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Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President James Norcliffe With the Assistance of Creative NZ Arts Council of New Zealand Toi Aotearoa Email [email protected] and Lion Foundation Website ISSN 1176-6409 www.poetrysociety.org.nz NZPS Competition – an insider view at them over Queen’s Birthday Weekend. Then I went to the Post Office. I should have been suspicious when the Our International Poetry Competition has recently door opened too easily. The box was empty, except for concluded for another year. How did you do? Were you a small yellow card. The yellow card is what appears in amongst The Chosen Ones? I wasn’t and, as usual, I your box when there is too much mail. There was a flood. consoled myself with the thought that maybe I’d be in the I received from the Post Shop counter a sack containing 81 anthology again this year. envelopes, about half of them from schools and containing I’ve been entering the NZPS competition for a long multiple entries. For the rest of the week I worked until time, and this year I got to see how it works, after agreeing midnight every night, processing envelopes. Several took to take on the role of competition secretary. The first thing more than 1½ hours each. A few were requests for entry I discovered was that the work starts in November, when forms – too late.The slowest part was twinking out names the anthology is launched and the new competition opens. -
Otago Abroad
Otago poetry on Krakow walls The poetry of Otago alumni writers is shining on Krakow city walls, as part of the UNESCO Cities of Literature Multipoetry Project. Read on to learn more about the poets, and view more images of the poetry beaming in to the heart of Krakow. The eight alumni poets are: Emma Neale Emma is a former Burns Fellows at Otago. She currently teaches Creative Writing in the English Department, and her latest book of poetry Tender Machines has recently been published by University of Otago Press. Hone Tuwhare New Zealand's most distinguished Māori poet, and a former Burns Fellow at Otago. Hone Tuwhare is the people’s poet. He was loved and cher ished by New Zealan ders from all walks of life. A picture of Hone's poem in Krakow is featured below. David Eggleton David is editor of pre-eminent NZ literary journal Landfall, published by University of Otago Press. Landfall is New Zealand's foremost and longest-running arts and literary journal, showcasing new fiction and poetry, as well as biographical and critical essays, and cultural commentary. He recently won the 2015 Janet Frame Literary Trust Award for Poetry. A picture of David's poem in Krakow is featured below. Janet Frame Janet Frame is New Zealand’s most distinguished writer. Among her numerous honours, Frame is a Member of the Order of New Zealand, a Nominee for the Nobel Prize in Literature and an Honorary Foreign Member of the American Academy and Institute of Arts and Letters. She was among ten of New Zealand’s greatest living artists named as Arts Foundation of New Zealand Icon Artists in 2003. -
Otago University Press 2017–18 Catalogue
otago university press 2017–18 catalogue NEW BOOKS I 1 OTAGO UNIVERSITY PRESS CONTENTS PO Box 56, Dunedin, New Zealand New books 2017 3–26 Level 1 / 398 Cumberland Street, 2018 highlights 27–30 Dunedin, New Zealand Books in print: by title 33–39 Phone: 64 3 479 8807 Books in print: by author 40–41 Fax: 64 3 479 8385 How to buy OUP books 43 Email: [email protected] Web: www.otago.ac.nz/press facebook: www.facebook.com/OtagoUniversityPress Publisher: Rachel Scott Production Manager: Fiona Moffat Editor: Imogen Coxhead Publicity and Marketing Co-ordinator: Victor Billot Accounts Administrator: Glenis Thomas Prices are recommended retail prices and may be subject to change Cover: The lighthouse at Taiaroa Head, home of the cliff-top albatross colony on Otago Peninsula. See The Face of Nature: An environmental history of the Otago Peninsula by Jonathan West. Photograph by Ian Thomson 2 I NEW BOOKS A STRANGE BEAUTIFUL EXCITEMENT REDMER YSKA Katherine Mansfield’s Wellington 1888–1903 How does a city make a writer? Described by Fiona Kidman as a ‘ravishing, immersing read’, A Strange Beautiful Excitement is a ‘wild ride’ through the Wellington of Katherine Mansfield’s childhood. From the grubby, wind-blasted streets of Thorndon to the hushed green valley of Karori, author Redmer Yska, himself raised in Karori, retraces Mansfield’s old ground: the sights, sounds and smells of the rickety colonial capital, as experienced by the budding writer. Along the way his encounters and dogged research – into her Beauchamp ancestry, the social landscape, the festering, deadly surroundings – lead him (and us) to reevaluate long- held conclusions about the writer’s shaping years. -
The Robert Burns Fellowship 2019
THE ROBERT BURNS FELLOWSHIP 2019 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously. -
Information for Artists
