Chapter 9 the Chief Harem Eunuch and Ottoman
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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Conserving the Palestinian Architectural Heritage
Jihad Awad, Int. J. of Herit. Archit., Vol. 1, No. 3 (2017) 451–460 CONSERVING THE PALESTINIAN ARCHITECTURAL HERITAGE JIHAD AWAD Architectural Engineering Department, Ajman University of Science & Technology, United Arab Emirates. ABstract Despite the difficult situation in West Bank, the Palestinians were able to, during the last three decades, preserve a huge part of their architectural heritage. This is mainly due to the notion that this issue was considered as an essential part of the struggle against occupation and necessary to preserve their identity. This paper will concentrate mainly on the conservation efforts and experience in West Bank, Jerusalem, and the Gaza Strip. It covers not only examples from major cities but also some important ones in the villages. Due to the special situation of being occupation, and the absence of a central au- thority responsible for heritage conservation, several entities were established and became involved in conservation, with diverse goals and approaches. Although it started during the last three decades, the Palestinian experience in conservation has received international recognition for some distinguished successful examples. It became in some cases a good reference for others outside Palestine. The main goal of this paper is to present the Palestinian experiment in conservation and to highlight the reasons behind the successful examples and find out the obstacles and difficulties in other cases. It shows that for the Palestinians preserving the architectural heritage became a part of their cultural resistance and efforts to maintain their national identity. This paper depends on a descriptive method based on pub- lications and some site visits, in addition to direct contact with major institutions involved in heritage conservation in Palestine. -
1 Introducing the Chief Harem Eunuch
Cambridge University Press 978-1-107-10829-5 — The Chief Eunuch of the Ottoman Harem Jane Hathaway Excerpt More Information 1 Introducing the Chief Harem Eunuch Let’s start with the cover illustration. It shows the most powerful Chief Harem Eunuch in Ottoman history, el-Hajj Beshir Agha, leading three sons of Sultan Ahmed III through the Third Court of Topkapı Palace. The year is 1720. The princes are about to be circumcised in the Circumcision Room in the palace’s Fourth Court. Each of them is held on either side by a vizier, or government minister. Beshir Agha is right at the front of the painting, flush with the picture frame. Even the grand vizier, supposedly the most powerful figure in the Ottoman Empire at the time, walks behind him, holding the right arm of the oldest prince. What is the message of this painting? El-Hajj Beshir Agha is the most powerful person in the palace, more powerful than the grand vizier or any of the princes. He holds the princes’ fates and, by implication, the fate of the empire in his hands. But he also guards the barrier separating the princes and the viziers from the viewer. In this sense, he is both a central figure and a marginal figure, both the master of the princes and viziers and their servant. He is also the only dark-skinned figure in the painting, yet he is leading all the pale-skinned figures. Does this image seem contradictory? It should. The Chief Eunuch of the Ottoman Empire’s imperial harem embodied all these contradictions. -
Historia Scribere 13 (2021)
historia scribere 13 (2021) The Beginnings of an Empire. The Transformation of the Ottoman State into an Empire, demonstrated at the example of Grand Vizier Mahmud Pasha’s life and accomplishments Vera Flatz Kerngebiet: Neuzeit eingereicht bei: Yasir Yilmaz, MA PhD und Univ.