2017 Usawa Year in Review

Total Page:16

File Type:pdf, Size:1020Kb

2017 Usawa Year in Review 2017 USAWA YEAR IN REVIEW Dear USAWA members and friends, Every year I have compiled a USAWA Year in Review, which takes all the information (blogs, meet results, news, history archives, etc.) from the USAWA website and places this information into one book. I do this this for one reason – to preserve the history of the USAWA in printed form. This book is also available for free download from the USAWA website if someone would prefer it in a digital format or just wants a copy to print off themselves. Every year it surprises me by the quantity of information that is put on the USAWA website. This is possible because of the support of the membership – those that have written blogs, submitted meet results, and sent in other news. This Year in Review book contains the information as it appeared on the website. I did not do any special editing for this book, thus the reason for the uneven format and layout. I want to especially thank those that have supported the USAWA and the USAWA website throughout the past year. SINCERELY, Al Myers, USAWA Secretary and Publisher of the USAWA Year in Review STEVIE SHANKS AND THE DINNIE STONES January 1, 2017 Al Myers Edit Post By Al Myers Stevie Shanks making a successful lift of the Dinnie Stones unassisted on October 3rd, 2015. It’s about time I revisit a passion of mine – the Dinnie Stones! Recently Stevie Shanks of Belfast, Northern Ireland, has launched a new website honoring the great Donald Dinnie and the Dinnie Stones. Stevie is a fellow IAWA and all round lifter as well. He lifted the Dinnie Stones unassisted in October 2015, to join his father Jack as the only father/son duo to lift the Dinnie Stones unassisted since Donald Dinnie and his dad did so 150 years prior! Stevie’s work on this new website is to follow in the footsteps of the work the late Gordon Dinnie had done with the prior Dinnie Website. All of the information from the previous Dinnie website is contained in the new website. The address for the NEW Dinnie Stone website is – http://www.thedinniestones.com/ This new website has a full listing of all the lifters that have lifted the Dinnie Stones unassisted and assisted, as well as those that have successfully carried the Stones unassisted and assisted. It also contains history related to Donald Dinnie and the Dinnie Stones. There’s a “news section” that gives any updates on any recent news regarding the Dinnie Stones. The website has been developed brilliantly, and contains all the information anyone would want in regards to the Dinnie Stones. I applaud Stevie Shanks for all the hard work he put into this project and keeping the legacy of the Dinnie Stones alive! POSTAL CHAMPIONSHIPS January 6, 2017 Al Myers Edit Post By Al Myers The results of the final USAWA postal competition, the Postal Championships, is wrapped up. Our postal meet director Denny Habecker has done a great job this year promoting our postal series. The Championships had very good participation – with 14 men lifters and 3 women lifters. The Overall Champion in the Men’s Division was Dan Wagman, and the Overall Champion in the Women’s Division was RJ Jackson. Meet Results: 2016 USAWA Postal Championships December 31st, 2016 Meet Director: Denny Habecker Lifts: Abdominal Raise, Pinch Grip, Continental to Belt Lifters that used a certified official: Dan Wagman – Official Jarrod Fobes Al Myers – Official LaVerne Myers Chad Ullom – Officials Al Myers, LaVerne Myers LaVerne Myers – Official Al Myers Barry Bryan – Official Denny Habecker, Art Montini Barry Pensyl – Officials Denny Habecker, Barry Bryan, Art Montini Mark Raymond – Officials Frank Ciavattone, Rocky Morrison Calvin Heit – Official Chad Ullom Rocky Morrison – Officials Frank Ciavattone, Jeff Ciavattone Dean Ross – Officials Al Myers, LaVerne Myers, Chad Ullom Crystal Diggs – Official RJ Jackson Eric Todd – Official Lance Foster Lance Foster – Official Eric Todd Lifters using a non-certified Judge: Denny Habecker – Judge Aidan Habecker David Fisher – Judge Lynda Burns RJ Jackson – Judge Dan Wagman Lynda Burns – Judge David Fisher WOMENS DIVISION LIFTER AGE BWT AbR Pin Belt TOT PTS RJ Jackson 55 105 33 131 155 319 518.2 Crystal Diggs 30 164 15 60 95 170 171.0 Lynda Burns 42 205 25 45 115 185 167.9 MENS DIVISION LIFTER AGE BWT AbR Pin Belt TOT PTS Dan Wagman 39 185 55 226 375 656 612.6 