A Member of the Presbyterian Church in America | PCA 65 Old Montgomery Highway | Birmingham, Alabama 35209 205.871.7002 |

Total Page:16

File Type:pdf, Size:1020Kb

A Member of the Presbyterian Church in America | PCA 65 Old Montgomery Highway | Birmingham, Alabama 35209 205.871.7002 | A member of the Presbyterian Church in America | PCA 65 Old Montgomery Highway | Birmingham, Alabama 35209 205.871.7002 | www.covpres.com All Content Copyright © CovPress Publishing. Reprinting of this material is permitted (up to 50 copies) for use in discussion or classroom settings. Please copy portions in their entirety, note the source, and distribute the copies free of charge. 28 1 DAILY WORSHIP RESOURCES The Lord’s Day in Worship These readings are provided as a personal, family or group worship resource. Use COVENANT PRESBYTERIAN CHURCH them along with your worship guide as resources for readings, prayers and hymns. Set in the Revised Common Lectionary (RCL), a schedule of daily Bible readings in accord with the Church year, these scripture readings are designed around a three-year cycle that will take you through the Old Testament once, the New Testament twice, and the Psalms frequently. sunday christ the king And God spoke all these words, saying,R 2“I am the Lord your God, who brought you out of the land of Egypt, out of the house of slavery. SUNDAY, THE LORD’S DAY • CHRIST THE KING SUNDAY 3 Morning Psalm 118 Isaiah 19:19-25 Luke 19:11-27 “You shall have no other gods before me. 4 Evening Psalm 145 Romans 15:5-13 “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that 5 MONDAY is in the water under the earth. You shall not bow down to them or serve Morning Psalm 106:1-18 Joel 3:1-2, 9-17 Matthew 19:1-12 them, for I the Lord your God am a jealous God, visiting the iniquity of the Evening Psalm 106:19-48 1 Peter 1:1-12 fathers on the children to the third and the fourth generation of those who hate me, 6but showing steadfast love to thousands of those who love me TUESDAY and keep my commandments. Morning Psalm 121, 122, 123 Nahum 1:1-13 Matthew 19:13-22 7“You shall not take the name of the Lord your God in vain, for the Lord | november 24, 2013 9:00 a november Evening Psalm 124, 125, 126 1 Peter 1:13-25 will not hold him guiltless who takes his name in vain. 8“Remember the Sabbath day, to keep it holy. 9Six days you shall labor, and WEDNESDAY do all your work, 10 but the seventh day is a Sabbath to the Lord your God. Morning Psalm 119:145-176 Obadiah 15-21 Matthew 19:23-30 On it you shall not do any work, you, or your son, or your daughter, your Evening Psalm 128, 129, 130 1 Peter 2:1-10 male servant, or your female servant, or your livestock, or the sojourner who is within your gates. 11For in six days the Lord made heaven and earth, THURSDAY the sea, and all that is in them, and rested on the seventh day. Therefore Morning Psalm 131, 132, 133 Zephaniah 3:1-13 Matthew 20:1-16 the Lord blessed the Sabbath day and made it holy. Evening Psalm 134, 135 1 Peter 2:11-25 12“Honor your father and your mother, that your days may be long in the land that the Lord your God is giving you. FRIDAY 13“You shall not murder. Morning Psalm 140, 142 Isaiah 24:14-23 Matthew 20:17-28 14 “You shall not commit adultery. m Evening Psalm 141, 143 1 Peter 3:13-4:6 15“You shall not steal. 16“You shall not bear false witness against your neighbor. SATURDAY 17“You shall not covet your neighbor's house; you shall not covet your Morning Psalm 137, 144 Micah 7:11-20 Matthew 20:29-34 Evening Psalm 104 1 Peter 4:7-19 neighbor's wife, or his male servant, or his female servant, or his ox, or his donkey, or anything that is your neighbor's.” SUNDAY, THE LORD’S DAY • FIRST SUNDAY OF ADVENT –Exodus 20:1-17 Morning Psalm 146, 147 Amos 1:1-5, 13-2:8 Luke 21:5-19 Evening Psalm 111, 112, 113 1 Thessalonians 5:1-11 { GATHERED WORSHIP: The Triune God Renews His People } 2 27 7 OPENING HYMN RULING ELDERS Sandy Stradtman, Clerk of Session [email protected] “Immortal, Invisible” b Hymn 25 Immortal, invisible, God only wise, Steve Ankenbrandt Michael Latta Jason Peevy Bryan Balogh Rich Laws Norman Pless In light inaccessible hid from our eyes, Most blessed, most glorious, the Ancient of Days Bill