Bulletin Culturel September 2011
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
C'est La Tour De Babel - Le Film Multilingue: Un Défi De La Traduction Audiovisuelle Du 21E Siècle Alexander S
University of Connecticut OpenCommons@UConn Master's Theses University of Connecticut Graduate School 8-17-2015 C'est la Tour de Babel - Le film multilingue: un défi de la traduction audiovisuelle du 21e siècle Alexander S. Croxton Mr. University of Connecticut - Storrs, [email protected] Recommended Citation Croxton, Alexander S. Mr., "C'est la Tour de Babel - Le film multilingue: un défi de al traduction audiovisuelle du 21e siècle" (2015). Master's Theses. 851. https://opencommons.uconn.edu/gs_theses/851 This work is brought to you for free and open access by the University of Connecticut Graduate School at OpenCommons@UConn. It has been accepted for inclusion in Master's Theses by an authorized administrator of OpenCommons@UConn. For more information, please contact [email protected]. C’est la tour de Babel Le film multilingue : un défi de la traduction audiovisuelle du 21e siècle Alexander Steven Croxton B.A., University of Connecticut, 2012 A Thesis Submitted in Partial Fulfillment of the Requirements of the Degree of Master of Arts At the University of Connecticut 2015 APPROVAL PAGE Masters of Arts Thesis C’est la Tour de Babel Le film multilingue : un défi de la traduction audiovisuelle du 21e siècle Presented by Alexander Steven Croxton Major Advisor Valérie Saugera, Chair Department of Literatures, Cultures & Languages Associate Advisor Éliane DalMolin, Member Department of Literatures, Cultures & Languages Associate Advisor Anne Berthelot, Member Department of Literatures, Cultures & Languages University of Connecticut 2015 ii iii Introduction Les déplacements de personnes d’un pays à l’autre, combinés à l’essor des informations disponibles en ligne, ont contribué à un nouveau brassage des langues du monde. -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
MY KING (MON ROI) a Film by Maïwenn
LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel). -
Download Detailseite
Wettbewerb/IFB 2000 GOUTTES D’EAU SUR PIERRES BRULANTES TROPFEN AUF HEISSE STEINE WATER DROPS ON BURNING ROCKS Regie: François Ozon Frankreich/Japan 1999 Darsteller Léopold Bernard Giraudeau Länge 90 Min. Franz Malik Zidi Format 35 mm, 1:1.66 Anna Ludivine Sagnier Farbe Véra Anna Thomson Stabliste Buch François Ozon,nach dem Bühnenstück von Rainer Werner Fassbinder Kamera Jeanne Lapoirie Schnitt Laurence Bawedin Ton Eric Devulder Ausstattung Arnaud de Moleron Kostüm Pascaline Chavanne Regieassistenz Hubert Bardin Produzent Marc Missonier Co-Produzent Kenzo Horikoshi Co-Produktion Euro Sage,Tokyo Produktion Fidélité Productions 13,rue Etienne Nascel F-75001 Paris Tel.:1-55 34 98 08 Fax:1-55 34 08 10 Weltvertrieb Roissy Films-Celluloid Dreams 24,rue Lamartine F-75009 Paris Tel.:1-49 70 09 85 Fax:1-49 70 85 60 Bernard Giraudeau TROPFEN AUF HEISSE STEINE Deutschland in den 70er Jahren. Léopold, 50 Jahre alt, Geschäftsmann, macht die Bekanntschaft von Franz, der 19 ist. Er lädt ihn zu sich ein. Eine Liebesgeschichte beginnt. Eines Tages folgt auf eine Lapalie eine Meinungsverschiedenheit.Von da ab gibt es kein gemeinsames „Wir“ mehr. WATER DROPS ON BURNING ROCKS Germany in the seventies. Léopold, a fifty-year-old businessman, meets Franz, who is nineteen. He invites him back to his place. A love affair begins. One day, something of little importance leads to a difference of opinion. And from this moment on, there’s no such thing as “we“ any more. GOUTTES D’EAU SUR PIERRES BRULANTES Filmografie Allemagne. Années soixante-dix. 1991 UNE GOUTE DE SANG Kurz-Video Léopold, 50 ans, représentant de commerce rencontre Franz, 19 ans. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Benicio Del Toro Mathieu Amalric Psychotherapy of A
WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN WHY NOT PRODUCTIONS PRESENTS BENICIO DEL TORO MATHIEU AMALRIC JIMMY P. PSYCHOTHERAPY OF A PLAINS INDIAN A FILM BY ARNAUD DESPLECHIN 2013 – France – 1h54 – 2.40 – 5.1 INTERNATIONAL SALES INTERNATIONAL PR THE PR CONTACT Phil SYMES - +33 (0)6 09 65 58 08 Carole BARATON - [email protected] Ronaldo MOURAO - +33 (0)6 09 56 54 48 Gary FARKAS - [email protected] [email protected] Vincent MARAVAL - [email protected] Silvia SIMONUTTI - [email protected] SYNOPSIS GEORGES DEVEREUX At the end of World War II, Jimmy Picard, a Native American Blackfoot who fought Inspired by a true story JIMMY P. (Psychotherapy of a Plains Indian) is adapted from the in France, is admitted to Topeka Military Hospital in Kansas - an institution specializing seminal book Reality and Dream by Georges Devereux. Published for the first time in in mental illness. Jimmy suffers from numerous symptoms: dizzy spells, temporary 1951, the book reflects the remarkable multidisciplinary talents of its writer, standing as blindness, hearing loss... and withdrawal. In the absence of any physiological causes, it does at a crossroads between anthropology and psychoanalysis, and opening the way he is diagnosed as schizophrenic. Nevertheless, the hospital management decides to ethno-psychiatry, among other disciplines. It is also the only book about psychoanalysis to seek the opinion of Georges Devereux, a French anthropologist, psychoanalyst to transcribe an entire analysis, session after session, in minute detail. and specialist in Native American culture. Georges Devereux, a Hungarian Jew, moved to Paris in the mid 1920s. -
