Attila Szalay
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Glitz and Glam
FINAL-1 Sat, Feb 24, 2018 5:31:17 PM Glitz and glam The biggest celebration in filmmaking tvspotlight returns with the 90th Annual Academy Your Weekly Guide to TV Entertainment Awards, airing Sunday, March 4, on ABC. Every year, the most glamorous people • For the week of March 3 - 9, 2018 • in Hollywood stroll down the red carpet, hoping to take home that shiny Oscar for best film, director, lead actor or ac- tress and supporting actor or actress. Jimmy Kimmel returns to host again this year, in spite of last year’s Best Picture snafu. OMNI Security Team Jimmy Kimmel hosts the 90th Annual Academy Awards Omni Security SERVING OUR COMMUNITY FOR OVER 30 YEARS Put Your Trust in Our2 Familyx 3.5” to Protect Your Family Big enough to Residential & serve you Fire & Access Commercial Small enough to Systems and Video Security know you Surveillance Remote access 24/7 Alarm & Security Monitoring puts you in control Remote Access & Wireless Technology Fire, Smoke & Carbon Detection of your security Personal Emergency Response Systems system at all times. Medical Alert Systems 978-465-5000 | 1-800-698-1800 | www.securityteam.com MA Lic. 444C Old traditional Italian recipes made with natural ingredients, since 1995. Giuseppe's 2 x 3” fresh pasta • fine food ♦ 257 Low Street | Newburyport, MA 01950 978-465-2225 Mon. - Thur. 10am - 8pm | Fri. - Sat. 10am - 9pm Full Bar Open for Lunch & Dinner FINAL-1 Sat, Feb 24, 2018 5:31:19 PM 2 • Newburyport Daily News • March 3 - 9, 2018 the strict teachers at her Cath- olic school, her relationship with her mother (Metcalf) is Videoreleases strained, and her relationship Cream of the crop with her boyfriend, whom she Thor: Ragnarok met in her school’s theater Oscars roll out the red carpet for star quality After his father, Odin (Hop- program, ends when she walks kins), dies, Thor’s (Hems- in on him kissing another guy. -
DAN HILAND Re-Recording Mixer
DAN HILAND Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS CATCH-22 David Michod Paramount Television INSATIABLE Lauren Gussis CBS Television Studios BATWOMAN Caroline Dries WBTV Gary Dauberman/Mark SWAMP THING Verheiden DC Universe THE RED LINE Cairlin Parrish WBTV ALL AMERICAN April Blair WBTV LOVE IS Mara Brock Akil OWN SABRINA THE TEENAGE WITCH Jonathan Schmock Viacom Productions TITANS Greg Berlanti DC Entertainment THE LEFTOVERS Damon Lindelof HBO THE FLASH Greg Berlanti WBTV EMPIRE Lee Daniels Imagine Television CINNAMON GIRL (TV Movie) Gavin O'Connor Fox 21 WITCHES OF EAST END Maggie Friedman Lifetime ARROW Greg Berlanti WBTV RAY DONOVAN (Pilot) Ann Biderman Showtime Networks MOB CITY Frank Darabont TNT Originals POLITICAL ANIMALS Greg Berlanti WBTV HOUSE OF LIES Matthew Carnahan Showtime Networks HART OF DIXIE Leila Gerstein WBTV THE WALKING DEAD Frank Darabont (2010) (2012/2014/2015/2016) AMC DARK BLUE Danny Cannon/Doug Jung TNT Originals IN PLAIN SIGHT David Maples USA Network CHASE Jennifer Johnson WBTV NO ORDINARY FAMILY (Pilot) Greg Berlanti ABC Studios THE WHOLE TRUTH Tom Donaghy WBTV J.J. Abrams FRINGE (Pilot) (2009) WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.7825 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS LIMELIGHT (Pilot) David Semel, WBTV HUMAN TARGET Jonathan E. Steinberg WBTV EASTWICK Maggie Friedman WBTV V (Pilot) Kenneth Johnson WBTV TERMINATOR: THE SARAH CONNER Josh Friedman CHRONICLES WBTV CAPTAIN -
The Cinema of Oliver Stone
Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules. -
Roy Huggins Papers, 1948-2002
http://oac.cdlib.org/findaid/ark:/13030/c8g15z7t No online items Roy Huggins Papers, 1948-2002 Finding aid prepared by Performing Arts Special Collections Staff; additions processed by Peggy Alexander; machine readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Roy Huggins Papers, 1948-2002 PASC 353 1 Title: Roy Huggins papers Collection number: PASC 353 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Physical Description: 20 linear ft.(58 boxes) Date: 1948-2002 Abstract: Papers belonging to the novelist, blacklisted film and television writer, producer and production manager, Roy Huggins. The collection is in the midst of being processed. The finding aid will be updated periodically. Creator: Huggins, Roy 1914-2002 Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Minesgameday #5 Colorado School of Mines Vs