Bennett Charlie Logan Bob Schaffeld sunday christ the king Almighty, victorious—Thy great name we praise. Will Brooke Robert Luttrell Carter Stewart Steve Casey Russell Martin Richard Thompson Unresting, unhasting, and silent as light, William Dow Tom McKnight Sam Tortorici Nor wanting, nor wasting, Thou rulest in might; A. C. Frese Bruce McLeod Charles White Thy justice, like mountains, high soaring above Mark Hogewood Warren Norville Lex Williamson Thy clouds, which are fountains of goodness and love. Great Father of glory, pure Father of light, Thine angels adore Thee, all veiling their sight; DEACONS All praise we would render—O help us to see Ty Dedmon, Chairman of the Diaconate [email protected] | ‘Tis only the splendor of light hideth Thee! november 24, 2013 9:00 a november Repeat verse 1 Mark Averyt Jeff Hicks Matt Searson Lee Baker Andrew Hart William Siegel (Words: Walter Chalmers Smith (1824-1908). Music: Welsh melody.) Michael Brooks John James Todd Sitton Trey Clegg Mason Johnston John Smith T Nathan Collums Merrill Johnston Alan Spooner Jeff Dyess David Malone Barry Staples Stephen Fitts Joel Megginson Dave Traylor Eric Getty Bud Miller Darrell Tucker Heath Henderson Stephen Mince Brian Vines m 7 Congregation stand, as able 26 3 STAFF CONTACT INFORMATION 7 CALL TO WORSHIP EXECUTIVE STAFF Pastor: The LORD reigns, he is robed in majesty; Bill Boyd, Senior Pastor [email protected] the LORD is robed, Rick Barnes, Director of Musical Arts [email protected] he is girded with strength. Yes, the world is established; Marty Crawford, Church Administrator [email protected] it shall never be moved; sunday christ the king David Driskill, Pastor of Collegiate Ministries [email protected] Dan Edwards, Pastor to Children and Families [email protected] People: Your throne is established from of old; Danny Giffen, Pastor of Discipleship [email protected] You are from everlasting Lucy Anderson, Curator, Director of Young Adults [email protected] Pastor: Mightier than the thunders of many waters, Ingram Link, Director of Women's Ministries [email protected] Mightier than the waves of the sea, John Steakley, Director of Student Ministries [email protected] The LORD on high is mighty! Mitch Welborn, Pastor of Jr. High Ministries [email protected] Bill Hay, Pastor Emeritus [email protected] People: All your works shall give thanks to you, O LORD, and all your saints shall bless you! | Our mouths will speak the praise of the LORD, 24, 2013 9:00 a november MINISTRY AND ADMINISTRATIVE STAFF let all flesh bless his holy name forever. Jami Bennett, Director of Mother's Day Out [email protected] Meg Cotney, Financial Secretary [email protected] from Psalm 93:1-2, 4 Katie Flores, Director of Pre-School Ministries [email protected] Phyllis Hamm, Missions Coordinator [email protected] Marilyn Lindsey, Director of Nursery Ministries [email protected] Sara Litten, Director of Sr. High Girls [email protected] Tyrone Perry, Director of Facilities [email protected] Taylor Rogers, Executive Assistant to the Senior Pastor [email protected] m Brooke Stewart, Covenant Day School Director [email protected] Mary Ashley Underwood, Director of Jr. High Girls [email protected] Victoria Williams, Church Receptionist [email protected] Karen Yendle, Director of Elementary Ministries [email protected] 4 25 7 PRAYER OF INVOCATION BUDGET UPDATE through November 15, 2013 Stir up we beseech thee, O Lord, the wills of thy faithful people, Adjusted Budget Receipts Expenses that they, bountifully bringing forth the fruit of good works, $3,068,118 $2,798,488 $3,039,332 may of thee, be abundantly rewarded; through Jesus Christ our Lord. 2013 Operating Deficit: $240,844 christ the king sunday sunday christ the king Gregorian Sacramentary, 8th Centuries; Thomas Cranmer, 16th Century FAITH PROMISE Planned Missionary Support Faith Promise Receipts $376,000 $281,949 If you have questions regarding the budget, please contact Marty Crawford in the church office or members of the Joint Finance Committee: Ty Dedmon Merrill Johnston William Dow Todd Sitton | Heath Henderson John Wood 24, 2013 9:00 a november Rich Laws m 24 5 7 SECOND HYMN SUNDAY SCHOOL COMMUNITIES “How Firm a Foundation” b Hymn 275 10:30 