Journal of Religion & Film Munich
Journal of Religion & Film Volume 10 Issue 1 April 2006 Article 14 April 2006 Munich Jason Flato University of Denver, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Flato, Jason (2006) "Munich," Journal of Religion & Film: Vol. 10 : Iss. 1 , Article 14. Available at: https://digitalcommons.unomaha.edu/jrf/vol10/iss1/14 This Film Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Munich Abstract This is a review of Munich (2005). This film er view is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol10/iss1/14 Flato: Munich Steven Spielberg's latest film Munich begins with the kidnapping and murder of eleven athletes and coaches from the Israeli Olympic team by a group of Palestinians in 1972. Spielberg interlaces archival video from the live coverage of the crisis into the movie, culminating in anchorman Jim McKay's disconsolate observation, "They're all gone." This sequence establishes the recruitment of Avner (Eric Bana), a Mossad agent and former bodyguard for Prime Minister Golda Meir, to a covert assassination team that crisscrosses Europe over the span of several years. Avner leads a squad of four, including the hesitant Carl (Ciaran Hines), the callous Steve (Daniel Craig), and the befuddled Robert (Mathieu Kassovitz). This allows Spielberg to explore a variety of responses to the moral issues tied to revenge. Echoing the language we heard from the White House post-9/11, Meir ominously declares that the killing of the Israeli athletes "changes everything,” and throughout Munich there are resonances between the past and present-day. -
Water Drops on Burning Rocks
Water Drops on Burning Rocks # Tags: water-drops-on-burning-rocks-2000 2018 Movies 2017 Movies Bernard Giraudeau Malik Zidi Ludivine Sagnier Anna Levine. Random Movies on M4uFree.TV. The Company of. DVD. A Nightmare on. HD. Heroes Wanted. M4uFree 123 Movies, Free Movie, Best Movies, Watch Movie Online , Watch Water Drops on Burning Rocks (2000) movie online, Free movie Water Drops on Burning Rocks (2000) with English Subtitles, Watch Water Drops on Burning Rocks (2000) full movie, Watch Water Drops on Burning Rocks (2000) in HD quality online for free, Water Drops on Burning Rocks (2000) , download Water Drops. on Burning Rocks (2000), watch Water Drops on Burning Rocks (2000) with HD streaming. Top Day. Top Week. DOWNLOAD LINKS: Premium Link: Water Drops on Burning Rocks (2000). Log in to post links. Shared 4 Facebook Twitter. Similar titles. You May Also Like. The Honor List (2018) Full Movie. 7. Water Drops on Burning Rocks (French: Gouttes d'eau sur pierres brûlantes) is a 2000 French drama film directed by François Ozon. The film is based on a German play by Rainer Werner Fassbinder, Tropfen auf heisse Steine. A 50-year-old business man Léopold (Bernard Giraudeau) arrives home with 20-year-old Franz (Malik Zidi), whom he has just met. Franz is not quite sure why he agreed to come home with Léopold as he is supposed to be meeting his fiancée Anna, but he accepts drinks from Léopold and they Comedy, drama, lgbt+. Director: François Ozon. Leopold, a smug, still-hunky 50-year- old businessman, picks up and seduces fresh-faced, carrot-topped 19-year-old Franz who swiftly moves into his bachelor pad. -
French Culture, French Cinema (In English)
French Culture, French Cinema (in English) Class code CORE-UA9750002/DRLIT-UA9502002 Instructor Details Sam Azulys Email 1: [email protected] Email 2: [email protected] (always include “NYU” in the subject line) Class Details Expressive Culture: Film (in English) M 4 – 7 Room 4.08 Prerequisites This course is destined to students who don’t necessarily have a thorough knowledge in cinema. Class Description This course will allow students to become familiar with the methods and formal aspects of cinema. Students will discover French culture through the prism of cinema by underlining the specific dynamics by which cinema becomes the privileged witness of the profound transformations of mentalities and the upheavals that deeply changed the French society. By putting the films into their social, historical and philosophical context, the students will get to study, across a diverse range of examples, the relation existing between French films and French culture. It deals for example with the formal and thematic relationships among the Avant-garde artistic movements (futurism, cubism, expressionism, surrealism, etc.) and the cinematographic Avant-garde (Buñuel, L’Herbier, Cocteau), those between the cinema of Renoir and classical French theatre (Marivaux, Beaumarchais, Musset), the troubled period of the occupation and the filmmakers who deliberately chose to stay in France to work there (Clouzot, Carné) and the influence of Saint Germain des Prés’s existentialism (Sartre, Camus) on the Nouvelle Vague, etc. The students will thus discover that cinema is a cultural agent that reflects a period all the while produces a critical point view on said period. Also examined are the formal structure of French cinema, its stylistic choices and ways of expression shared with other artistic practices, in order to understand to what extend the « French cultural exception » contributed to its worldwide influence.