DOCSLIB.ORG

1997 Category Number

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1997 Category Number 1997 to 1998 Chicago/Midwest Emmy Winners Chicago/Midwest Emmy Year: 1997 Category Number: 1 Category Name: Spot Coverage Winning Station: KSTP­TV Winning Entry: Grand Forks Rescue Winning Number of Entrant Names: 2 Winning Entrant Names: Mike Maybay, Producer; Dave Ogle, Videographer Chicago/Midwest Emmy Year: 1997 Category Number: 1 Category Name: Spot Coverage Winning Station: WBBM­TV Winning Entry: Floods of 96 Winning Number of Entrant Names: 4 Winning Entrant Names: Joseph Kolina, Producer; Roy Santoro, Producer; Dino Pillizzi, Producer; Kris Habermehl, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 2 Category Name: Investigative Reporting Winning Station: WMAQ­TV Winning Entry: Ford Heights Four Winning Number of Entrant Names: 4 Winning Entrant Names: Dave Savini, Reporter; Tracy Haynes, Reporter; Doug Longhini, Executive Producer; Robin Green, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 2 Category Name: Investigative Reporting Winning Station: WBBM­TV Winning Entry: Dixmoor Park Police Winning Number of Entrant Names: 2 Winning Entrant Names: Mike Flannery, Reporter; Jim Edwards, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 2 Category Name: Investigative Reporting Winning Station: WBBM­TV Winning Entry: Beacon School Winning Number of Entrant Names: 2 Winning Entrant Names: Pam Zekman, Reporter; Sandy Bergo, Producer Document4 1 Chicago/Midwest Emmy Year: 1997 Category Number: 2 Category Name: Investigative Reporting Winning Station: WSNS­TV Winning Entry: Envio de Dinero A Que Precio? Winning Number of Entrant Names: 1 Winning Entrant Names: Carla Sanchez, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 3 Category Name: Single Feature: Soft News Winning Station: KARE­TV Winning Entry: Precious Gift Winning Number of Entrant Names: 1 Winning Entrant Names: Boyd Huppert, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 3 Category Name: Single Feature: Soft News Winning Station: KARE­TV Winning Entry: Beantown Winning Number of Entrant Names: 1 Winning Entrant Names: Melissa Young, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 4 Category Name: Feature Series: Soft News Winning Station: KMSP­TV Winning Entry: In Your Neighborhood Winning Number of Entrant Names: 2 Winning Entrant Names: Jeff Baillon, Reporter; Luke Logan, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 4 Category Name: Feature Series: Soft News Winning Station: WBBM­TV Winning Entry: Back To School Winning Number of Entrant Names: 8 Winning Entrant Names: Marda LeBeau, Senior Producer; Lisa Capitanini, Producer; Carolyn Broquet, Producer; Mike Klingele, Producer; Gene Siskel, Reporter; Pam Zekman, Reporter; Tim Weigel, Reporter; Dorothy Tucker, Reporter Document4 2 Chicago/Midwest Emmy Year: 1997 Category Number: 4 Category Name: Feature Series: Soft News Winning Station: WMAQ­TV Winning Entry: Unconventional Winning Number of Entrant Names: 1 Winning Entrant Names: Phil Walters, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 5 Category Name: Single Feature: Hard News Winning Station: WCCO­TV Winning Entry: Andria Hears Winning Number of Entrant Names: 1 Winning Entrant Names: Trish Van Pilsum, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 5 Category Name: Single Feature: Hard News Winning Station: KMSP­TV Winning Entry: Nancy Simon Winning Number of Entrant Names: 1 Winning Entrant Names: Chris Darden, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 6 Category Name: Feature Series: Hard News Winning Station: KARE­TV Winning Entry: Prying Eyes Winning Number of Entrant Names: 2 Winning Entrant Names: Gail Plewacki, Reporter; Cara King, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 6 Category Name: Feature Series: Hard News Winning Station: WCCO­TV Winning Entry: A Cry For Help Winning Number of Entrant Names: 1 Winning Entrant Names: Trish Van Pilsum, Reporter Document4 3 Chicago/Midwest Emmy Year: 1997 Category Number: 6 Category Name: Feature Series: Hard News Winning Station: WMAQ­TV Winning Entry: The Check's in the Mail Winning Number of Entrant Names: 3 Winning Entrant Names: Lisa Parker, Reporter; Doug Longhini, Executive Producer; Sarah Stolper, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 7 Category Name: On Going Feature Series Winning Station: WBBM­TV Winning Entry: Best of Chicago Winning Number of Entrant Names: 2 Winning Entrant Names: Lissa Druss, Producer; Steve Baskerville, Reporter Chicago/Midwest Emmy Year: 1997 Category Number: 8 Category Name: News Specials Winning Station: WFLD­TV Winning Entry: The Funeral of Joseph Cardinal Bernardin Winning Number of Entrant Names: 15 Winning Entrant Names: Neil Woulfe; Walter Jacobson; Robin Robinson; Father Mark Francis; Robert McClory; Jon Duncanson; Anne Kavanaugh; Sylvia Gomez; Lilia Chicon; Kevin McCarty; Laura Jones; Jennifer Bialow; Jason Erkes; Alex Alexander; John Vitello Chicago/Midwest Emmy Year: 1997 Category Number: 9 Category Name: Current Significance Winning Station: WMSV­TV Winning Entry: Lisbon Avenue Winning Number of Entrant Names: 1 Winning Entrant Names: Dan Jones, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 9 Category Name: Current Significance Winning Station: WTTW Winning Entry: Words on Work Winning Number of Entrant Names: 4 Winning Entrant Names: Nicolette J. Ferri, Producer; Len Aronson, Executive Producer; Laura Brauer, Associate Producer; Julie Nesterowicz, Associate Producer Document4 4 Chicago/Midwest Emmy Year: 1997 Category Number: 10 Category Name: Cultural Significance Winning Station: KTCA­TV Winning Entry: Clay, Wood, Fire, Spirit: The Pottery of Richard Bresnahan Winning Number of Entrant Names: 1 Winning Entrant Names: John Whitehead, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 10 Category Name: Cultural Significance Winning Station: WTTW Winning Entry: Vanishing Act: Memories of Vaudeville Winning Number of Entrant Names: 2 Winning Entrant Names: Will Clinger, Producer; Fawn Ring, Executive Producer Chicago/Midwest Emmy Year: 1997 Category Number: 11 Category Name: Public Affairs Series Winning Station: WMAQ­TV Winning Entry: The Stormtrackers Winning Number of Entrant Names: 5 Winning Entrant Names: Mary Hynes, Producer; Andy Avalos, Host; Brant Miller, Host; Cindy Preszler, Host; Alan Sealls, Host Chicago/Midwest Emmy Year: 1997 Category Number: 12 Category Name: Single Public Affairs Program Winning Station: KSTP­TV Winning Entry: On the Road: Reflections with Jason Davis Winning Number of Entrant Names: 2 Winning Entrant Names: Gail Brown, Executive Producer; Jason Davis, Host Chicago/Midwest Emmy Year: 1997 Category Number: 12 Category Name: Single Public Affairs Program Winning Station: WBBM­TV Winning Entry: Back To School Winning Number of Entrant Names: 9 Winning Entrant Names: Marda LeBeau, Senior Producer; Beth Fruehling, Producer; Lester Holt, Host; Linda MacLennan, Host; Gene Siskel, Host; Pam Zekman, Host; Tim Weigel, Host; Dorothy Tucker, Host; Mike Flannery, Host Document4 5 Chicago/Midwest Emmy Year: 1997 Category Number: 13 Category Name: Conversation Program Series Winning Station: WBBM­TV Winning Entry: Sunday! With Steve Baskerville Winning Number of Entrant Names: 4 Winning Entrant Names: Barbara Gillette, Producer; Cheryl Stutzke, Producer; George Washington, Producer; Steve Baskerville, Host Chicago/Midwest Emmy Year: 1997 Category Number: 14 Category Name: Magazine Program Series Winning Station: WCFC­TV Winning Entry: Page Two Special­­Countdown to the Year 2000 Winning Number of Entrant Names: 1 Winning Entrant Names: Mona Hennein, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 14 Category Name: Magazine Program Series Winning Station: WTTW Winning Entry: Wild Chicago Winning Number of Entrant Names: 5 Winning Entrant Names: Harvey Moshman, Producer; Will Clinger, Host; Mindy Bell, Correspondents; Cassy Harlo, Correspondent; Brad Perry, Correspondent Chicago/Midwest Emmy Year: 1997 Category Number: 15 Category Name: Children's or Teen Series Winning Station: Wisconsin Public Television Winning Entry: Get Real! 413 Winning Number of Entrant Names: 9 Winning Entrant Names: Kay Klubertanz, Executive Producer; Nella Citino, Series Producer; Charles Meyer, Coordinating Producer; Daniel Banda, Producer; Art Juchno, Producer; Ed Jakober, Producer; Nancy Stillwell, Producer; Elizabeth Chobanian, Producer; Sandie Zunker, Producer Chicago/Midwest Emmy Year: 1997 Category Number: 15 Category Name: Children's or Teen Series Winning Station: Sports Channel Chicago Winning Entry: School Yard Jam Winning Number of Entrant Names: 5 Winning Entrant Names: Tom Ordover, Executive Producer; Michael Sear, Producer; Dave Lockhart, Producer; Amy Stone, Host; Brandon Thompson, Host; Document4 6 Chicago/Midwest Emmy Year: 1997 Category Number: 16 Category Name: Children or Teen Single Program Winning Station: WCIU­TV Winning Entry: Random Homework Special Winning Number of Entrant Names: 7 Winning Entrant Names: Dave Ward, Executive Producer; Joleen Firek, Producer; Ahdee Goldberg, Producer; Steven L. Wagner, Producer; Chris Faulkner, Associate Producer; Eugene Townsend, Associate Producer; Jaime Tamaki, Associate Producer Chicago/Midwest Emmy Year: 1997 Category Number: 16 Category Name: Children or Teen Single Program Winning Station: Wisconsin Public Television Winning Entry: The Get Real! Rainforest Adventure Winning Number of Entrant Names: 8 Winning Entrant Names: Charles M. Meyer, Producer; Elizabeth Chobanian, Producer; Jaron Berman, Host; Andrew M. Bently, Host;
Load more

Recommended publications
  • Evaluating Agreement and Disagreement Among Movie Reviewers Alan Agresti & Larry Winner Version of Record First Published: 20 Sep 2012
    This article was downloaded by: [University of Florida] On: 08 October 2012, At: 16:45 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK CHANCE Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ucha20 Evaluating Agreement and Disagreement among Movie Reviewers Alan Agresti & Larry Winner Version of record first published: 20 Sep 2012. To cite this article: Alan Agresti & Larry Winner (1997): Evaluating Agreement and Disagreement among Movie Reviewers, CHANCE, 10:2, 10-14 To link to this article: http://dx.doi.org/10.1080/09332480.1997.10542015 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with
    [Show full text]
  • Roger Ebert's
    The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Chaz Ebert
    Finding Aid to The HistoryMakers ® Video Oral History with Chaz Ebert Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Ebert, Chaz, 1952- Title: The HistoryMakers® Video Oral History Interview with Chaz Ebert, Dates: August 7, 2017 Bulk Dates: 2017 Physical 5 uncompressed MOV digital video files (2:30:48). Description: Abstract: Lawyer Chaz Ebert (1952 - ) worked as a litigation attorney and served as vice president of the Ebert Company Ltd. Ebert was interviewed by The HistoryMakers® on August 7, 2017, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2017_121 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Lawyer and entertainment manager Chaz Ebert was born on October 15, 1952 in Chicago, Illinois to Johnnie Hobbs Hammel and Wiley Hammel, Sr. She attended John M. Smyth Elementary School and Crane Technical High School in Chicago, Illinois and graduated in 1969. Ebert earned her B.A. degree in political science at the University of Dubuque in Dubuque, Iowa in 1972. She then received her M.A. degree in social science at the University of Wisconsin-Platteville in Platteville, Wisconsin. Ebert went on to receive her J.D. degree from DePaul University College of Law in Chicago. Ebert began her career in 1977 as a litigator for the Region Five office of the U.S. Environmental Protection Agency. After three years, she left the agency to join the litigation department at the Chicago law firm of Bell Boyd and Lloyd LLP, where she focused on mergers and acquisitions and intellectual property.
    [Show full text]
  • Scorses by Ebert
    Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press.