a.m. How firm a foundation, ye saints of the Lord, Maps and directional signs are located around the church. Is laid for your faith in His excellent Word! What more can He say than to you He hath said, sunday christ the king To you who for refuge to Jesus have fled? COLLEGE | Parlor College and university students “Fear not, I am with thee; O be not dismayed, COMMUNITY | E305 All ages and life stages For I am thy God, and will still give thee aid; I'll strengthen thee, help thee, and cause thee to stand, CORNERSTONE | S104 30s to early 40s Upheld by My righteous, omnipotent hand. CROSSPOINTE | S101 Recently married, 20s and 30s “When through fiery trials thy pathway shall lie, My grace, all sufficient, shall be thy supply: FOUNDATIONS | E301 upper 30s to 40s The flame shall not hurt thee; I only design Thy dross to consume and thy gold to refine.
Recommended publications
  • Across the Universe? a Comparative Analysis of Violent Behavior And
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Across the Universe? A Comparative Analysis of Violent Behavior and Radicalization Across Three Offender Types with Implications for Criminal Justice Training and Education Author(s): John G. Horgan, Ph.D., Paul Gill, Ph.D., Noemie Bouhana, Ph.D., James Silver, J.D., Ph.D., Emily Corner, MSc. Document No.: 249937 Date Received: June 2016 Award Number: 2013-ZA-BX-0002 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Across the Universe? A Comparative Analysis of Violent Behavior and Radicalization Across Three Offender Types with Implications for Criminal Justice Training and Education Final Report John G. Horgan, PhD Georgia State University Paul Gill, PhD University College, London Noemie Bouhana, PhD University College, London James Silver, JD, PhD Worcester State University Emily Corner, MSc University College, London This project was supported by Award No. 2013-ZA-BX-0002, awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. The opinions, findings, and conclusions or recommendations expressed in this publication are those of the authors and do not necessarily reflect those of the Department of Justice 1 ABOUT THE REPORT ABOUT THE PROJECT The content of this report was produced by John Horgan (Principal Investigator (PI)), Paul Gill (Co-PI), James Silver (Project Manager), Noemie Bouhana (Co- Investigator), and Emily Corner (Research Assistant).
    [Show full text]
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • Responding to the Next Attack
    Combating Terrorism Center at West Point Objective • Relevant • Rigorous | May 2017 • Volume 10, Issue 5 FEATURE ARTICLE A VIEW FROM THE CT FOXHOLE Responding to the James Next Attack Gagliano Learning from the police response in Orlando and San Bernardino Former FBI Hostage Rescue Team Frank Straub, Jennifer Zeunik, and Ben Gorban Counterterrorist Operator FEATURE ARTICLE Editor in Chief 1 Lessons Learned from the Police Response to the San Bernardino and Orlando Terrorist Attacks Paul Cruickshank Frank Straub, Jennifer Zeunik, and Ben Gorban Managing Editor INTERVIEW Kristina Hummel 8 A View from the CT Foxhole: James A. Gagliano, Former FBI Hostage Rescue EDITORIAL BOARD Team Counterterrorist Operator Paul Cruickshank Colonel Suzanne Nielsen, Ph.D. Department Head ANALYSIS Dept. of Social Sciences (West Point) 13 A New Age of Terror? Older Fighters in the Caliphate Lieutenant Colonel Bryan Price, Ph.D. John Horgan, Mia Bloom, Chelsea Daymon, Wojciech Kaczkowski, Director, CTC and Hicham Tiflati 20 The Terror Threat to Italy: How Italian Exceptionalism is Rapidly Brian Dodwell Diminishing Deputy Director, CTC Michele Groppi 29 Iranian Kurdish Militias: Terrorist-Insurgents, Ethno Freedom Fighters, or CONTACT Knights on the Regional Chessboard? Combating Terrorism Center Franc Milburn U.S. Military Academy 607 Cullum Road, Lincoln Hall In the early hours of June 12, 2016, an Islamic State-inspired gunman car- West Point, NY 10996 ried out the deadliest terrorist attack on U.S. soil since 9/11, shooting dead 49 people in an Orlando nightclub. The attacker was finally killed after a Phone: (845) 938-8495 three-hour hostage standof, leading to questions raised in the media over the police response.