-Prof. Dr. Stefan Ehrenpreis eingereicht im: WiSe 2019/20 Rubrik: Seminar-Arbeit Abstract The Beginnings of an Empire. The Transformation of the Ottoman State into an Empire, demonstrated at the example of Grand Vizier Mahmud Pasha’s life and accomplishments The following seminar paper deals with Grand Vizier Mahmud Pasha’s life and the processes that turned an Ottoman principality into the Ottoman Empire. Starting with Sultan Mehmed’s II appointment in 1444, important practic- es such as the nomination of a grand vizier changed significantly. Moreover, Mehmed II built a new palace which reflected the new imperial self-percep- tion, a new code of law was installed, and the empire was centralised. All these developments become especially visible in the life of Grand Vizier Mahmud Pasha Angelovic. The paper examines secondary literature as well as contem- porary sources of Kritobolous and Ibn Khaldun. Sources on Mahmud Pasha’s life are rare and need to be analysed with caution as his posthumous legend influenced the production of literature about his life. 1. Introduction Mahmud Pasha Angelovic, born at the beginning of the 15th century in a town in Ser- bia, became one of the most influential grand viziers of the Ottoman Empire. How did that happen? In 1453, Mehmed II conquered Constantinople and made it the capital of one of the biggest empires of the early modern period. -
Madrasah Education System and Terrorism: Reality and Misconception
92 Madrasah Education System And Terrorism: Reality And Misconception Mohd Izzat Amsyar Mohd Arif ([email protected]) The National University of Malaysia, Bangi Nur Hartini Abdul Rahman ([email protected]) Ministry of Education, Malaysia Hisham Hanapi ([email protected]) Tunku Abdul Rahman University College, Kuala Lumpur Abstract Since the terrorist attacks on September 11, 2001, the Islamic schools known as madrasah have been of increasing interest to analysts and to officials involved in formulating U.S. foreign policy toward the Middle East, Central, and Southeast Asia. Madrasah drew added attention when it became known that several Taliban leaders and Al-Qaeda members had developed radical political views at madrasah in Pakistan, some of which allegedly were built and partially financed through Saudi Arabian sources. These revelations have led to accusations that madrasah promote Islamic extremism and militancy, and are a recruiting ground for terrorism. Others maintain that most of these religious schools have been blamed unfairly for fostering anti-U.S. sentiments and argue that madrasah play an important role in countries where millions of Muslims live in poverty and the educational infrastructure is in decay. This paper aims to study a misconception of the role and functions of Islamic traditional religious schools which have been linked with the activities of terrorism. The study will be specifically focus on practice of the traditional Islamic school, which is locally called as ‘madrasah system’. Keywords: madrasah, terrorism, Islamic schools INTRODUCTION The September 11 terrorist attacks on the World Trade Centre in New York changed the international politics, security and law. The attacks gave rise to the new catchword of war against terrorism, which has been universally accepted as a new millennium global threat. -
Water in Islamic Architecture: Study of the Water
مجلة العمارة والفنون العدد الثاني عشر – الجزء اﻷول WATER IN ISLAMIC ARCHITECTURE: STUDY OF THE WATER DISPENSARY (SABIL) Assist. Prof. Dr/ Ahmed El Shakhs Assistant Professor, Architecture and Design Department, College of Engineering, Abu Dhabi University, UAE Assist. Prof. Dr/ Dalia Mohammed Ezzat Assistant Professor, Interior Design and Furniture Department, Faculty of Applied Arts, Helwan University, Egypt. ABSTRACT Water is essential to life and survival, it is not only a functional addition to Islamic architecture but also an integral part of the Islamic religion and beliefs, The Holy Quran states that "Every living thing is made of water", and the importance of this thought is visible in Islam since its used for Ablution five times daily; however, its mentioned in the Sunnah that water conservation is embedded in Islam even if you are living on a shore. The role played by water in Islamic architecture is both symbolic (representing spiritual purity) and practical (weather adjustment). Sabil is one of the emerged Islamic architectures that was used as a water dispenser, where water has been harnessed to serve and provide passers-by, it flourished under the rule of the Mamluks in Egypt where they constructed a standalone Sabil Kuttab, usually inflicted a Kuttab (Quranic School for boys) on top. This paper investigates the aesthetic, functional, and symbolic values of water in Islamic architecture, and highlights the value of Sabil as an important element in the Islamic city fall under the charity facilities, through analytical description of its architectural as well as the functional, aesthetic, and symbolic aspects which serve the concept of heritage revival by being a source of inspiration.The research problem can be framed in a set of questions; What is the importance of water as an essential element of life in Islamic architecture? What is the impact of muslim beliefs on design ? Did the formation of Islamic architecture only consider the functionality of the building and the aesthetic sides, or were hidden religeous beliefs conveyed?. -
