Lions Gate Entertainment Corp. Fiscal 2018 Fourth Quarter Year End
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Dondraico Johnson Resume
Dondraico Johnson choreographer selected credits contact: (818) 509-0121 FILM The Conjuring 3 (September 2020) Choreographer Dir. Michael Chaves /Warner Bros. Pictures Ghostbusters Choreographer Dir. Paul Feig /Sony Dirty Grandpa Choreographer Dir. Dan Mazer /Lionsgate Step Up 5 Choreographer Dir. Trish Sie /Summit The Infamous Choreographer Dir. Anthony Hemmingway Mike and Dave Need Wedding Dates Asst. Choreographer Dir. Jake Szymanski The Ridiculous Six Asst. Choreographer Dir. Frank Coraci /Netflix Jack & Jill Asst. Choreographer Columbia /Dir. Dennis Dugan /Chor. Jamal Sims Footloose Asst. Choreographer Dir. Craig Brewer /Chor. Jamal Sims Big Mommas: Like Father, Like Son Asst. Choreographer Dir. John Whitesell /Chor. Jamal Sims Michael Jackson’s This Is It Asst. Choreographer Dir. Kenny Oretega /Sony Pictures TELEVISION 2019 BET Awards – Lil Nas X Co-Choreographer BET Raven’s Home Choreographer Disney Channel E! Funny Dance Show Choreographer E! TALES Choreographer Dir. Erica Watson Unsolved Choreographer Universal Cable Productions American Crime Story: Versace Choreographer 20th Century Fox TV American Crime Story: The People v. OJ Choreographer 20th Century Fox TV Underground Choreographer Dir. Anthony Hemmingway RuPaul’s Drag Race (Season 7) Choreographer World of Wonder Forte Forte Forte Assoc. Choreographer Ballandi Multimedia Disney Parks Christmas Day 2010 - Sean Kingston Choreographer ABC /Harborlight Entertainment Disney Parks Christmas Day 2009 - The Jonas Brothers Choreographer ABC /Harborlight Entertainment 2010 Teen Choice Awards - Cast of Step Up 3D Asst. Choreographer FOX /Chor. Jamal Sims Jimmy Fallon w/Cast of Step Up 3D Asst. Choreographer NBC /Chor. Jamal Sims 2010 Much Music Video Awards - Miley Cyrus Choreographer CTV Global Media Univision Miami - Cast of Step Up 3D Asst. -
Mia Michaels Concerts/Tours/Events
Mia Michaels Concerts/Tours/Events: Celine Dion "A New Day" / Choreographer Caesars' Palace / Las Vegas Caesars' Palace Las Vegas / 2002-2007 Celine Dion "Taking Chances" Choreographer World Tour / 2005 Cirque De Soleil "Delirium" Choreographer So You Think You Can Dance Contributing Choreographer Tour Madonna "Drowned" World Contributing Choreographer Tour / 2001 Anna Vissi Greek Superstar Director / Choreographer Live Shows in Athens / 2004- 2008 Prince Promotional Tour / Choreographer 2001 Eurovision Angelica / 2005 Director / Choreographer Mia Michaels Raw New York Founder, Director and City Choreographer Les Ballet Jazz De Montreal / Commissioned Original Work Commissioned Original Work Giordano Jazz Dance Chicago Commissioned Original Work / Commissioned Original Work Oslo Dance International / Commissioned Original Work Commissioned Original Work Joffrey Ballet 2 New York City Guest Choreographer International Dance Festival Guest Choreographer Amsterdam Kirov Academy Washington Guest Choreographer DC Jazz Theater of Amsterdam / Commissioned Original Work Commissioned Original Work Miami Movement Dance Founder, Director, and Company Choreographer Harvard Keynote Speaker Harvard in Arts Reflection Program (HARP) Teaching: Joffrey Ballet School Artistic Director| Jazz & Contemporary Theatre: NY Spectacular / Radio City Choreographer Music Hall starring The Rockettes Finding Neverland Choreographer Lunt-Fontaine Theater / 2015 Hello Dolly! w/ Tovah Choreographer Papermill Playhouse / 2005 Feldshuh West Side Story Choreographer Arkansas -
SUMMIT ENTERTAINMENT in Associazione Con OFFSPRING ENTERTAINMENT
Medusa Film presenta una produzione SUMMIT ENTERTAINMENT in associazione con OFFSPRING ENTERTAINMENT STEP UP Channing Tatum, Jenna Dewan Mario, Drew Sidora e Rachel Griffiths un film di ANNE FLETCHER prodotto da Patrick Wachsberger, Erik Feig, Adam Shankman, Jennifer Gibgot distribuzione www.medusa.it IL CAST Tyler Gage CHUNNING TATUM Nora Clark JENNA DEWAN Mac Carter DAMAINE RADCLIFF Skinny Carter DE’SHAWN WASHINGTON Miles Darby MARIO Lucy Avila DREW SIDORA Direttrice Gordon RACHEL GRIFFITHS Brett Dolan JOSH HENDERSEN Andrew TIM LACATENA Camille ALYSON STONER Omar HEAVY D Mamma di Nora/Katherine Clark DEIRDRE LOVEJOY 2 I REALIZZATORI Regia ANNE FLETCHER Sceneggiatura DUANE ADLER MELISSA ROSENBERG Produttori PATRICK WACHSBERGER ERIK FEIG ADAM SHANKMAN JENNIFER GIBGOT Produttori esecutivi BOB HAYWARD DAVID GARRETT JOHN H. STARKE Direttore della fotografia MICHAEL SERESIN