| Urbana Free Library

Total Page:16

File Type:pdf, Size:1020Kb

| Urbana Free Library Suuony, Aucusr 2r,2015 T]IE AilSWER BOOK Y.L)etcome to ... URBANA The Person: Roger Ebert The Person: Clark Robinson Griggs 1 Roger.Ebert was a film critic, journalist . and screenwriter who, Clark Robinson Griggs wgs al Urbl-na mayor, state legislator with Gene popularized 9lo1S Siskel, film viewing with their a!q.9ng of the people credited with helping bring the University PBS television show "sneak previews" and lateia syndicated of lllinois to Urbana. Griggs served trruo tbrms in tEe Massachu- ' television show'At the Movies." The first film critic tb win the setts House of Represeniitives before morinlio Urbana. Pulitzer Prize for criticism, the Urbana native's column was car- ried in more than 200 newspapers, including The News-Cazette. The Place: Urbana Free Librarv He published more than 20 books and colle-ctions of his film Located in the heart of downtorrirn Urbana at the corner reviews and launched a film festival that continues each spring of Race and Creen, the Urbana Free Library is a center modern at.the Virginia Theatre in Champaign. After a years-long stiuggie for research, a site where Urbana residents'gather for with cancer, he died just before the 20l j Ebertfest was to activities and begin. a treasure trove of local historical documents. While the librarv was.fou.nded in tB74,.the current building opened in July I 9 iB. Established in I 956, the Champaign Couity'Historical The Person: Rrthives Shahid Khan is a department of the library thathaintains a research-level A native of Pakistan, billionaire "Shad', Shahid collection,on the.history and genealogy of Champaign County. Khan attended ' the University of lllinois. Khan ln I 987, the archives were designateilihe officiai re[ository worked at the automotive manufacturing com- for non-current Champaign pany Flex-N-Gate while attending the UtlAfter County records. starting Bumper Works, which made car bum- pers for customized pickup trucks and body shop repairs, Khan bought Flex-N-Cate and helped the company to begin supplying bum- pers for the Big Three automakeis. todav rchan is the owner of the Jacksonville Jaguars ind the London soccer club Fulham of the English premiei League. The Person: Joseph Royer After serving as Urbana's city engineer, Urba- na-born Joseph William Royei established his own architectural firm in about I906. By I925, much of the architectural character of down- town Urbana and many of the homes around the city were influenced by Royer. He also designed the Champaign County Courthouse. Later the Urbana City Council established the )oseph W. Royer Arts and Architecture District to honor his contributions to the community ' and to celebrate the city's historic and architectural heritage. The Person: Joseph 0. Cunningham Joseph Cunningham, who moved to Urbana in 1853, published the Urbana Union news- paper from I853 to I858 and was a delegate to the 1856 Republican state conven- tion in Bloomington. He was also a lawyer, county judge, writer on various legal and local subjects, and a member of the board of trustees of lllinois lndustrial Universiry the forerunner to the UniversiW of lllinois. According to Urbana City Coun- cil member Dennis Roberts, Cunni'ngham donated the land for Crystal Lake palk. :try & .:1- ,$' , x,.. r Roger Ebert.
