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Beyond the Lens the Marti & Gerrard Friedlander Collection
BEYOND THE LENS THE MARTI & GERRARD FRIEDLANDER COLLECTION Marti Friedlander’s contribution to the development of contemporary New Zealand art has been quite simply outstanding and it is with great honour that we bring you this catalogue, Beyond the Lens - The Marti and Gerrard Friedlander Collection. Celebrated and respected for her photography, but also for her generosity, in later life Marti became known to many of us through the causes that she and Gerrard supported with great passion. Breast cancer, issues of Māoridom and helping young people – all these were causes close to their hearts. Marti was an unforgettable character to those that knew her. Curious and direct, with a distinctive gravelly voice and an accent that gave away her Northern Hemisphere start in life. I was most interested to read Kathlene Fogarty’s account of Driving with Marti, mainly as I had previously assumed that Marti didn’t drive. Having lived and worked in Parnell for years, she was a most familiar figure to locals; striding purposefully up Brighton Road and determinedly around the village, frequently pausing to chat and always stopping for coffee. Known for her strong personality and love of people, Marti’s curiosity for the strange new land she came to with husband Gerrard in 1958 was borne out in the photographs she took. Over the next fifty years she famously photographed not only the landscape but it’s people – both the ordinary and the extraordinary - in a time well before the notion of celebrity existed. Her visual record of our country in a time of change and maturation is invaluable. -
Imagination Is the Creative Use of Reality ~ Margaret Mahy
ISSN 11750189: Volume 11: Issue 2: August 2012. Imagination is the creative use of reality ~ Margaret Mahy. When Storylines put the call out for tributes to Margaret Mahy, they came in thick and fast - long and short - from all walks of life. From close friends, colleagues, and fans. From people who had worked closely with Margaret, those who had met her once - or a few times - and from those who never met her. But, all of us have been blessed by Margaret's life and work. And, all of us were grateful to share our thoughts. We thank you all. We are sorry that we couldn't share ALL the photos... there were so many! Herewith - with little editing - are the words of Margaret's friends and fans... Margaret Mahy is my role model. She inspired me to start writing stories and I haven’t stopped since. She opened the gateway to my passion when I met her properly for the first time at a Storylines Festival. I was nervous when I waited in the (very long) queue for her autograph, I was speechless and I didn’t know what to say. But soon my nervousness went away when we started talking, she was warm and friendly and she drew a picture of one of her characters next to her eloquent signature. It was one of the greatest opportunities in my life meeting Margaret Mahy. My admiration for Margaret Mahy formed when I was six. She came to our school wearing a funky, rainbow-coloured wig; she performed a hilarious puppet show that I can still remember. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President James Norcliffe With the Assistance of Creative NZ Arts Council of New Zealand Toi Aotearoa Email [email protected] and Lion Foundation Website ISSN 1176-6409 www.poetrysociety.org.nz NZPS Competition – an insider view at them over Queen’s Birthday Weekend. Then I went to the Post Office. I should have been suspicious when the Our International Poetry Competition has recently door opened too easily. The box was empty, except for concluded for another year. How did you do? Were you a small yellow card. The yellow card is what appears in amongst The Chosen Ones? I wasn’t and, as usual, I your box when there is too much mail. There was a flood. consoled myself with the thought that maybe I’d be in the I received from the Post Shop counter a sack containing 81 anthology again this year. envelopes, about half of them from schools and containing I’ve been entering the NZPS competition for a long multiple entries. For the rest of the week I worked until time, and this year I got to see how it works, after agreeing midnight every night, processing envelopes. Several took to take on the role of competition secretary. The first thing more than 1½ hours each. A few were requests for entry I discovered was that the work starts in November, when forms – too late.The slowest part was twinking out names the anthology is launched and the new competition opens. -
Otago Abroad
