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Download PDF Booklet Written by Darren Henley Marin Alsop conducting the Bournemouth Symphony Orchestra 2 Darren Henley THE STORY OF CLASSICAL MUSIC CONTENTS Track List 4 Classical Music – from the notes on the page, through history, to performance today 31 Biographies: Marin Alsop and Darren Henley 37 Historical Timeline 38 Acknowledgements 51 For interactive material and excerpts, including pictures, articles, sheet music, quizzes and more, visit: n-ab.com/socm Password: classicalsounds 3 1 The Story of Classical Music 2:10 THE MEDIEVAL PERIOD (600–1490) 2 The Year 600 – Music in Churches 2:10 Music featured: Anonymous Gregorian chant from the Proper of the Mass: Introitus – Adorate Deum Nova Schola Gregoriana; Turco 8.550711 3 Hildegard of Bingen (1098–1179) 2:33 Music featured: O ignis spiritus Oxford Camerata; Summerly 8.550998 THE RENAISSANCE PERIOD (1490–1600) 4 Medieval to Renaissance 2:41 Giovanni Pierluigi da Palestrina (1525/6–1594) Music featured: Missa Papae Marcelli Oxford Camerata; Summerly 8.550573 5 The Birth of Opera 3:49 Claudio Monteverdi (1567–1643) Music featured: ‘Ecco pur ch’a voi’ from L’Orfeo Cappella Musicale di S Petronio di Bologna; Vartolo 8.554094–95 4 Concerto: Duo seraphim from Vespers of the Blessed Virgin The Scholars Baroque Ensemble 8.550662–63 Franciscus Bossinensis (fl.1510) Music featured: Recercar Christopher Wilson, lute 8.553694 THE BAROQUE PERIOD (1600–1750) 6 Into the 17th Century 3:03 Jean-Baptiste Lully (1632–1687) Music featured: Entrée from Ballet des plaisirs Aradia Baroque Ensemble; Mallon 8.554003 7 London 2:09 Henry Purcell (1659–1695) Music featured: Voluntary in G Joseph Payne, organ 8.550718 Dido’s Lament from Dido and Aeneas Kym Amps, soprano; The Scholars Baroque Ensemble 8.553108 5 8 Germany 2:04 Johann Pachelbel (1653–1706) Music featured: Canon Anna Holbling, violin; Capella Istropolitana; Krcek 8.553221 9 Italy 2:04 Arcangelo Corelli (1653–1715) Music featured Concerto grosso No. 8 ‘Christmas Concerto’ Cologne Chamber Orchestra; Müller-Brühl 8.551077 10 Germany 6:48 Johann Sebastian Bach (1685–1750) Music featured: Toccata in D minor Wolfgang Rübsam, organ 8.550184 Chorale: O Haupt voll Blut und Wunden from St Matthew Passion Hungarian Festival Choir; Hungarian SSO; Oberfrank 8.553257 (Favourite Arias and Choruses) Brandenburg Concerto No. 2 Cologne Chamber Orchestra; Müller-Brühl 8.554607 Air on the G string from Orchestral Suite No. 3 Capella Istropolitana; Dvorˇák 8.554043 6 11 George Frideric Handel (1685–1759) 8:01 Music featured: Zadok the Priest Tallis Chamber Choir; Royal Academy Consort; Summerly 8.557003 Alla hornpipe from Water Music Capella Istropolitana; Warchal 8.550109 La Réjouissance from Firework Music Capella Istropolitana; Warchal 8.550109 Hallelujah Chorus from Messiah The Scholars Baroque Ensemble 8.550827 (Choral Masterpieces) Presto from Recorder Sonata in G minor László Czidra, recorder; Zsolt Harsányi, bassoon; Pál Kelemen, cello; Zsuzsa Pertis, clavichord 8.550700 12 Tomaso Albinoni (1671–1750) 2:21 Music featured: Adagio in G minor Pavel Bogacz, violin; Capella Istropolitana; Edlinger 8.553221 13 Antonio Vivaldi (1678–1741) 4:38 Music featured: Spring from The Four Seasons Takako Nishizaki, violin; Capella Istropolitana; Gunzenhauser 8.550056 Gloria in