1 Introducing the Chief Harem Eunuch
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The Crimean Khanate, Ottomans and the Rise of the Russian Empire*
STRUGGLE FOR EAST-EUROPEAN EMPIRE: 1400-1700 The Crimean Khanate, Ottomans and the Rise of the Russian Empire* HALİL İNALCIK The empire of the Golden Horde, built by Batu, son of Djodji and the grand son of Genghis Khan, around 1240, was an empire which united the whole East-Europe under its domination. The Golden Horde empire comprised ali of the remnants of the earlier nomadic peoples of Turkic language in the steppe area which were then known under the common name of Tatar within this new political framework. The Golden Horde ruled directly över the Eurasian steppe from Khwarezm to the Danube and över the Russian principalities in the forest zone indirectly as tribute-paying states. Already in the second half of the 13th century the western part of the steppe from the Don river to the Danube tended to become a separate political entity under the powerful emir Noghay. In the second half of the 14th century rival branches of the Djodjid dynasty, each supported by a group of the dissident clans, started a long struggle for the Ulugh-Yurd, the core of the empire in the lower itil (Volga) river, and for the title of Ulugh Khan which meant the supreme ruler of the empire. Toktamish Khan restored, for a short period, the unity of the empire. When defeated by Tamerlane, his sons and dependent clans resumed the struggle for the Ulugh-Khan-ship in the westem steppe area. During ali this period, the Crimean peninsula, separated from the steppe by a narrow isthmus, became a refuge area for the defeated in the steppe. -
Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
The Protection of Historical Artifacts in Ottoman Empire: the Permanent Council for the Protection of Ancient Artifactsi
Universal Journal of Educational Research 7(2): 600-608, 2019 http://www.hrpub.org DOI: 10.13189/ujer.2019.070233 The Protection of Historical Artifacts in Ottoman Empire: The Permanent Council for the i Protection of Ancient Artifacts Sefa Yildirim*, Fatih Öztop Department of History, Faculty of Science and Letters, Ağrı İbrahim Çeçen University, Turkey Copyright©2019 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract The historical artifacts that reveal the social, establishment, functioning, duties and activities of the political, aesthetic, moral, architectural, etc. stages, before-said council are tried to be explained. through which the human beings have been; which transfer and reveal information from past to present and Keywords Historical Artifacts, Protection of future; which have an artistic, historical or archaeological Historical Artifacts, Council importance are very important physical elements that the present-day civilized societies protect or must protect as cultural values. Such works both strengthen the ties to the past due to the transfer of cultural heritage to existing and 1 . Introduction future generations and plays a very important role in the writing of the past through the data provided to the The first initiative for the protection of the historical researchers. The protection of the historical artifacts was artifacts in the Ottoman Empire can be considered as the under sharia laws until 1858 in Ottoman Empire, since beginning of the storage of two collections of old weapons then, some regulations were done about this issue, in the and artifacts since 1846 in the Hagia Irene Church end, The Permanent Council for the Protection of Ancient (Sertoğlu & Açık, 2013, p.160). -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
The Concept of the Millet in Turkish Dictionaries: Its Alteration and the Impact on Ottoman Macedonia
BALCANICA POSNANIENSIA XXVI Poznań 2019 THE CONCEPT OF THE MILLET IN TURKISH DICTIONARIES: ITS ALTERATION AND THE IMPACT ON OTTOMAN MACEDONIA MARIA PANDEVSKA , MAKEDONKA MITROVA ABSTRACT. The Concept of the Millet in Turkish Dictionaries: Its Alteration and the Impact on Ottoman Macedonia. In the 19th century the dictionaries/glossaries represent the first brace which connected different cultures and lan- guages, thus also linking the Orient with the Occident and vice versa. In this context the research is focused on the Turkish dictionaries/glossaries, which for a long time actually represented one of the basic media of trans- mitting the new Western ideas in the East, and in our case, in the Ottoman Empire. Through the short compara- tive analyses of these dictionaries/glossaries