By – M. Carey*Mastered By – Bob LudwigMixed By – Mick GuzauskiMusic By – M. Carey*, W. Afanasieff* My All Engineer – Dana Jon Chappelle, Mike Scott Engineer [Assistant] – Ian DalsemerKeyboards [Additional], Drum Programming,