Scenografo SHEPHERD FRANKEL Montaggio NANCY RICHARDSON Costumi ALIX HESTER Compositore AARON ZIGMAN Supervisore alle musiche BUCK DAMON Uscita 26 gennaio 2007 Nazionalità U.S.A. Durata 100 minuti 3 SINOSSI Lui è un ribelle spavaldo proveniente dalla parte degradata di Baltimora; lei una ballerina privilegiata di una scuola d’elite di arti dello spettacolo. I loro mondi non potrebbero essere più diversi ma quando i loro destini entrano in collisione, tra di loro volano scintille che accendono una favola esilarante alimentata dall’ hip- hop facendo realizzare un sogno improbabile grazie all’unica chance esistente. Con un interessante cast di giovani nuovi talenti del grande schermo, STEP UP è una storia realistica di trascendenza guidata da musica e danza. Tyler Gage (CHANNING TATUM) è cresciuto trascorrendo la propria vita sulle strade dure della città e sa che è improbabile che ce la possa mai fare ad andarsene. -
Strategic Management and Global Competition Individual Paper
STRATEGIC MANAGEMENT AND GLOBAL COMPETITION INDIVIDUAL PAPER THE WALT DISNEY COMPANY AND ITS ACQUISITION STRATEGY: PIXAR, MARVEL & LUCASFILM Li Chi Ching Jane Strategic Management and Global Competition, Fall 2016 December 1, 2016 Abstract In this paper, I will analyze the rationale behind Disney’s acquisitions of Pixar, Marvel and Lucasfilm and the subsequent impacts they have on Disney as a whole. Disney has always been relying on its strategic model “The Ripple Effect” for sustainable growth—through creation of a film asset, value can be infused into an array of its related entertainment assets. And a popular film acts like a wave maker in creating ripples that go down to all of Disney’s businesses—success of films are central to Disney’s overall performance. Yet, the absence of successful films from Disney starting from the late 1990s stopped the Disney model from working, resulting in a decline in profits in various business segments within Disney. In light of this problem, Disney chose the path of acquisitions— Pixar was acquired in 2006, while Marvel and Lucasfilm were acquired in 2009 and 2012 respectively. All three acquisitions have one central goal—to find Disney’s way back to the wave makers, and hence make the Disney model work again. The announcement by Disney that it would buy its partner Pixar at $7.4 billion in 2006 once shook the world—many were either having doubts on how such an acquisition would turn out or considering the valuation as too high. Most acquisitions, particularly in media, are value-destroying as opposed to value-creating. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Watch Step up Revolution Online Free Full Movie No Download
Watch step up revolution online free full movie no download CLICK TO DOWNLOAD 7/27/ · On Yify TV you can Watch Step Up Revolution free instantly without waiting. Watch more Scott Speer's movies for free on Yify TV. More search tags: Step Up renuzap.podarokideal.ru4, Step Up Revolution full movie online, download online movies free on Yify TV. |. Download step up revolution yify movies torrent: The Mob sets the dancing against the vibrant backdrop of Miami. Emily arrives in Miami with aspirations . Released July 27th, , 'Step Up Revolution' stars Kathryn McCormick, Ryan Guzman, Megan Boone, Jessica Guadix The PG movie has a runtime of . Watch Step Up Revolution Online Free | Download Full Movie in HD The fourth installment of the step up series is out for the sale now. You can get the privilege to Watch Step Up Revolution Online that had turned out to be in the genre of musical romantic drama. Step Up Revolution - Trailer No. 1. Where to Watch Trailers Full Cast & Crew Buy DVD. Stream & Watch Online Movie Details. Original Language: English. A click on the button will let you watch Step Up Revolution online. The full-length movie is given with HD quality and when you will enjoy it from here, you will feel like watching the movie from DVDs. No need to spend extra money and empty your wallet. Just pay a very little and get started to even also download Step Up Revolution movie. Watch Step Up Revolution Online Free Movie Stream in HD quality Download. It's another rare and great opportunities to watch Step Up Revolution Online for free. -
Vodafone Idea and Starz Strike Strategic Alliance; Launch Lionsgate Play in India
