DOCSLIB.ORG

Young Women's Meanings of Money and Economic Self-Sufficiency in A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Young Women's Meanings of Money and Economic Self-Sufficiency in A A Penny For Their Thoughts: Young Women’s Meanings of Money and Economic Self-sufficiency in a Gender Context. Master’s Thesis in Sociology Gender, Sexuality and Society By Joëlle Tieks 10672532 1st supervisor: M.D. Cottingham 2nd supervisor: S.M. Steinmetz Amsterdam, July 2017 Werkman, H.N. Vrouweneiland 9. 1942 J.B. TIEKS | 2 TABLE OF CONTENTS ABSTRACT .......................................................................................................................... 4 1 INTRODUCTION ............................................................................................................ 6 2 THEORETICAL FRAMEWORK ................................................................................... 8 2.1 Gendered money ........................................................................................................... 8 2.2 Gender and economic dependence .............................................................................. 11 2.3 The Dutch context ....................................................................................................... 12 2.4 Materialist Feminism .................................................................................................. 15 2.5 Masculinities, Femininities and Heteronormativity ................................................. 16 3 METHODOLOGY .......................................................................................................... 18 3.1 Research objectives ....................................................................................................... 18 3.2 Integrating feminist research principles..................................................................... 19 3.3 Design ........................................................................................................................... 20 3.4 Sample .......................................................................................................................... 21 3.5 Analyzing the data ....................................................................................................... 22 4 FINDINGS ....................................................................................................................... 24 mo money / mo problems: 4.1 Young women’s meanings of money ............................................................................. 25 4.1.1 Self-determination ..................................................................................................... 25 4.1.2 Concerns .................................................................................................................... 26 4.1.3 Money as a necessity ................................................................................................. 27 all the women, who are independent / throw your hands up at me: 4.2 Young women’s meanings of economic self-sufficiency ............................................. 28 4.2.1 Lifelong learning process .......................................................................................... 28 4.2.2 Hierarchies of dependency ....................................................................................... 29 4.2.3 Make your own luck ................................................................................................. 30 money trees is the perfect place for shade / and that's just how I feel: 4.3 Gender-based beliefs of money ...................................................................................... 31 4.3.1 Dating demands ........................................................................................................ 31 4.3.2 (E)masculation .......................................................................................................... 32 4.3.3 Manly money ............................................................................................................ 33 MSc. Thesis Sociology | Gender, Sexuality and Society J.B. TIEKS | 3 give me a run for my money: 4.4 Gender-based beliefs of economic self-sufficiency (ESS) ........................................... 35 4.4.1 Supportive care vs. Unhealthy partner dependency ............................................... 35 4.4.2 The Breadwinner ...................................................................................................... 36 4.4.3 Urgency ..................................................................................................................... 37 4.4.5 Domestic obligations ................................................................................................ 37 5 DISCUSSION ................................................................................................................. 