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London Sightseer
GREAT RIDES LONDON SIGHTSEER London Sightseer An audax through the streets of London? If you’d dismissed city cycling for pleasure, organiser Bill Carnaby shows you something to make you change your mind (Clockwise from et away from its busy thoroughfares If you arrive at around 11.30 they will be changing the above) Tower Bridge, Hyde Park, The Mall, and cycling in London ceases to be guard as you pass Buckingham Palace. The next part the Gherkin, the about jostling for space with buses and is busiest of the route: you take in Trafalgar Square, the London Eye, and the riverside at Richmond. taxis. It becomes instead an absorbing Strand, Fleet Street and Ludgate Hill with a wonderful view If you want to explore mix of green parks, quiet backstreets, as you ride up to St Paul’s Cathedral. You can use the bus the capital, forget the tube: take your bike Griverside vistas and layer upon layer of history. I’ve lanes here, continuing into the City and across Bank to enjoyed cycling in the capital for years and devised Leadenhall Street. Lord Rogers’ Lloyd’s Building is on the the London Sightseer 100k randonee back in 2002 to right and Lord Foster’s 30 St Mary Axe – known popularly as show it to other cyclists. the Gherkin – on the left. The last several hundred years have left London with a A few twisty and cobbled streets later you are at Tower network of small streets that are ideal for exploring by bike. Bridge. This is the old Pool of London and it was said that Together with the numerous parks and the Thames, they you could once cross the river here by walking from ship form the basis of the route. -
Journal ^ Association of Jewish Refugees
VOLUME 7 NO.S MAY 2007 journal ^ Association of Jewish Refugees How the Jewish refugees thanked Britain One of the most striking initiatives ever Jewish Congregation (Belsize Square mounted by the AJR was the 'Thank-You Synagogue), as well as representatives of the Britain' Fund, which evolved out of a Czech and Hungarian refugees. Among them proposal in 1963 that the Jewish refugees were AJR Chairman Alfred S. Dresel, Amold from Central Europe should make a public Horwell, Egon Larsen, Hans Blumenau, gestiire of thanks to their adopted homeland. Hans Jaeger and the indispensable Wemer The idea was the brainchild of Victor Ross, Rosenstock. Happily, two are still with us: a former refugee who had worked in Victor Ross and Carl Flesch, while Eric publishing and journalism and had written Gould's widow Katia has for years been one a humorous account of the refugee of this joumal's much valued proof-readers. experience, Basic British; as readers know, The Mall Room, British Academy The Fund proved an outstanding he still wields an elegant pen today. The which were to be used for the awarding of success. The organisers' target of £40-60,000 AJR, and in particular its chairman, Hans research fellowships and the holding of was easily exceeded; by the time the Fund Reichmann (who died in 1964), had been annual (later biennial) lectures, both under was handed over to the British Academy at thinking along similar lines. After the AJR the auspices of the British Academy, a a ceremony in the Saddlers' Hall on 8 took on the administration of the fund- highly respected institution that to this day November 1965, it had reached £96,000, raising, Ross became co-chairman of the plays a significant role in supporting and several hundred thousand pounds in today's Fund's organising committee, alongside promoting research and scholarship in the money and an astonishing sum for a Werner M. -
Newsletter 42 April 2018
Newsletter 42 • April 2018 Forthcoming Meetings Wednesday 23 May 2018, 8 pm (doors open 7.30) Tudor Fashion Eleri Lynn, Curator, Hampton Court Palace Clore Centre, Hampton Court Palace, KT8 9AU Eleri Lynn is the collections curator at Historic Royal Palaces, with special responsibility for the dress collection. Her talk will tell the captivating story of Tudor dress, its construction and symbolism, and the people who made and wore it. The Tudor monarchs and their courtiers are some of the best-known figures in history. They continue, even today, to spark our curiosity and imagination. Their enduring popularity is no doubt partly due to the iconic portraits in which they are depicted in magnificent style, in farthingales and ruffs, furs and jewels, codpieces and cloaks, and vast expanses of velvet and silk. Far from being mere decoration, fashion was pivotal in the communication of status and power. It was used as a tool in securing and holding the tenuous Tudor throne and as a competitive weapon in the factions, intrigues and love-affairs of the court. Histories of Kings and Queens complement stories of unsung dressmakers, laundresses, and officials charged with maintaining and transporting the immense Tudor wardrobes from palace to palace. Refreshments will be served before the talk. Booking details are at the end of the Newsletter. Wednesday 25 July 2018, 10.30 am Wednesday 29 August 2018, 10.30 am Visit to Imber Court Museum Ember Lane, KT8 0BT Police horses are a familiar sight around Molesey and this is your opportunity to see behind the scenes, with a guided tour of the stables and the museum at Imber Court. -
Modern British & Irish