and their authors (from the 19th century and early 20th century) we follow the change of the cognitive concept of the term millet with the term nation. The case study is focused on Ottoman Macedonia and on the political implications caused by this change of the meaning of the Ottoman term millet. STRESZCZENIE. W XIX wieku słowniki/glosariusze stanowiły pierwszą klamrę, która łączyła różne kultu- ry i języki, łącząc w ten sposób także Orient z Zachodem i vice versa. W tym kontekście badania koncentrują się na tureckich słownikach / glosariuszach, które przez długi czas faktycznie stanowiły jeden z podstawowych środków przekazu nowych zachodnich idei na Wschodzie, a w naszym przypadku w Imperium Osmańskim. Poprzez krótkie analizy porównawcze tych słowników/glosariuszy i ich autorów (z XIX i początku XX wieku) śledzimy przemiany koncepcji znaczeniowej pojęcia millet w kierunku pojęcia naród. -
Women and Power: Female Patrons of Architecture in 16Th and 17Th Century Istanbul1
Women and Power: Female Patrons of Architecture in 16th and 17th Century Istanbul1 Firuzan Melike Sümertas ̧ Anadolu University, Eskisehir, ̧ TÜRKlYE ̇ The aim of this paper is to discuss and illustrate the visibility of Ottoman imperial women in relation to their spatial presence and contribution to the architecture and cityscape of sixteenth and seventeenth century Istanbul. The central premise of the study is that the Ottoman imperial women assumed and exercised power and influence by various means but became publicly visible and acknowledged more through architectural patronage. The focus is on Istanbul and a group of buildings and complexes built under the sponsorship of court women who resided in the Harem section of Topkapı Palace. The case studies built in Istanbul in the sixteenth and seventeenth centuries are examined in terms of their location in the city, the layout of the complexes, the placement and plan of the individual buildings, their orientation, mass characteristics and structural properties. It is discussed whether female patronage had any recognizable consequences on the Ottoman Classical Architecture, and whether female patrons had any impact on the building process, selection of the site and architecture. These complexes, in addition, are discussed as physical manifestation and representation of imperial female power. Accordingly it is argued that, they functioned not only as urban regeneration projects but also as a means to enhance and make imperial female identity visible in a monumental scale to large masses in different parts of the capital. Introduction Historical study, since the last quarter of the 20th The study first summarizes outlines the role of women century has concentrated on recognizing, defining, in the Ottoman society. -
Studies in Honour of Éva Kincses-Nagy
ALTAIC AND CHAGATAY LECTURES Studies in Honour of Éva Kincses-Nagy Altaic and Chagatay Lectures Studies in Honour of Éva Kincses-Nagy Edited by István Zimonyi Szeged – 2021 This publication was supported by the ELTE-SZTE Silk Road Research Group, ELKH Cover illustration: Everyone acts according to his own disposition (Q 17,84, written in nasta’liq) Calligraphy of Mustafa Khudair Letters and Words. Exhibtion of Arabic Calligraphy. Cairo 2011, 35. © University of Szeged, Department of Altaic Studies, Printed in 2021 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by other means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of the author or the publisher. Printed by: Innovariant Ltd., H-6750 Algyő, Ipartelep 4. ISBN: 978 963 306 793 2 (printed) ISBN: 978 963 306 794 9 (pdf) Contents Preface ................................................................................................................. 11 ŞÜKRÜ HALÛK AKALIN On the Etymology and Word Formation of Arıbeyi ‘Queen Bee’: How did the Female Bee Become Bey ‘Male Ruler’ in Turkish? ....................... 15 KUTSE ALTIN The Reconstruction of the Motives and Activities of the Last Campaign of Kanuni Sultan Süleyman ........................................................ 21 TATIANA A. ANIKEEVA The Tale of the Epic Cycle of “Kitab-i Dedem Korkut” in Turkish Folklore of the 20th Century ................................................................... 43 İBRAHIM AHMET AYDEMIR Zur Typologie von „Small Clauses” in modernen Türksprachen ........................ 51 LÁSZLÓ BALOGH Notes on the Ethnic and Political Conditions of the Carpathian Basin in the Early 9th Century ........................................................... 61 JÚLIA BARTHA Turkish Heritage of Hungarian Dietary Culture .................................................. 71 BÜLENT BAYRAM An Epic about Attila in Chuvash Literature: Attilpa Krimkilte ......................... -