40 5.1 Becoming an independent woman 101: everyday practices ....................................... 40 5.2 Mighty Mechanisms of Masculinity .......................................................................... 42 5.3 The Heteronormative Underpinnings ...................................................................... 44 6 CONCLUSION .............................................................................................................. 47 6.1 Main outcomes ............................................................................................................ 47 6.2 Recommendations for future (policy) research ......................................................... 50 6.3 Limitations ................................................................................................................... 51 BIBLIOGRAPHY ................................................................................................................ 53 APPENDIX I: INTERVIEW GUIDE .............................................................................. 56 APPENDIX II: OVERVIEW FINAL CODING CATEGORIES ................................ 57 MSc. Thesis Sociology | Gender, Sexuality and Society J.B. TIEKS | 4 ABSTRACT I present an empirical study that investigates Dutch women’s meanings of money and economic self- sufficiency in a gender context. These themes are often framed in a research context that illustrate economic inequalities in merely quantitative ways, or they theorize about the microsociology of the family and division of labor. From a critical feminist perspective, I argue that both scientific- and policy research are failing to address underlying meanings and beliefs. That is, how do women perceive concepts of money and economic self-sufficiency and how do these play out as themes in women’s everyday lives? Furthermore, I am exploring how young women are connecting money and economic self-sufficiency to meanings of gender and ideas of masculinity and femininity. A materialist feminist framework enables me to carry out the objectives of this thesis while adhering to certain feminist research principles. I based my study on six focus groups that were organized with young women across various educational levels. The results show that they all recognize the importance of economic self- sufficiency, many having it set as a life goal. Through their meanings and discourses of economic self- sufficiency, women have constructed the image of the strong and independent woman - an identity all participants embraced. Simultaneously, traditional gender beliefs and conventions prevail; a majority of the women – regardless of educational level- expect men to take responsibilities for the costs on a 1st date. Highly educated women do not dismiss money as being directly connected to masculinity, but they do emphasize how they prefer men to be ambitious, determined and completely self-sufficient. A proportion of the MBO educated participants did acknowledge money to be important for men to have, linking it directly to certain material prosperity. They also desire men to work hard and be financially capable to provide for the family. One of largest discrepancy between educational levels lies in the attitudes towards (non) paid labor; MBO educated women perceive the private sphere as their domain with domestic work and childcare being a woman’s strength and responsibility. Men, in their perception, are not capable nor suitable to perform structural domestic tasks. My research makes novel contributions to the existing literature by demonstrating how gendered economic inequalities are comprising much more of the social world beyond quantitative data. I view my findings as provocative starting point for future (policy) research that centralizes women’s everyday existence in a variety of social contexts. MSc. Thesis Sociology | Gender, Sexuality and Society J.B. TIEKS | 5 Many thanks.. To all the amazing young women who cared to share their everyday realities with me. To Marci for her supervision and helpful feedback. Special thanks and much love.. To my parents - for wanting nothing but the very best for their girls. I am so grateful for your love and support during all these years of university. To Ax - for all your valuable input and many hours of proofreading. Above all, for reminding me, time after time, that this master's degree was one of the best choices I made. To Esmée and Naomie - my favorite feminists. MSc. Thesis Sociology | Gender, Sexuality and Society J.B. TIEKS | 6 INTRODUCTION 1 Since the end of the 1980’s, the Dutch government has made it a political priority to promote the economic independence among the Dutch female population. The first national campaign introduced the catchy slogan “Een slimme meid is op haar toekomst voorbereid”, which loosely translates to “A clever girl
Load more

