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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
KIDS FIRST! Best 2009 Nominees
KIDS FIRST! Best 2009 Nominees INDEPENDENT SHORT, AGES 0-2 Cuddlies: Where is Everyone Baby TV Channel Emma's Theatre: France Baby TV Channel Mr. Snail: Butterfly Baby TV Channel SHORT Shorts AGES 2-5 Art Weston Woods/Scholastic Boy Who Cried Wolf, The Weston Woods/Scholastic Bugs! Bugs! Bugs! Weston Woods/Scholastic Knuffle Bunny Too Weston Woods/Scholastic Firefly and the Stars, The Lightbug Productions SHORTS, AGES 2-5 Adventures of Walker and Ping Ping: The Chinese Market Little Emperor LLC Bali - My New Friend Mateo Planet Nemo Global Wonders Around the world Global Wonders Magic Woods, The: The Monarch Butterfly The Magic Woods Inc. SERIES, AGES 2-5 My Friend Rabbit Qubo Pahappahooey Island Anchor Bay Entertainment/? Sesame Street Sesame Workshop Stuart Little Sony Pictures Home Entertainment/? Wow! Wow! Wubbzy! Anchor Bay Entertainment/Bob Boyle Feature Film, ages 2-5 Elmo's Christmas Countdown Genius Products/Sesame Workshop INDEPENDENT SHORT SHORTS, AGES 5-8 Billy the Squid Artisans PR/Dan Holguin Crocs, Pots and Wildebeests At Last Interactive Center for Health and the Global Environment, Once Upon a Tide Harvard Medical School Plastic Perils of the Pacific, The Brandon Strathmann Sometimes I'm Sad Gasoline Productions INDEPENDENT SHORT, Animated, AGES 5-8 Little Soul And The Sun Wakingup Media Lokum: The Turkish Delight Compugraf Tomboy Coyle Productions Inc. Wormhead Koolkidz Television Zap Squad And the Sands of Time Digital Tap LLC INDEPENDENT SHORT, Live Action, AGES 5-8 Alex's Halloween Daniel Persitz Heart Full of Love -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Strategic Management and Global Competition Individual Paper
STRATEGIC MANAGEMENT AND GLOBAL COMPETITION INDIVIDUAL PAPER THE WALT DISNEY COMPANY AND ITS ACQUISITION STRATEGY: PIXAR, MARVEL & LUCASFILM Li Chi Ching Jane Strategic Management and Global Competition, Fall 2016 December 1, 2016 Abstract In this paper, I will analyze the rationale behind Disney’s acquisitions of Pixar, Marvel and Lucasfilm and the subsequent impacts they have on Disney as a whole. Disney has always been relying on its strategic model “The Ripple Effect” for sustainable growth—through creation of a film asset, value can be infused into an array of its related entertainment assets. And a popular film acts like a wave maker in creating ripples that go down to all of Disney’s businesses—success of films are central to Disney’s overall performance. Yet, the absence of successful films from Disney starting from the late 1990s stopped the Disney model from working, resulting in a decline in profits in various business segments within Disney. In light of this problem, Disney chose the path of acquisitions— Pixar was acquired in 2006, while Marvel and Lucasfilm were acquired in 2009 and 2012 respectively. All three acquisitions have one central goal—to find Disney’s way back to the wave makers, and hence make the Disney model work again. The announcement by Disney that it would buy its partner Pixar at $7.4 billion in 2006 once shook the world—many were either having doubts on how such an acquisition would turn out or considering the valuation as too high. Most acquisitions, particularly in media, are value-destroying as opposed to value-creating. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Vodafone Idea and Starz Strike Strategic Alliance; Launch Lionsgate Play in India
VODAFONE IDEA AND STARZ STRIKE STRATEGIC ALLIANCE; LAUNCH LIONSGATE PLAY IN INDIA ~ VIL customers will have easy access to popular content from Lionsgate library ~ Portfolio includes movie premieres and blockbuster films across genres ~ A seamless viewing experience of customised and differentiated content Mumbai, Aug 19, 2019: Vodafone Idea Limited, India’s leading telecom operator and STARZPLAY, the international premium subscription platform from STARZ, a Lionsgate (NYSE: LGF.A, LGF.B) company, have joined hands to launch Lionsgate’s premium service Lionsgate Play in India. This partnership will enable Vodafone Idea customers’ access to a broad portfolio of celebrated blockbusters and award-winning feature films from the studio. Video is the new growth driver in the digital content consumption today. Vodafone Idea’s partnership with STARZPLAY is a step towards boosting the