D major Oxford Schola Cantorum; Northern Chamber Orchestra; Ward 8.550767 7 THE CLASSICAL PERIOD (1750–1830) 14 The Classical Period – An Explanation 1:58 15 Carl Philipp Emanuel Bach (1714–1788) 1:32 Music featured: Sinfonia No. 4 in G major Salzburg Chamber Philharmonic Orchestra; Lee 8.553289 16 Christoph Willibald Gluck (1714–1787) 1:35 Music featured: Dance of the Blessed Spirits from Orfeo ed Euridice Drottningholm Court Theatre Orchestra; Ostman 8.660064 17 Franz Joseph Haydn (1732–1809) 6:14 Music featured: Symphony No. 45 ‘Farewell’ Capella Istropolitana; Wordsworth 8.553222 Symphony No. 94 ‘The Surprise’ Capella Istropolitana; Wordsworth 8.553222 Symphony No. 101 ‘The Clock’ Capella Istropolitana; Wordsworth 8.553222 18 Wolfgang Amadeus Mozart (1756–1791) 5:21 Music featured: Eine kleine Nachtmusik, K. 525 Capella Istropolitana; Sobotka 8.550026 8 Symphony No. 41 ‘Jupiter’ Capella Istropolitana; Wordsworth 8.550299 Non più andrai from The Marriage of Figaro Andrea Martin, baritone; Donna Robin, soprano; Capella Istropolitana; Wildner 8.550435 (Operatic Arias and Duets) Piano Concerto in C major, K. 467 Jeno´´ Jandó, piano; Concentus Hungaricus; Ligeti 8.550434 Requiem Soloists; Slovak Philharmonic Chorus; Slovak PO; Kosˇler 8.550235 Piano Sonata in A major, K. 331 Jeno´´ Jandó, piano 8.550258 A Musical Joke Jeno´´ Keveházi, horn; Kodály Quartet 8.550437 19 Mozart’s great works 5:37 Music featured: Der Vogelfänger bin ich ja from The Magic Flute Andrea Martin, baritone; Donna Robin, soprano; Capella Istropolitana; Wildner 8.550435 (Operatic Arias and Duets) Symphony No. 40 in G minor Capella Istropolitana; Wordsworth 8.550299 Piano Sonata in A major, K. 331 Jeno´´ Jandó, piano 8.550258 Eine kleine Nachtmusik, K. 525 Capella Istropolitana; Sobotka 8.550026 9 20 Ludwig van Beethoven (1770–1827) 4:31 Music featured: Symphony No. 5 Nicolaus Esterházy Sinfonia; Drahos 8.553476 Piano Sonata in C sharp minor ‘Moonlight’ Jeno´´ Jandó, piano 8.550294 21 Beethoven’s great works 5:00 Music featured: Egmont Overture Slovak PO; Gunzenhauser 8.550072 Symphony No. 1 Nicolaus Esterházy Sinfonia; Drahos 8.553474 Symphony No. 9 ‘Choral’ Soloists; Nicolaus Esterházy Chorus; Nicolaus Esterházy Sinfonia; Drahos 8.553478 THE ROMANTIC PERIOD (1830–1900) 22 Background History 2:25 23 The composer as a star 1:39 10 24 Nicolò Paganini (1782–1840) 2:48 Music featured: Caprice No. 24 in A minor Ilya Kaler, violin 8.550717 Violin Concerto No. 1 Ilya Kaler, violin; Polish NRSO; Gunzenhauser 8.550649 25 Gioachino Rossini (1792–1868) 2:05 Music featured: Overture to William Tell Zagreb Festival Overture; Michael Halász 8.556683 26 Carl Maria von Weber (1786–1826) 1:50 Music featured: Clarinet Concerto No. 2 Ernst Ottensamer, clarinet; Slovak SPO, Kosice; Wildner 8.550378 27 Franz Schubert (1797–1828) 4:48 Music featured: Gretchen am Spinnrade (Gretchen at the Spinning-Wheel) Ruth Ziesak, soprano; Ulrich Eisenlohr, piano 8.554666 Piano Quintet in A major ‘Trout’ Jeno´´ Jandó, piano; István Tóth, double bass; Kodály Quartet 8.550658 Symphony No. 8, ‘Unfinished’ Slovak PO; Halász 8.550145 11 28 Hector Berlioz (1803–1869) 4:10 Music featured: Un bal from Symphonie fantastique San Diego Symphony Orchestra; Talmi 8.553597 Dies irae from Requiem Toronto Mendelssohn Choir; Elora Festival Orchestra; Edison 8.554494–95 29 