Recommended publications
  • Mascots Skits Skits
    Mascots skits skits Looking for a simple skit? Here are some great ideas from other mascots! Remember, you can always build on a skit that is designed for one mascot and make it a two-mascot skit. The more fur the better! Just brainstorm a bit, and if something sounds good, build on it! “NsYNc” mascot passes out from seeing that “hideous looking” person or This skit would probably work best at a pep rally in a basketball the mascot falls over, then gets up and starts running from the gym. Have about five different people seated around the gym faculty member. Of course, the people being picked out of the in different areas. Then, come out to a familiar dance song. audience will have to be prearranged. Be careful who you select Dance around the gym and start to grab the seated people and to be the “ugly” faculty member (your grades may depend on it)! take them to the middle of the court. Tell them to act like they are surprised and embarrassed that they are getting pulled out -Wayneukcat onto the court. Once all five people are with you at center court, you should continue to dance around while they stand there “cheatiNg Mascot” acting like they have no idea what is going on. Then, you all start to bust out in a synchronized dance. The crowd would love it, Mascot walks out with a girl and flirts around with her to “Sugar since they think that these people were just randomly selected. Pie, Honey Bunch.” Then the mascot leaves that girl to go and It is important that you practice the dance many times before dance with a group of girls a few feet away to the Jay-z song putting on the skit, so that it looks sharp.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • 112 Only You Mp3, Flac, Wma
    112 Only You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Only You Country: US Released: 1996 Style: RnB/Swing MP3 version RAR size: 1158 mb FLAC version RAR size: 1737 mb WMA version RAR size: 1669 mb Rating: 4.3 Votes: 980 Other Formats: DMF AA AUD AHX AU AIFF AAC Tracklist Hide Credits A1 Only You (Radio Mix) 4:21 Only You (Clean Radio Mix) A2 4:21 Featuring – Notorious B.I.G. A3 Only You (Instrumental) 4:21 B1 Only You (Radio Mix) 4:21 Only You (Clean Radio Mix) B2 4:21 Featuring – Notorious B.I.G. B3 Only You (Instrumental) 4:21 Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Recorded At – Daddy's House Recording Studio Mixed At – Daddy's House Recording Studio Published By – Big Poppa Music Published By – Justin Combs Publishing Published By – EMI April Music Inc. Published By – Sounds From The Soul Published By – Amani Music Published By – Kevin Wales Music Produced For – Bad Boy Entertainment, Inc. Credits Design – The Drawing Board Engineer [2nd Engineer] – Rasheed Goodlowe Executive-Producer – Sean "Puffy" Combs* Executive-Producer [Associate Executive Producer] – Kevin Wales Mixed By – Lane Craven, "Prince" Charles Alexander* Photography By – Danny Clinch Producer – Sean "Puffy" Combs*, Stevie J.* Rap, Written-By [Rap] – The Notorious B.I.G.* (tracks: A2, B2) Recorded By – Chauncey Mahan, Tony Maserati Written-By – DJ Rogers*, D. Jones*, H. Case*, M. Scandrick*, M. Keith*, Q. Parker*, R. Finch*, S. Combs*, S. Jordan* Barcode and Other Identifiers Barcode:
    [Show full text]
  • All Results Encore Performing Arts Showcase, Inc. June 21-25, 2021
    Encore Performing Arts Showcase, Inc. All Results June 21-25, 2021 Henderson, NV, USA Green Valley Ranch Resort Division 1 Mini Solo Place Entry # Roune Name Studio 1 817 A Million Dreams Unique Performing Arts 2 820 Survivor Expressive Movement Dance 3 813 POWER Rancho Belago Dance Company 4 810 Buermilk Biscuts Unique Performing Arts 5 812 I've Got The Music In Me Dance Dynamics 6 816 WIND IT UP Rancho Belago Dance Company 7 818 I'm Cute Dance Dynamics 8 809 Jazz Baby Dance Dynamics 9 804 Diamond in the Sun Lonestar Collecve Dance 10 807 Friend Like Me Expressive Movement Dance Division 1 Mini D/T Place Entry # Roune Name Studio 1 845 Shake the Room Dance West 2 851 Get Happy Dance Dynamics 3 849 Burning Love Unique Performing Arts 4 843 Give A Lile Whistle Dance Dynamics 5 844 Castle on a Cloud Expressive Movement Dance 6 850 Jazzercise Babies Premiere Dance Company 7 852 Cooes Expressive Movement Dance 8 848 SOUR CANDY Rancho Belago Dance Company 9 846 Chiquita Banana Effusion Dance Center 10 847 So Very Glad You're Here Expressive Movement Dance Division 1 Petes Solo Place Entry # Roune Name Studio 1 836 I See The Light Dance Dynamics 2 825 Supergirl A Time To Dance 3 839 Emergency Unique Performing Arts 4 842 Glier Shoes Laura's Dance Dynamics 5 822 HIT IT FERGIE Rancho Belago Dance Company 6 829 Swagger Jagger QC Dance 7 835 Shake Senora Unique Performing Arts 8 828 Belle and Boujee Creave Edge Dance Studio 9 821 How Far I'll Go Unique Performing Arts 10 840 Fergalicious Expressions Dance & Music Division 1 Pete D/T Place Entry