    [Show full text]
  • Chapter 1 Chapter 2
    Notes Chapter 1 1. Jeffrey Mirel, “The Traditional High School: Historical Debates over Its Nature and Function,” Education Next 6 (2006): 14–21. 2. US Census Bureau, “Education Summary––High School Gradu- ates, and College Enrollment and Degrees: 1900 to 2001,” His- torical Statistics Table HS-21, http://www.census.gov/statab/ hist/HS-21.pdf. 3. Andrew Monument, dir., Nightmares in Red, White, and Blue: The Evolution of American Horror Film (Lux Digital Pictures, 2009). 4. Monument, Nightmares in Red. Chapter 2 1. David J. Skal, Screams of Reason: Mad Science and Modern Cul- ture (New York: Norton, 1998), 18–19. For a discussion of this more complex image of the mad scientist within the context of postwar film science fiction comedies, see also Sevan Terzian and Andrew Grunzke, “Scrambled Eggheads: Ambivalent Represen- tations of Scientists in Six Hollywood Film Comedies from 1961 to 1965,” Public Understanding of Science 16 (October 2007): 407–419. 2. Esther Schor, “Frankenstein and Film,” in The Cambridge Com- panion to Mary Shelley (Cambridge: Cambridge University Press, 2003), 63; James A. W. Heffernan, “Looking at the Monster: Frankenstein and Film,” Critical Inquiry 24, no. 1 (Autumn 1997): 136. 3. Russell Jacoby, The Last Intellectuals: American Culture in the Age of Academe (New York: Basic Books, 1987). 4. Richard Hofstadter, Anti-Intellectualism and American Life (New York: Knopf, 1963); Craig Howley, Aimee Howley, and Edwine D. Pendarvis, Out of Our Minds: Anti-Intellectualism and Talent 178 Notes Development in American Schooling (New York: Teachers Col- lege Press: 1995); Merle Curti, “Intellectuals and Other People,” American Historical Review 60 (1955): 259–282.
    [Show full text]
  • ―Basically a True Story:‖ the Beginning Or the End, Fat Man and Little Boy, and American Remembrance of the Atomic Bomb
    ―Basically a True Story:‖ The Beginning or the End, Fat Man and Little Boy, and American Remembrance of the Atomic Bomb By Theresa Lynn Verstreater B.A. in History, December 2008, Southern Illinois University Edwardsville A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of the George Washington University in partial satisfaction of the requirements for the degree of Master of Arts January 31, 2015 Thesis directed by Charles Thomas Long Assistant Professor of History Abstract of Thesis ―Basically a True Story:‖ The Beginning or the End, Fat Man and Little Boy, and American Remembrance of the Atomic Bomb The impact of film as a vehicle for dissolution of information should not be discounted because it allows the viewer to experience the story alongside the characters and makes historical moments more relatable when presented through the modern medium. This, however, can be a double-edged sword as it relates to the creation of collective memory. This thesis examines two films from different eras of the post-atomic world, The Beginning or the End (1947) and Fat Man and Little Boy (1989), to discover their strengths and weaknesses both cinematically and as historical films. Studied in this way, the films reveal a leniency toward what professional historians might consider to be historical ―truth‖ while emphasizing moral ambiguity about the bomb and the complex relationships among the men and women responsible for its creation. While neither film boasts outstanding filmmaking, each attempts to educate the viewer while maintaining entertainment value through romantic subplots and impressive special effects.
    [Show full text]
  • Issue 24 Spring / Summer 2016
    ISSUE 24 SPRING / SUMMER 2016 DEMOThe Alumni Magazine of Columbia College Chicago YEARS OF COLUMBIA Albert “Bill” Williams (BA ’73) has made a planned gift to Columbia through his estate. Have you considered including Columbia College Chicago in your estate plans? Provide for future generations. For more information, Make a bequest to Columbia contact Development and Alumni and support tomorrow’s creative Relations at [email protected] industry leaders. or 312-369-7287. colum.edu/plannedgiving ISSUE 24 The Alumni Magazine of DEMO SPRING / SUMMER 2016 Columbia College Chicago INTRO 1890–2015: CELEBRATING 125 YEARS 7 DEPARTMENTS VISION 5 Questions for President Kwang- Wu Kim ALUMNI NEWS & NOTES 53 Featuring class news, notes and networking When the Columbia School of Oratory opened in 1890, the founders couldn’t have imagined the school’s evolution from scrappy elocution college into a powerhouse arts and media institution. FEATURES 1890–1927: 1961–1992: FOUNDING AND BEGINNINGS 8 RENEWAL AND EXPANSION 26 As Chicago prepared for the World’s With flailing enrollment and few resources, Columbian Exposition of 1893, two orators Columbia could have folded. Instead, and educators chose the Windy City as the President Mike Alexandroff decided to break home of a new public speaking college. the mold of what an arts education could be. 1927–1944: 1992–2015: 16 COLUMBIA IN TRANSITION 16 CONTINUED GROWTH 37 Columbia went through a period of great An ever-increasing focus on the student change following the deaths of its founders. experience and a permanent home in The birth of radio created a completely new the South Loop continued to transform way to communicate, and Columbia had Columbia.