Tales of a Medieval Cairene Harem: Domestic Life in Al-Biqa≠‘|'S Autobiographical Chronicle
LI GUO UNIVERSITY OF NOTRE DAME Tales of a Medieval Cairene Harem: Domestic Life in al-Biqa≠‘|'s Autobiographical Chronicle Among the findings of recent scholarship on medieval Arabic autobiography1 is a reaffirmation, or redefinition, of the long-held notion that the realm of "private" life was "never the central focus of pre-modern Arabic autobiographical texts."2 To address this paradoxical contradiction between the business of "self- representation" and the obvious lack of "private" material in such texts, four sets of recurring features have been identified to help in uncovering the "modes" the medieval Arabic authors used to construct their individual identities: portrayals of childhood failures, portrayals of emotion through the description of action, dream narratives as reflections of moments of authorial anxiety, and poetry as a discourse of emotion.3 Other related areas, such as domestic life, gender, and sexuality, are largely left out. The "autobiographical anxiety," after all, has perhaps more to do with the authors' motivations to pen elaborate portrayals, in various literary conventions, of themselves as guardians of religious learning and respected community members (and in some cases, to settle scores with their enemies and rivals) than self-indulgence and exhibitionist "individuating." In this regard, a good example is perhaps the universally acclaimed autobiographical travelogue, the Rih˝lah of Ibn Bat¸t¸u≠t¸ah (d. 770/1368), who married and divorced over a period of thirty years of globetrotting more than twenty women and fathered, and eventually abandoned, some seventy children. However, little, if any, information is provided © Middle East Documentation Center. The University of Chicago. -
The Ottoman Policy Towards Non-Muslim Communities and Their Status in the Ottoman Empire During the 15Th & 16Th Centuries: Interaction of Civilizations Mughul, M
2137 THE OTTOMAN POLICY TOWARDS NON-MUSLIM COMMUNITIES AND THEIR STATUS IN THE OTTOMAN EMPIRE DURING THE 15TH & 16TH CENTURIES: INTERACTION OF CIVILIZATIONS MUGHUL, M. Yakub* PAKİSTAN/PAKISTAN/ПАКИСТАН ABSTRACT This paper focuses on Ottomans liberal policy and tolerance towards the non- Muslims and other religious communities during 15th, 16th century. In particular, it explores the key role of Sultan Mohammad-II in consolidating and harmonizing different cultures and religions across Europe and Asia. The paper also addresses the Islamic attitude towards inter-religious relations, which was at that time quite unknown in rest of Europe, where they were burning its heretics at the stake, whereas races and religions coexisted under the Ottoman rule. It will highlight how the advent of Ottoman Rule in Eastern Europe brought the Muslim and European Civilizations face to face, which ultimately created an interaction among them. Finally, it will describe the image of the millet system introduced during this period, which brought all non-Muslim communities within the Turkish commonwealth, and allowed them to govern itself by its own laws and live in peace in the Ottoman Empire. Key Words: Ottoman, policy, Empire, Constantinople, Turkish, history. INTRODUCTION The Ottoman Empire1 would be defined as a mosaic of different cultures and religions, which provided peace and harmony among members of society without distinction between Muslim and non-Muslim, race, and color. The story of Ottoman history involves not only the Ottoman dynasty but the many peoples who ruled the Empire and were ruled by it: Turks, Arabs, Serbs, Greeks, Armenians, Jews, Bulgarians, Hungarians, Albanians, North Africans and others. -
Bdgazîci UNIVERSITES! Dergïsi