Al Myers 50 225 50 215 375 640 595.5 Chad Ullom 45 246 55 160 440 655 555.7 LaVerne Myers 72 239 15 190 220 425 460.1 Barry Bryan 58 196 33 165 220 418 449.6 Denny Habecker 74 195 17 105 242 364 445.9 Barry Pensyl 68 149 37 83 176 296 408.8 Mark Raymond 53 238 17 156 231 404 374.9 Eric Todd 41 260 15 125 349 469 372.3 Calvin Heit 14 125 25 67 155 247 359.9 Rocky Morrison 54 270 5 156 242 403 354.0 Dean Ross 74 250 15 110 198 323 346.2 Lance Foster 51 340 0 115 243 358 274.1 David Fisher 42 229 25 45 165 235 201.1 Notes: Age is recorded in years. BWT is bodyweight in pounds. All lifts recorded in pounds. TOT is total pounds lifted. PTS are overall points adjusted for age and bodyweight corrections. WHERE DID THEY GO? January 10, 2017 Al Myers Edit Post By Eric Todd I began training at a rather young age. Running at around 3, bodyweight exercises a little later, and weight training/competitive wrestling at nine. While not always the most gifted athlete, I always felt I could overcome anything through effort. It is something that became a passion of mine. So when I began strongman/weight lifting competitions at about twenty six, I was instantly hooked. It was the same kind of feeling. Work harder than the other guy and you will prevail. Well, sometimes it worked and sometimes it did not. But it became a way of life, and one that would be difficult to completely walk away from. That is why it often confused me when others would walk away. Many had talent much greater than mine, and a huge upside had they reached their potential, or somewhere in that neighborhood. After some studying and discussing it with peers, here is a few categories that I feel some of these fellas fit into. The first guy is intimidated. He is the one that emails you about coming out to train. Since the door is always open, you welcome him with open arms. Often, this guy does not show up. Sometimes with an emailed excuse, sometimes not. Sometimes he shows up and lays it all out there. You have been around the block a time or two and recognize the potential. You remember what it was like your first day training with the group. You hope he comes back, because you recognize that someday, he may be able to push you to greater heights. But all he sees is how he struggled so with weights that we experienced folk used easily. So, he does not return. (Sometimes this occurs after he belly aches about getting his motorbike dusty on country roads, and borrows your Super Squats book. Ah, but I digress). Believe me, when I first got started, there were times I would eye the competition early and wonder to myself if anyone would notice if I just disappeared like a fart in the wind. But my pride would not allow it. The next guy is emotionally weak (for lack of a better term). They cannot stand to compete if they do not win every time. I have met a few in my time, often much stronger than me. Once, I was competing at a strongman meet. I was in the lightweight pro division, but there was also a heavyweight amateur class. There was a character in the heavyweights who trained with 2 very high profile, world class strength athletes. And this guy was STOUT! He easily won his division, and put all the lightweight professionals to shame. At that time, I had competed against the best of the best in the Heavyweight class as well, and recognized what this guy had. I told him he should compete in a pro/am to win his professional card. I had no doubt he could do it. He told me he would not compete if he was 100% sure he could win. Glory! If I had thought that way, I would not have competed very often. Never saw or heard of that guy again. The last guy is the fella that it just plain comes too easy for. I have seen guys come out and win right out of the blocks. Some even go so far as to win a nationals or win a pro card. You have scarcely heard their name before, and there they are beating seasoned veterans. Sometimes, I am not sure they even know who they are beating. Then they disappear into the night, not unlike Melvin at my first strongman meet. I could never understand that. However, in talking to some of my confederates, it just came too easy for them. Winning for me was a blast, and it drove me on. It was that rewarding due to what it cost. The hours training. The injuries. The broken skin and blood. The aching muscles, and the crawling up the stairs. The bitter, painful losses after all these dues were paid.