    [Show full text]
  • (XXXVIII:10) Michael Cimino: the DEER HUNTER (1978, 183 Min.) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    April 9, 2019 (XXXVIII:10) Michael Cimino: THE DEER HUNTER (1978, 183 min.) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. DIRECTOR Michael Cimino WRITING Michael Cimino, Deric Washburn, Louis Garfinkle, and Quinn K. Redeker developed the story, and Deric Washburn wrote the screenplay. PRODUCED BY Michael Cimino, Michael Deeley, John Peverall, and Barry Spikings CINEMATOGRAPHY Vilmos Zsigmond MUSIC Stanley Myers EDITING Peter Zinner At the 1979 Academy Awards, the film won Oscars for Best Picture, Best Director, Best Film Editing, Best Actor in a Supporting Role, and Best Sound, and it was nominated for Oscars for Best Actor in a Leading Role, Best Actress in a Supporting Role, Best Writing, and Best Cinematography. CAST Robert De Niro...Michael John Cazale...Stan John Savage...Steven Christopher Walken...Nick was the first of a “spate of pictures. .articulat[ing] the effect on Meryl Streep...Linda the American psyche of the Vietnam war” (The Guardian). George Dzundza...John Cimino won Oscars for Best Picture and Best Directing and was Chuck Aspegren...Axel nominated for Best Writing for The Deer Hunter. The film was Shirley Stoler...Steven's Mother such an artistic and critical accomplishment that he was given Rutanya Alda...Angela carte blanche from United Artists to make his next film, the Pierre Segui...Julien western Heaven’s Gate* (1980). This decision was a serious Mady Kaplan...Axel's Girl blow to Cimino’s directorial career, and it brought about the Amy Wright... Bridesmaid downfall of United Artists, forcing its sale to MGM in 1981 (The Mary Ann Haenel...Stan's Girl Guardian).
    [Show full text]
  • Ebertfest 2013 Roger Ebert's Film Festival
    The College of Media at Illinois Presents... 15th Annual ebertfestApril 17–21 2013The University of Illinois at Urbana–Champaign Roger Ebert’s Film Festival The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2013 April 17–21, 2013 Roger Ebert, Programmer and Host Chaz Ebert, Executive Producer Nate Kohn, Festival Director Mary Susan Britt, Associate Director More information about the festival can be found at www.ebertfest.com Mission Roger Ebert, 1964 University of Illinois Journalism graduate and Pulitzer Prize-winning film critic, comes to Urbana-Champaign each spring to host Ebertfest. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked by audiences, critics and distributors. Each year, Mr. Ebert selects 12 films representing a cross-section of important cinematic works. They include films without distributors, independent and studio films that did not win wide audiences, formats such as 70mm, silent films, and overlooked genres like the documentary. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. Festival guests who help showcase the features include producers, writers, actors and directors. Following each screening, Mr. Ebert leads discussions with the filmmakers for general audi- ences, distributors and critics from around the world. There are also a number of campus wide panel discussions featuring Mr. Ebert, festival guests and academic scholars. We work to keep the festival small enough so that a sense of community can develop among the audience, filmmakers, guests, students and scholars. The festival is a non-profit event of the College of Media at Illinois.
    [Show full text]
  • Family & Domesticity in the Films of Steven Spielberg
    Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Emmet Dotan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Other Film and Media Studies Commons, and the Theory and Criticism Commons This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Dotan, Emmet, "Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg" (2017). Senior Projects Spring 2017. 232. https://digitalcommons.bard.edu/senproj_s2017/232 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Senior Project Submitted to The Division of Arts of Bard College by Emmet Dotan Annandale-on-Hudson, New York May 2017 Acknowledgements I want to thank my advisor, Ed Halter, for pushing me to understand why I love the films that I love. I would also like to thank Natan Dotan for always reminding me why I do what I do.