Recommended publications
  • Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
    Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides,
    [Show full text]
  • Evaluating Agreement and Disagreement Among Movie Reviewers Alan Agresti & Larry Winner Version of Record First Published: 20 Sep 2012
    This article was downloaded by: [University of Florida] On: 08 October 2012, At: 16:45 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK CHANCE Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ucha20 Evaluating Agreement and Disagreement among Movie Reviewers Alan Agresti & Larry Winner Version of record first published: 20 Sep 2012. To cite this article: Alan Agresti & Larry Winner (1997): Evaluating Agreement and Disagreement among Movie Reviewers, CHANCE, 10:2, 10-14 To link to this article: http://dx.doi.org/10.1080/09332480.1997.10542015 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Chaz Ebert
    Finding Aid to The HistoryMakers ® Video Oral History with Chaz Ebert Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ebert, Chaz, 1952- Title: The HistoryMakers® Video Oral History Interview with Chaz Ebert, Dates: August 7, 2017 Bulk Dates: 2017 Physical 5 uncompressed MOV digital video files (2:30:48). Description: Abstract: Lawyer Chaz Ebert (1952 - ) worked as a litigation attorney and served as vice president of the Ebert Company Ltd. Ebert was interviewed by The HistoryMakers® on August 7, 2017, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2017_121 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Lawyer and entertainment manager Chaz Ebert was born on October 15, 1952 in Chicago, Illinois to Johnnie Hobbs Hammel and Wiley Hammel, Sr. She attended John M. Smyth Elementary School and Crane Technical High School in Chicago, Illinois and graduated in 1969. Ebert earned her B.A. degree in political science at the University of Dubuque in Dubuque, Iowa in 1972. She then received her M.A. degree in social science at the University of Wisconsin-Platteville in Platteville, Wisconsin. Ebert went on to receive her J.D. degree from DePaul University College of Law in Chicago. Ebert began her career in 1977 as a litigator for the Region Five office of the U.S. Environmental Protection Agency. After three years, she left the agency to join the litigation department at the Chicago law firm of Bell Boyd and Lloyd LLP, where she focused on mergers and acquisitions and intellectual property.
    [Show full text]
  • Scorses by Ebert
    Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press.
    [Show full text]
  • Chapter 1 Chapter 2
    Notes Chapter 1 1. Jeffrey Mirel, “The Traditional High School: Historical Debates over Its Nature and Function,” Education Next 6 (2006): 14–21. 2. US Census Bureau, “Education Summary––High School Gradu- ates, and College Enrollment and Degrees: 1900 to 2001,” His- torical Statistics Table HS-21, http://www.census.gov/statab/ hist/HS-21.pdf. 3. Andrew Monument, dir., Nightmares in Red, White, and Blue: The Evolution of American Horror Film (Lux Digital Pictures, 2009). 4. Monument, Nightmares in Red. Chapter 2 1. David J. Skal, Screams of Reason: Mad Science and Modern Cul- ture (New York: Norton, 1998), 18–19. For a discussion of this more complex image of the mad scientist within the context of postwar film science fiction comedies, see also Sevan Terzian and Andrew Grunzke, “Scrambled Eggheads: Ambivalent Represen- tations of Scientists in Six Hollywood Film Comedies from 1961 to 1965,” Public Understanding of Science 16 (October 2007): 407–419. 2. Esther Schor, “Frankenstein and Film,” in The Cambridge Com- panion to Mary Shelley (Cambridge: Cambridge University Press, 2003), 63; James A. W. Heffernan, “Looking at the Monster: Frankenstein and Film,” Critical Inquiry 24, no. 1 (Autumn 1997): 136. 3. Russell Jacoby, The Last Intellectuals: American Culture in the Age of Academe (New York: Basic Books, 1987). 4. Richard Hofstadter, Anti-Intellectualism and American Life (New York: Knopf, 1963); Craig Howley, Aimee Howley, and Edwine D. Pendarvis, Out of Our Minds: Anti-Intellectualism and Talent 178 Notes Development in American Schooling (New York: Teachers Col- lege Press: 1995); Merle Curti, “Intellectuals and Other People,” American Historical Review 60 (1955): 259–282.
    [Show full text]
  • ―Basically a True Story:‖ the Beginning Or the End, Fat Man and Little Boy, and American Remembrance of the Atomic Bomb
    ―Basically a True Story:‖ The Beginning or the End, Fat Man and Little Boy, and American Remembrance of the Atomic Bomb By Theresa Lynn Verstreater B.A. in History, December 2008, Southern Illinois University Edwardsville A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of the George Washington University in partial satisfaction of the requirements for the degree of Master of Arts January 31, 2015 Thesis directed by Charles Thomas Long Assistant Professor of History Abstract of Thesis ―Basically a True Story:‖ The Beginning or the End, Fat Man and Little Boy, and American Remembrance of the Atomic Bomb The impact of film as a vehicle for dissolution of information should not be discounted because it allows the viewer to experience the story alongside the characters and makes historical moments more relatable when presented through the modern medium. This, however, can be a double-edged sword as it relates to the creation of collective memory. This thesis examines two films from different eras of the post-atomic world, The Beginning or the End (1947) and Fat Man and Little Boy (1989), to discover their strengths and weaknesses both cinematically and as historical films. Studied in this way, the films reveal a leniency toward what professional historians might consider to be historical ―truth‖ while emphasizing moral ambiguity about the bomb and the complex relationships among the men and women responsible for its creation. While neither film boasts outstanding filmmaking, each attempts to educate the viewer while maintaining entertainment value through romantic subplots and impressive special effects.
