Patrick Moraz Flags Mp3, Flac, Wma

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Patrick Moraz Flags mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Flags Country: UK Released: 1985 MP3 version RAR size: 1748 mb FLAC version RAR size: 1911 mb WMA version RAR size: 1677 mb Rating: 4.1 Votes: 805 Other Formats: APE MMF VQF AHX AU AUD RA Tracklist A1 Temples Of Joy 4:51 A2 Split Seconds 4:37 A3 Karu 3:45 A4 Impromptu, Too! 3:30 A5 Flags 4:27 B1 Machines Programmed By Genes 5:13 B2 The Drum Also Waltzes 2:51 B3 Infra Dig 3:12 B4 A Way With Words 1:36 B5 Everything You've Heard Is True 6:09 Companies, etc. Phonographic Copyright (p) – E.G. Records Ltd. Copyright (c) – E.G. Records Ltd. Copyright (c) – Milma Publishing Company Marketed By – Polydor Recorded At – Aquarius Studios, Geneva Produced For – E.G. Records Ltd. Designed At – Stylorouge Pressed By – PRS Ltd. Lacquer Cut At – Master Room Credits Design, Art Direction – Rob O'Connor Engineer – Jean Ristori Engineer, Mixed By – Barry Radman Lacquer Cut By – Arun* Photography By – Gered Mankowitz Producer, Drums, Percussion – Bill Bruford Producer, Piano, Keyboards [Kurzweil 250] – Patrick Moraz Technician [Technical Assistance] – Errol Maibach Written-By – Bruford* (tracks: A2, B1, B3 to B5), Roach* (tracks: B2), Moraz* (tracks: A1 to A5, B1, B3 to B5) Notes This variant has white disc labels, with EG in blue text. For the variant with black labels / red text, please see r6038083. Sleeve: ℗ © 1985 EG Records Ltd. Disc Labels: ℗ 1985 EG Records Ltd. © EG Music Ltd. 1985 except 2. [Track B2] © Milma Publishing Co. 1966 Barcode and Other Identifiers Barcode: 042282568014 Matrix / Runout (Runout - Side A, Stamped): EGLP 63 A//1▽420 R 1 1 2 Matrix / Runout (Runout - Side A, Etched): ARUN Matrix / Runout (Runout - Side B, Stamped): EGLP 63 B//1▽420 R 1 1 2 Other versions Category Artist Title (Format) Label Category Country Year Patrick Moraz Patrick Moraz • Bill 825 680-1 EG 825 680-1 Germany 1985 • Bill Bruford Bruford - Flags (LP) Patrick Moraz • Bill Patrick Moraz BBWF002CD Bruford - Flags (CD, Winterfold BBWF002CD UK 2005 • Bill Bruford Album, RE, RM) Patrick Moraz • Bill Patrick Moraz Not On none Bruford - Flags (CD, none Russia Unknown • Bill Bruford Label Album, Unofficial) Patrick Moraz • Bill Patrick Moraz Bruford - Flags (CD, BBWF002CD Winterfold BBWF002CD Russia 2004 • Bill Bruford Album, Ltd, RE, RM, Unofficial) Patrick Moraz • Bill Patrick Moraz EGCD 63 Bruford - Flags (CD, EG EGCD 63 UK Unknown • Bill Bruford Album, RE) Related Music albums to Flags by Patrick Moraz Flags - Hot Love John Clarke - Swim Between The Flags Simon May - Put The Flags Out Johnnie Boy Patrick Moraz - Future Memories Live On TV (Keyboards' Metamorphoses) Patrick Moraz - Patrick Moraz - Patrick Moraz No Flags Etc. - Wonderful Flags Will Cover The Coffins - Flags Will Cover The Coffins Bill Bruford - Master Strokes 1978-1985 Ingrosso, Salvatore Ganacci & LIOHN - FLAGS!.

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The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13.
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Book Review with TTU Libraries Cover Page
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With Io Pages, Holland, November 2007 1. With Absolute Elsewhere, Pavlov’s Dog, Yes, Genesis, King Crimson, UK and Bruford you worked together with the best of the progressive rock scene. With Earthworks you deliver pure jazz. Was it because you tried to inject jazz within the rock format that you joined the aforementioned bands ? Or were you looking for musicians who would constantly deliver battles what complexity is concerned ? Last sentence doesn’t make sense, but generally I get the drift. When I was 18, I didn’t have any set plan, other than to join a group – any group – and get playing. We didn’t care about fine distinctions between jazz and rock – everthing was in a state of flux anyway. I knew jazz, which meant I was likely to be good at rock. I wasn’t trying to inject jazz, but naturally, in a collective where everyone is contributing, you bring what you know; you draw on your background, which, in my case, was jazz. I was, I believe, about the only prog-rocker who knew anything about that subject at all. Rick Wakeman, for example, has to my certain knowledge, never played a note of jazz in his life. 2. Your early influences are Max Roach for his economy, grace and melody, Joe Morello for the odd metres and Art Blakey for sound and grooves. Was/is it your ambition to contain all of those elements within your own playing ? Are there any current drummers which get close to the complete picture ? Only in retrospect, and for the sake of simplicity in interviews such as this, have I been forced to reduce all my influences to Blakey, Roach, and Morello.
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CB-1977-09-17-OCR-Pa
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