Hairspray:”PAHS Can’T Stop the Beat!
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DISTINGUISHED ALUMNI As of 3/1/2017
University of Northern Colorado School of Theatre Arts and Dance DISTINGUISHED ALUMNI as of 3/1/2017 Broadway – 25 Performers (55 Productions) Josh Buscher – West Side Story 2009 (OC), Pricilla Queen of the Desert (OC), Big Fish (OC) Ryan Dinning – Machinal (OC) Jenny Fellner – Wicked, Mamma Mia, The Boyfriend, Pal Joey (OC) Scott Foster – Forbidden Broadway (Alive and Kicking) 2013, Brooklyn (OC), Forbidden Broadway (Alive and Kicking) 2014 Greg German – Assassins (OC), Biloxi Blues (OC), Boeing/Boeing Patty Goble – Bye Bye Birdie 2009 (OC), Curtains (OC), The Woman in White (OC), La Cage Aux Follies 2004 (OC), Kiss Me Kate 1999 (OC), Ragtime (OC), Phantom of the Opera Derek Hanson – Anything Goes (Sutton Foster), Side Show (2014 Revival), An American in Paris (2016), Tamara Hayden – Les Miz, Cabaret Autumn Hulbert – Legally Blonde Aisha Jackson – Beautiful: The Carol King Musical, Waitress (OC) Ryan Jesse – Jersey Boys Patricia Jones – Buried Child (OC), Indiscretions (w/Kathleen Turner) Andy Kelso – Mamma Mia, Kinky Boots (OC) Beth Malone – Ring of Fire (OC), Fun Home (OC)+ Victoria Matlock – Million Dollar Quartet (OC) Jason Olazabal – Julius Caesar (OC) (w/Denzel Washington) Laura Ryan – Country Roads The John Denver Musical (OC) Lisa Simms – A Chorus Line Andrea Dora Smith – Tarzan, Motown (OC) Erica Sweany – Honeymoon in Vegas – The Musical (OC) Jason Veasey – The Lion King Jason Watson – Mamma Mia Aléna Watters – Sister Act (OC), Adams Family Musical (OC), West Side Story 2009, Wysandria Woolsey – Chess, Parade, Beauty and the -
JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music. -
Legally Blonde: Introduction
Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1. -
The Twist”—Chubby Checker (1960) Added to the National Registry: 2012 Essay by Jim Dawson (Guest Post)*
“The Twist”—Chubby Checker (1960) Added to the National Registry: 2012 Essay by Jim Dawson (guest post)* Chubby Checker Chubby Checker’s “The Twist” has the distinction of being the only non-seasonal American recording that reached the top of “Billboard’s” pop charts twice, separately. (Bing Crosby’s “White Christmas” topped the holiday tree in 1942, 1945, and 1947). “The Twist” shot to No. 1 in 1960, fell completely off the charts, then returned over a year later like a brand new single and did it all over again. Even more remarkable was that Checker’s version was a nearly note-for- note, commissioned mimicry of the original “The Twist,” written and recorded in 1958 by R&B artist Hank Ballard and released as the B-side of a love ballad. Most remarkable of all, however, is that Chubby Checker set the whole world Twisting, from Harlem clubs to the White House to Buckingham Palace, and beyond. The Twist’s movements were so rudimentary that almost everyone, regardless of their level of coordination, could maneuver through it, usually without injuring or embarrassing themselves. Like so many rhythm and blues songs, “The Twist” had a busy pedigree going back decades. In 1912, black songwriter Perry Bradford wrote “Messin’ Around,” in which he gave instructions to a new dance called the Mess Around: “Put your hands on your hips and bend your back; stand in one spot nice and tight; and twist around with all your might.” The following year, black tunesmiths Chris Smith and Jim Burris wrote “Ballin’ the Jack” for “The Darktown Follies of 1913” at Harlem’s Lafayette Theatre, in which they elaborated on the Mess Around by telling dancers, “Twist around and twist around with all your might.” The song started a Ballin’ the Jack craze that, like nearly every new Harlem dance, moved downtown to the white ballrooms and then shimmied and shook across the country. -
Director's Notes
DIRECTOR’S NOTES Thoughts on LEGALLY BLONDE The musical Legally Blonde is based on a novel by Amanda Brown and the 2001 film of the same name directed by Robert Luketic. The film was nominated for a Golden Globe Award for Best Motion Picture: Musical or Comedy and ranks 29th on Bravo’s 2007 list of “100 Funniest Movies.” Premiering on January 23, 2007 in San Francisco, the Broadway musical version of Legally Blonde opened in NYC at the Palace Theatre on April 29, 2007. The show’s stars, Laura Bell Bundy, Christian Borle, and Orfeh were all nominated for Tony Awards. Later, the Broadway show was the focus of an MTV reality TV series called “Legally Blonde – The Musical: The Search for Elle Woods,” in which the winner would take over the role of Elle on Broadway. The Broadway show closed on October 19, 2008 after 595 performances. But even more successful than the Broadway run of Legally Blonde, was a highly lauded 3 year run at the Savoy Theatre in London’s West End, in which the show was nominated for five Laurence Olivier Awards. It won three, including Best New Musical. Since then, Legally Blonde has enjoyed international success in productions seen in South Korea, The Netherlands, France, The Philippines, Sweden, and Finland. Certainly, it is undeniable that both film and musical are pure escapist joy. But Legally Blonde does have a point beyond its camp wondrousness – and that is to challenge the way people make assumptions about appearance. For whether you are a beautiful bubbly blonde (like our heroine, Elle) or someone more “serious” in nature, we all have had to, at one time or another, battle prejudice against ourselves. -