    [Show full text]
  • Producers. UN -BREAK MY HEART Toni Braxton
    1000 NUMBER ONES GANGSTA'S PARADISE (FROM "DANGEROUS MINDS ") (oolio Featuring LV. FANTASY Mariah Carey EXHALE (SHOOP SHOOP) (FROM "WAITING TO EXHALE') Whitney Houston ONE SWEET DAY Mariah Carey & Boyz II Men BECAUSE YOU LOVED ME (FROM "UP CLOSE & PERSONAL ") ( eline Dion ALWAYS BE MY BABY Mariah Carey The 'OOs THA CROSSROADS BoneThugs -N- Harmony HOW DO U WANT IT/CALIFORNIA LOVE 2Pac Featuring K-Ci &Join Timberlake. YOU'RE MAKIN' ME HIGH /LET IT FLOW Toni Braxton MACARENA (BAYSIDE BOYS MIX) Los del Rio NO DIGGITY BLACKstreet (Featuring Dr. Dre) Producers. UN -BREAK MY HEART Toni Braxton WANNABE Spice Girls CAN'T NOBODY HOLD ME DOWN Puff Daddy (Featuring Mase) Black Eyed Peas. HYPNOTIZE The Notorious B.I.G. MMMBOP Hanson `Stronger.' I'LL BE MISSING YOU Puff Daddy& Faith Evans Featuring 112 MO MONEY MO PROBLEMS The Notorious B.I.G. featuring Puff Daddy& Mase HONEY Mariah Carey op music" has long had the most vague of 4 SEASONS OF LONELINESS Boyz II Men definitions. Unlike rock or hip -hop or coun- CANDLE IN THE WIND 1997 Elton John try, it has never been characterized by sonic, TRULY MADLY DEEPLY Savage Garden It in TOGETHER AGAIN Janet ideological qualities. exists accordance NICE &SLOW Usher with popular -and more recently- techno- MY HEART WILL GO ON (cline Dion logical demands. The No. 1 hits of the 21st century were GETTIN' JIGGY WIT IT Will Smith and still are defined by information conglomeration and ALL MY LIFE K -(i & Join TOO (LOSE Next overload. The sound of now isn't a single aesthetic, but a MY ALL Mariah Carey tangled mess of them.
    [Show full text]
  • Hold Ya Head Notorious Big Free Mp3 Download Notorious B.I.G
    hold ya head notorious big free mp3 download Notorious B.I.G. Christopher George Latore Wallace (May 21, 1972 ? March 9, 1997), also known as Biggie Smalls (after a stylish gangster in 1975's Let's Do it Again) and Frank White (from the film King of New York), but best known as The Notorious B.I.G. (Business Instead of Game and, since his death, Books Instead of Guns), was a popular Brooklyn-born rapper of the mid-1990s. His career was overshadowed by the Bad Boy/Death Row Records feud during his life, but following his untimely death in 1997, The Notorious B. His career was overshadowed by the Bad Boy/Death Row Records feud during his life, but following his untimely death in 1997, The Notorious B.I.G. has been celebrated as a hip-hop legend. He is remembered for his storytelling ability, talented freestyling ability, and his easy to understand yet complex flow. The Notorious B.I.G. is considered by many to be one of the greatest rappers of all time. Christopher Wallace was born in the Bedford-Stuyvesant section of Brooklyn, New York. His father, George Latore, left the family shortly after his birth, and his mother, Voletta, was a schoolteacher. While he is known to have dropped out of school and become a drug dealer, his mother has claimed that the family was not poor and that Wallace exaggerated his childhood situation in his lyrics. His best childhood friend and inspiration was a chubby kid who went by the name of Lil Punisha.
    [Show full text]
  • Week 8 - May 20 No Lecture Next Week (May 23), but Paper #3 Is Due at Noon on Tritoned
    Week 8 - May 20 No lecture next week (may 23), but paper #3 is due at noon on TritonEd. ... Next deadlines: 6/3 for proposal, 6/7 for final paper. Final exam: 6/12 at 7pm * Note: reputable news outlets are acceptable sources. This doesn't include infowars / 8chan / national inquirer. It does include The Source. ... Sections WILL meet next week, EXCEPT MONDAY sections ... CAPE Reviews will be available next week. Please fill these out! These are valuable to me, both professionally and personally. I will offer a small xtrae credit boost if the class achieves 90% participation. ... Check on your TritonEd, make sure everything looks kosher Final Exam Format 1. Listening IDs, drawn from emboldened tracks on the course page. ◦ 30-60 second clip, played three times ◦ Name the artist and the song 2. Timeline fill-in ◦ I provide a timeline, you fill it in with a specified number :of ◦ songs ◦ trends/events ◦ These do not necessarily have to have dates on them, but they have to be approximately in the correct order/location on the timeline This is a blank timeline: To do, May 20: 1. Listening ID prep 2. Review from last week. 3. The South (finish last week) 4. Hip hop as "the most popular popular music" ◦ Theoretical/critical (Tate + Kitwana readings) ◦ musical -- the sound of pop and hip hop in the late 1990s/turn of century Greg Tate, "Hip Hop turns 30" • Written in 2004, by which time Hip Hop has become the most popular musical form (in the world?) • Looking back on 30 years of hip hop history, the period we have covered in this course so far.
