112 Only You Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

112 Only You Mp3, Flac, Wma 112 Only You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Only You Country: US Released: 1996 Style: RnB/Swing MP3 version RAR size: 1158 mb FLAC version RAR size: 1737 mb WMA version RAR size: 1669 mb Rating: 4.3 Votes: 980 Other Formats: DMF AA AUD AHX AU AIFF AAC Tracklist Hide Credits A1 Only You (Radio Mix) 4:21 Only You (Clean Radio Mix) A2 4:21 Featuring – Notorious B.I.G. A3 Only You (Instrumental) 4:21 B1 Only You (Radio Mix) 4:21 Only You (Clean Radio Mix) B2 4:21 Featuring – Notorious B.I.G. B3 Only You (Instrumental) 4:21 Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Recorded At – Daddy's House Recording Studio Mixed At – Daddy's House Recording Studio Published By – Big Poppa Music Published By – Justin Combs Publishing Published By – EMI April Music Inc. Published By – Sounds From The Soul Published By – Amani Music Published By – Kevin Wales Music Produced For – Bad Boy Entertainment, Inc. Credits Design – The Drawing Board Engineer [2nd Engineer] – Rasheed Goodlowe Executive-Producer – Sean "Puffy" Combs* Executive-Producer [Associate Executive Producer] – Kevin Wales Mixed By – Lane Craven, "Prince" Charles Alexander* Photography By – Danny Clinch Producer – Sean "Puffy" Combs*, Stevie J.* Rap, Written-By [Rap] – The Notorious B.I.G.* (tracks: A2, B2) Recorded By – Chauncey Mahan, Tony Maserati Written-By – DJ Rogers*, D. Jones*, H. Case*, M. Scandrick*, M. Keith*, Q. Parker*, R. Finch*, S. Combs*, S. Jordan* Barcode and Other Identifiers Barcode: 78612-79060-4 2 Other versions Category Artist Title (Format) Label Category Country Year Only You (CD, Single, Bad Boy BBPCD-9060 112 BBPCD-9060 US 1996 Promo) Entertainment Only You (Remix) (12", Bad Boy BBDP-9071 112 BBDP-9071 US 1996 Promo) Entertainment Only You (2x12", ONLYU 1 112 Arista ONLYU 1 UK 1996 Promo) Only You (Remix) (CD, Bad Boy BBPCD-9069 112 BBPCD-9069 US 1996 Single, Promo) Entertainment Only You (Remix) (CD, Bad Boy 78612-79069-2 112 78612-79069-2 US 1996 Single) Entertainment Related Music albums to Only You by 112 Faith Evans - Come Over The Notorious B.I.G. Featuring Puff Daddy & Mase - Mo Money Mo Problems Notorious B.I.G. Featuring Puff Daddy & Mase - Mo Money Mo Problems Puff Daddy Featuring R. Kelly - Satisfy You Puff Daddy & Faith Evans / 112 / The Lox - Tribute To The Notorious B.I.G. The Notorious B.I.G. - Kick In The Door The Notorious B.I.G. Featuring 112 - Sky's The Limit Lil' Kim - No Matter What They Say The Notorious B.I.G. - Big Poppa Tucept 2000 Featuring Lil Keke - Shine / The Way U Like It.
Recommended publications
  • Mascots Skits Skits
    Mascots skits skits Looking for a simple skit? Here are some great ideas from other mascots! Remember, you can always build on a skit that is designed for one mascot and make it a two-mascot skit. The more fur the better! Just brainstorm a bit, and if something sounds good, build on it! “NsYNc” mascot passes out from seeing that “hideous looking” person or This skit would probably work best at a pep rally in a basketball the mascot falls over, then gets up and starts running from the gym. Have about five different people seated around the gym faculty member. Of course, the people being picked out of the in different areas. Then, come out to a familiar dance song. audience will have to be prearranged. Be careful who you select Dance around the gym and start to grab the seated people and to be the “ugly” faculty member (your grades may depend on it)! take them to the middle of the court. Tell them to act like they are surprised and embarrassed that they are getting pulled out -Wayneukcat onto the court. Once all five people are with you at center court, you should continue to dance around while they stand there “cheatiNg Mascot” acting like they have no idea what is going on. Then, you all start to bust out in a synchronized dance. The crowd would love it, Mascot walks out with a girl and flirts around with her to “Sugar since they think that these people were just randomly selected. Pie, Honey Bunch.” Then the mascot leaves that girl to go and It is important that you practice the dance many times before dance with a group of girls a few feet away to the Jay-z song putting on the skit, so that it looks sharp.