Fryderyk Chopin (1810–1849) 5:00 Music featured: Nocturne in E Flat, Op. 9 No. 2 Balász Szokolay, piano 8.550291 Prelude in D Flat ‘Raindrop’ Irina Zaritzkaya, piano 8.550291 Piano Concerto No. 2 István Szekely, piano; Budapest SO; Nemeth 8.550123 30 Felix Mendelssohn (1809–1847) 5:53 Music featured: Overture to A Midsummer Night’s Dream Slovak PO, Bramall 8.554433 Wedding March from A Midsummer Night’s Dream Slovak PO, Bramall 8.554433 The Hebrides Slovak PO, Dohnányi 8.554433 Violin Concerto in E minor Takako Nishizaki, violin; Slovak PO; Jean 8.550153 12 31 Franz Liszt (1811–1886) 1:57 Music featured: Hungarian Rhapsody No. 8 Jeno´´ Jandó, piano 8.554480 32 Robert Schumann (1810–1856) 1:36 Music featured: Piano Concerto in A minor Jeno´´ Jandó, piano; Budapest SO; Ligeti 8.550018 33 Clara Schumann (1819–1896) 1:34 Music featured: Romance, Op. 11 No. 1 Yoshiko Iwai, piano 8.553501 34 Johannes Brahms (1833–1897) 4:31 Music featured: Intermezzo in C sharp minor Idil Biret, piano 8.550354 Academic Festival Overture Belgian Radio and Television PO, Rahbari 8.550281 Piano Concerto No. 1 Jeno´´ Jandó, piano; Polish NRSO; Wit 8.553182 13 35 Max Bruch (1838–1920) 1:51 Music featured: Violin Concerto No. 1 Takako Nishizaki, violin; Slovak PO; Gunzenhauser 8.550195 36 Anton Bruckner (1824–1896) 1:42 Music featured: Symphony No. 4 ‘Romantic’ Royal Scottish NO; Titner 8.554128 37 Richard Wagner (1813–1883) 3:57 Music featured: The Ride of the Valkyries from The Valkyrie Slovak RSO; Mund 8.550211 Bridal Chorus from Lohengrin Slovak Philharmonic Chorus; Slovak RSO; Wildner 8.550507 38 Giuseppe Verdi (1813–1901) 4:17 Music featured: Anvil Chorus from Il trovatore Slovak Philharmonic Chorus; Slovak RSO; Dohnányi 8.550241 Triumphal March and Chorus from Aida Slovak Philharmonic Chorus; Slovak RSO; Dohnányi 8.550241 La donna è mobile from Rigoletto Yordy Ramiro, tenor; Slovak RSO; Rahbari 8.554065 Dies irae from Requiem Soloists; Hungarian State Opera Chorus and Orchestra; Morandi 8.550944–45 14 39 Jacques Offenbach (1819–1880) 1:16 Music featured: Can-Can from Orpheus in the Underworld Slovak SPO, Kosice; Walter 8.550468 (Can-Can and Other Dances from the Opera) 40 The Waltz – The Strauss Family 4:17 Johann Strauss I (1804–1849) Music featured: Kettenbrücke-Walzer Tanzquartette Wien 8.555689 Radetzky March Budapest Strauss Ensemble; Bogar 8.550900 Johann Strauss II (1825–1899) Music featured: The Blue Danube Strauss Festival Orchestra; Lenárd 8.550152 41 Camille Saint-Saëns (1835–1921) 4:49 Music featured: The Carnival of the Animals Soloists; Slovak RSO; Lenárd 8.550335 15 42 Léo Delibes (1836–1891) 1:06 Music featured: Coppélia Slovak RSO; Mogrelia 8.553356–57 43 Georges Bizet (1838–1875) 2:05 Music featured: Overture from Carmen Soloists; Slovak Radio Symphony Chorus and Orchestra; Rahbari 8.550727 44 Russia, the national voice and the ‘Mighty Handful’ 2:14 45 Alexander Borodin (1833–1887) 1:27 Music featured: In the Steppes of Central Asia Slovak PO; Nazareth 8.550051 46 Modest Mussorgsky (1839–1881) 4:32 Music featured: Pictures at an Exhibition Jeno´´ Jandó, piano 8.550044 Pictures at an Exhibition (orchestrated Ravel) Slovak PO; Nazareth 8.550051 Night on the Bare Mountain Slovak PO; Nazareth 8.550051 16 47 Nikolay Rimsky-Korsakov (1844–1908) 3:50 Music featured: The Flight of the Bumble-Bee (arr.
