The Temptations Presentation
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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
On the Surface, the Story of Jordan Moore Has Been Told Countless Times Before
On the surface, the story of Jordan Moore has been told countless times before. Small town boy with big time dreams packs his entire life in the back of a U-Haul and drives to Nashville in search of a better life than the one he’s living. But this is no ordinary story. The story of Jordan Moore is a story of second chances and crazy coincidences. It’s a story of a guy who could have given up a thousand times. It’s a story of a man whose life has always been somehow divinely directed by God above. In short, the story of Jordan Moore is nothing short of extraordinary. Of course, every story has a beginning, and this story begins in the little town of Lowell, Michigan. The youngest of five children, Moore spent his days playing outside and singing in the church. When he wasn’t doing that, he was painting pictures and drawing characters he would dream up in his head. And for as long as Moore can remember, his dad always seemed to have a guitar in his hand, and had once dreamed of a day he could follow his own music dreams. But that was never part of his story. Instead, Moore’s father infused the love of music into all of his kids, encouraging them to let music play some sort of role in their life. Heck, many a Saturday afternoon was spent driving Moore himself to the local retirement home to entertain the senior citizens hungry for some sensory overload. -
The Love Books of Ovid
THE LOVE BOOKS OF OVID TRANSLATED OUT OF THE LATIN BY J. LEWIS MAY THE LOVE BOOKS OF OVID Table of Contents THE LOVE BOOKS OF OVID...............................................................................................................................1 TRANSLATED OUT OF THE LATIN BY J. LEWIS MAY.......................................................................1 THE LOVE BOOKS OF OVID...............................................................................................................................3 TRANSLATED OUT OF THE LATIN BY J. LEWIS MAY.......................................................................3 INTRODUCTION........................................................................................................................................3 I.....................................................................................................................................................................3 II....................................................................................................................................................................5 III...................................................................................................................................................................8 IV................................................................................................................................................................11 EPIGRAM...................................................................................................................................................12 -
My Girl [Intro] [Verse 1] I've Got Sunshine on a Cloudy Day When It's
My Girl (The Temptations) [Intro] [Bridge] Hey, hey, hey [Verse 1] Hey, hey, hey I've got sunshine on a cloudy day Ooh, yeah When it's cold outside, I've got the month of May [Verse 3] I guess you'd say I don't need no money, fortune, or What can make me feel this way? fame I've got all the riches, baby, one [Chorus] man can claim My girl, my girl, my girl Well, I guess you'd say Talkin' 'bout my girl, my girl What can make me feel this way? [Verse 2] [Chorus] I've got so much honey, the bees My girl, my girl, my girl envy me Talkin' 'bout my girl, my girl I've got a sweeter song than the birds in the trees [Outro] Well, I guess you'd say I've got sunshine on a cloudy day What can make me feel this way? With my girl I've even got the month of May [Chorus] With my girl My girl, my girl, my girl Talkin' 'bout, talkin' 'bout, talkin' Talkin' 'bout my girl, my girl 'bout my girl 155 "My Girl" is a soul music song recorded by the Temptations for the Gordy (Motown) record label. Written and produced by the Miracles members Smokey Robinson and Ronald White, the song became the Temptations' first U.S. number-one single, and is today their signature song. Robinson's inspiration for writing this song was his wife, Miracles member Claudette Rogers Robinson. The song was included on the Temptations 1965 album The Temptations Sing Smokey. -
Orphee Manuscript Engl Translation.Pdf
ORPHÉE MÉCANIQUE Orpheus: Can you still remember the noise of the world? The noise of the streets, the subway, the noise of the electronic industry and the noise of the forests and rivers? Now, in this unbearable silence don't you yearn for it again? My head is full of this noise. I give it to you. Would you like to have it? Then, wait and attention....now! (the sound of the Psykotron) Orpheus: Can you remember the sound of breaking glass the harbor's nocturnal song the silent explosions from afar the sudden cloudburst in the afternoon the panting of your lover the buzzing of the fridge the instructing voice of a CAT scan the Christmas eve demonstrations Orpheus: Think of all the wonders, the sounds, the voices that filled you with light, there up above. Chorus: When Orpheus: The librarian standing on noise insulated floor gets scared of the visitors. Chorus: When Orpheus: On the 17th floor the elevator gets stuck Chorus: When Orpheus: The young physicist discovers numb spots on his skin Chorus: When Orpheus: The wind wails through the halls of an abandoned schoolhouse Chorus: When Orpheus: The doting old lady tenant always dials the wrong number Chorus: When Orpheus: Somebody suddenly plunges to a fall pass your window Chorus: When Orpheus: In the icy cold winter harbor the girls stand frozen to lampposts Chorus: When Orpheus: The world explodes behind your eyes Chorus: When Orpheus: At night the huge luminous ships arrive Chorus: When Orpheus: Out of narcosis, the patient awakes GHOSTS (Orpheus) Maya Deren is dead, Dennis Hopper is -