Modern British & Irish Art Tuesday 4 June 2013 at 1pm Knightsbridge, London Modern British & Irish Art Tuesday 4 June 2013 at 1pm Knightsbridge Bonhams Enquiries Please see page 2 for bidder Montpelier Street Emma Corke information including after-sale Knightsbridge +44 (0) 20 7393 3949 collection and shipment London SW7 1HH [email protected] www.bonhams.com Please see back of catalogue Shayn Speed for important notice to bidders Viewing +44 (0) 20 7393 3909 Sunday 2 June 11am to 3pm [email protected] Illustration Monday 3 June 9am to 4.30pm Front cover: Lot 167 Tuesday 4 June 9am to 11am Customer Services Back cover: Lot 19 Monday to Friday 8.30am to 6pm Inside front: Lot 76 Bids +44 (0) 20 7447 7447 Inside back: Lot 179 +44 (0) 20 7447 7448 +44 (0) 20 7447 7401 fax Sale Number: 20777 To bid via the internet please visit www.bonhams.com Catalogue: £12 Please note that bids should be submitted no later than 24 hours before the sale. New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bids not being processed. Bidding by telephone will only be accepted on a lot with a lower estimate in excess of £400. Live online bidding is available for this sale Please email [email protected] with “Live bidding” in the subject line 48 hours before the auction to register for this service. Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. -
Finding Koko
1 A Wish for Koko by Julie Brinckloe 2 This book was created as a gift to the Gorilla Foundation. 100% of the proceeds will go directly to the Foundation to help all the Kokos of the World. Copyright © by Julie Brinckloe 2019 Grumpkin Press All rights reserved. Photographs and likenesses of Koko, Penny and Michael © by Ron Cohn and the Gorilla Foundation Koko’s Kitten © by Penny Patterson, Ron Cohn and the Gorilla Foundation No part of this book may be used or reproduced in whole or in part without prior written consent of Julie Brinckloe and the Gorilla Foundation. Library of Congress U.S. Copyright Office Registration Number TXu 2-131-759 ISBN 978-0-578-51838-1 Printed in the U.S.A. 0 Thank You This story needed inspired players to give it authenticity. I found them at La Honda Elementary School, a stone’s throw from where Koko lived her extraordinary life. And I found it in the spirited souls of Stella Machado and her family. Principal Liz Morgan and teacher Brett Miller embraced Koko with open hearts, and the generous consent of parents paved the way for students to participate in the story. Ms. Miller’s classroom was the creative, warm place I had envisioned. And her fourth and fifth grade students were the kids I’d crossed my fingers for. They lit up the story with exuberance, inspired by true affection for Koko and her friends. I thank them all. And following the story they shall all be named. I thank the San Francisco Zoo for permission to use my photographs taken at the Gorilla Preserve in this book. -
Queen Mary I
Queen Mary I Queen Mary I of England, also known as Mary Tudor, was one of the five monarchs from the famous Tudor family. Early Life Mary was born on 18th February 1516. She was the daughter of King Henry VIII and his first wife, Catherine of Aragon. Mary was a very clever child and was able to speak, read and write in many languages including Latin and Spanish. She was also very religious like her mother and followed the Catholic faith. In 1533, Henry decided to divorce Catherine as he was desperate for a son to be his heir. Mary was removed from her place in line to the throne, became known as ‘The Lady Mary’ rather than ‘Princess Mary’ and sent away from court. She was not allowed any contact with her mother as she would not accept her father’s new wife, Anne Boleyn, as queen. This hurt her relationship with her father and they did not speak for three years. Henry’s third wife, Jane, tried to make peace between Mary and her father. Mary agreed to the king’s request to recognise him as the head of the church and was reunited with her father in 1536. After Jane died, Henry married another three times. His final wife, Catherine Parr, persuaded the king to return Mary and Elizabeth to the line of succession in 1544. In 1547, Henry died and Mary’s half-brother Edward became king. During his reign, Mary spent most of her time away from court as she disagreed with laws he had passed. -
Oxford and Cambridge Boat Race: Performance, Pacing and Tactics Between 1890 and 2014
Article style: Original Research Article Title: Oxford and Cambridge Boat Race: performance, pacing and tactics between 1890 and 2014. Running title: Performance, pacing and tactics in the Boat Race Authors: Andrew M. Edwards 1-2, Joshua H. Guy1-2, Florentina J. Hettinga3 Affiliations: 1University of St Mark & St John, Plymouth, UK 2James Cook University, Sport & Exercise Science, Cairns, Australia 3University of Essex, School of Biological Sciences, Centre of Sport and Exercise Science, Colchester, UK Corresponding Author: Professor Andrew Edwards Dean, Faculty of Sport & Health Sciences University of St Mark & St John Plymouth, Devon, UK e-mail: [email protected] Tel: +44 1752 636700 Fax: +44 1752 636710 Key points: 1. Oxford and Cambridge crews are now significantly faster and heavier in comparison to their racing predecessors 2. All crews in the 124 year sample displayed a fast start racing strategy 3. Obtaining an early advantage appears more meaningful than the selection of starting station despite undulations in the river course 1 Abstract: Background: Currently no studies have examined the historical performances of Oxford and Cambridge Boat Race crews in the context of performance, pacing and tactics which is surprising as the event has routinely taken place annually for over 150 years on the same course. Objectives: The purpose of this study was twofold, to firstly examine the historical development of performances and physical characteristics of crews over 124 years of the Oxford and Cambridge Boat Race between 1890 and 2014 and secondly to investigate the pacing and tactics employed by crews over that period. Methods: Linear regression modelling was applied to investigate the development of performance and body size for crews of eight males over time from Boat Race archive data. -