PO Box 71 Portobello Dunedin 9014 www.caselbergtrust.org Caselberg Trust Creative Connections Residency 2022 - Information to applicants Applications are invited for the Caselberg Trust Creative Connections Residency for 2022. Timelines and deadline for applicants are shown below in section 7.0 1.0 Aim of the Residency – Creative Connections The Caselberg Trust hosts a variety of residencies each year, each with its own specific aims and creative goals, and encompassing a wide variety of creative media. Each residency is offered in partnership with the Trusts key partner and sponsor organisations. The Trust is pleased to offer the Caselberg Trust Creative Connections Residency for the ninth time in 2022. Creative Connections is a Residency that reflects the core ethos of the Trust and aims – To support and encourage innovative and exciting collaborations between creative media, and to foster the building of dynamic and unexpected relationships between the Resident and communities relevant to the Resident’s identified creative project To encourage and support people who are making, or have the potential to make, a significant contribution to the arts, either on a national or international level To provide the opportunity to introduce new ideas, motifs and materials into the Residents work For the Creative Connections Residency, the Caselberg Trust is specifically looking for projects that reach out and make links across a variety of creative media, professional disciplines, and/or communities relevant to the planned project. We welcome applications from people from any background i.e. arts or non-arts. However, applicants must be able to demonstrate their ability to engage in a creative project and processes, and to collaborate effectively with creative media and with communities relevant to their identified project. -
October 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 October 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President With the Assistance of Creative NZ James Norcliffe Arts Council of New Zealand Toi Aotearoa Email and Lion Foundation [email protected] Website ISSN 1176-6409 www.poetrysociety.org.nz and the arts residential centre is one thing they’re doing. This Month’s Meeting They also have a big apple farm, which is the centre of Turnbull House Wellington the Arbor Day festivities in the whole of the States. I think Thursday 20 October Arbor Day started there or something … 7.30pm start AL: … Oh I thought Arbor Day started in Featherston. open mic. session Featherston has a sign up saying that Arbor Day started Readings by Vivienne Plumb, Robin there. Fry and Scott Kendrick VP: Oh they’ll have to have that out with Nebraska City. I was told the story about the apples about six times but I seem to have managed to forget it. I would say ‘Oh, Anna Livesey talks to Vivienne Plumb about the Iowa that’s interesting because where I originally come from Writers’ Workshop in Sydney is where the Granny Smith apple comes from.’ In late 2004, Vivienne Plumb spent three months in Iowa They would look at me strangely and they would not City, home of the famous Iowa Writers’ Workshop and the want to talk about that, because I think they thought, That International Writing Programme, which gathers together sounds like a lie, that the Granny Smith apple came from writers from places as diverse as Azerbaijan, Bolivia, Kiev, Australia [laughs]. -
A-Fine-Line-May-2007.Pdf
ISSN 1177 -6544 The New Zealand Poetry Society Inc. a fine line PO Box 5283 May 2007 Lambton Quay Wellington 6145 THE MAGAZINE OF THE NEW ZEALAND POETRY Patrons SOCIETY Te Hunga Tito Ruri o Aotearoa Dame Fiona Kidman Vincent O’Sullivan With the Assistance of Creative NZ President Arts Council of New Zealand Toi Aotearoa James Norcliffe Email [email protected] www.poetrysociety.org.nz MAY MEETING JUNE MEETING Lynda Chanwai- Earl AGM preceded by a members-only mic. followed by a guest poet to be confirmed Thursday 17th May 7.30 pm Tuesday 19th June, 7.30pm at Turnbull House, Bowen St, at The Arts Centre, Abel Smith St.. Feature Article Interview: Kerrin Davidson, Christchurch Nola Borrell A recent Christchurch visitor, Lochiel, aged 13, picked up tiny gaps , the 2006 anthology of the Poetry Society, from my coffee table and turned to Junior Haiku. She gave a whoop of surprise: “I know her,” she cried, “and her ... and her!” So many Christchurch writers. So many girls . Behind this success is a whirlwind of creative energy and passion called Kerrin Davidson. (Her writing name is Kerrin P. Sharpe.) “Writing and reading haiku is a way of life,” she says, and adds with a laugh, “A religious fervour”. In no time she departs from my prepared questions, and takes off in several directions. Clearly, a believer in organic growth. Kerrin is a Creative Writing teacher of poetry and prose with nearly ten years' experience. She teaches at eight schools each week, both primary and secondary, and is Poet in Residence at St. -
From Aspiring to 'Paradise' : the South Island Myth and Its Enemies