    [Show full text]
  • Constructions of Deviance and the Performance Of
    “WHAT DON’T BLACK GIRLS DO?” : CONSTRUCTIONS OF DEVIANCE AND THE PERFORMANCE OF BLACK FEMALE SEXUALITY by KIARA M. T. HILL JENNIFER SHOAFF, COMMITTEE CHAIR UTZ MCKNIGHT RACHEL RAIMIST A THESIS In partial fulfillment of the requirements for the degree of Master of Arts in the Department of Gender and Race Studies in the Graduate School of the University of Alabama TUSCALOOSA, ALABAMA 2015 Copyright Kiara Monique Hill 2015 ALL RIGHTS RESERVED ABSTRACT This research interrogates the ways in which Black women process and negotiate their sexual identities. By connecting the historical exploitation of Black female bodies to the way Black female deviant identities are manufactured and consumed currently, I was able to show not only the evolution of Black women’s attitudes towards sexuality, but also the ways in which these attitudes manifest when policing deviancy amongst each other. Chapter 1 gives historical insight to the way that deviancy has been inextricably linked to the construction of Blackness. Using the Post-Reconstruction Era as my point of entry, I demonstrate the ways in which Black bodies were stigmatized as sexually deviant, and how the use of Black caricatures buttressed the consumption of this narrative by whites. I explain how countering this narrative became fundamental to the evolution of Black female sexual politics, and how ultimately bodily agency was later restored through sexual deviancy. Chapter 2 interrogates the way “authenticity” is propagated within the genre of reality TV. Black women are expected to perform deviant identities that coincide with controlling images so that the “authenticity” of Black womanhood is consumed by mainstream audiences.
    [Show full text]
  • Young Women's Meanings of Money and Economic Self-Sufficiency in A
    A Penny For Their Thoughts: Young Women’s Meanings of Money and Economic Self-sufficiency in a Gender Context. Master’s Thesis in Sociology Gender, Sexuality and Society By Joëlle Tieks 10672532 1st supervisor: M.D. Cottingham 2nd supervisor: S.M. Steinmetz Amsterdam, July 2017 Werkman, H.N. Vrouweneiland 9. 1942 J.B. TIEKS | 2 TABLE OF CONTENTS ABSTRACT .......................................................................................................................... 4 1 INTRODUCTION ............................................................................................................ 6 2 THEORETICAL FRAMEWORK ................................................................................... 8 2.1 Gendered money ........................................................................................................... 8 2.2 Gender and economic dependence .............................................................................. 11 2.3 The Dutch context ....................................................................................................... 12 2.4 Materialist Feminism .................................................................................................. 15 2.5 Masculinities, Femininities and Heteronormativity ................................................. 16 3 METHODOLOGY .......................................................................................................... 18 3.1 Research objectives ......................................................................................................