Download Campbell LAHLF Syllabus CAPA
ENGLIT 1199: London Across History, Literature, & Film CAPA LONDON PROGRAM Spring 2019 Faculty name : Peter Odell Campbell E-mail : [email protected] Class times : M TBD Classroom location : TBD Office Hours : M TBD & by appointment Course Description The course is designed to introduce students to spatial history of London through literary and cinematic texts by famous auteurs, including Oscar Wilde, Arthur Conan Doyle, M. NourbeSe Philip, and Zadie Smith. The course will be visited by at least one author or director working in contemporary London. In London Across History, we undertake an historical tour of London, with these and other great writers and film-makers as our guides. We’ll start with a walking tour of the Inns of Court, and the world of eighteenth-century London and law, experi- enced through the lens of M. NourbeSe Philip’s experimental poetry. Our next stop will be the historic house and museum of Sir John Soane—a unique window into the life and arts of London’s imperial elite, and the Romantic poetry of Byron and Blake. We’ll visit a one-of-a-kind tribute to Oscar Wilde, in a pop-up museum open only until March 2019, before moving into the nineteenth century world of detective fiction through Arthur Conan Doyle’s stories of Sherlock Holmes. The second half of the course will continue our considerations of race and empire with screenings of WWI cinema, a visit to the Imperial War Museum, and an investigation into London’s labor and working-class history through the BBC adaptation of Howard’s End and Zadie Smith’s On Beauty. -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
At Lowther School
WELCOME TO ISSUE 10 We hope you enjoyed our Spring issue. Welcome to our Summer issue, our final issue of the year. Summer term is popu- lar term; the sun is (usually) shining, we get to use our amazing playing field and we get to take part in fun activities like Sports Day and Creative Arts Week. This issue is jam-packed with lots of interesting, informative and fun features. Have a wonderful Summer holiday break. See you in September! Page WHAT’S INSIDE NEWS The Daily Mile by Year 3 3 A Sports Event We’ll Never Forget by Sami, 5N 4 JUST FOR FUN Recipe—make colourful toast! 5 Summer wordsearch FEATURES & The Serious Feature—Healthy Eating by Year 3 6-7 What Is Our Favourite Lowther Trip by KS1 CARTOONS 8-9 The Big Interview—School Governor (and chef) Sarah Brecher 10—11 Puzzles—The Brain Drain! 12 One Minute Interview—Miss Mould from Oak Class ENTERTAINMENT “What The Ladybird Heard” by Julia Donaldson, reviewed by Medina, Maple 14– 15 “Judy Moody” by Megan McDonald, reviewed by Madeleine, 5P & REVIEWS “Percy Jackson & The Lightning Thief” by Rick Riordan, reviewed by Jessica, 5P Book Genre Of the Month: Humour Film: ‘Disney’s The Jungle Book’, reviewed by Nicole, 5P Music: ‘Now 43’ , reviewed by Scarlett, 5P CREATIVE At Lowther School by Emily, Elm Class 16—17 Everest: The Final Push by Oliver W, 5N WRITING After The Journey by Sara, 4G The Ladybird by Betsy, Willow Class Arin The Alien by Ava, Pine Class SPORTS 2016—Lowther’s Year In Sport 18—19 BACK COVER Lowther—A Year In Sport 20 Some jokes from Samuel in Beech Class: Joke 1: There were two snakes. -
Anne of Cleves
Anne of Cleves Anne of Cleves was Henry VIII’s fourth wife and Queen of England for six months in 1540. Early Life Anne was born in 1515 in Düsseldorf in the Holy Roman Empire, in what is now Germany. She was the second daughter of John III, Duke of Cleves, and his wife, Maria. She had two sisters, Sibylle and Amalia, and a brother, William. While not very well educated, Anne was skilled at needlework and enjoyed playing card games. She could read and write but only in her native German. Marriage to Henry VIII After the death of Henry VIII’s third Despite this, Henry and Anne were wife in 1537, Henry’s advisors began married on 6th January 1540 at the asking him to consider marrying again. Palace of Placentia in London. His chief minister, Thomas Cromwell, The marriage was not a happy one suggested Henry consider marrying a from the start, with Henry saying to lady from Cleves, a growing power in Cromwell the day after their wedding, Europe. He suggested either Anne or ‘I liked her before not well, but now I her younger sister, Amalia. In order like her much worse.’ Despite Henry’s to persuade Henry, the artist Hans dislike of Anne, she always praised Holbein the Younger was sent to their him as a kind husband to those she home to paint portraits of both ladies. spoke with. Henry found Anne’s portrait to be pleasing and gave permission for a marriage contract to be drawn up. Henry first met Anne in person privately on New Year’s Day 1540 at Rochester Abbey.