Architectural and Historical Development in Palestine
International Journal of Civil Engineering and Technology (IJCIET) Volume 9, Issue 9, September 2018, pp. 1217–1233, Article ID: IJCIET_09_09_118 Available online at http://iaeme.com/Home/issue/IJCIET?Volume=9&Issue=9 ISSN Print: 0976-6308 and ISSN Online: 0976-6316 © IAEME Publication Scopus Indexed ARCHITECTURAL AND HISTORICAL DEVELOPMENT IN PALESTINE Mumen Abuarkub and Faiq M. S. Al-Zwainy Faculty of Engineering, Isra University, Amman, Jordan ABSTRACT This research paper gives a historic overview of the Palestnian architecture from the ancient times until today. The first chapter treats the ancient architecture. It introduces us to the first architectural findings on the territory of Palestine and the earliest Palestinian houses. We will see the differences of styles and buildings in prehistoric and ancient times from those built during Roma-Byzantine rule and later during ancient Greek-Roman influence. It is the time of the emergence and spread of Christianity, thus the period of building its temples - the churches. With the conquest of Palestine by the Arabs and islamization of the country the architecture suffers changes and is influenced by this new religion and new lifestile. Jerusalem becomes the beacon of islamic religion and culture. This period is the subject of the second chapter that gives us overview of the Palestinian architecture starting from Arabs installation in the 7th century and the crusaders wars, followed by the rule of Mamluk's dynasty. We finalize this period of influence in the Palestinian architecture with the rule of the Ottoman Empire. Despite the change of religions and cultures, churches and mosques are being constructed in each rule. -
Religious Pluralism and Religion-State Relations in Turkey
religions Article Religious Pluralism and Religion-State Relations in Turkey H. ¸SuleAlbayrak Department of Sociology of Religion, Faculty of Theology, Marmara University, Mahir Iz˙ Cad. No. 2, Üsküdar, Istanbul 34662, Turkey; [email protected] or [email protected] Received: 7 November 2018; Accepted: 16 January 2019; Published: 18 January 2019 Abstract: In this article, I examine religion-state relations and religious pluralism in Turkey in terms of recent changes in the religious landscape. I propose that there is a growing trend in the religious sphere that has resulted in a proliferation of religions, sects and spiritual approaches in Turkey. I argue that although the religious market model might not be applicable to the Turkish religious sphere during the republican era until the 2000s due to the restrictions applied by the state’s authoritarian secularist policies, it is compatible with today’s changing society. Different religious groups as well as spiritual movements have used the democratization process of the 2000s in Turkey as an opportunity to proselytize various faiths and understandings of Islam, with both traditional and modernist forms. In this period, new religious movements have also appeared. Thus, the Turkish religious landscape has recently become much more complicated than it was two decades earlier. I plan for this descriptive work firstly to provide an insight into the history of religious pluralism and state policies in Turkey. Secondly, I will discuss the religious policies of the republican period and, thirdly, I will evaluate recent developments such as the increasing number of approaches in the religious sphere within the scope of the religious market model. -
Cagaloglu Hamam 46 Ecumenical Patriarchate
THIS SIDE OF THES GOLDEN Yerebatan Cistern 44 Spiritual brothers: The HORN: THE OLD TOWN AND Cagaloglu Hamam 46 Ecumenical Patriarchate EYUP 8 Nuruosmaniye Mosque 48 of Constantinople 84 Topkapi Palace 10 Grand Bazaar 50 Fethiye Mosque (Pamma- The Power and the Glory Knotted or woven: The Turkish karistos Church) 86 of the Ottoman Rulers: art of rug-making 52 Chora Church 88 Inside the Treasury 12 Book Bazaar 54 Theodosian City Wall 90 The World behind the Veil: Traditional handicrafts: Eyiip Sultan Mosque 92 Life in the Harem 14 Gold and silver jewelry 56 Santralistanbul Center of Hagia Eirene 16 Beyazit Mosque 58 Art and Culture 94 Archaeological Museum 18 Siileymaniye Mosque 60 Fountain