    [Show full text]
  • Groupie Confessions! Pimps & Hoes! Real Talk: Adult Sex
    GROUPIE CONFESSIONS! PIMPS & HOES! REAL TALK: ADULT SEX ED! THE THIRD ANNUAL SEX ISSUE FEATURING TRINA BOBBY VALENTINO BOHAGON DEM FRANCHIZE BOYZ FIELD MOB HEATHER HUNTER JIM JONES JODY BREEZE KILLER MIKE PETEY PABLO PRETTY RICKY REMY MA SHEEK LOUCH & STYLES P SLIM THUG SMITTY T-PAIN & YOUNG CASH TONY YAYO TRICK DADDY TRILLVILLE WEBBIE YING YANG TWINS & MORE GROUPIE CONFESSIONS! PIMPS & HOES! REAL TALK: ADULT SEX ED! FEATURING SMITTY BOBBY VALENTINO BOHAGON DEM FRANCHIZE BOYZ FIELD MOB HEATHER HUNTER JIM JONES JODY BREEZE KILLER MIKE PETEY PABLO PRETTY RICKY REMY MA SHEEK LOUCH SLIM THUG STYLES P T-PAIN TONY YAYO TRICK DADDY TRILLVILLE TRINA WARREN G WEBBIE YING YANG TWINS YOUNG CASH THE THIRD ANNUAL YOUNG JEEZY & MORE SEX ISSUE dec05contents PUBLISHER/EDITOR: Julia Beverly OPERATIONS MANAGER: Gary LaRochelle ADVERTISING SALES: COVER STORIES: Che’ Johnson (Gotta Boogie) Trina pg 34-36 LEGAL AFFAIRS: Kyle P. King, P.A. (King Law Firm) Smitty pg 84-87 ASSOCIATE EDITORS: Matt Sonzala, Maurice Garland MARKETING & PROMOTIONS: Malik “Highway” Abdul MUSIC EDITORS: ADG, Wally Sparks CAFFEINE SUBSTITUTES: Mercedes CONTRIBUTORS: Amanda Diva, Bogan, E-Feezy, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, K.G. Mosley, Killer Mike, King Yella, Lisa Coleman, Marcus DeWayne, Mayson Drake, Natalia Gomez, Noel Malcolm, Ray Tamarra, Rico Da Crook, Robert Gabriel, Rohit Loomba, Shannon McCollum, Spiff, Swift, Wendy Day STREET REPS: Al-My-T, B-Lord, Big Teach (Big Mouth), Bigg C, Bigg V, Black, Buggah D. Govanah (On Point), Bull, C Rola, Cedric Walker, Chill, Chilly C, Chuck T, Controller, Dap, Delight, Dolla Bill, Dwayne Barnum, Dr.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Queer Identities and Glee
    IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr.
    [Show full text]
  • Representing Black Women and Love: a Critical Interpretative Study of Heavy Exposure to VH1’S Love and Hip Hop
    Representing Black Women and Love: A critical interpretative study of heavy exposure to VH1’s Love and Hip Hop A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of * Master of Arts in the Department of Communication by Olivia Harrison B.A. Rochester Institute Of Technology * May 2015 Committee Co-Chairs: Ronald L. Jackson II, Ph.D. and Omotayo Banjo Adesagba Ph.D. Abstract This study explores viewers’ perceptions after heavy exposure to VH1’s reality show franchise Love and Hip-Hop. Specifically the investigation seeks to understand how heavy viewership influences 1Black female college students’ view of male/female romantic relationships in their everyday lives as well as their understanding of the Black female image portrayed on the show. The researcher conducted 6 one on one interviews and coded each for emergent themes using the constant comparison technique. Cultivation Theory and Black Feminist Theory guided this study and the researcher’s analysis of the six participants’ responses. This study serves as an analysis of how media messages influence a specific target audience’s image of themselves and their relationship goals. 1 For the purposes of this study the term "African American" is used to identify those Americans, who are descendants of Africa. The term "Black” will be used interchangeably with “African American” to describe the generally shared histories, experiences, sentiments, issues and concerns, and social situatedness of African Americans. 2 3 Acknowledgements This has been a very, very, very long process and there’s no way I would have made it through without the continual guidance, support, help, and patience from Dr.
