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Download Booklet 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 12 Also available in the Suzuki Evergreens series ... Takako Nishizaki plays Suzuki Evergreens Volume 6 8.572378 8.572379 8.572380 Violin Concerto No. 1 in A minor (J. S. Bach) Violin Sonata No. 1 (Handel) Allegro (Corelli) C Gigue and Courante M 8.572381 8.572382 8.572494 (J. S. Bach) Y K 8.572383 12 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 2 Top, from left to right: Takako in concert, 1953 Shinji Nishizaki’s students playing for Isaac Stern; Takako second from left, front row; 1954 Shinji Nishizaki and Shinichi Suzuki at Takako’s first homecoming concert, 1964 Shinichi Suzuki congratulating Takako on stage after 1964 homecoming concert Bottom, from left to right: Shinji Nishizaki’s students playing for Joseph Szigeti, 1953 Shinji Nishizaki’s students playing for Sir Malcolm Sargent, 1953 Shinji Nishizaki (left) with Shinichi Suzuki in Matsumoto, 1953/54 Takako’s father and mother in Hong Kong, 1992 All photos courtesy of Takako Nishizaki except where stated 8.572383 2 11 8.572383 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 2 Top, from left to right: Takako in concert, 1953 Shinji Nishizaki’s students playing for Isaac Stern; Takako second from left, front row; 1954 Shinji Nishizaki and Shinichi Suzuki at Takako’s first homecoming concert, 1964 Shinichi Suzuki congratulating Takako on stage after 1964 homecoming concert Bottom, from left to right: Shinji Nishizaki’s students playing for Joseph Szigeti, 1953 Shinji Nishizaki’s students playing for Sir Malcolm Sargent, 1953 Shinji Nishizaki (left) with Shinichi Suzuki in Matsumoto, 1953/54 Takako’s father and mother in Hong Kong, 1992 All photos courtesy of Takako Nishizaki except where stated 8.572383 2 11 8.572383 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 10 Takako Nishizaki plays Suzuki Evergreens Volume 6 1 Minuet (Mozart) 4:02 @ Allegro (violin/orchestra) 3:52 2 Minuet (from String Quartet K421) 4:10 # Andante (violin/orchestra) 6:54 3 Courante (Corelli) 2:17 $ Allegro assai (violin/orchestra) 3:45 4 Courante from Concerto Grosso in % Gigue (J. S. Bach) 2:15 F major, Op. 6, No. 9 (Corelli) 1:29 ^ Gigue from Cello Suite No. 1 in Sonata No. 1 in A major (Handel) G major, BWV 1007 (J. S. Bach) 1:28 5 Andante 2:52 & Courante (J. S. Bach) 2:37 6 Allegro 1:48 * Courante from Cello Suite No. 1 in 7 Adagio 0:59 G major, BWV 1007 (J. S. Bach) 2:26 8 Allegro 2:46 Violin Sonata No. 1 in D major, Op. 5 Violin Concerto No. 1 in A minor, (Corelli) BWV 1041 (J. S. Bach) ( Allegro 1:07 9 Allegro moderato 3:53 ) Allegro 1:07 0 Andante 7:32 ! Allegro assai 3:47 Takako Nishizaki, Violin, with Terence Dennis, Piano Additional recordings of original works: Eder Quartet (2, from Naxos 8.550546) • Maria Kliegel, Cello (16, 18, from Naxos 8.557280-81) Capella Istropolitana • Jaroslav Krecek (4, from Naxos 8.550402) Takako Nishizaki, Violin • Capella Istropolitana • Oliver Dohnányi (12–14, from Naxos 8.550194) Lucy van Dael, Violin • Bob van Asperen, Organ (20, from Naxos 8.557165) 8.572383 10 3 8.572383 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 10 Takako Nishizaki plays Suzuki Evergreens Volume 6 1 Minuet (Mozart) 4:02 @ Allegro (violin/orchestra) 3:52 2 Minuet (from String Quartet K421) 4:10 # Andante (violin/orchestra) 6:54 3 Courante (Corelli) 2:17 $ Allegro assai (violin/orchestra) 3:45 4 Courante from Concerto Grosso in % Gigue (J. S. Bach) 2:15 F major, Op. 6, No. 9 (Corelli) 1:29 ^ Gigue from Cello Suite No. 1 in Sonata No. 1 in A major (Handel) G major, BWV 1007 (J. S. Bach) 1:28 5 Andante 2:52 & Courante (J. S. Bach) 2:37 6 Allegro 1:48 * Courante from Cello Suite No. 1 in 7 Adagio 0:59 G major, BWV 1007 (J. S. Bach) 2:26 8 Allegro 2:46 Violin Sonata No. 1 in D major, Op. 5 Violin Concerto No. 1 in A minor, (Corelli) BWV 1041 (J. S. Bach) ( Allegro 1:07 9 Allegro moderato 3:53 ) Allegro 1:07 0 Andante 7:32 ! Allegro assai 3:47 Takako Nishizaki, Violin, with Terence Dennis, Piano Additional recordings of original works: Eder Quartet (2, from Naxos 8.550546) • Maria Kliegel, Cello (16, 18, from Naxos 8.557280-81) Capella Istropolitana • Jaroslav Krecek (4, from Naxos 8.550402) Takako Nishizaki, Violin • Capella Istropolitana • Oliver Dohnányi (12–14, from Naxos 8.550194) Lucy van Dael, Violin • Bob van Asperen, Organ (20, from Naxos 8.557165) 8.572383 10 3 8.572383 572383bk Suzuki6:570034bk Hasse 9/2/10 4:09 PM Page 4 The sixth volume of the Suzuki Evergreens starts with a Hamburg Opera. From there he moved in 1706 to Italy, the transcription of the third movement Minuetto from