of Sultan Ahmed 20 Rustem Pa§a Mosque 64 BEYOND THE GOLDEN Hagia Sophia 22 Egyptian Bazaar HORN:THE NEWTOWN Constantine the Great 26 (Spice Bazaar) 66 AND THE EUROPEAN SIDE Sultan Ahmed Mosque Yeni Mosque, OF THE BOSPHORUS 96 (Blue Mosque) 28 Hiinkar Kasri 68 Karakoy (Galata), Tophane 98 Arasta Bazaar 32 Port of Eminonii 70 Jewish life under the The Great Palace of the Galata Bridge 72 Crescent Moon 100 Byzantine Emperors, Myths and legends: The Istanbul Modern Museum 102 Mosaic Museum 34 story(ies) surrounding Shooting stars above the Istanbul's Traditional the Golden Horn 74 gilded cage of art: Wooden Houses and Sirkeci train station 76 Istanbul Biennal 104 the Ravages of Time 36 $ehzade Mosque Kilig Ali Pa§a Mosque, The Hippodrome 38 (Prince's Mosque) 78 Nusretiye Mosque 106 Sokollu Mehmet Pa§a Valens Aqueduct 80 Galata Tower 108 Mosque 40 Fatih -
Before the Odalisque: Renaissance Representations of Elite Ottoman Women Heather Madar
Early Modern Women: An Interdisciplinary Journal 2011, vol. 6 Before the Odalisque: Renaissance Representations of Elite Ottoman Women Heather Madar he much-mythologized harem of the Ottoman sultans occupied a Tcentral place in European Orientalist thought for centuries.1 The harem, presented as an exotic world of forbidden sexuality inhabited by compliant yet sexually voracious women, appears in literature, art, and travel writing. While the most famous expressions of this harem fixa- tion date from later centuries,2 a focus on the harem as libidinous zone is demonstrably present in written sources from the sixteenth century. Yet an exploration of sixteenth-century European images turns up a surprising dearth of imagery in this vein. While Renaissance art lacks the languid odalisques or detailed views of the physical environment of the sultan’s harem familiar from later works, a series of largely overlooked representa- tions of elite Ottoman women do exist. Dating from the mid-sixteenth century, these images feature imagined portraits of sultanas — elite women such as Ottoman princesses, the sultan’s mother (valide sultan), or the sul- tan’s preferred concubine (haseki).3 Hurrem, the wife of sultan Süleyman, and his daughter Mihrimah appear most frequently in this genre. Yet strik- ing differences are immediately evident between their depiction and later, more familiar, views of the harem and harem women. The women shown in the Renaissance tradition were members of the sultan’s harem, yet they are not shown within a harem setting, nor do the images make reference to it. Although they are visually marked as Other, largely through the atten- tion given to their exotic dress, they are also presented as women who are of interest as individuals, possessing status and political significance. -
The Naqshbandi-Haqqani Order, Which Has Become Remarkable for Its Spread in the “West” and Its Adaptation to Vernacular Cultures
From madness to eternity Psychiatry and Sufi healing in the postmodern world Athar Ahmed Yawar UCL PhD, Division of Psychiatry 1 D ECLARATION I, Athar Ahmed Yawar, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: 2 A BSTRACT Problem: Academic study of religious healing has recognised its symbolic aspects, but has tended to frame practice as ritual, knowledge as belief. In contrast, studies of scientific psychiatry recognise that discipline as grounded in intellectual tradition and naturalistic empiricism. This asymmetry can be addressed if: (a) psychiatry is recognised as a form of “religious healing”; (b) religious healing can be shown to have an intellectual tradition which, although not naturalistic, is grounded in experience. Such an analysis may help to reveal why globalisation has meant the worldwide spread not only of modern scientific medicine, but of religious healing. An especially useful form of religious healing to contrast with scientific medicine is Sufi healing as practised by the Naqshbandi-Haqqani order, which has become remarkable for its spread in the “West” and its adaptation to vernacular cultures. Research questions: (1) How is knowledge generated and transmitted in the Naqshbandi- Haqqani order? (2) How is healing understood and done in the Order? (3) How does the Order find a role in the modern world, and in the West in particular? Methods: Anthropological analysis of psychiatry as religious healing; review of previous studies of Sufi healing and the Naqshbandi-Haqqani order; ethnographic participant observation in the Naqshbandi-Haqqani order, with a special focus on healing.