PR 2011 Hairspray
* PRESS RELEASE * PRESS RELEASE * PRESS RELEASE * PRESS RELEASE * June 19, 2011 For Immediate Release Contact: Alan Anderson 503.906.2380 [email protected] You Can!t Stop the Beat! Broadway Rose Theatre Company Presents Hairspray Tigard, OR – Broadway Rose Theatre Company launches its 20th summer season with the big musical comedy Hairspray. Directed by Peggy Taphorn, with choreography by Jacob Toth and musical direction by Rick Lewis, Hairspray will be performed at the Deb Fennell Auditorium. Preview performance is June 30 with opening night on Friday, July 1, and performances through July 24, 2011. Evening performances are Thursdays through Saturdays at 7:30 p.m. Matinees are at 2 p.m. on Sundays, on Saturday, July 16, and on Broadway Rose Theatre Company • P.O. Box 231004, Tigard, OR 97281 • 503.620.5262 Saturday, July 23. The Deb Fennell Auditorium is located at 9000 SW Durham Road in Tigard. Tickets prices are $28 to $35 for adults, with $20 tickets available for ages 6 – 25. For a full listing of show performances or to order tickets visit www.broadwayrose.org, or call the box office at 503.620.5262. You'll tap your feet to the beat as Tracy Turnblad and friends triumph over high school bullies, racism, and enemies everywhere of big girls with big hair. With music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, and book by Mark O'Donnell and Thomas Meehan, viewers young and old will be shimmying in their seats as they enjoy hit favorites such as "I Can Hear The Bells" and "You Can't Stop The Beat." The cast includes Blythe Woodland as Tracy Turnblad, Dan Murphy as Edna, Ron Daum as Wilbur, Sara Catherine Wheatley as Velma, Steven Bryan Dawson as Link, Jay Kelly as Seaweed, and !Lacretta Nicole as Motormouth Maybelle. -
Download Cast and Crew Here
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Players Present Musical Version of 'Hairspray'
Players present musical version of 'Hairspray' Posted by TBN Editor On 03/31/2016 La Plata, MD - The Broadway musical Hairspray (with a book by Mark O’Donnell and Thomas Meehan, music by Marc Shaiman, and lyrics by Scott Wittman and Marc Shaiman) is the current production on stage with the Port Tobacco Players, Inc. Based on the New Line Cinema film written and directed by Baltimorean John Waters, Hairspray is presented through special arrangement with Music Theatre International, and in part by grants from the Charles County Arts Alliance, the Maryland State Arts Council, and the National Endowment for the Arts. Opening Night is Friday April 1. The show will run through April 24, and--this is no April Fools' joke—although this is a very long run, it might be advisable to reserve tickets well in advance. Even four weekends of performances may not be quite long enough for this popular musical. Showtimes are Fridays and Saturdays at 8 p.m., Sunday matinees are at 3 p.m. Tickets are $18 for adults, $15 for seniors/youth/and military with ID. The Port Tobacco Playhouse is located at 508 East Charles Street in La Plata and for reservations you may call 301-932-6819. You may also visit the website at www.ptplayers.com. Dating from 1988, the American romantic musical comedy film, Hairspray, written and directed by John Waters, starred Ricki Lake, Divine, Debbie Harry, Sonny Bono and Jerry Stiller and was released under a PG rating. The film ranks #444 out of 500 on a 2008 Empire Magazine list of the 500 greatest movies of all time. -
Clear Space Announces the 2017 Summer
P R E S S R E L E A S E From: Clear Space Theatre Company Contact: Wesley Paulson Phone: 302.227.2270 Email: [email protected] JUNE 16 2017: FOR IMMEDIATE RELEASE Come learn what Devon Frieder (Val), Andrew Cuccaro (Bobby) and Abigail Matsusaka (Enid) did for love, as Clear Space Theatre’s summer repertory season opens Tuesday, June 27, with A CHORUS LINE! Watch as they audition for a Broadway chorus – and allow us glimpses of their inner lives, fragile hopes and poignant ambitions. Filled with well-known – and much-loved – classics like “At the Ballet” and “I Hope I Get It,” A CHORUS LINE delivers the perfect ending to a perfect day at the beach. Next up on the season’s three-show roster: LEGALLY BLONDE, opening Friday, June 30! Join Elle (Frieder) as she transforms herself from Malibu party girl to law school legend and tries to win back the man who rejected her – but will she still even want him?! THE LITTLE MERMAID, opening Wednesday, July 5, completes the season’s rotating musical trio. Based on Hans Christian Anderson’s beloved story - and the animated Disney movie – THE LITTLE MERMAID brings us a tale (tail?) of wave-washed lovers, duplicitous sea folk and some unlikely friends who come flying, scuttling or swimming to the rescue. Join Ariel (Frieder) as she seeks to win Prince Eric’s love and Flounder (Cuccaro) as he helps her in her struggle to achieve – what else? A fairy tale ending! Says Wesley Paulson, Clear Space’s Executive Director, “This season has something for everyone! A CHORUS LINE is a classic musical, THE LITTLE MERMAID offers a show for all ages, and LEGALLY BLONDE beings a modern musical show to the stage. -