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  • The Instruments of the Orchestra
    THE INSTRUMENTS OF THE ORCHESTRA written and narrated by AUDIO- Jeremy Siepmann ORIGINAL 8.558040–46D The Instruments of the Orchestra 2 8.558040–46 The Instruments of the Orchestra The Instruments of the Contents OrchestraPage Preface 4 1. Track Lists 5 2. Historical Profiles of the Major Instruments (and some others) 57 3. The Greatest Instrument Makers 93 4. Instrumental Typecasting 101 5. The Art of Orchestration and Transcription 103 6. The ʻOriginal Instrumentʼ Debate 109 7. Orchestral Seating Plan 115 8. Size and Constitution 118 9. A Guide to Further Listening 119 10. Recommended Reading 124 11. Spoken Text 127 12. Glossary 198 13. About the Author 202 8.558040–46 3 The Instruments of the Orchestra Preface Despite its conventional title, this is a far from conventional approach to a standard subject, and not only in its bulk. But its bulk should be explained. Rather than being simply a guided tour of the standard instruments in the orchestra, it amounts to a series of portraits of the instruments in their totality. Thus we meet them in a number of widely differing contexts (orchestral, of course, but also solo and in sundry instrumental groupings) and we hear them transformed by a wide range of techniques. We hear them in folk music – from many different countries – and we hear them in forms both ancient and modern. The violin being the very backbone of the orchestra, from the seventeenth century to the present, we spend the whole of CD 1 in its company, exploring the full range of its multifaceted character, from the sensuously seductive to the positively chilling, from the celestial to the diabolical.
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  • Celebrate Beethoven Catalogue Ludwig Van Beethoven (1770–1827)
    CELEBRATE BEETHOVEN CATALOGUE LUDWIG VAN BEETHOVEN (1770–1827) Born in Bonn in 1770, the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop’s Kapellmeister, Beethoven moved in 1792 to Vienna. There he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard player and original composer. By 1815 increasing deafness had made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph. Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners by both the length and the complexity of his writing, as he explored new fields of music. Beethoven’s monumental contribution to Western classical music is celebrated here in this definitive collection marking the 250th anniversary of the composer’s birth. ThisCELEBRATE BEETHOVEN catalogue contains an impressive collection of works by this master composer across the Naxos Music Group labels. Contents ORCHESTRAL .......................................................................................................................... 3 CONCERTOS ........................................................................................................................ 13 KEYBOARD ...........................................................................................................................
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  • Composers R-Z
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers R-Z ERKEGALI RAKHMADIEV (1932-2013, KAZAKHSTAN) Born in Semipalatinsk. He graduated from Alma-Ata (now Almaty) State Conservatory where he studied composition with Yevgeny Brusilovsky. He continued his studies at the Moscow Conservatory with Genrikh Litinsky and then joined the faculty of the Alma-Ata Conservatory. His work mixes elements of classical and Kazakh musical styles. He has composed operas, orchestral and choral music, including a Trumpet Concerto (1982). Violin Concerto (1985) Aiman Musakodzhaeva (violin)/Pavel Kogan/Moscow Symphony Orchestra (rec. 1990) ( + Kudash-Duman, Dairabay and Martinu: Rhapsody-Concerto for Viola and Orchestra) CONSONANCE 81-0003(1995) Scherzo for Trumpet and Orchestra (1966) Yuri Klushkin/I.Ostrovsky/Kazakh State Symphony Orchestra ( + Kuzhamyarov: Chintomur - Ballet Excepts) MELODIYA D 027971-2 (LP) (1970) NIKOLAI RAKOV (1908-1990) Born in Kaluga. He studied under Reinhold Glière and Sergei Vasilenko at the Moscow Conservatory. He then spent 58 years at this school where he became a professor of composition and the head of the orchestration department. He composed in various genres but concentrated on orchestral, chamber and solo instrumental works and produced a lot of music suitable for performance by children and teenagers. His Piano Concertos Nos. 3 (1973) and 4 (1977) and 4 Pieces for 2 Violins and String Orchestra (1964) have not been recorded. Concerto No. 1 for Piano and String Orchestra in G major (1969) Alexei Nasedkin (piano)/Nikolai Rakov/Moscow Radio Symphony Orchestra Strings ( + Piano Concerto No. 2 and Haydn: Piano Concerto in D) MELODIYA 33S 10-053339-40 (LP) (1974) Concerto No.