VODAFONE IDEA AND STARZ STRIKE STRATEGIC ALLIANCE; LAUNCH LIONSGATE PLAY IN INDIA ~ VIL customers will have easy access to popular content from Lionsgate library ~ Portfolio includes movie premieres and blockbuster films across genres ~ A seamless viewing experience of customised and differentiated content Mumbai, Aug 19, 2019: Vodafone Idea Limited, India’s leading telecom operator and STARZPLAY, the international premium subscription platform from STARZ, a Lionsgate (NYSE: LGF.A, LGF.B) company, have joined hands to launch Lionsgate’s premium service Lionsgate Play in India. This partnership will enable Vodafone Idea customers’ access to a broad portfolio of celebrated blockbusters and award-winning feature films from the studio. Video is the new growth driver in the digital content consumption today. Vodafone Idea’s partnership with STARZPLAY is a step towards boosting the growth of the digital ecosystem in India. The partnership will capitalize on this huge potential by offering viewers with an array of premium content across genres. Lionsgate Play will be available to Vodafone Play and Idea Movies & TV subscribers as a part of this strategic collaboration between the two companies. The offering includes multibillion-dollar global blockbuster franchises The Hunger Games and The Twilight Saga, multiple Academy Award ® winner La La Land and the international breakout hit Wonder, with much of it available in four local languages. The content library will be spread across genres like horror, comedy, drama, action, thriller, documentaries to name a few. Following the launch, the offering will boast an illustrious line up of digital premieres of Lionsgate films coming to the service in the first year including Robin Hood, Crank, Sahara, Redcliff, Jersey Shore Attack, Killers, Grudge, Letters to Juliet, American Pyscho 2, Nerve, Facing Ali, Down A Dark Hall and American Assassin. -
Lionsgate Entertainment Corporation
Lionsgate Entertainment Corporation Q1 2021 Earnings Conference Call Thursday, August 6, 2020, 5:00 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Jimmy Barge - Chief Financial Officer Michael Burns - Vice Chairman Brian Goldsmith - Chief Operating Officer Kevin Beggs - Chairman, TV Group Joe Drake - Chairman, Motion Picture Group Jeff Hirsch - President, Chief Executive Officer, Starz Scott Macdonald - Chief Financial Officer, Starz Superna Kalle - Executive Vice President, International James Marsh - Executive Vice President and Head of Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by. Welcome to the Lionsgate Entertainment First Quarter 2021 Earnings Call. At this time, all participants are in a listen-only mode. Later, we will conduct a question and answer session; instructions will be given at that time. If you should require assistance during the call, please press "*" then "0." As a reminder, this conference is being recorded. I will now turn the conference over to our host, Executive Vice President and Head of Investor Relations, James Marsh. Please go ahead. James Marsh Good afternoon. Thank you for joining us for the Lion Gate’s Fiscal 2021 First Quarter Conference Call. We’ll begin with opening remarks from our CEO, Jon Feltheimer, followed by remarks from our CFO, Jimmy Barge. After their remarks, we’ll open the call for questions. Also joining us on the call today are Vice Chairman, Michael Burns, COO, Brian Goldsmith, Chairman of the TV Group, Kevin Beggs, and Chairman of the Motion Picture Group, Joe Drake. And from Starz, we have President and CEO, Jeff Hirsch, CFO, Scott Macdonald and EVP of International, Superna Kalle. -
Lionsgate Entertainment Corp
Lionsgate Entertainment Corp. 2020 Q1 Earnings Call Thursday, August 8, 2019, 5:00 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Jimmy Barge - Chief Financial Officer Michael Burns - Vice Chairman Brian Goldsmith – Lionsgate Chief Operating Officer Kevin Beggs - Chairman, Lionsgate TV Group Joe Drake - Chairman, Lionsgate Motion Picture Group Jeff Hirsch - Chief Operating Officer, Starz Scott Macdonald - Chief Financial Officer, Starz Superna Kalle - Executive Vice President, International Digital Networks, Starz James Marsh - Head, Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to the Lions Gate 2020 First Quarter Earnings Call. At this time all participants are in a listen-only mode. Later, we will conduct a question-and-answer session. Instructions will be given at that time. Should you require assistance during the call, please press "*", then "0." And as a reminder, this conference is being recorded. I would now like to turn the conference over to our host, Mr. James Marsh, Head of Investor Relations. Please go ahead sir. James Marsh Good afternoon. Thank you for joining us for the Lionsgate Fiscal '20 first quarter conference call. We'll begin with opening remarks from our CEO, Jon Feltheimer followed by remarks from our CFO, Jimmy Barge. After their remarks, we'll open the call for questions. Also joining us on the call today are: Vice Chairman, Michael Burns; COO, Brian Goldsmith; Chairman of the TV Group, Kevin Beggs; and Chairman of the Motion Picture Group, Joe Drake. And from Starz, we have COO, Jeff Hirsch; CFO, Scott Macdonald; and EVP of International, Superna Kalle. -