Otago poetry on Krakow walls The poetry of Otago alumni writers is shining on Krakow city walls, as part of the UNESCO Cities of Literature Multipoetry Project. Read on to learn more about the poets, and view more images of the poetry beaming in to the heart of Krakow. The eight alumni poets are: Emma Neale Emma is a former Burns Fellows at Otago. She currently teaches Creative Writing in the English Department, and her latest book of poetry Tender Machines has recently been published by University of Otago Press. Hone Tuwhare New Zealand's most distinguished Māori poet, and a former Burns Fellow at Otago. Hone Tuwhare is the people’s poet. He was loved and cher ished by New Zealan ders from all walks of life. A picture of Hone's poem in Krakow is featured below. David Eggleton David is editor of pre-eminent NZ literary journal Landfall, published by University of Otago Press. Landfall is New Zealand's foremost and longest-running arts and literary journal, showcasing new fiction and poetry, as well as biographical and critical essays, and cultural commentary. He recently won the 2015 Janet Frame Literary Trust Award for Poetry. A picture of David's poem in Krakow is featured below. Janet Frame Janet Frame is New Zealand’s most distinguished writer. Among her numerous honours, Frame is a Member of the Order of New Zealand, a Nominee for the Nobel Prize in Literature and an Honorary Foreign Member of the American Academy and Institute of Arts and Letters. She was among ten of New Zealand’s greatest living artists named as Arts Foundation of New Zealand Icon Artists in 2003. -
Human Kind Transforming Identity in British and Australian Portraits 1700-1914
HUMAN KIND TRANSFORMING IDENTITY IN BRITISH AND AUSTRALIAN PORTRAITS 1700-1914 International Conference on Portraiture University of Melbourne and National Gallery of Victoria Conference Programme Thursday 8 September – Sunday 11 September 2016 Biographies of Speakers and Abstracts of their Papers [In chronological order: Speaker, title of paper, organisation, bio, abstract of paper] Speakers: Leonard Bell, University of Auckland, Who was John Rutherford? John Dempsey’s Portrait of the ‘Tattooed Englishman’ c.1829 Bio: Dr Leonard (Len) Bell is an Associate Professor in Art History, School of Humanities, The University of Auckland. His writings on cross-cultural interactions and the visual arts in New Zealand, Australia and the Pacific have been published in books and periodicals in New Zealand, Australia, Britain, USA, Germany, the Czech Republic and Japan. His books include The Maori in European Art: A Survey of the Representation of the Maori from the Time of Captain Cook to the Present Day (1980), Colonial Constructs: European Images of Maori 1840–1914 (1992), In Transit: Questions of Home and Belonging in New Zealand Art (2007), Marti Friedlander (2009 & 2010), From Prague to Auckland: The Photographs of Frank Hofmann (1916-89), (2011), and Jewish Lives in New Zealand: A History (2012: co-editor & principal writer). His essays have appeared in Julie Codell & Dianne Sachko Macleod (eds), Orientalism Transformed: The Impact of the Colonies on British Art (1998), Alex Calder, Jonathan Lamb & Bridget Orr (eds), Voyages and Beaches: Pacific Encounters 1769-1840 (1999), Nicholas Thomas & Diane Losche (eds), Double Vision: Art Histories and Colonial Histories in the Pacific (1999), Felix Driver & Luciana Martins (eds), Tropical Visions in an Age of Empire (2005), Annie Coombes (ed), Rethinking Settler Colonialism: History and Memory in Australia, Canada, Aotearoa/New Zealand and South Africa (2006) and Tim Barringer, Geoff Quilley & Douglas Fordham (eds), Art and the British Empire (2007). -
On the Repatriation of Māori Toi Moko Colleen Murphy a Thesis Submitted in Partial Fulfillment of the Requi
Talking Heads: On the Repatriation of Māori Toi Moko Colleen Murphy A thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors in the History of Art THE UNIVERSITY OF MICHIGAN April 2016 Murphy 2 TABLE OF CONTENTS Whakawhetai (Acknowledgements) . 03 Text Introduction: Detached Heads . 04 Ta Moko Tattooing . 07 Early Contact with Europeans . 09 Changing Attitudes . 16 General H.G. Robley . 19 People on Display . 26 Western Displays of Māori Art and Artifacts . 30 The Māori Renaissance . 34 Repatriation Practices . 37 Legislation Related to Repatriation . 39 Conclusion: Ceremonial Repatriation . 41 Endnotes . 42 Bibliography . 46 Images . 