    [Show full text]
  • Open THESIS.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS AND SCIENCES IDENTITY AND HIP-HOP: AN ANALYSIS OF EGO-FUNCTION IN THE COLLEGE DROPOUT AND THE MISEDUCATION OF LAURYN HILL LAURA KASTNER SPRING 2017 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts & Sciences and Statistics with honors in Communication Arts & Sciences Reviewed and approved* by the following: Anne Demo Assistant Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Senior Lecturer of Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In this thesis, I will be analyzing how Kanye West and Lauryn Hill create identity for themselves and their listeners in the albums The College Dropout and The Miseducation of Lauryn Hill, respectively. Identity creation will be analyzed using Richard Gregg’s concept of ego-function. By applying the three stages of the theory – victimization of the ego, demonization of the enemy, and reaffirmation of the ego – to both albums, I hope to uncover the ways that both West and Hill contribute to identity creation. I also discuss the ways in which they create identity that cannot be explained by ego-function theory. I also briefly address the following questions: (1) How does the language of ego-function differ between the artists? (2) How does their music speak to listeners of different ethnicities? (3) What role does gender play in ego-function? Does the language of ego-function differ between genders? ii TABLE OF CONTENTS Acknowledgements ………………………………………………………………......iii Chapter 1 Introduction ................................................................................................. 1 Kanye West: The Jerk and the Genius ............................................................................
    [Show full text]
  • Al-Qaeda and the Internationalization of Suicide Terrorism the Jaffee Center for Strategic Studies (JCSS)
    Yoram Schweitzer and Sari Goldstein Ferber Al-Qaeda and the Internationalization of Suicide Terrorism The Jaffee Center for Strategic Studies (JCSS) JCSS was founded in 1977 at the initiative of Tel Aviv University. In 1983 the Center was named the Jaffee Center for Strategic Studies – JCSS – in honor of Mr. and Mrs. Melvin Jaffee. The purpose of the Jaffee Center is, first, to conduct basic research that meets the highest academic standards on matters related to Israel's national security as well as Middle East regional and international security affairs. The Center also aims to contribute to the public debate and governmental deliberation of issues that are – or should be – at the top of Israel's national security agenda. The Jaffee Center seeks to address the strategic community in Israel and abroad, Israeli policymakers and opinion-makers, and the general public. The Center relates to the concept of strategy in its broadest meaning, namely the complex of processes involved in the identification, mobilization, and application of resources in peace and war, in order to solidify and strengthen national and international security. Yoram Schweitzer and Sari Goldstein Ferber Al-Qaeda and the Internationalization of Suicide Terrorism Memorandum No. 78 November 2005 Jaffee Center for Strategic Studies יורם שוייצר ושרי גולדשטיין פרבר אל קאעדה והגלובליזציה של טרור המתאבדים Editor: Judith Rosen Cover Design: Yael Kfir Graphic Design: Michal Semo, Yael Bieber Printing House: Kedem Printing Ltd., Tel Aviv Jaffee Center for Strategic Studies Tel Aviv
    [Show full text]
  • Download Mack 10 the Rescipe Album Mack 10