    [Show full text]
  • The Goats of Austin Welcome to Glennart Farm, Home to Urban Agriculture, Community Development—And Goat Yoga
    CHICAGO’SFREEWEEKLYSINCE | APRIL | APRIL CHICAGO’SFREEWEEKLYSINCE How to get rid of a CPS principal Maya Dukmasova 6 Operation Hennessy digs a new channel Leor Galil 24 The goats of Austin Welcome to GlennArt Farm, home to urban agriculture, community development—and goat yoga By LS12 THIS WEEK CHICAGOREADER | APRIL | VOLUME NUMBER IN THIS ISSUE T R - ­ ­ CITYLIFE OPINION @ 03 PublicService 34 GrassrootsHowthe AnnouncementFreeadvicefor NoCopAcademycampaignshook sealingyourmarijuanabust themachine P 04 FeralCitizenSomethingsyou 35 IndependentMediaWhythe TB IEC alwayswantedtoknowaboutfungi Readerisworthsaving SKKH butwereafraidtoask 36 SavageLoveDanSavageoff ers DEKS adviceonwhattodoifsomeone’s C LSK D P JR NEWS&POLITICS sexuallyattractedtochildren CEAL 05 Joravsky|PoliticsChicago FILM M EP M wouldrathersolveaphonyproblem 19 MoviesofnoteDogman A EJL CLASSIFIEDS SWDI likealdermanicprerogativethan 14 RestaurantReviewMima’sis keepsusonedgetothebitter 37 Jobs BJ MS dealwitharealone whereCubsgoforCuban endAnElephantSittingStillis 37 Apartments&Spaces SWMD L G ahyperrealistdebutfromChina 37 Marketplace G D D C S MEBW andRedJoanisnagginglybland M L C inthewayoneassociateswith S C -J “respectable”Britishcinema FL CPF TA ECS CN B D C MUSIC&NIGHTLIFE D C LCNLC 24 Galil|FeatureOperation C C MDLCS F IG AG Hennessydigsanewchannelfor KTHJH JH Chicagohiphop IH DJM K 29 ShowsofnoteBillyBraggAll S K MM E MT B MJRN MO SmilesAliceMertonandmore LPKSKRBS FEATURE THEATER showsthisweek DS L S A W 06 Dukmasova|NewsHowtoget
    [Show full text]
  • The Official Traveling Festival About the New Trends in Spanish Cinema
    The official traveling festival about the new trends in Spanish Cinema AS PART OF EU FILM FESTIVAL CHICAGO AT GENE SISKEL FILM CENTER BUY TICKETS 164 N. State Street (between Lake siskelfilmcenter.org/eufilmfest2015 March 6 — April 2 ⁄ 2015 and at the door and Randolph) Chicago, IL 60601 THE KID (EL NIÑO) IN A FOREIGN LAND BY DANIEL MONZÓN (EN TIERRA EXTRAÑA) BY ICÍAR BOLLAÍN 2014’s biggest opening weekend figures for a Spanish film, this thriller tells the story of two teenagers on Gloria is one of the 700,000 Spanish people who the one side, El Niño and El Compi, who want to enter have left our country since the crisis started. The film the world of drug trafficking, and two police officers portraits the experience of intra-European exile tackled on the other, Jesús and Eva, who have been trying to by Spain’s highest-profile female director, Icíar Bollaín eradicate the drug trafficking network for years. (Even the Rain, Take My Eyes). Sunday / March 8 — 4:30 p.m. Wednesday / March 11 — 7:30 p.m. Saturday / March 21 — 7:00 p.m. Tuesday / March 24 — 6:00 p.m. LIVING IS EASY WITH EYES CLOSED MAGICAL GIRL BY DAVID TRUEBA North America’s leading BY CARLOS VERMUT showcase returns to It’s 1966 and Antonio is using Beatles’ songs to teach Being categorized as the best thriller of the year, Gene Siskel Film Center I English. When he learns that John Lennon is filming gathering 7 Goya award nominations, the film tells the in Almería he rushes to meet his idol, with two young with four premieres, story of Luis who is desperate to fulfill his terminally misfits along for the ride, in this captivatingly lyrical road ill daughter’s last wish: to own the prohibitively allowing you to discover movie.
    [Show full text]