50 Murphy 3 Whakawhetai (Acknowledgements) I would like to sincerely thank my faculty advisor Dr. David Doris for his indispensable guidance during this process. He continuously found time in his busy schedule to help me with my research, and I am incredibly grateful for his generosity, sense of humor and support. I am also grateful to Dr. Howard Lay for his assistance both in this project and throughout my career at the University of Michigan. He reaffirmed my love for the History of Art in his lectures both at Michigan and throughout France, and demonstrated unbelievable dedication to our seminar class. I am certain that my experience at Michigan would not have been the same without his mentorship. I am greatly appreciative of the staff at Te Papa Tongawera for their online resources and responses to my specific questions regarding their Repatriation Program, and the Library of the University of Wellington, New Zealand, which generously makes portions of the New Zealand Text Collection freely available online. -
Penguin History of New Zealand P.133
CORE Metadata, citation and similar papers at core.ac.uk Provided by UC Research Repository ‘Like Iron Filings to a Magnet’: A Reappraisal of Michael King’s Approach to New Zealand History A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts in History at the University of Canterbury by Halie McCaffrey University of Canterbury 2010 Contents Acknowledgements p.ii Abstract p.iv Introduction: Michael King: History Man p.1 Chapter One: ‘Being Pākehā’ in the Historiographical Dialogue of Nation and Identity in New Zealand p.9 Chapter Two: Mātauranga Pākehā: King’s Construction of a New Zealand Identity p.42 Chapter Three: Identity and the Landscape: Imagining New Zealand Through King’s Personal Experience of Place p.68 Chapter Four: King’s People: The Life Histories of New Zealanders p.92 Chapter Five: A Career Full Circle? A Discussion of The Penguin History of New Zealand p.133 Conclusion: Michael Row the Boat Ashore p.177 References Bibliography: Primary Sources p.181 Secondary Sources p.188 ii Acknowledgements The writing this thesis has been a difficult process: both academically and emotionally. The completion of this thesis has come down to a lot of support from different people in my life. I am very thankful to each one of them. At the beginning of this process I was diagnosed with dyslexia. SPLED Canterbury was great help to me during this process. Not only did they pay for my testing, they paid for a tutor to help me work on my weaknesses. I am so grateful to Christine Docherty who showed much compassion in re teaching me the basics of the English language. -
LATE NIGHT ART @ARTWEEKAUCKLAND Th #ARTWEEKAKL Tuesday 10 October, 5-9Pm Welcome to Live Interactive Art, Galleries Open Late, Creative Events Artweek Auckland 2017
IN THE CENTRAL CITY ARTWEEK.CO.NZ LATE NIGHT ART @ARTWEEKAUCKLAND th #ARTWEEKAKL Tuesday 10 October, 5-9pm Welcome to Live interactive art, galleries open late, creative events Artweek Auckland 2017 Artweek Auckland is an annual, week-long festival celebrating the visual arts of Auckland. Throughout the week activations will be taking place all over Auckland, newcomers and experts alike can immerse themselves in Auckland’s diverse and vibrant contemporary art scene. Venues include galleries, public, Ellen Melville Centre and Freyberg Place private spaces, pop ups and street art. Mapping home through sound, colour and light He aha e tangi te kainga rite? / What sounds The 2017 festival presents the work of over 1000 artists in more than 100 venues. like home? RM Gallery presents a response by UNIFORM + An expressive, lighting piece using street cones at its core to create a living organism KINAlights by Ernest Aurora Artweek Auckland is owned and presented by the New Zealand Contemporary Art Trust, a charitable trust established in 2005 with the objective of creating opportunities for artists, promoting the visual arts industry, and facilitating greater public access to and engagement with the visual arts community. You are invited to look, participate and enjoy. streetARTdego Deborah White ONZM streetARTdego is a micro-festival of food and art that sees 5 of Auckland’s top food vendors Director working with 5 artists for an evening of wonder, surprise and delicious eats in Khartoum Place. Experience music, performance and visual art while -
G Hall 2 Pmnaomi Mccleary Going West