    [Show full text]
  • For the Love of Money Tax Day 2016
    For the Love of Money Tax Day 2016 LENGTH TITLE ARTIST bpm 2:50 Money (That's What I Want) - Remastered The Beatles 129 7:21 For the Love of Money The O'Jays 97 4:13 Money's Too Tight [To Mention] (2008 Remastered Album Version) Simply Red 113 6:34 Money Pink Floyd 124 5:05 Death & Taxes Daniel Caesar 114 4:41 What If We All Stopped Paying Taxes? Sharon Jones & The Dap-King 102 3:32 Just Got Paid Johnny Kemp 117 3:13 Money On My Mind Sam Smith 134 4:03 You Never Give Me Your Money - Remastered The Beatles 174 3:10 Moneygrabber Fitz and The Tantrums 113 2:53 Take The Money And Run Steve Miller Band 98 3:54 Money The Drums 102 7:19 For the Love of Money The O'Jays 97 3:09 Money, Money, Money ABBA 120 2:49 Taxes, Texas Hank Penny 120 3:02 Taxes Danny Griego 110 7:43 Damn Taxes (Original Mix) Luis Armando 125 7:05 Taxes Dirty - Original Mix Greyhead 127 6:34 Taxes Dirty - Mark Rogan Revamp Remix Mark Rogan 128 5:15 Taxes Dirty - Mato Mutante Remix Mato Mutante 128 3:09 Money - Death Before Taxes Mix KMFDM 178 2:28 Taxes, Troubles, and Heartaches Chris Warner 126 2:39 Taxman - Remastered The Beatles 134 3:33 Sunny Afternoon The Kinks 123 2:21 Fortunate Son Creedence Clearwater Revival 133 4:16 Taxman, Mr. Thief Cheap Trick 113 3:21 Success Story The Who 138 3:28 Movin' Out (Anthony's Song) Billy Joel 134 3:01 After Taxes Johnny Cash 160 8:21 Tax Free Jimi Hendrix 81 4:12 Mo Money Mo Problems (feat.
    [Show full text]
  • OTHELLO: the REMIX by the Q Brothers (GQ and JQ)
    OTHELLO: THE REMIX by the Q Brothers (GQ and JQ) CHARACTER BREAK DOWN /DESCRIPTIONS OTHELLO is a modern-day hip hop mogul. He is a gifted rapper and a self-made entrepreneur who escaped the pitfalls of the ghetto he was raised in. He is now the most respected rapper in the music industry, with over ten million records sold. (Archetype: Jay-Z/The Game) DESDEMONA is a disembodied voice. A powerful soul singer, her musical hooks help to elevate Othello's sound from ghetto rap to mainstream hits. In straight dialogue, she communicates with sound but no words. (Archetype: Adele/Christina Aguilera) IAGO is an underground rapper who has been in Othello's crew since its inception. He is the best lyricist of the bunch, and a hip hop purist who is disgusted by the way rap is turning into mainstream pop music. (Archetype: Eminem/Nas) CASSIO is the newest member of Othello's crew. He is a great dancer who raps about dancing and flirting with the ladies. For him, entertainment is paramount. Rap comes second. (Archetype: Will Smith/Mase) EMILIA is Iago's wife and close friend of Desdemona. She is always trying to get Iago's affection and attention, but to no avail. She is supportive of his career and only receives verbal abuse in return. RODERIGO is a nerdy lighting technician who travels with the crew on tour. He is secretly in love with Desdemona, who doesn't even know he exists. He loves sci-fi and fantasy movies/books and videos games. He speaks with a lateral lisp.