Keeping the Score the Impact of Recapturing North American Film and Television Sound Recording Work
Keeping the Score The impact of recapturing North American film and television sound recording work December 2014 [This page is intentionally left blank.] Keeping the Score Table of Contents Acknowledgments 2 Executive Summary 3 Introduction 5 Precarious work in a shifting industry 7 From full-time to freelance 7 A dignified standard set by decades of organizing 9 Musicians in a Twenty-First Century studio system 12 What is a “major studio” anyhow? 12 Composers squeezed in the middle: the rise of the “package deal” 15 Chasing tax credits 17 A profitable industry 19 The “last actors” feel the pain 21 Recording employment slipping away 21 Where has recording gone? 24 Recording the score as “an afterthought” 25 Hollywood provides quality employment – for most 26 Bringing work back: the debate thus far 28 A community weakened by the loss of music 33 Case Study: Impact on the Los Angeles regional economy 33 Impact on the cultural fabric 35 Breaking the social compact 36 Federal subsidies 36 Local subsidies 37 Cheating on employment 38 Lionsgate: a new major roars 39 Reliance on tax incentives 41 Wealth – and work – not shared 41 Taking the high road: what it could mean 43 Conclusion and Recommendations 44 Recommendations to policy makers 44 Recommendations to the industry 46 Endnotes 47 laane: a new economy for all 1 Keeping the Score Acknowledgments Lead author: Jon Zerolnick This report owes much to many organizations and individuals who gave generously of their time and insights. Thanks, first and foremost, to the staff and members of the American Federation of Musicians, including especially Local 47 as well as the player conference the Recording Musicians Association. -
Gideon Ponte Production Designer
ECHO ARTISTS LTD UNIT 3 DE BEAUVOIR BLOCK 92-96 DE BEAUVOIR ROAD LONDON N1 4EN +44 (0) 203 567 0777 WWW.ECHOARTISTS.COM GIDEON PONTE PRODUCTION DESIGNER FILM/TELEVISION FILTH + WISDOM Director: Madonna Producer: Semtex Films, HSI London + IFC Films Nominated, Best Feature, Berlin International Film Festival (2008) NACHO LIBRE Director: Jared Hess Producer: Paramount Pictures + Nikelodeon Movies THE NOTORIOUS BETTIE PAGE Director: Mary Harron Producer: HBO Films + Killer Films Nominated, Best Feature, Berlin International Film Festival (2006) THE DANGEROUS LIVES OF ALTAR BOYS Director: Peter Care Producer: Egg Pictures, IEG + Trilogy Entertainment Group Winner, Best First Feature, Film Independent Spirit Awards (2003) HAMLET Director: Michael Almereyda Producer: Double A Films, Channel Four Films + Miramax Nominated, Sutherland Award First Feature Competition, London Film Festival (2018) AMERICAN PSYCHO Director: Mary Harron Producer: Lionsgate Films, Muse Productions + Universal Pictures BUFFALO ‘66 Director: Vincent Gallo Producer: Lionsgate Films + Muse Productions Nominated, Best Foreign Independent Film, BIFAs (1999) Nominated, Best Feature Film, Film Independent Spirit Awards (1999) Nominated, Grand Jury Prize – Dramatic, Sundance Film Festival (1998) I SHOT ANDY WARHOL Director: Mary Harron Producer: Playhouse International Pictures, The Samuel Goldwyn Company + Killer Films Nominated, Golden Camera, Cannes Film Festival (1997) Nominated, Best First Feature, Film Independent Spirit Awards (1997) Nominated, Grand Jury Prize – Dramatic, Sundance Film Festival (1996) DIRECTORS / COMMERCIALS GLEN LUCHFORD Fenty x Puma, Gucci Ouverture, Gucci Bloom, Gucci Memoire, Gucci Guilty, Hugo Boss DAVID SIMS Palace x Machino, Balenciaga, Alexander McQueen STEVEN KLEIN Gucci Tailoring FW16, Dolce & Gabana STEVEN MEISEL Dolce & Gabana, Balenciaga KARL LAGERFELD Chanel DIRECTORS / MUSIC VIDEOS STEVEN KLEIN Lady Gaga “Marry The Night”, Lady Gaga “Alejandro” BIG TV Lauryn Hill “Doo Wop (That Thing” Winner, Best Art Direction in a Video, MTV Video Music Awards (1999) . -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.