From the Festival: Tales from 20 years of the Going West Books and Writers Festival West Auckland Heritage Conference 2nd October 2016 Naomi McCleary & Robyn Mason All photographs in this presentation are by Festival photographer Gil Hanly, unless otherwise identified Maurice Gee reads Going West at the Henderson (Loomis) Station platform Words that inspire a Festival. A Festival that inspires a writer From Loomis station the track ran straight for several miles, with straggly town on one side – Ah Lapp’s grocery where you could buy Chinese ginger in jars, the Scout Hall, the Anglican Church, the jam factory – and vineyards and farms on the other. • Maurice Gee, Going West, 1992 Going West Festival Participants 1999. Photo: Marti Friedlander Audio Sound engineer Davyd Hodge with crew Nga Kupu Kōrero - Talking about the Word First speaker at Going West: Professor Ngahuia Te Awekotuku Writing About Our Town Kevin Ireland, Maurice Shadbolt, Dick Scott with programmer & presenter Peter Simpson And a Festival inspires a Festival Stephanie Johnson & Mike Johnson Photo: Ted Scott Ephemera 1999 – The Red Mole Riot Manuscripts Serie Barford & Glenn Colquhoun 9/11 Michael King, Amelia Batistich & Patricia Grace Phillip Mann & David Larsen Going West – Making History – One Book, One author, One Festival at a Time Photographs Maurice Shadbolt at the inaugural Going West Festival 1996 Photo: Ted Scott Lynda Topp, Peter Hawes & Max Cryer Lynda & Jools Topp with Michael King Print artist Beth Serjeant with poet Hone Tuwhare Storyfest Unidentified (Photographer -
Otago University Press 2017–18 Catalogue
otago university press 2017–18 catalogue NEW BOOKS I 1 OTAGO UNIVERSITY PRESS CONTENTS PO Box 56, Dunedin, New Zealand New books 2017 3–26 Level 1 / 398 Cumberland Street, 2018 highlights 27–30 Dunedin, New Zealand Books in print: by title 33–39 Phone: 64 3 479 8807 Books in print: by author 40–41 Fax: 64 3 479 8385 How to buy OUP books 43 Email: [email protected] Web: www.otago.ac.nz/press facebook: www.facebook.com/OtagoUniversityPress Publisher: Rachel Scott Production Manager: Fiona Moffat Editor: Imogen Coxhead Publicity and Marketing Co-ordinator: Victor Billot Accounts Administrator: Glenis Thomas Prices are recommended retail prices and may be subject to change Cover: The lighthouse at Taiaroa Head, home of the cliff-top albatross colony on Otago Peninsula. See The Face of Nature: An environmental history of the Otago Peninsula by Jonathan West. Photograph by Ian Thomson 2 I NEW BOOKS A STRANGE BEAUTIFUL EXCITEMENT REDMER YSKA Katherine Mansfield’s Wellington 1888–1903 How does a city make a writer? Described by Fiona Kidman as a ‘ravishing, immersing read’, A Strange Beautiful Excitement is a ‘wild ride’ through the Wellington of Katherine Mansfield’s childhood. From the grubby, wind-blasted streets of Thorndon to the hushed green valley of Karori, author Redmer Yska, himself raised in Karori, retraces Mansfield’s old ground: the sights, sounds and smells of the rickety colonial capital, as experienced by the budding writer. Along the way his encounters and dogged research – into her Beauchamp ancestry, the social landscape, the festering, deadly surroundings – lead him (and us) to reevaluate long- held conclusions about the writer’s shaping years. -
IPG Spring 2020 Photography Titles - December 2019 Page 1
Photography Titles Spring 2020 {IPG} David Batchelder Alfred & Me Christiane Stahl Summary David Batchelder’s images are labyrinths of wondrous forms, surprising colors, and shifting layers. They give us the impression of flying over landscape formations, snowy mountain ranges, meandering rivers; or, alternatively, we seem to be in the midst of choppy seascapes, where unfamiliar creatures are rising up out of the blue-green depths. However, the photographs depict nothing more than banal segments of a beach in Charleston, South Carolina. The abstract quality of these natural motifs bring out hidden ideas. Suddenly we Michael Imhof Verlag see faces, ghosts, animals, and plants. Batchelder, an American born in 1939, is not interested in the laws of 9783731908814 Pub Date: 2/1/20 structure but the chaotic, strange, surreal, and irrational—in short, the world of dreams and the imagination. On Sale Date: 2/1/20 $22.95 USD/€19.95 EUR Contributor Bio Discount Code: LON Dr. Christiane Stahl has held positions including: Academic Assistant at the Deutsche Historische Museum Hardcover Berlin, Head of the Alfred Ehrhardt Stiftung Köln, and Deputy chairperson of the Deutsche Gesellschaft für 112 Pages Photographie (DGPh), among others. Carton Qty: 18 Photography / Collections, Catalogs, Exhibitions PHO004000 11.8 in H | 9.8 in W | 0.5 in T | 2.1 lb Wt Darren Almond: Nocturn Darren Almond, Andreas Baur, Johannes Meinhard Summary The title of the book and exhibition is derived from the large-format Nocturnes (2004–2010) featuring photographs of moonlit landscapes using long exposure times, which evoke Romantic landscapes in their European variants, and classical Japanese and Chinese landscape painting in their Asiatic motifs.