    [Show full text]
  • All Results Encore Performing Arts Showcase, Inc. June 21-25, 2021
    Encore Performing Arts Showcase, Inc. All Results June 21-25, 2021 Henderson, NV, USA Green Valley Ranch Resort Division 1 Mini Solo Place Entry # Roune Name Studio 1 817 A Million Dreams Unique Performing Arts 2 820 Survivor Expressive Movement Dance 3 813 POWER Rancho Belago Dance Company 4 810 Buermilk Biscuts Unique Performing Arts 5 812 I've Got The Music In Me Dance Dynamics 6 816 WIND IT UP Rancho Belago Dance Company 7 818 I'm Cute Dance Dynamics 8 809 Jazz Baby Dance Dynamics 9 804 Diamond in the Sun Lonestar Collecve Dance 10 807 Friend Like Me Expressive Movement Dance Division 1 Mini D/T Place Entry # Roune Name Studio 1 845 Shake the Room Dance West 2 851 Get Happy Dance Dynamics 3 849 Burning Love Unique Performing Arts 4 843 Give A Lile Whistle Dance Dynamics 5 844 Castle on a Cloud Expressive Movement Dance 6 850 Jazzercise Babies Premiere Dance Company 7 852 Cooes Expressive Movement Dance 8 848 SOUR CANDY Rancho Belago Dance Company 9 846 Chiquita Banana Effusion Dance Center 10 847 So Very Glad You're Here Expressive Movement Dance Division 1 Petes Solo Place Entry # Roune Name Studio 1 836 I See The Light Dance Dynamics 2 825 Supergirl A Time To Dance 3 839 Emergency Unique Performing Arts 4 842 Glier Shoes Laura's Dance Dynamics 5 822 HIT IT FERGIE Rancho Belago Dance Company 6 829 Swagger Jagger QC Dance 7 835 Shake Senora Unique Performing Arts 8 828 Belle and Boujee Creave Edge Dance Studio 9 821 How Far I'll Go Unique Performing Arts 10 840 Fergalicious Expressions Dance & Music Division 1 Pete D/T Place Entry
    [Show full text]
  • Mona Scott-Young
    Mona Scott-Young Mona Scott-Young has proven that with integrity, hard work and dedication, anything is possible. She is a successful talent manager, television producer, publisher, TV host and CEO and Founder of multi-media entertainment company Monami Entertainment (www.monamient.com) - home to Grammy Award-winning artist Missy Elliott, publishing imprint Monami Books and VH1’s most popular docu-franchise Love & Hip Hop. As executive producer of Love & Hip Hop and the highly rated spin offs Love & Hip Hop: Atlanta, and Love & Hip Hop: Hollywood, Scott-Young has a unique ability to create, develop, and produce programming that resonates with a large urban demographic. She has also executive produced the related series, Stevie J & Joseline Go Hollywood and K. Michelle: My Life, as well as numerous reunion shows and specials for VH1 where Scott-Young also has served as on-camera host and narrator. Her current shows attract more total viewers than the shows of all other unscripted franchises on cable television. Scott-Young’s business and philanthropic achievements have garnered recognition from a variety of organizations and publications, including Black Enterprise, Vibe Magazine, People Magazine and The Hollywood Reporter. She has been honored with awards from the National Association of Black Female Executives in Music Entertainment, ASCAP’s “Woman Behind the Music” Award,“ Marketer of the Year” by Ad Age, and she was recently recognized by the National Congress and Convention of Haitian-Americans for her philanthropic work. Essence Magazine also named her a “21st Century Renaissance Sister.” While television production, talent management and publishing for Monami Entertainment are at the core of her business, Scott-Young is also part owner and Chief Marketing Officer of Myx Fusions Moscato, (www.myxfusions.com) - a premium, ready-to-drink wine beverage currently in over 60 markets worldwide.
    [Show full text]
  • Letter in Support of Commutation Petition of Chauncey Hawkins Page 2
    The Weldon Project 3218 Glendale Blvd Los Angeles, CA 90039 www.theweldonproject.org June 13, 2019 President Donald J. Trump The White House 1600 Pennsylvania Ave NW. Washington, D.C. 20500 RE: Commutation Petition of Chauncey Hawkins Dear Mr. President: On behalf of Amir Muhadith (previously known as Chauncey Hawkins and Loon) and his family, we strongly urge you to grant him a presidential commutation of sentence without delay. The undersigned—musicians, actors, filmmakers, and community leaders strongly believe that justice necessitates the exercise of executive clemency in this case. In 2013, Mr. Hawkins was sentenced to 14 years’ imprisonment for a minor role in a non-violent drug case.1 His sentence was subsequently lowered to 136 months (11 years, 4 months) as a result of the All Drugs Minus 2 Amendment by the U.S. Sentencing Commission in 2014. He has served over 7 years of his sentence. We believe this should be enough. Chauncey Hawkins was born in Harlem, New York, and as a young adult he started his career in the music industry as a member of Mase’s rap group Harlem World and then became part of P. Diddy’s Bad Boy Records under the name Loon. He released his self- titled debut album Loon and made many guest appearances on songs of the R&B and hip hop genres.2 But he is most known for his appearance on P. Diddy’s hit songs “I Need A 1 Former Bad Boy Rapper Loon Gets 14-Year Sentence, BET (July 19, 2013); http://www.bet.com/news/music/2013/07/19/former-bad-boy-rapper-loon-gets-14-year- sentence.html 2 See https://en.wikipedia.org/wiki/Loon_(rapper) 3218 Glendale Blvd Los Angeles, CA 90039 | www.theweldonproject.org Letter in Support of Commutation Petition of Chauncey Hawkins Page 2 Girl” featuring Usher and “I Need A Girl Part 2” featuring Ginuwine.3 In 2004, Loon left Bad Boy Records to start his own label, Boss Up Entertainment.