    download mack 10 the rescipe album Mack 10. Dedrick Rolison, (born August 9, 1971), better known by his stage name Mack 10 is an American rapper and actor. He was a member of hip hop trio Westside Connection, along with Ice Cube and WC. When the West Coast first rose atop the rap industry in the mid-'90s, Mack 10 emerged as one of the coast's most promising talents alongside his longtime associate Ice Cube. The two Los Angeles rappers co-wrote "Foe Life," Mack 10's 1995 breakthrough hit, and united a year later with WC to form the trio Westside Connection, a West Coast gangsta rap supergroup. The Westside Connection album became a sizable hit, rocketing to number two on the Billboard album chart and boasting the anthemic "Bow Down." Mack 10 continued his affiliation with Ice Cube on each successive album while at the same time launching a label of his own, Hoo Bangin' Records. As the '90s came to a close, the rapper's popularity dipped a bit, and he signed with leading Dirty South label Cash Money Records in 2001, where his career underwent some unlikely twists. Born Dedrick D'Mon Rolison in 1971, Mack 10 perpetually represented Inglewood, California throughout his career, the Los Angeles neighborhood he called home. His professional rap career began in 1995 when he signed with Priority, the premier label for West Coast rap at the time, and released his self-titled album. The West Coast gangsta movement was peaking around this time, and Mack 10 capitalized on the trend with "Foe Life," a song he wrote with Ice Cube, one of the West Coast's reigning talents.
    [Show full text]
  • Het Verleden in Hiphopmuziek Verwijzingen Naar Het Verleden Van Onderdrukking in De Hiphopcultuur Van De Jaren Negentig
    Het verleden in hiphopmuziek Verwijzingen naar het verleden van onderdrukking in de hiphopcultuur van de jaren negentig. Naam: Joris Martens Studentnummer: S4381459 Begeleider: Dhr. Riswick Inleverdatum: 15-6-2017 Radboud Universiteit Nijmegen Inhoud Inleiding .................................................................................................................................................. 2 Status Quaestionis ................................................................................................................................... 4 Bronselectie en methode ......................................................................................................................... 8 Hoofdstuk 1: ‘Verandering hangt in de lucht’ 1990-1993 .................................................................... 11 Hoofdstuk 2: ‘Hernieuwde assertiviteit’ 1994-1997 ............................................................................. 16 Hoofdstuk 3: ‘Over de grenzen van het genre heen kijken’ 1998-2000 ................................................ 23 Conclusie ............................................................................................................................................... 28 Bibliografie ............................................................................................................................................ 30 Bronnen ............................................................................................................................................. 30 Internet
    [Show full text]
  • Romantic Ideals in Contemporary Folk Music
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 Romantic Ideals in Contemporary Folk Music Brett Schwartz University of Central Florida Part of the Music Commons, and the Poetry Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Schwartz, Brett, "Romantic Ideals in Contemporary Folk Music" (2015). Electronic Theses and Dissertations, 2004-2019. 1305. https://stars.library.ucf.edu/etd/1305 ROMANTIC IDEALS IN CONTEMPORARY FOLK MUSIC by BRETT MICHAEL SCHWARTZ B.S. University of Central Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2015 ABSTRACT This thesis examines contemporary folk music from no earlier than 2006, specifically music of the bands The Decemberists, Fleet Foxes, and Bon Iver. Providing a close reading of select songs, I prove that modern music is seeing a revival in the Romantic Era and Transcendentalist ideals and philosophy. The works and philosophy of Samuel Taylor Coleridge (1772-1834), William Wordsworth (1770-1850), John Keats (1795-1821), as well as Henry David Thoreau (1817-1862), Ralph Waldo Emerson (1803-1882), among others and their critics are all considered for points of comparison to the modern lyrics.