Mozart’s source from which his musical style derived, and remained String Quartet in D minor, K421. In 1781 Mozart had settled there for some five years, winning success with patrons and in Vienna, in independence of his former patron, the Prince- in the opera-house. A meeting in Venice with Baron Archbishop of Salzburg, and, less happily, no longer under Kielmansegge, Master of Horse to the Elector of Hanover, the watchful eye of his father, Leopold Mozart. His father, led to Handel’s appointment as Kapellmeister to the Elector, however, was able to hear, with some pride, during a visit from whom he sought immediate leave to visit London for to Vienna, some of the new quartets that his son had the staging of his opera Rinaldo. Although he returned to dedicated to Joseph Haydn. The Minuet itself has tragic Hanover in due course, by 1713 he was again in London, his implications, dispelled by the lively rhythm of the D major home for the rest of his life. Trio that it frames, accompanied in the original version by The violin sonatas attributed to Handel were published the plucked notes of second violin, viola and cello. in London in about 1730 with the false imprint of Roger of Among the first composers to use the term concerto Amsterdam, but in fact by Thomas Walsh, who soon went grosso to indicate the whole composition rather than one on to publish the sonatas under his own imprint. They are group of players was Arcangelo Corelli. Born in Fusignano described as Opus 1 and include twelve sonatas for treble in 1652, he had had early training as a violinist in Bologna instrument and continuo, with the Sonata in A major as and in 1675 settled in Rome, where he enjoyed the patronage Op. 1, No. 3. It follows the usual pattern of Handel’s sonatas, and protection of Cardinal Pamphili, a close contemporary. the opening slow movement followed by an Allegro, a For him and for many of his contemporaries the concerto second slow movement, here a brief interlude in F sharp grosso was a development of the trio sonata, a composition minor, and a final movement in compound time, suggesting in several movements for two melody instruments, a bass the final gigue of a dance suite. instrument such as the cello or bass viol and a chordal Johann Sebastian Bach belonged to a dynasty of German instrument such as the harpsichord, the last two providing musicians. His early career had been as an organist, before what had come to be known as the basso continuo. his appointment to the court of Anhalt-Cöthen in 1717 in the In 1712, the year before his death, Corelli published a set service of the musically ambitious young Prince Leopold. of twelve concerti grossi, works that had been heard by It was at Cöthen that Bach wrote much of his instrumental others over the years. Some of these are in the form of dance music, including concertos for various instruments. Some of suites, derived from the sonata da camera (chamber sonata). these he later arranged as concertos for one or more Top, from left to right: The Courante (Corrente) here transcribed is taken from harpsichords, after he had taken up residence in Leipzig as Shinji Nishizaki’s students in front of JOCK Concerto Grosso, Op. 6, No. 9, in which the melody is Cantor at the Choir School of St Thomas, but with later radio station in Nagoya; Takako second from carried throughout by the the first violin, in music marked charge of the University Collegium Musicum. Three violin right, front row; her mother is at far left; 1950 Viva ce. concertos by Bach survive in their original form. The first Shinji Nishizaki and Takako at the Suzuki There is something paradoxical about Handel’s career. of these is the Violin Concerto in A minor, BWV 1041. Here, summer school in Matsumoto, 1952 German by birth, he was invited to England as a composer as elsewhere, Bach reflects the influence of the Venetian Takako’s Graduation Certificate, 1953 of Italian opera and in the later years of his life created the composer Vivaldi on the development of the solo concerto. English oratorio. George Frideric Handel was born in Halle In the full orchestral version, scored for an accompanying Bottom, from left to right: in 1685, the son of a well-to-do barber-surgeon by his string orchestra, the solo violin joins the orchestra in tutti Shinji Nishizaki conducting annual Suzuki second wife. His early interest in music was discouraged passages, with the central slow movement taken at a concert of Nagoya/Osaka area, c.1950 by his father, but after the latter’s death and a short period marginally faster speed, with its aria for the soloist.
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