    [Show full text]
  • Mariah Carey Butterfly Mp3, Flac, Wma
    Mariah Carey Butterfly mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Butterfly Country: Malaysia Released: 1997 Style: RnB/Swing MP3 version RAR size: 1601 mb FLAC version RAR size: 1876 mb WMA version RAR size: 1660 mb Rating: 4.1 Votes: 752 Other Formats: AA AC3 VOX AHX VOC AAC MPC Tracklist Hide Credits Honey Backing Vocals – Melonie DanielsDrum Programming – Q-TipEngineer – Dana Jon Chappelle, Glen Marchese, Rich TravaliEngineer [Assistant] – Ian Dalsemer, Ken Ross Keyboards – Stevie J.*Lead Vocals, Backing Vocals – Mariah CareyLyrics By – M. 1 Carey*Mastered By – Herb Powers, Jr.*Mixed By – Tony MaseratiMusic By – B. Robinson*, 5:01 K. Fareed*, L. Price*, M. McLaren*, M. Carey*, R. Larkins*, S. Combs*, S. Hague*, S. Jordan*Producer – Mariah Carey, Sean "Puffy" Combs*, Stevie J.*, The UmmahProgrammed By [Keyboard Programming], Drum Programming – Stevie JVocals [Additional] – Mase, The Lox Butterfly Backing Vocals – Mary Ann Tatum, Melonie DanielsEngineer – Dana Jon Chappelle, David Gleeson, Mike Scott Engineer [Assistant] – Ian Dalsemer, Oliver "Wiz" Bone*Keyboards 2 [Additional], Drum Programming, Programmed By [Rhythm], Sound Designer, Programmed 4:35 By [Computer Programming] – Dan SheaKeyboards, Synthesizer, Programmed By – Walter AfanasieffLead Vocals, Backing Vocals – Mariah CareyLyrics By – M. Carey*Mastered By – Bob LudwigMixed By – Mick GuzauskiMusic By – M. Carey*, W. Afanasieff* My All Engineer – Dana Jon Chappelle, Mike Scott Engineer [Assistant] – Ian DalsemerKeyboards [Additional], Drum Programming,
    [Show full text]
  • Love & Hip Hop: Atlanta (Series 5)
    Love & Hip Hop: Atlanta (Series 5) 16 x 60’ EPISODIC BREAKDOWN 1. Episode 001 While Stevie and Joseline are away conquering L.A., Mimi is beginning her own life with a new boo Chris, and everyone is dying to meet Mimi’s new love. What they don’t know is that Chris is a “she” and not a “he”. But all will be revealed at Chris’ Birthday Party. There’s a new ‘Empire’ family in town, and they’re about to raise some hell up in the A. The King family are Atlanta rapping royalty, due to their close association with Stevie J and the notoriety surrounding their slain family member Dolla. Their leading son Scrapp has big shoes to fill, but he’s distracted by love triangle drama surrounding his main chick Tommie and baby mama Tiara. Tommie and her new friends are up to no good and spying on Tommie’s “competition” Tiara. And we’re about to see how much trouble Scrapp has wrangling his women when they come face to face. Scrappy’s unpleasant court dealings with Erica Dixon are a thing of the past. But the fallout is very present. Bambi and Scrappy are over, with both moving on with their lives. And Momma Dee & Scrappy are furious with Kirk and Rasheeda for not showing up for Scrappy when he needed his friends the most. Cousins Scrappy and Joc have moved into a Bachelor Pad and are enjoying the benefits of living single. They’re celebrating their freedom with a bevvy of beauties, when Joc takes interest in Scrappy’s hot new assistant.
    [Show full text]