Recommended publications
  • University of California Riverside
    UNIVERSITY OF CALIFORNIA RIVERSIDE Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Jennifer F Aubrecht September 2017 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Anthea Kraut Dr. Amanda Lucia Copyright by Jennifer F Aubrecht 2017 The Dissertation of Jennifer F Aubrecht is approved: Committee Chairperson University of California, Riverside Acknowledgements I extend my gratitude to many people and organizations for their support throughout this process. First of all, my thanks to my committee: Jacqueline Shea Murphy, Anthea Kraut, and Amanda Lucia. Without your guidance and support, this work would never have matured. I am also deeply indebted to the faculty of the Dance Department at UC Riverside, including Linda Tomko, Priya Srinivasan, Jens Richard Giersdorf, Wendy Rogers, Imani Kai Johnson, visiting professor Ann Carlson, Joel Smith, José Reynoso, Taisha Paggett, and Luis Lara Malvacías. Their teaching and research modeled for me what it means to be a scholar and human of rigorous integrity and generosity. I am also grateful to the professors at my undergraduate institution, who opened my eyes to the exciting world of critical dance studies: Ananya Chatterjea, Diyah Larasati, Carl Flink, Toni Pierce-Sands, Maija Brown, and rest of U of MN dance department, thank you. I thank the faculty (especially Susan Manning, Janice Ross, and Rebekah Kowal) and participants in the 2015 Mellon Summer Seminar Dance Studies in/and the Humanities, who helped me begin to feel at home in our academic community.
    [Show full text]
  • HOW STEVE REEVES TRAINED by John Grimek
    IRON GAME HISTORY VOL.5No.4&VOL. 6 No. 1 IRON GAME HISTORY ATRON SUBSCRIBERS THE JOURNAL OF PHYSICAL CULTURE P Gordon Anderson Jack Lano VOL. 5 NO. 4 & VOL. 6 NO. 1 Joe Assirati James Lorimer SPECIAL DOUBL E I SSUE John Balik Walt Marcyan Vic Boff Dr. Spencer Maxcy TABLE OF CONTENTS Bill Brewer Don McEachren Bill Clark David Mills 1. John Grimek—The Man . Terry Todd Robert Conciatori Piedmont Design 6. lmmortalizing Grimek. .David Chapman Bruce Conner Terry Robinson 10. My Friend: John C. Grimek. Vic Boff Bob Delmontique Ulf Salvin 12. Our Memories . Pudgy & Les Stockton 4. I Meet The Champ . Siegmund Klein Michael Dennis Jim Sanders 17. The King is Dead . .Alton Eliason Mike D’Angelo Frederick Schutz 19. Life With John. Angela Grimek Lucio Doncel Harry Schwartz 21. Remembering Grimek . .Clarence Bass Dave Draper In Memory of Chuck 26. Ironclad. .Joe Roark 32. l Thought He Was lmmortal. Jim Murray Eifel Antiques Sipes 33. My Thoughts and Reflections. .Ken Rosa Salvatore Franchino Ed Stevens 36. My Visit to Desbonnet . .John Grimek Candy Gaudiani Pudgy & Les Stockton 38. Best of Them All . .Terry Robinson 39. The First Great Bodybuilder . Jim Lorimer Rob Gilbert Frank Stranahan 40. Tribute to a Titan . .Tom Minichiello Fairfax Hackley Al Thomas 42. Grapevine . Staff James Hammill Ted Thompson 48. How Steve Reeves Trained . .John Grimek 50. John Grimek: Master of the Dance. Al Thomas Odd E. Haugen Joe Weider 64. “The Man’s Just Too Strong for Words”. John Fair Norman Komich Harold Zinkin Zabo Koszewski Co-Editors . , . Jan & Terry Todd FELLOWSHIP SUBSCRIBERS Business Manager .