    [Show full text]
  • Picture As Pdf
    1 Cultural Daily Independent Voices, New Perspectives Life Itself – Roger Ebert, In Memoriam: Two Thumbs Up Sophia Stein · Wednesday, July 2nd, 2014 Life Itself is such a poetic and fitting way to honor Pulitzer-Prize winning film critic Roger Ebert, a man whose life was the movies and who brought the pleasure and power of the movies to so many of us. The phenomenal documentary is directed by Steve James (Hoop Dreams), with executive producers Steve Zillian (Moneyball) and Martin Scorsese (The Departed) at the helm. With such an accomplished core creative team interpreting his memoir, life and death, Roger Ebert is in great hands. The film offers insights about the function of cinema, the symbiotic relationship between artists and critics, the cut-throat professional competitiveness, the transformative power of love at any age, and how to stare death in the eye and meet that final curtain call at the end of the “third act” with acceptance and grace. “The movies are like a machine that generates empathy,” Roger instructs. It is impossible to leave the cinema without feeling such deep empathy, respect and appreciation for this luminary. Roger’s passion for cinema was infectious, and thanks to him, we all caught the cinema bug. I felt privileged to have seen the film for the first time during its premiere at Sundance Film Festival earlier this year. I took the opportunity to watch it a second time, just before conversing by phone with Roger’s equally brilliant wife, Chaz Ebert. Chaz spoke of how much she is looking forward to seeing the film in a theatre with a regular audience finally! — this Friday, July 4.
    [Show full text]
  • Analyzing the Movie-Viewing Audience
    MEDIA AT THE MOVIES: ANALYZING THE MOVIE-VIEWING AUDIENCE By SEAN MICHAEL MAXFIELD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MASS COMMUNICATION UNIVERSITY OF FLORIDA 2003 This thesis is dedicated to my family, all the survey/questionnaire people who have the courage and patience to ask strangers for help in getting a job done, and to all people who in some way contributed to this thesis, great or small. It is finally done! ACKNOWLEDGMENTS I would like to thank the following people for their help and encouragement, as well as giving of their time and talent, throughout this thesis process. First, I would like to thank my parents and other family members for their time, support, love, and monetary aid, without which I would not even be writing this thesis. I would especially like to thank my parents for their assistance in getting the Orlando theater to help me with the surveys. In the same way, I would like to thank the theaters that allowed me the time and opportunity to get people’s ideas on paper about the movies. Special thanks go to Cinemark Theater in Orlando and Gator Cinemas in Gainesville. They both get ten stars! A special thank-you goes to fellow graduate student Todd Holmes, who got me through the first leg of this thesis when we originally proposed its beginning for our research class. He was there to give this baby life. I would also like to thank my chair, James Babanikos, for taking time to listen to this thesis idea and running with it.