    [Show full text]
  • University of California Archaeological Survey No
    Reports of the UNIVERSITY OF CALIFORNIA ARCHAEOLOGICAL SURVEY NO. 68, PART Ill ETHNOGRAPHIC NOTES ON CALIFORNIA INDIAN TRIBES III. ETHNOLOGICAL NOTES ON CENTRAL CALIFORNIA INDIAN TRIBES C. Hart Merriam Compiled and Edited by Robert F. Heizer University of California Archaeological Research Facility Department of Anthropology Berkeley December 1967 ETHNOGRAPHIC NOTES ON CALIFORNIA INDIAN TRIBES III. ETHNOLOGICAL NOTES ON CENTRAL CALIFORNIA INDIAN TRIBES PART I. ETHNOGRAPHIC NOTES ON CALIFORNIA INDIAN TRIBES PART II. ETHNOLOGICAL NOTES ON NORTHERN AND SOUTHERN CALIFORNIA INDIAN TRIBES Acknowledgment is made to Dr. S. Dillon Ripley, Secretary of the Smithsonian Institution, of a grant from the E. H. Harriman Fund for partial support of the publication of REPORT No. 68, Parts I, II, III. REPORTS OF THE UNIVERSITY OF CALIFORNIA ARCHAEOLOGICAL SURVEY NO. 68, PART III ETHNOGRAPHIC NOTES ON CALIFORNIA INDIAN TRIBES III. ETHNOLOGICAL NOTES ON CENTRAL CALIFORNIA INDIAN TRIBES C. HART MERRIAM Compiled and Edited by Robert F. Heizer UNIVERSITY OF CALIFORNIA ARCHAEOLOGICAL RESEARCH FACILITY Department of Anthropology Berkeley December 1967 CONTENTS WINTOON FIELD WORK AMONG THE WINTOON 257 CLASSIFICATION OF WIN-TOON STOCK 259 ETHNOBOTANY . 263 FOODS 265 NOM -LAK- KE VILLAGES 266 POc -E-WIN TRIBE OF WINTOON STOCK 270 CHOO-HEL'-NEM-SEL NOTES 272 KO-ROO VILLAGES ON MOUNDS 281 POMO MAH-KAHIV-MO CHUM-MI OF CLOVERDALE VALLEY 282 SHO-KO-A'H OF HOPLAND . a 283 ME-TUM'-MAH OF LITTLE LAKE VALLEY 286 HRAM-FO 295 YOKIAH POMO 299 BO-YAH 303 MIDOO FIELD WORK AJMONG MIDUAN TRIBES 305 KUM-MO -WIN . 313 MI-CHOPW-DO 314 NE -CE-NON 319 NIS'-SIM PA/-WE-NAN 320 MEWUK CLASSIFICATION OF NEWAN STOCK 323 FIELD WORK AMONG THE ME'-WUK 325 SOUTHERN MEWUK .
    [Show full text]
  • ICE CUBE Ice Cube Is an Award Winning Actor, Director, Producer
    ICE CUBE Ice Cube is an award winning actor, director, producer and music icon. After penning the most memorable lyrics on NWA’s groundbreaking songs “Straight Outta Compton” and “Fuck Tha Police,” Ice Cube left the group at the peak of its popularity to pursue one of the most successful careers in music history. As a solo recording artist, Ice Cube has sold more than 10 million albums while remaining one of rap’s most respected and influential artists today. Last year, he was inducted into the Rock & Roll Hall of Fame with his group NWA. In 1991 Cube made his acting debut with a lead role in the critically acclaimed and Academy Award nominated Boyz N The Hood. Since then, he has become one of the most bankable actors in Hollywood with film credits that include Friday, Three Kings, xXx: State of the Union and the Barbershop, Are We There Yet?, Ride Along, and 21 Jump Street franchises to name just a few. As an accomplished producer through his company, Cube Vision (Friday, the Barbershop, Are We There Yet? and Ride Along franchises), writer (Friday, The Players Club, The Janky Promoters) and director (The Players Club) - Ice Cube has established himself as one of entertainment’s most bankable, reliable, relevant, and prolific figures both on and off the screen. As a television producer, Cube Vision took the Barbershop and Are We There Yet? series to successful network runs and also enjoyed success with the controversial Black. White. His production company’s latest project, Hip Hop Squares on VH1 became the highest rated non-sports show to air in prime time when it premiered on March 13, 2017.