    [Show full text]
  • George Hackenschmidt Vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd the University of Texas
    Iron Game History Volume 11 Number 2 George Hackenschmidt vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd The University of Texas International wrestling star, George Hacken- stories about and a constituent of that world, an element schmidt, widely known as "The Russian Lion," met the of the story." The reporter, they argue, "not only relates American champion, Frank Gotch, at Chicago's Dexter stories but makes them."2 Similarly, pop culture analyst Park Amphitheater on April 3, 1908, in a wrestling title Carlin Romano contends that journalism is not a "minor bout that was labeled "The Athletic Contest of the Cen- placed before reality," but a "coherent nanative of the tmy" on the cover of the match program.' After three world that serves a particular purpose."3 Thinking about preliminary bouts, the much anticipated World's Heavy- journalism in light of this definition makes it easier to weight Wrestling Championships in the catch-as-catch- understand how in the days following the historic Gotch­ can style began at approximately 10:30 P.M. More than Hackenschmidt bout such different tales would be told two hours later, reporters ...-------------------. by various journalists even scrambled to file their stories in though all of them had watched the early hours of the morning SOUVENIR PROGRAM the same spmting event. Like and share their ringside intelli- 'f the characters in John Godfrey gence with an anxiously await- The Athletic Contest of Saxes's poem, "The Blind Men ing nation and world. The news the Century and the Elephant," almost all they sent out from Chicago, _ For •h• _ of the reporters who pe1111ed however, was totally unexpect- WORLD'S WRESTLING their reports from Chicago had ed.
    [Show full text]
  • Soviet Issues Stern Warning on Cuba
    Distribution Wecther Today 7 a. in. ueaveutwt It. m km hndd today mDBANK .19,200 * te o. MM * b«fb c . Urn tmi&. ia Wu. *V, fair with Htfe cta«e M' acwwr TMKMCW nuMr~n»>. mn temperature. See Veathv, ag. 2. Dial SH 1.0010 a auir, Monaiy ihnwfli frw»y. ••com Ciiu Panic* VOL. 85, NO. 55 U Red Buk sal at MtlUona lUlltnf OUlc««. RED BANK. N, J., TUESDAY, SEPTEMBER 11, 1962 7c PER COPY PAGE ONE Soblen Dies In Soviet Issues Stern Hospital Was Unconscious Warning On Cuba Since Last MOSCOW (AP) - The Soviet this situation and order the De- The statement added an ap- military supplies and military government warned the United fense Ministry as well as the peal to all nations to raise technicians to Cuba but is not Thursday States today that an attack on command of the Soviet army their voices against the alleged establishing a base there. Cuba would be the beginning to take all measures to put aggressive plans of the United "We state and we repeat," LONDON (AP) - Dr. Robert States and to prevent the the statement said, "that if Soblen died today. u of a war that might turn into our Fighting forces into the high- a world nuclear war. est degree of fighting readiness. "American aggressors" from war is unleashed, if an aggres- A hospital spokesman said starting a war. sor attacks one or another death' came to the fugitive spy at In a statement read to a "This is exclusively a pre- special Foreign Office news cautionary measure.
    [Show full text]
  • “The Russian Lion”: Vladislav Von Krajewski's Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UEL Research Repository at University of East London Making “The Russian Lion”: Vladislav von Krajewski’s Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art and Visual Culture University of East London Centre for Cultural Studies Research In their focus upon the rupture and transformation of Soviet physical culture in the 1930s, histories of Russian bodybuilding of the new man have tended to become disconnected from trajectories stretching back to the •Crimean War and the need to enhance military preparedness through modern sports and gymnastics inspired by the •German Turnen gymnastic societies. Valued for producing a disciplined subject in peacetime and a fearless fighter in war, these so-called “disciplinary exercises” were promoted in the •first gymnastics club of St. Petersburg from 1863, followed by the Pal’ma Gymnastics Society which quickly spread with branches in five cities. After the Moscow Gymnastics Society opened with meetings on Tsvetnoi Boulevard, in 1874, •Pyotr Lesgaft, the founder of Russian physical education introduced gymnastics into the army with gymnastic courses for army officers and civilians by 1896. Yet, as this paper will reveal, it was only through •Dr. V. F. Krajewski, founder of the •St. Petersburg Athletic and Cycling Club and physician to the •Tsar, that the St. Petersburg Amateur Weightlifting Society was opened in 1885. •It was only due to Dr Krajewski that a •gym for weightlifting opened with the first all-Russian weightlifting championship being held in April 1897 in St. Petersburg Mikhailovsky Manege.