    [Show full text]
  • Mo' Data, Mo' Problems?
    MO’ DATA, MO’ PROBLEMS? PERSONAL DATA MINING AND THE CHALLENGE TO THE DATA MINIMIZATION PRINCIPLE Liane Colonna 1. Introduction Data minimization is a bedrock principle of data protection law. It is enshrined in privacy regulations all around the world including the OECD Guidelines, the EU Data Protection Directive, the APEC Privacy Framework and even the recent US Consumer Privacy Bill of Rights. The principle requires that the only personal data that should be collected and stored is that data, which is necessary to obtain certain specified and legitimate goals. It further requires that the personal data should be destroyed as soon as it is no longer relevant to the achievement of these goals. Data minimization is a rather intuitive and common sense practice: do not arbitrarily collect and store data because this will only lead down a road of trouble consisting of such things as privacy and security breaches. It’s the analogue to “mo’ money, mo’ problems.”1 The predicament is, however, because of recent advances in software development and computer processing power, “mo’ data” often means “mo’ knowledge” which, like money, can be used to solve many of life’s problems. This paper is about how the concept of personal data mining, a term used to explain the individual use of dynamic data processing techniques to find hidden patterns and trends in large amounts of personal data, challenges the concept of data minimization. It is an attempt to demonstrate that fair information principles like data minimization, while providing a useful starting point for data protection laws, must give way to more nuanced legal rules and models.
    [Show full text]
  • Higher Ground Song List
    Higher Ground Song List Top 40 I like it – Enrique Iglesias All about that bass – Meghan Trainor I love it – Icona Pop American boy – Estelle Ignition – R. Kelly Bad romance – Lady Gaga Just dance – Lady Gaga Bailando – Enrique Iglesias Lady - Modjo Bang bang – Jessie J Last Friday night – Katy Perry Bartender – T Pain Latch – Disclosure Because of you – Ne Yo Lean on – Major Lazer and DJ Snake Blame it – Jamie Foxx Let it rock – Kevin Rudolph Blurred lines – Robin Thicke Let’s get it started – Black Eyed Peas Boom boom pow – Black Eyed Peas Locked out of heaven – Bruno Mars California girls – Katy Perry Marry you – Bruno Mars Call me maybe – Carly Rae Jepson Moves like Jagger – Maroon 5 Can’t feel my face – The Weeknd Mr. Saxobeat – Alexandra Stan Cheerleader – OMI Music sounds better with you – Stardust Clarity - Zedd My love – Justin Timberlake Closer – Ne Yo No one – Alicia Keys Crazy in love – Beyonce OMG – Usher Cups – Anna Kendrick One more night – Maroon 5 Domino – Jessie J One more time – Daft Punk Don’t stop the music – Rihanna Party rock – LMFAO Don’t stop the party - Pitbull Problem – Ariana Grande Dynamite – Taio Cruz Raise your glass – Pink Fancy – Iggy Azelea Rather be – Clean Bandit Feel so close – Calvin Harris Rolling in the deep – Adelle Fireball – Pitbull Rude - Magic Forget you – Cee Lo Safe and sound – Capitol Cities Game of love – Santana w/ Michelle Save the world – Swedish House Mafia Branch Say ah – Trey Songz Gangnam style – Psy Scream and shout – Will.i.am & Britney Get lucky – Daft Punk Sexy and I know it – LMFAO GDFR – Flo Rida Sexy back – Justin Timberlake Gimme more – Britney Spears Sexy chick – David Guetta Glad you came – the Wanted Shake it off – Taylor Swift Green light – John Legend Shut up and dance – Walk the Moon Good feeling – Flo Rida Single ladies – Beyonce Happy – Pharrel Slave – Britney Spears Hey mama – David Guetta ft.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M.
    [Show full text]