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  • Download Booklet
    572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 12 Also available in the Suzuki Evergreens series ... Takako Nishizaki plays Suzuki Evergreens Volume 6 8.572378 8.572379 8.572380 Violin Concerto No. 1 in A minor (J. S. Bach) Violin Sonata No. 1 (Handel) Allegro (Corelli) C Gigue and Courante M 8.572381 8.572382 8.572494 (J. S. Bach) Y K 8.572383 12 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 2 Top, from left to right: Takako in concert, 1953 Shinji Nishizaki’s students playing for Isaac Stern; Takako second from left, front row; 1954 Shinji Nishizaki and Shinichi Suzuki at Takako’s first homecoming concert, 1964 Shinichi Suzuki congratulating Takako on stage after 1964 homecoming concert Bottom, from left to right: Shinji Nishizaki’s students playing for Joseph Szigeti, 1953 Shinji Nishizaki’s students playing for Sir Malcolm Sargent, 1953 Shinji Nishizaki (left) with Shinichi Suzuki in Matsumoto, 1953/54 Takako’s father and mother in Hong Kong, 1992 All photos courtesy of Takako Nishizaki except where stated 8.572383 2 11 8.572383 572383bk Suzuki6:570034bk Hasse 9/2/10 4:08 PM Page 2 Top, from left to right: Takako in concert, 1953 Shinji Nishizaki’s students playing for Isaac Stern; Takako second from left, front row; 1954 Shinji Nishizaki and Shinichi Suzuki at Takako’s first homecoming concert, 1964 Shinichi Suzuki congratulating Takako on stage after 1964 homecoming concert Bottom, from left to right: Shinji Nishizaki’s students playing for Joseph Szigeti, 1953 Shinji Nishizaki’s students playing for Sir Malcolm Sargent,
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  • Violinist Pick up the Violin, Place It Under the Chin and Draw the Bow Across the Strings, Making Music Sing Iolin in the Air: It Seems So Easy and Natural
    My First Violin Album y First M Watch an expert violinist pick up the violin, place it under the chin and draw the bow across the strings, making music sing iolin in the air: it seems so easy and natural. V Actually, it can feel rather awkward at Album first! Where do I put my fingers for different notes? And how can I do it as well as pull the bow smoothly so it makes a nice sound? It seems so difficult! The violin is one of the most popular instruments the world over. Probably more children learn the violin than any other instrument (except perhaps the recorder). One reason is that music needs so many violins. Music for orchestras needs a lot of violins; gypsy music in Hungary needs violins; raags in India sometimes use violins. Folk musicians in England, America and many other countries use the violin too. In the 16 tracks of this collection, you can hear many different kinds of classical music from the violin. See which ones you like best… 2 . 1 Paganini Caprice No. 24 4:52 3 Elgar Salut d’amour (‘Love’s Greeting’) 3:03 Keyword: Thrilling Keyword: Melody A tall man with long hair comes on stage, holding his violin One of the best things the violin can do is play a lovely melody that you can sing, and a bow. He is Nicolò Paganini, the most amazing violinist or even whistle, for a long time afterwards. The melody of Salut d’amour (‘Love’s the world has ever known. He brings his violin up to his Greeting’) became one of the most popular ever written by the English composer chin and starts playing this music.
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