    [Show full text]
  • The Operational Aesthetic in the Performance of Professional Wrestling William P
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days.
    [Show full text]
  • 454 Ajalugu Piltides Sisu ENG 2012.Pdf
    8000 BC 1000 BC to 1000 AD 1154 1100s 1200s 1219 13th–16th c 14th–15th c 1500s 1523–4 late 1500s 1600s 1700s early 1800s 1857–1869 late 1800s 1905–18 1918 1919–20 1920s 1930s 1940 1941 1941 1944 1949 1940s–50s 1956–68 1970s late 1980s 1991 1991 1992 1994 2004–2012 People have lived in this part of the world for more than 10 000 years. The reindeer- hunting ancestors of present- day Estonians were probably the first humans to move to the virgin land exposed by the retreating ice. Arguably, it is hard to find another nation in Europe who has stayed this long in one place. Tools of the Stone Age hunters from the Pulli 8000 BC camp site. 8000 BC 1000 BC to 1000 AD 1154 1100s 1200s 1219 13th–16th c 14th–15th c 1500s 1523–4 late 1500s 1600s 1700s early 1800s 1857–1869 late 1800s 1905–18 1918 1919–20 1920s 1930s 1940 1941 1941 1944 1949 1940s–50s 1956–68 1970s late 1980s 1991 1991 1992 1994 2004–2012 1000 BC to The Holy Lake in the 1000 AD Standing next to the crater Kaali meteorite crater made by the only meteorite to fall on a densely settled in Saaremaa: a major region in the historical era – during the Bronze Age place of worship of the Mediterranean – it is hard not to contemplate for the ancients of how the people of the past might have sought spiritual Northern Europe? guidance at this very spot for hundreds of years. ERGO IAM DEXTRO SUEBICI In 1154, Estonia was depicted on MARIS LITORE AESTIORUM a world map for 1154 the first time.
    [Show full text]
  • Konrad Mägi 9
    SISUKORD CONTENT 7 EESSÕNA 39 KONRAD MÄGI 9 9 FOREWORD 89 ADO VABBE 103 NIKOLAI TRIIK 13 TRADITSIOONI 117 ANTS LAIKMAA SÜNNIKOHT 136 PAUL BURMAN 25 THE BIRTHPLACE OF 144 HERBERT LUKK A TRADITION 151 ALEKSANDER VARDI 158 VILLEM ORMISSON 165 ENDEL KÕKS 178 JOHANNES VÕERAHANSU 182 KARL PÄRSIMÄGI 189 KAAREL LIIMAND 193 LEPO MIKKO 206 EERIK HAAMER 219 RICHARD UUTMAA 233 AMANDUS ADAMSON 237 ANTON STARKOPF Head tartlased, Lõuna-Eesti väljas on 16 tema tööd eri loominguperioodidest. 11 rahvas ja kõik Eesti kunstisõbrad! Kokku on näitusel eksponeeritud 57 maali ja 3 skulptuuri 17 kunstnikult. Mul on olnud ammusest ajast soov ja unistus teha oma kunstikollektsiooni näitus Tartu Tänan väga meeldiva koostöö eest Tartu linnapead Kunstimuuseumis. On ju eesti maalikunsti sünd 20. Urmas Klaasi ja Tartu linnavalitsust, Signe Kivi, sajandi alguses olnud olulisel määral seotud Tartuga Hanna-Liis Konti, Jaanika Kuznetsovat ja Tartu ja minu kunstikogu tuumiku moodustavadki sellest Kunstimuuseumi kollektiivi. Samuti kuulub tänu perioodist ehk eesti kunsti kuldajast pärinevad tööd. meie meeskonnale: näituse kuraatorile Eero Epnerile, kujundajale Tõnis Saadojale, graafilisele Tartuga on seotud mitmed meie kunsti suurkujud, disainerile Tiit Jürnale, meediaspetsialistile Marika eesotsas Konrad Mägiga. See näitus on Reinolile ja Inspiredi meeskonnale, keeletoimetajale pühendatud Eesti Vabariigi 100. juubelile ning Ester Kangurile, tõlkijale Peeter Tammistole ning Konrad Mägi 140. sünniaastapäeva tähistamisele. koordinaatorile Maris Kunilale. Suurim tänu kõigile, kes näituse õnnestumisele kaasa on aidanud! Näituse kuraator Eero Epner on samuti Tartus sündinud ja kasvanud ning lõpetanud Meeldivaid kunstielamusi soovides kunstiajaloolasena Tartu Ülikooli. Tema Enn Kunila nägemuseks on selle näitusega rõhutada Tartu tähtsust eesti kunsti sünniloos. Sellest mõttest tekkiski näituse pealkiri: „Traditsiooni sünd“.