    [Show full text]
  • Issue 24 Spring / Summer 2016
    ISSUE 24 SPRING / SUMMER 2016 DEMOThe Alumni Magazine of Columbia College Chicago YEARS OF COLUMBIA Albert “Bill” Williams (BA ’73) has made a planned gift to Columbia through his estate. Have you considered including Columbia College Chicago in your estate plans? Provide for future generations. For more information, Make a bequest to Columbia contact Development and Alumni and support tomorrow’s creative Relations at [email protected] industry leaders. or 312-369-7287. colum.edu/plannedgiving ISSUE 24 The Alumni Magazine of DEMO SPRING / SUMMER 2016 Columbia College Chicago INTRO 1890–2015: CELEBRATING 125 YEARS 7 DEPARTMENTS VISION 5 Questions for President Kwang- Wu Kim ALUMNI NEWS & NOTES 53 Featuring class news, notes and networking When the Columbia School of Oratory opened in 1890, the founders couldn’t have imagined the school’s evolution from scrappy elocution college into a powerhouse arts and media institution. FEATURES 1890–1927: 1961–1992: FOUNDING AND BEGINNINGS 8 RENEWAL AND EXPANSION 26 As Chicago prepared for the World’s With flailing enrollment and few resources, Columbian Exposition of 1893, two orators Columbia could have folded. Instead, and educators chose the Windy City as the President Mike Alexandroff decided to break home of a new public speaking college. the mold of what an arts education could be. 1927–1944: 1992–2015: 16 COLUMBIA IN TRANSITION 16 CONTINUED GROWTH 37 Columbia went through a period of great An ever-increasing focus on the student change following the deaths of its founders. experience and a permanent home in The birth of radio created a completely new the South Loop continued to transform way to communicate, and Columbia had Columbia.
    [Show full text]
  • (XXXVIII:10) Michael Cimino: the DEER HUNTER (1978, 183 Min.) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    April 9, 2019 (XXXVIII:10) Michael Cimino: THE DEER HUNTER (1978, 183 min.) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. DIRECTOR Michael Cimino WRITING Michael Cimino, Deric Washburn, Louis Garfinkle, and Quinn K. Redeker developed the story, and Deric Washburn wrote the screenplay. PRODUCED BY Michael Cimino, Michael Deeley, John Peverall, and Barry Spikings CINEMATOGRAPHY Vilmos Zsigmond MUSIC Stanley Myers EDITING Peter Zinner At the 1979 Academy Awards, the film won Oscars for Best Picture, Best Director, Best Film Editing, Best Actor in a Supporting Role, and Best Sound, and it was nominated for Oscars for Best Actor in a Leading Role, Best Actress in a Supporting Role, Best Writing, and Best Cinematography. CAST Robert De Niro...Michael John Cazale...Stan John Savage...Steven Christopher Walken...Nick was the first of a “spate of pictures. .articulat[ing] the effect on Meryl Streep...Linda the American psyche of the Vietnam war” (The Guardian). George Dzundza...John Cimino won Oscars for Best Picture and Best Directing and was Chuck Aspegren...Axel nominated for Best Writing for The Deer Hunter. The film was Shirley Stoler...Steven's Mother such an artistic and critical accomplishment that he was given Rutanya Alda...Angela carte blanche from United Artists to make his next film, the Pierre Segui...Julien western Heaven’s Gate* (1980). This decision was a serious Mady Kaplan...Axel's Girl blow to Cimino’s directorial career, and it brought about the Amy Wright... Bridesmaid downfall of United Artists, forcing its sale to MGM in 1981 (The Mary Ann Haenel...Stan's Girl Guardian).
    [Show full text]
  • Ebertfest 2013 Roger Ebert's Film Festival
    The College of Media at Illinois Presents... 15th Annual ebertfestApril 17–21 2013The University of Illinois at Urbana–Champaign Roger Ebert’s Film Festival The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2013 April 17–21, 2013 Roger Ebert, Programmer and Host Chaz Ebert, Executive Producer Nate Kohn, Festival Director Mary Susan Britt, Associate Director More information about the festival can be found at www.ebertfest.com Mission Roger Ebert, 1964 University of Illinois Journalism graduate and Pulitzer Prize-winning film critic, comes to Urbana-Champaign each spring to host Ebertfest. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked by audiences, critics and distributors. Each year, Mr. Ebert selects 12 films representing a cross-section of important cinematic works. They include films without distributors, independent and studio films that did not win wide audiences, formats such as 70mm, silent films, and overlooked genres like the documentary. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. Festival guests who help showcase the features include producers, writers, actors and directors. Following each screening, Mr. Ebert leads discussions with the filmmakers for general audi- ences, distributors and critics from around the world. There are also a number of campus wide panel discussions featuring Mr. Ebert, festival guests and academic scholars. We work to keep the festival small enough so that a sense of community can develop among the audience, filmmakers, guests, students and scholars. The festival is a non-profit event of the College of Media at Illinois.
    [Show full text]