growth of the digital ecosystem in India. The partnership will capitalize on this huge potential by offering viewers with an array of premium content across genres. Lionsgate Play will be available to Vodafone Play and Idea Movies & TV subscribers as a part of this strategic collaboration between the two companies. The offering includes multibillion-dollar global blockbuster franchises The Hunger Games and The Twilight Saga, multiple Academy Award ® winner La La Land and the international breakout hit Wonder, with much of it available in four local languages. The content library will be spread across genres like horror, comedy, drama, action, thriller, documentaries to name a few. Following the launch, the offering will boast an illustrious line up of digital premieres of Lionsgate films coming to the service in the first year including Robin Hood, Crank, Sahara, Redcliff, Jersey Shore Attack, Killers, Grudge, Letters to Juliet, American Pyscho 2, Nerve, Facing Ali, Down A Dark Hall and American Assassin. -
Lions Gate Entertainment Corp. Fiscal 2018 Fourth Quarter Year End
Lions Gate Entertainment Corp. Fiscal 2018 Fourth Quarter Year End Earnings Call Thursday, May 24, 2018, 5:00 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Jimmy Barge - Chief Financial Officer Michael Burns - Vice Chairman Chris Albrecht - President, Chief Executive Officer, Starz Jeff Hirsch - Chief Operating Officer, Starz Brian Goldsmith - Chief Operating Officer, Lionsgate Joe Drake - Chairman, Motion Picture Group Kevin Beggs - Chairman, Television Group Laura Kennedy - Chief Operating Officer, TV Group Rick Prell - Chief Accounting Officer James Marsh - Senior Vice President, Head of Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by. Welcome to the Lionsgate Fiscal 2018 Fourth Quarter Year End Earnings Call. At this time, all participants are in a listen-only mode. Later, we will conduct a question and answer session and instructions will be given at that time. If you should require assistance on today’s call, please press star then zero. And as a reminder, this conference is being recorded. I would now like to turn the conference over to Senior Vice President and Head of Investor Relations, James Marsh. Please go ahead. James Marsh Thanks, Noah. Good afternoon, everyone. Thanks for joining us today for the Lionsgate’s fiscal 2018 fourth quarter call and year-end earnings conference call. We’ll begin with opening remarks from our CEO, Jon Feltheimer; followed by remarks from our CFO, Jimmy Barge. After their remarks, we’ll open the call up for questions. Also, joining us on the call today are Vice Chairman, Michael Burns, Starz’ President and CEO, Chris Albrecht, Starz’ Chief Operating Officer, Jeff Hirsch, Lionsgate’s Chief Operating Officer, Brian Goldsmith, Chairman of the Motion Picture Group, Joe Drake, Chairman of Television Group, Kevin Beggs, Chief Operating Officer of the TV Group, Laura Kennedy, and Chief Accounting Officer, Rick Prell. -
Matthew Mcduffie
2 a monterey media presentation Written & Directed by MATTHEW MCDUFFIE Starring KALEY CUOCO SASHA PIETERSE CODY HORN LANDON LIBOIRON and VIRGINIA MADSEN PRODUCED BY: MARSHALL BEAR DIRECTOR OF PHOTOGRAPHY: DAVID J. MYRICK EDITOR: BENJAMIN CALLAHAN PRODUCTION DESIGNER: CHRISTOPHER HALL MUSIC BY: IAN HULTQUIST CASTING BY: MARY VERNIEU and LINDSAY GRAHAM Drama Run time: 93 minutes ©2015 Best Possible Worlds, LLC. MPAA: R 3 Synopsis Lifelong friends stumble back home after high school when word goes out on Facebook that the most popular among them has died. Old girlfriends, boyfriends, new lovers, parents… The reunion stirs up feelings of love, longing and regret, intertwined with the novelty of forgiveness, mortality and gratitude. A “Big Chill” for a new generation. Quotes: “Deep, tangled history of sexual indiscretions, breakups, make-ups and missed opportunities. The cinematography, by David J. Myrick, is lovely and luminous.” – Los Angeles Times "A trendy, Millennial Generation variation on 'The Big Chill' giving that beloved reunion classic a run for its money." – Kam Williams, Baret News Syndicate “Sharply written dialogue and a solid cast. Kaley Cuoco and Cody Horn lend oomph to the low-key proceedings with their nuanced performances. Virginia Madsen and Andy Buckley, both touchingly vulnerable. In Cuoco’s sensitive turn, this troubled single mom is a full-blooded character.” – The Hollywood Reporter “A heartwarming and existential tale of lasting friendships, budding relationships and the inevitable mortality we all face.” – Indiewire "Honest and emotionally resonant. Kaley Cuoco delivers a career best performance." – Matt Conway, The Young Folks “I strongly recommend seeing this film! Cuoco plays this role so beautifully and honestly, she broke my heart in her portrayal.” – Hollywood News Source “The film’s brightest light is Horn, who mixes boldness and insecurity to dynamic effect. -