    [Show full text]
  • Estonian Academy of Sciences Yearbook 2018 XXIV
    Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEARBOOK FACTS AND FIGURES ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XXIV (51) 2018 TALLINN 2019 This book was compiled by: Jaak Järv (editor-in-chief) Editorial team: Siiri Jakobson, Ebe Pilt, Marika Pärn, Tiina Rahkama, Ülle Raud, Ülle Sirk Translator: Kaija Viitpoom Layout: Erje Hakman Photos: Annika Haas p. 30, 31, 48, Reti Kokk p. 12, 41, 42, 45, 46, 47, 49, 52, 53, Janis Salins p. 33. The rest of the photos are from the archive of the Academy. Thanks to all authos for their contributions: Jaak Aaviksoo, Agnes Aljas, Madis Arukask, Villem Aruoja, Toomas Asser, Jüri Engelbrecht, Arvi Hamburg, Sirje Helme, Marin Jänes, Jelena Kallas, Marko Kass, Meelis Kitsing, Mati Koppel, Kerri Kotta, Urmas Kõljalg, Jakob Kübarsepp, Maris Laan, Marju Luts-Sootak, Märt Läänemets, Olga Mazina, Killu Mei, Andres Metspalu, Leo Mõtus, Peeter Müürsepp, Ülo Niine, Jüri Plado, Katre Pärn, Anu Reinart, Kaido Reivelt, Andrus Ristkok, Ave Soeorg, Tarmo Soomere, Külliki Steinberg, Evelin Tamm, Urmas Tartes, Jaana Tõnisson, Marja Unt, Tiit Vaasma, Rein Vaikmäe, Urmas Varblane, Eero Vasar Printed in Priting House Paar ISSN 1406-1503 (printed version) © EESTI TEADUSTE AKADEEMIA ISSN 2674-2446 (web version) CONTENTS FOREWORD ...........................................................................................................................................5 CHRONICLE 2018 ..................................................................................................................................7 MEMBERSHIP
    [Show full text]
  • Get Fit with Video Workouts Line Dances Around the World Trends in Hip-Hop Dance Trends in Martial Arts the World of Crossfit Yoga Fitness Zumba Fitness
    African Dance Trends Get Fit with Video Workouts Line Dances Around the World Trends in Hip-Hop Dance Trends in Martial Arts The World of CrossFit Yoga Fitness Zumba Fitness Copyright © 2015 by Mitchell Lane Publishers All rights reserved. No part of this book may be reproduced without written permission from the publisher. Printed and bound in the United States of America. PUBLISHER’S NOTE: The facts in this book have been thoroughly researched. Documentation of such research can be found on pages 44-45. While every possible effort has been made to ensure accuracy, the publisher will not assume liability for damages caused by inaccuracies in the data, and makes no warranty on the accuracy of the information contained herein. The Internet sites referenced herein were active as of the publication date. Due to the fleeting nature of some web sites, we cannot guarantee that they will all be active when you are reading this book. Printing 1 2 3 4 5 6 7 8 9 Library of Congress Cataloging-in-Publication Data Sue Davis Potts Get fit with video workouts / by Sue Davis Potts. pages cm. - (Dance Includes bibliographical Includes webography. Audience: Age: 9-13. Audience: Grade: 4 to 8. ISBN 978 -1-61228-550-4 (library bound) 1. Physical fitness-Juvenile literature. 2. Video recordings-Juvenile literature. Title. GV481.P597 2014 613.7—dc23 2014008300 eBook ISBN: 9781545751428 Contents Introduction Chapter One Not Just a Fad The Advantages and Disadvantages of Using Workout Videos Chapter Two The Fitness Explosion Fitness Careers Chapter Three Big Business Making an Exercise Video Chapter Four How Do You Choose the Right Workout Video? Exercise Tips Chapter Five The Latest Trends Children Staying Fit Where to Get Started Timeline Further Reading Books On the Internet Works Consulted Glossary Introduction The fitness industry is a fast-growing and fast-changing industry that is expe cted to see continued growth.