The Temptations and the Four Tops
Nicole'a Macris Nicole'[email protected] 410-900-1151 For Immediate Release THE TEMPTATIONS AND THE FOUR TOPS coming to The Modell Lyric on October 26! Tickets go on sale Friday, April 26th at 10am (BalBmore, MD – April 19) The TEMPTATIONS and The FOUR TOPS together on one stage for one night only at The Modell Lyric on Saturday, October 26 at 7:30pm! THE TEMPTATIONS are notable for their success with Motown Records during the 60’s and 70’s and have sold 10’s of millions of albums, making them one of the most successful groups in music history! For over 40 years The Temptaons have prospered, with an avalanche of smash hits, and sold-out performances throughout the world! “The crowds are bigger, the sales are sizzling,” says one industry report. “The outpouring of affection for this super-group has never been greater”. Beyond their unique blend of voices and flashy wardrobe, The Temptaons became known for their sharp choreography known as “The Temptaon Walk” which became a staple of American style, flair, flash and class and one of the defining legacies of Motown Records. Millions of fans saw the Temptaons as cultural heroes. The group had thirty seven, Top 40 hits to their credit, including fi\een Top 10 hits, fi\een No 1 singles and seventeen No 1 albums spanning from the mid-1960’s to the late 80’s in addiBon to a quartet which soared to No. 1 on the R &B charts. The song Btles alone summon memories beyond measure to include; “The Way You Do The Things You Do,” “My Girl,” “Ain’t Too Proud To Beg,” “I Wish It Would Rain,” “I Can’t Get Next To You”, “Get Ready”, “Just My ImaginaDon (Running Away With Me),” “Ball of Confusion”, “Papa Was A Rollin’ Stone.” “Beauty is Only Skin Deep”, “Cloud Nine,” “Psychedelic Shack”, “Runaway Child”, “Since I Lost My Baby”, “Treat Her Like a Lady” to name a few…. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
November 2013
California State University, San Bernardino CSUSB ScholarWorks Inland Empire Business Journal Special Collections & University Archives 11-2013 November 2013 Inland Empire Business Journal Follow this and additional works at: https://scholarworks.lib.csusb.edu/iebusinessjournal Recommended Citation Inland Empire Business Journal, "November 2013" (2013). Inland Empire Business Journal. 208. https://scholarworks.lib.csusb.edu/iebusinessjournal/208 This Article is brought to you for free and open access by the Special Collections & University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Inland Empire Business Journal by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Volume 25 Number 11 November 2013 $2.00 www.busjournal.com AT DEADLINE Robert Lawrence Balzer Special Exhibition Preview Endorsement in Board Sections Race Gets Coduto Venture Capital for Dummies®: Ten Ways to Lose a Deal Removed as Page 5 ASB President A New Day and Age for His endorsement of a non- Financial Planning incumbent in this year’s Chaffey Page 23 College Governing Board race appears to have gotten Chaffey Plant Seeds. College Student Body President Drink Wine. Sing Songs. Kevin Coduto bounced off the Chaffey Campus Student Council. Incumbent Kathleen Portrait of Robert Lawrence Balzer by James-Paul Brown Preview an exhibit of wine artifacts and other antiques from the Brugger of Rancho Cucamonga, late renowned wine journalist Robert Lawrence Balzer’s Collection a now-retired social worker who at the W. Keith & Janet Kellogg University Art Gallery. The exhibi- has served on the Chaffey board tion is open to the public Nov. 9 through Dec. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
MASARYK UNIVERSITY FACULTY of EDUCATION Department of English Language and Literature
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature J. K. Rowling: Harry Potter and the Deathly Hallows (Translation and Analysis of Selected Proper Names) Bachelor Thesis Brno 2009 Supervisor: Written by: Mgr. Martin Němec Klára Klímová I declare that I have written the present thesis on my own, using only the primary and secondary sources listed in the bibliography. I agree with the deposition of my thesis in the library of the Faculty of Education at Masaryk University in Brno in order to make it accessible for further study purposes. Brno, 18 th April 2009 Klára Klímová 2 I would like to express my sincere thanks to my supervisor, Mgr. Martin Němec, for the motivation he is giving me a teacher and translator, and also for his patience, kind support and valuable advice he provided me during the writing process. 3 CONTENTS 1. INTRODUCTION …………………………………….……………. 5 2. PRACTICAL PART………………………………………………… 6 3. THEORETICAL PART…………………………………………….. 44 3. 1. The translation of proper names – introduction………... 44 3. 2. Linguistic and cultural background…………………….. 44 3. 3. General and specific values of the translation………….. 46 3. 4. General strategies for the translation of proper names…. 47 4. THE ANALYSIS OF PROPER NAMES 4. 1. The title of the book…………………………………….. 48 4. 2. Personal names………………………………………….. 48 4. 3. Animal names…………………………………………… 55 4. 4. Place names …………………………………………….. 57 4. 4. Artifacts………………………………………………… 57 5. CONCLUSION……………………………………………………… 59 6. RESUMÉ…………………………………………………………….. 60 7. WORKS CITED……………………………………………………... 61 6. 1. Bibliography…………………………………………….. 61 6. 2. Web sources………………………………………………61 6.3. Dictionaries……………………………………………… 64 4 1. INTRODUCTION Before I came to university, it has never occurred to me that translation could be the topic for my thesis.