Newspaper Story About 50 Students Performed in Legally Blonde The
Newspaper Story About 50 students performed in Legally Blonde The Musical at Somers High School on Friday night. Somers High School students audition to perform a musical every March. Rehearsals for the musical began in January for two hours Thursday through Friday. Senior Jessie Shaw who played the lead, Elle Woods, in Legally Blonde described the rehearsals as craziness and fun. “This is a really hard show musically,” Shaw said. “We didn’t realize going into it. It’s a lot of weird key changes and tempo changes. It took a lot of cast cooperation. We really pulled through. In the rehearsals, we all became so close, just because it was such a challenge.” Shaw began performing when she was 7-years-old. She performed in many roles but said this role might be her favorite. Junior Daniel Kushner who played the male lead, Emmett Forest, in Legally Blonde began performing when he was 11-years-old. Both Shaw and Kushner agreed that the audience is the best part about performing. “I just love people watching me and enjoying the things that I’ve worked hard to make,” Kushner said. “It’s amazing that people get to enjoy the things that I produce.” Despite their love for performing, it does have its challenges. Shaw described the multi- tasking that’s required for actors and actresses in musicals, because they sing, dance, and act at the same time. Kushner agreed that the worst part about performing is the stress that comes with it. “I was freaking out about hitting a certain note for two and a half hours,” Kushner said. -
Dc5m United States Music in English Created at 2016-12-08
Announcement DC5m United States music in english 42 articles, created at 2016-12-08 11:14 articles set mostly positive rate 6.0 1 3.0 'Hairspray Live!' has infectious beat on NBC Since NBC revived the live musical, the irony has been that lesser shows sometimes (7.99/8) meet the demands of leaping to this considerably different medium more successfully. 2016-12-08 01:02 3KB rss.cnn.com 2 0.9 Remembering the Oakland Ghost Ship fire victims 'You don't forget people like that' (7.99/8) The stories of the victims of the Ghost Ship warehouse fire extend beyond their work. Kiyomi Tanouye was a music manager at Shazam and friends say she was much more: 'open and willing,' and 'absolutely inspiring.' 2016-12-08 00:20 2KB abc7news.com 3 0.0 Review: ‘Hairspray Live!’ Had Power Voices but Still Lacked Power (6.67/8) The latest live musical from NBC sabotaged itself with distracting side business. 2016-12-08 01:17 3KB www.nytimes.com 4 2.7 People are seeing horns on Donald Trump's TIME cover (3.20/8) If you weren’t a fan of Donald Trump being named as TIME’s Person of the Year, you weren’t alone—and it seems like some staffers at the magazine weren’t either. 2016-12-08 02:38 1KB www.independent.ie 5 2.4 Sia announces she and husband Erik Anders Lang have split after just over two years of marriage (3.14/8) Australian singer Sia has announced she has split with her husband of two years years, Erik Anders Lang 2016-12-07 19:10 3KB www.dailymail.co.uk 6 0.4 Jennifer Hudson leaves cast in tears with racial equality anthem I Know Where I've Been on Hairspray Live! (2.16/8) The 35-year-old singer appeared to leave some of her cast mates in tears with a stunning performance on Wednesday during NBC's spectacular Hairspray Live!. -
Transcript a Pinewood Dialogue with John Waters
TRANSCRIPT A PINEWOOD DIALOGUE WITH JOHN WATERS In the films of John Waters, “The Pope of Trash,” outrageous behavior co-exists with genuine humanism. After his genuinely shocking Pink Flamingos , Female Trouble , and Desperate Living , he made the surprise move of directing a PG-rated musical, Hairspray , which placed its classic teen love story against the backdrop of early-1960s racial integration. Sadly, the movie was Waters’s last collaboration with the actor Divine, who died a week after its release. Waters spoke about Hairspray as part of a Moving Image retrospective of his films. A Pinewood Dialogue following a screening of completely obsessed by it. They still have reunions Hairspray , moderated by Chief Curator David today in Baltimore of the people that were stars on Schwartz (October 25, 1998): this show that I go to. They are mostly sixty years old now. And to see 200 sixty-year-old women SCHWARTZ: Please welcome John Waters. doing “The Locomotion” without irony is quite a (Applause) sight. They are still very serious about it. I heard one woman say, “She wasn’t on the show. She was a WATERS: Thank you. I like Queens. It looks like guest.” And they go in separate doors if they were Baltimore, kind of. I feel at home. You know, I on the committee and stuff. It’s really good. They’re accidentally made a family movie when I made this real mean to the other people who weren’t on the picture. If you haven’t seen it, it’s about how much show.