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. From Aspiring to ‘Paradise’: the South Island myth and its enemies A critical and creative investigation into the (de)construction of Aotearoa’s Lakes District presented in fulfilment of the requirements for the degree of Masters in Creative Writing at Massey University, Palmerston North,New Zealand. Annabel Wilson 2014 ii Abstract Poetry and film are artistic modes for representing, interpreting and evaluating our environment. Aotearoa’s poets have distilled the meanings we place on ‘places of the heart’ since the first oral histories and lyrics were composed. Kiwi filmmakers have also fixed their gaze on places layered with cultural significance, selecting Edens at various stages of the Fall as settings for their protagonists to mess about in. With New Zealand’s unique position as the last place on earth to be populated, the human response to this landscape is a significant aspect of the nation’s psyche, and the relationship between people and place remains an enduring motif in local writing and cinema. My research stems from an exploration of the poetic and on-screen representations of the Central Otago region as a cultural landscape generated by a variety of spectators. This paper takes an excursion into the high country of Te Wai Pounamu to see how two key places have been sighted in terms of the South Island myth. -
April 2005 Lambton Quay WELLINGTON
New Zealand Poetry Society Newsletter PO Box 5283 April 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Vincent O’Sullivan Te Hunga Tito Ruri o Aotearoa President Gillian Cameron With the Assistance of Creative NZ E-mail Arts Council of New Zealand Toi Aotearoa [email protected] and Lion Foundation Website www.poetrysociety.org.nz ISSN 1176-6409 the reader and I don’t want to write poems that just state what I already know. This Month’s Meeting I was given a nametag with a slightly demented photo There will be no Wellington meeting of myself to prove I was poet in residence. Reactions to at Turnbull House in April my job varied from monosyllabic comments like ‘Wow’. ‘No!’ and ‘Oh’ to the benignly challenging, ‘But what does that actually mean?’ and the frequent, ‘Who pays for that?’ I was glad to be able to say that the funding Poets in the Workplace came from outside the hospital system. NZPS Pilot Programme I was encouraged to do anything that would make poetry an acceptable part of hospital life. I gave two Rachel Bush readings to patients and staff in the Assessment treatment and Rehabilitation Ward. Another thing I did was get An ordinary Saturday morning in February 2004. The permission from twelve talented New Zealand poets to early visit to the Nelson market to get fruit and publish one of their poems in the hospital. They went vegetables, the house to be cleaned, the clothes to be sent on the email within the hospital. -
An Annotated Bibliography for a City of Literature by Genevieve Kate
An annotated bibliography for a City of Literature by Genevieve Kate Scanlan Submitted to the School of Information Management, Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Information Studies June 2019 Abstract This annotated bibliography lists books published by Dunedin authors or publishers since the city received its UNESCO City of Literature designation in 2014. Due to UNESCO’s deliberately broad and inclusive focus, the bibliography includes works from broad range of genres, forms, and target-audiences. Citations and summative annotations are provided for all 67 items in the bibliography, which are arranged into the broad categories ‘Picture Books’, ‘Children’s Fiction’, ‘Young Adult Fiction’, ‘Adult Fiction’, ‘Poetry’, ‘Non-Fiction’, and ‘Anthologies/Magazines’. The appended indices also allow users access by keyword, author, and similar relevant criteria. Using the UNESCO City of Literature vision and aims as a guide, this project considers to what extent Dunedin’s literary culture has flourished since receiving UNESCO designation. KEYWORDS: LITERATURE, DUNEDIN, PUBLISHING, UNESCO, CITY OF LITERATURE Student ID: 300394764 Contents Introduction …………………………………………………………………………………………………………..…….… 4 Background to topic ……………………………………………………………………………………………………….. 4 Existing coverage of the topic …………………………………………………………………………………………. 5 Intended audience ………………………………………………………………………………………………………….. 6 Scope ………………………………………………………………………………………………………………………………. 7 Research questions …………………………………………………………………………………………………………. -
AUTHOR Showcase
2018 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Design: Diane Curry Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the second Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. ANZL Fellows and Members include New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Paul Cleave, Eleanor Catton, Anna Smaill, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase includes information on writers who are available to appear at literary festivals around the world in 2018. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists email addresses so you can contact them or their publishers. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. Ngā mihi, Paula Morris Contact: [email protected] Catherine Chidgey Catherine’s novels have achieved international acclaim. She is a multi- award winner, including Best First Book at both the New Zealand Book Awards and the Commonwealth Writers’ Prize, the UK Betty Trask Award, the prestigious Katherine Mansfield Short Story Award and the inaugural Prize in Modern Letters.