1039 123 BDGAZÎCi UNIVERSITES! DERGÏSi Begeri Bilimler — Humanities Vol. 6 —1978 TÂCÎ-ZÂDE CATER ÇELEBÎ, AS A POET AND STATESMAN Ismail E. Eriinsal" ABSTRACT Tâcî-zâde Ca'fer Çelebi was a prominent figure in the political life of Ottoman society in the late 15th and early 16th centuries, who both as a member of the council of State and as a personality of distinction in the literary activities of the period was able to influence future developments in these spheres. However, apart from a few articles in works of an encyclopaedic nature, no study has hitherto been devoted to his life and his activities as a poet and statesman. The present study collects all the existing information on his life and his career, and presents for the first time a reliable biography, seeking as well to establish his position in the literary environment of the age and in the Ottoman administration. Tâcî-zâde Ca'fer Çelebi may be regarded as one of the representative men of Ottoman society in the late 15th and early 16th centuries. A scholar, a poet and a statesman, he achieved distinction in the nascent educational and administrative ins titution, and by his poetry and prose works contributed to the cultural life of the new society and the formation of a language in which this might find expression. While regarded as a poet of secondary rank, his verse is still superior to that of most of his contemporaries; and were it not that he was rivalled by such great poets as Ahmed Pasa, Necâtî and Mesîhî, it is likely that his reputation would have been greater than later critics allowed. -
Before the Odalisque: Renaissance Representations of Elite Ottoman Women Heather Madar
Early Modern Women: An Interdisciplinary Journal 2011, vol. 6 Before the Odalisque: Renaissance Representations of Elite Ottoman Women Heather Madar he much-mythologized harem of the Ottoman sultans occupied a Tcentral place in European Orientalist thought for centuries.1 The harem, presented as an exotic world of forbidden sexuality inhabited by compliant yet sexually voracious women, appears in literature, art, and travel writing. While the most famous expressions of this harem fixa- tion date from later centuries,2 a focus on the harem as libidinous zone is demonstrably present in written sources from the sixteenth century. Yet an exploration of sixteenth-century European images turns up a surprising dearth of imagery in this vein. While Renaissance art lacks the languid odalisques or detailed views of the physical environment of the sultan’s harem familiar from later works, a series of largely overlooked representa- tions of elite Ottoman women do exist. Dating from the mid-sixteenth century, these images feature imagined portraits of sultanas — elite women such as Ottoman princesses, the sultan’s mother (valide sultan), or the sul- tan’s preferred concubine (haseki).3 Hurrem, the wife of sultan Süleyman, and his daughter Mihrimah appear most frequently in this genre. Yet strik- ing differences are immediately evident between their depiction and later, more familiar, views of the harem and harem women. The women shown in the Renaissance tradition were members of the sultan’s harem, yet they are not shown within a harem setting, nor do the images make reference to it. Although they are visually marked as Other, largely through the atten- tion given to their exotic dress, they are also presented as women who are of interest as individuals, possessing status and political significance. -
Women at the Mughal Court Perception & Reality
Women at the Mughal Court Perception & Reality What assumptions or questions do you have about the women depicted in the following nine paintings? What was life like in the zenana or women’s quarters? How much freedom did they have? With our new online catalogue we are drawing attention to this under-explored area. We look at the fascinating lives and achievements of these women, and how they have been represented, or misrepresented. Women at the Mughal Court Perception & Reality When we look at cat. 1, ‘A Princess is attended by her Women’, one can imagine how such an image could be misinterpreted. For centuries, the women of the Mughal court and the space of the zenana (the women’s quarters of a household) in particular have often been neglected by art historians and represented by European visitors and later writers and artists in Orientalist terms. This is the idea of the ‘exotic’ harem as a place of purely sensuous languor, where thousands of nubile young women are imprisoned and lead restricted lives as sex objects, full of jealousy and frustration. As we might expect, the truth is far more complex, rich, and surprising. Certainly, as the wonderful details of cat. 1 attest, the highest-ranking women of this society enjoyed an extremely sophisticated luxury and beauty culture. Our princess’ every need is being attended to: women on the left bring her fruit and a covered cup with a drink; one woman shampoos her feet to cool them while others hold a peacock, a morchhal, attend the incense burner, and sing and play on the tambura as musical accompaniment.