    [Show full text]
  • R. Iiirgill 1
    COMPILED FROM A NATIONAL SAMPLE OF R&B RADIO AIRPLAY MONITORED BY BROADCAST DATA SYSTEMS, Bllboa R&B RADIO PLAYLISTS AND RETAIL SINGLE SALES COL- LECTED, COMPILED, AND PROVIDED BY SoundScarr, 30, 1996 r. IIIIIII NOVEMBER RgIll 1 GLE$TM Z III z 0 0 cn 0 I-- O Y ,C ARTIST aY '--- TITLE ARTIST Vj.,', t5Li,' 0 !4 Z..,_ TITLE ,.,., 0 PRODUCER (SONGWRITER) LABEL & NUMBER/PROMOTION LABEL 0-o0- 1-= n ,-.,(.32 3 PRODUCER (SONGWRITER) LABEL & NUMBER/PROMOTION LABEL Q_ Q_ `) CNI NEVER MISS THE WATER CHAKA KHAN FEAT. ME'SHELL NDEGEOCELLO 50 54 2 50 * * *No. 1 * * * D.GAMSON (G.DEVEAUX,C.MOLE) (C) (D) (T) (V) (X) REPRISE 17503/WARNER BROS. 2 3 9 NOBODY 1 week at No. 1 KEITH SWEAT FEAT. ATHENA CAGE I CI TOUCH MYSELF (FROM "FLED") T-BOZ )(SWEAT (K.SWEAT,F.SCOTT) (C) (D) (T) (V) (X) ELEKTRA 64245/EEG 51 48 60 17 23 D.AUSTIN (D.AUSTIN) (C) (D) IT) (X) ROWDY/LAFACE 35080/ARISTA 1 13 PONY GINUWINE 1 2 1 YOU COULD BE MY BOO THE ALMIGHTY RSO FEATURING FAITH EVANS TIMBALAND (E.LUmPKIN,T.MOSLEY,S.GARRETT) (C) (D) (1) 550 MUSIC 78373/EPIC 52 53 69 3 52 CRAZY C (M.ENNIS,R.SCOTT,S.CULLINS) (C) (D) RAP-A-LOT/NOD TRYBE 3857INIRGIN NO DIGGITY BLACKSTREET (FEATURING DR. DRE) 1 3 3 2 8 BEFORE I LAY (YOU DRIVE ME CRAZY) CECE PEN ISTON T.RILEYASTEWART (T.RILEY,C.HANNIBALLWALTERSASTEWART,DR.DRE,I.HAYES,D.PORTER) (C) (D) (MI (TI (X) INTERSCOPE 97007 63 2 53 0 J.
    [Show full text]
  • Airpower Versus Terrorism Three Case Studies
    Airpower versus Terrorism Three Case Studies TODD R. PHINNEY, Major, USAF School of Advanced Air and Space Studies THESIS PRESENTED TO THE FACULTY OF THE SCHOOL OF ADVANCED AIR AND SPACE STUDIES, MAXWELL AIR FORCE BASE, ALABAMA, FOR COMPLETION OF GRADUATION REQUIREMENTS, ACADEMIC YEAR 2002–3. Air University Press Maxwell Air Force Base, Alabama 36112-5962 March 2007 This School of Advanced Air and Space Studies thesis and others in this series are available electronically at the Air University Research Web site http://research .maxwell.af.mil and the AU Press Web site http://aupress.maxwell.af.mil. Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release: dis- tribution unlimited. ii Contents Chapter Page DISCLAIMER . ii ABSTRACT . v ABOUT THE AUTHOR . vii ACKNOWLEDGMENTS . ix 1 Terrorism: Its Impact, the New American Approach, and Airpower . 1 2 Operation El Dorado Canyon: Airpower versus Libyan-Sponsored Terrorism . 9 3 Operation Infinite Reach: The 1998 US Embassy Bombing Response . 25 4 The Second Palestinian Intifada . 43 5 Conclusion . 65 APPENDIX: THE OSLO NEGOTIATIONS. 71 BIBLIOGRAPHY. 79 Illustrations Figure 1 Map of Libya . 10 2 Map of Afghanistan . 27 3 Map of Sudan . 28 4 Map of Lebanon. 44 5 Map of Israel . 47 Table 1 Operation El Dorado Canyon results summary . 16 2 Status of Palestinian Forces before the second intifada . 49 iii Abstract This study analyzes the effectiveness of airpower versus terrorism using three case studies.
    [Show full text]