MINESGAMEDAY #5 COLORADO SCHOOL OF MINES VS. #24 COLORADO MESA OCT. 19, 2018 • STERMOLE SOCCER STADIUM #5 Mines hosts #24 Colorado Mesa in a critical RMAC, South Central Regional showdown at Stermole Stadium. WHAT’S ON THE LINE claims the nickname Mavericks for its athletics The #5-ranked Colorado School of Mines Men’s teams. In the context of CMU, a maverick is defined Soccer team welcomes #24 Colorado Mesa and as an unbranded calf or yearling. However, the Fort Lewis to Stermole Stadium this weekend term more commonly refers to an unorthodox or for a pair of RMAC showdowns. Sitting at 13-1-0 independent-minded person. Maverick is also the overall and 10-0-0 in the conference, Mines needs nickname of Tom Cruise’s character in the 1986 film just two wins this weekend to clinch the RMAC Top Gun, as well as a steel roller coaster and Cedar Regular-Season Championship. However, with the Point amusement park in Sandusky, Ohio. Maverick Mavericks tied for #24 in the nation and Fort Lewis is also the title of the famous western television fighting for a conference tournament berth, the show created by Roy Huggins, running from 1957- task will be tall. 62, starring James Garner. SCOUTING COLORADO MESA SERIES HISTORY Colorado Mesa journeys across the mountains Mines is 17-5-0 in the all-time series against Colora- MINES SCHEDULE following its first loss of the season, falling 2-0 at do Mesa. Since 2015, Mines is 4-1 against Colorado 8/31 #15 St. Edward’s W 2-0 home against Westminster. -
Location Manager Resume
ROBERTO DE BIASE LOCATION SCOUT & MANAGER - RESUME (619) 977-3139 [email protected] www.rdblocations.com COMMERCIAL PRODUCTION (Selected Credits) APICTURES – VLADIMIR JONES - Xcel Energy “Hero” & “Tough” Location Scout & Manager John Elper, Director – Kent Feuerring, Producer – Jorie Kopie, Producer MARTIN BRINKERHOFF & ASSOCIATES – Honda Motorcycles “KZZA” Location Scout & Manager Rick Balthaser, Director – Jorie Kopie, Producer REALITY PICTURES – BMW “Stock Running Footage” Location Scout & Manager Kim Takal, Director - Pamela Elrich, Producer PARANA FILMS – CONILL - Toyota Prius V “Resort” & “Road” Location Scout Pucho Mentasti, Director - Sebastian Leda, Executive Producer – Sal Tassone, Producer TEN STORIES – Bridgepoint Education, Ashford University Holiday Bowl Location Scout & Manager Rich Underwood, Director – Robert Craghead and Bryan Bihari, Producers DETOUR FILMS – RED HYDRANT - San Diego Tourism “Happiness is Calling” Location Scout & Manager Dana Tynan, Director – Jessica Cooper Carlson, Producer, Jorie Kopie, Producer VRA USA – TEAM RETAIL FIRST – Ford “Built for San Diego Running Footage” Location Scout & Manager Alan Vajda, Director – Joe Ramey, Executive Producer – Jorie Kopie, Producer IDENTITY – GLOBAL HUE – US NAVY – Job 1464 Location Scout & Manager Andrew Walton, Director – Laure Stevens, Producer CHROME BUMPER FILMS – PERICH – “GM & GMC Fleet Running Footage” Location Scout & Manager John Quigley, Director – Shannon Cragin, Producer FILM REALITÉ – THE DESIGNORY – “Nissan Leaf Digital Brochure Running Footage” Location Scout & Manager Rich Epstein, Director – Marla Whittaker, Producer PONY SHOW ENTERTAINMENT – CAMPBELL-EDWALD – US NAVY “The Shield” Location Scout & Manager Peter Berg, Director – Fern Martin, Producer – Josh Mulry, Production Supervisor RESPOND2 – ICON FITNESS – “AbGlider, Discovery” Location Scout & Manager Greg Penner, Director - Kristin Swanson, Producer FILM REALITÉ – TEAM DETROIT – FORD “Early 2011 Running Footage” Location Scout Kevin Ward, Director – Marla Whittaker, Producer FOUNDATION POST – ORTHO BIOTECH INC. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Roy Huggins Collection
http://oac.cdlib.org/findaid/ark:/13030/c87w6k90 No online items Roy Huggins Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2020 Roy Huggins Collection WGF-MS-073 1 Descriptive Summary Title: Roy Huggins Collection Dates: 1956-1984 Collection Number: WGF-MS-073 Creator/Collector: Extent: 3 linear feet (3 boxes) Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: This collection contains scripts and other material related to the TV shows that Huggins created and/or worked on and contains a copy of his unpublished autobiography. Language of Material: English Access Open for research, available by appointment only. Some materials stored offsite. One week advance notice required for retrieval. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Roy Huggins Collection. Writers Guild Foundation Archive Biography/Administrative History Born July 18, 1914, Roy Huggins enjoyed a prolific career as a TV writer/producer, creating Maverick, 77 Sunset Strip, The Fugitive and co-creating The Rockford Files with Stephen J. Cannell. Later in his career, he often took writing credit under pseudonyms such as Thomas Fitzroy or John Thomas James. In 1994, he received the Golden Laurel Award from the Producers Guild of America. Huggins, who was married to actress Adele Mara, passed away April 3, 2002 and he is survived by his five children. Scope and Content of Collection The bulk of the collection consists of scripts from the shows Huggins created and/or wrote on including 77 Sunset Strip, Maverick, Blue Thunder, Bus Stop, Kraft Suspense Theater, Kraft Mystery Theater, Cheyenne, Rockford Files and Run For Your Life. -
Jim Gianopulos Takes 20Th Century Fox Into the New Millennium