Keeping the Score the Impact of Recapturing North American Film and Television Sound Recording Work
Keeping the Score The impact of recapturing North American film and television sound recording work December 2014 [This page is intentionally left blank.] Keeping the Score Table of Contents Acknowledgments 2 Executive Summary 3 Introduction 5 Precarious work in a shifting industry 7 From full-time to freelance 7 A dignified standard set by decades of organizing 9 Musicians in a Twenty-First Century studio system 12 What is a “major studio” anyhow? 12 Composers squeezed in the middle: the rise of the “package deal” 15 Chasing tax credits 17 A profitable industry 19 The “last actors” feel the pain 21 Recording employment slipping away 21 Where has recording gone? 24 Recording the score as “an afterthought” 25 Hollywood provides quality employment – for most 26 Bringing work back: the debate thus far 28 A community weakened by the loss of music 33 Case Study: Impact on the Los Angeles regional economy 33 Impact on the cultural fabric 35 Breaking the social compact 36 Federal subsidies 36 Local subsidies 37 Cheating on employment 38 Lionsgate: a new major roars 39 Reliance on tax incentives 41 Wealth – and work – not shared 41 Taking the high road: what it could mean 43 Conclusion and Recommendations 44 Recommendations to policy makers 44 Recommendations to the industry 46 Endnotes 47 laane: a new economy for all 1 Keeping the Score Acknowledgments Lead author: Jon Zerolnick This report owes much to many organizations and individuals who gave generously of their time and insights. Thanks, first and foremost, to the staff and members of the American Federation of Musicians, including especially Local 47 as well as the player conference the Recording Musicians Association. -
Gideon Ponte Production Designer
ECHO ARTISTS LTD UNIT 3 DE BEAUVOIR BLOCK 92-96 DE BEAUVOIR ROAD LONDON N1 4EN +44 (0) 203 567 0777 WWW.ECHOARTISTS.COM GIDEON PONTE PRODUCTION DESIGNER FILM/TELEVISION FILTH + WISDOM Director: Madonna Producer: Semtex Films, HSI London + IFC Films Nominated, Best Feature, Berlin International Film Festival (2008) NACHO LIBRE Director: Jared Hess Producer: Paramount Pictures + Nikelodeon Movies THE NOTORIOUS BETTIE PAGE Director: Mary Harron Producer: HBO Films + Killer Films Nominated, Best Feature, Berlin International Film Festival (2006) THE DANGEROUS LIVES OF ALTAR BOYS Director: Peter Care Producer: Egg Pictures, IEG + Trilogy Entertainment Group Winner, Best First Feature, Film Independent Spirit Awards (2003) HAMLET Director: Michael Almereyda Producer: Double A Films, Channel Four Films + Miramax Nominated, Sutherland Award First Feature Competition, London Film Festival (2018) AMERICAN PSYCHO Director: Mary Harron Producer: Lionsgate Films, Muse Productions + Universal Pictures BUFFALO ‘66 Director: Vincent Gallo Producer: Lionsgate Films + Muse Productions Nominated, Best Foreign Independent Film, BIFAs (1999) Nominated, Best Feature Film, Film Independent Spirit Awards (1999) Nominated, Grand Jury Prize – Dramatic, Sundance Film Festival (1998) I SHOT ANDY WARHOL Director: Mary Harron Producer: Playhouse International Pictures, The Samuel Goldwyn Company + Killer Films Nominated, Golden Camera, Cannes Film Festival (1997) Nominated, Best First Feature, Film Independent Spirit Awards (1997) Nominated, Grand Jury Prize – Dramatic, Sundance Film Festival (1996) DIRECTORS / COMMERCIALS GLEN LUCHFORD Fenty x Puma, Gucci Ouverture, Gucci Bloom, Gucci Memoire, Gucci Guilty, Hugo Boss DAVID SIMS Palace x Machino, Balenciaga, Alexander McQueen STEVEN KLEIN Gucci Tailoring FW16, Dolce & Gabana STEVEN MEISEL Dolce & Gabana, Balenciaga KARL LAGERFELD Chanel DIRECTORS / MUSIC VIDEOS STEVEN KLEIN Lady Gaga “Marry The Night”, Lady Gaga “Alejandro” BIG TV Lauryn Hill “Doo Wop (That Thing” Winner, Best Art Direction in a Video, MTV Video Music Awards (1999) .