    [Show full text]
  • News in Brief
    NEWS IN BRIEF PROFESSOR KAZYS GRIGAS: 90TH BIRTH ANNIVERSARY Kazys Grigas was born into a farmers’ family in Pagiriai, Kaunas district, on March 1, 1924. He graduated from a gardening and floriculture school in Kaunas, and attended Vilkija Gymnasium. In 1944 he entered Kaunas Theological Seminary to avoid enlisting into the Soviet army. In 1945, after having taken the entrance examinations, he was admitted to the Faculty of History and Philology at Kaunas National Vytautas Magnus University. When ideological cleansing started at the university in 1948, K. Grigas was expelled with an entry in his personal file: “Expelled from Kaunas University for behaviour incompatible with a Soviet student’s honour and duties”. Later on, K. Grigas studied at Kaunas Teachers Seminary, took librarianship equiva- lency examinations, taught at a gymnasium (Lithuanian and Latin languages), and worked at the bookbindery at the library of the History Institute of the Academy of Sciences in Vilnius. In 1951 he took equivalency examinations and graduated from Vilnius University. In 1954 K. Grigas started working at the Lithuanian Institute of Language and Literature (now Lithuanian Literature and Folklore Institute), where he became engaged in the field of folkloristics. K. Grigas spent the years from 1990 to 1998 teaching: he taught a course in paremiology at Vytautas Magnus University in Kaunas, and later on a comparative folkloristics course at Vilnius University. K. Grigas translated various works of fiction, for instance, L. Carroll’sAlice’s Adventures in Won- derland (1957) and Alice’s Adventures in Wonderland and Through the Looking-Glass (1991, in collaboration with J. Lapienytė), R.
    [Show full text]
  • A Body of Text: Physical Culture and the Marketing of Mobility
    A BODY OF TEXT: PHYSICAL CULTURE AND THE MARKETING OF MOBILITY by Andrea Dale Lapin B.A., Douglass College at Rutgers, The State University of New Jersey 1994 M.A., University of Pittsburgh 1998 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Andrea Dale Lapin It was defended on April 15, 2013 and approved by Jonathan Arac, PhD, Andrew W Mellon Professor, Department of English William Scott, PhD, Associate Professor, Department of English Brenton Malin, PhD, Associate Professor, Department of Communication Thesis Director: Nancy Glazener, PhD, Associate Professor, Department of English ii Copyright © by Andrea Dale Lapin 2013 iii A BODY OF TEXT: PHYSICAL CULTURE AND THE MARKETING OF MOBILITY Andrea Dale Lapin, PhD University of Pittsburgh, 2013 Drawing on Althusserian notions of ideology and Bourdieu’s understanding of bodily hexis, A Body of Text seeks to reframe Physical Culture as an artifact worthy of serious study, more complex and less reactionary than its beefcake-and-sentiment reputation might suggest. This dissertation addresses the story of Physical Culture magazine from three different perspectives, reading the magazine through lenses of media history, medical history and social context, in order to understand the ways in which class operated on and through the body. In contrast to nearly every other publication in the early twentieth century, Physical Culture suggested that class mobility was possible, and that success would naturally follow improvement of body and health.
    [Show full text]