S o C V st ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ E 101 ΑΠΟ ΤΟ 1915 The National Herald anniversa ry N www.thenationalherald.com A weekly Greek-AmeriCAn PuBliCAtion 1915-2016 VOL. 19, ISSUE 970 May 14-20, 2016 c v $1.50 Cielo Gala Jim Gianopulos Takes Acclaims 20th Century Fox into Daskalakis’ The New Millennium Leadership By Vasilis Papoutsis the sinking of the Greek Navy cruiser Elli that was hit by an LOS ANGELES, CA – For the Italian submarine in August TNH Staff last 16 years Fox Filmed Enter - 1940 while anchored on the is - tainment Chairman Jim Gianop - land of Tinos. His survival was NEW YORK — Dr. Demetre ulos' innovative leadership has solely a matter of luck and tim - Daskalakis, Assistant Commis - been instrumental in producing ing, as he was on a higher part sioner of the Bureau of Oscar-winning movies such as of the vessel when the torpedo HIV/AIDS Prevention and Con - Avatar, Titanic, Sideways, and hit the Elli’s bottom. A few trol of the New York City De - The Martian. months later, Italy invaded partment of Health and Mental In 2000, he became co-Chair - Greece after Ioannis Metaxas re - Hygiene, was honored at the man of Fox Film (formerly 20th fused to surrender. Cielo Gala on May 6 at Cipriani Century Fox and 21st Century When Nikos Gianopulos ar - in New York. Fox) along with Tom Rothman, rived in the United States in The annual benefit gala for and he is now sole chair. 1951, he created the American the Latino Commission on AIDS With the distinction of hav - Ship Repair Co. -
The Amazing, Performing Film: Some Propositions
-Davetli Yazı ∙ Invited Paper – The Amazing, Performing Film: Some Propositions Adrian Martin Prologue: Chosen Moments Tex Avery possessed a sense of excess in everything and of its organization, which distinguish his films from the stereotyped frenzy characteristic of the majority of American cartoons. Two characters hurtle off a cliff uttering horrendous screams; during shot after shot they fall toward the camera and their repeated cries become unbearable; the scene lasts for only about ten seconds but appears to go on forever. Then they finally land, light as feathers, and the chase resumes as if nothing had happened. - Noël Burch1 F For Fake (Orson Welles, 1974): at the start, the film presents a declaration – spoken and shown – to the effect that, although it is wholly concerned with tricks and tricksters, for the next sixty minutes only the truth will be told and presented. The film eventually winds around to a particularly outlandish story involving Pablo Picasso and his dealings with a mysterious model (Oja Kodar). Welles subsequently reappears on screen to ask whether we are still E-mail: [email protected] Film Critic/ Associate Professor - Monash University Invited papers are not peer reviewed. Davetli yazılar hakem değerlendirmesinden geçmemektedir. DOI: 10.31122/sinefilozofi.426841 Received - Geliş Tarihi: 08.05.2018 160 believing him and his film. If so, he informs us, we should note that the sixty minutes ended seventeen minutes previously, and that he has been lying his head off ever since. Gloria (John Cassavetes, 1980). As Gloria (Gena Rowlands), out on the street, is being bugged by (and trying to get rid of) little Phil (John Adames), she is simultaneously aware that a bunch of gangsters in a car are cruising them, with likely murderous intent. -
This Is How We Learn: the Intensive Experience from the Desk of D
WINTER 2018 Hawken REVIEW This is How We Learn: The Intensive Experience From the Desk of D. Scott Looney “Just as truly as each individual has different physical characteristics, so truly does he possess individual and peculiar talents, wants, powers, tastes, instincts, and tendencies. And because of this there can be no real and efficient education where a general course of instruction and a general method of training is applied to a group of [students].” – James A. Hawken, 1915 At opening meetings in August, I gave each faculty and staff member a copy of author Todd Rose’s recent book, The End of Average: How We Succeed in a World That Values Sameness, because it resonates remarkably well not only with the direction we are heading, but with our founder James A. Hawken’s original commitment to individualized education. The concept of “the end of average,” while by some standards is not new, is groundbreaking when viewed in the context of today’s approach to education and the workplace. I highly recommend the book. This issue of the Review highlights one of the many ways Hawken is taking the lead in making learning more individualized and relevant: the Upper School Intensives. Now in their eighth year, the Intensive program has evolved to the point where it has become part of the natural rhythm of the school year. Its uniqueness and success has drawn over fifty schools from across the country to visit Hawken to see just how it is implemented, and many schools are adopting versions of it if not mimicking our approach to a tee. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410