Newglass Review 9

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Newglass Review 9 NewG lass T evie\ m The Corning Museum of Glass NewGlass Review 9 The Corning Museum of Glass Corning, New York 1988 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daf3 sie the 1987 calendar year. innerhalb des Kalenderjahres 1987 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1988 Alle Rechte vorbehalten, 1988 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-117-3 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Biicherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 6 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 52 ollte es, als Reaktion auf die umfangreichen Zusammenstellungen Jury Statements Svon Glasarbeiten, die in New Glass Review im Laufe der vergange- nen 12 Jahre erschienen sind, irgendwelche klar erkennbaren Trends geben, so ware wahrscheinlich einer davon jene wachsende Anzahl von f there are discernible trends in reaction to the vast array of glasses that Menschen, die „Aha" sagen. Glaskunstler, Sammler, Handler und die Ihave appeared in New Glass Review over the past 12 years, one may wenigen anderen, die nach Glas „Ausschau halten", konnten den Eindruck be the growing number of people saying, "Ho-hum." Glass artists, collec­ haben, ahnliche Arbeiten wie die, die hier abgebildet sind, schon gesehen tors, dealers, and the few others who "glass-watch" may feel that they have zu haben. Viel ist es nicht, was die Antwort auf die Frage „was ist neu?" already seen work similar to that reproduced here. The answer to "what's gebracht hat. Dies ist gut und schlecht zugleich. Manche werden besser, new?" is not much, which is both good and bad. Some people get better, so Ginny Ruffner, Jay Musler und Ronald Pennell. Obwohl ihnen hier nicht like Ginny Ruffner, Jay Musler, and Ronald Penned. Although they may not immer die Aufnahme garantiert werden kann, weil ihre Verbesserung always warrant inclusion here because the improvement is not sufficiently nichts ausreichend Neues bietet, sind sie doch ihresgleichen uberlegen; "new," they rise over their peers, and for some of us that is what art is all und fur einige von uns ist dies gerade das, worum es in der Kunst geht. about. Others do not; the idea that once intrigued now bores, which is the Andere bringen es nicht; die Idee, die einst beeindruckt hat, ist nun natural fate of innovation without content. Someday, we should do a Best langweilig geworden. Das ist das Schicksal fur Innovation ohne Inhalt. Glass Review. EinesTages sollten wir Best Glass Review machen. Thomas S. Buechner (TSB) Thomas S. Buechner (TSB) The Corning Museum of Glass The Corning Museum of Glass he concept of New Glass Review is simple. Nearly 6,000 artists and as Konzept von New Glass Review ist einfach. Annahernd 6000 Tcompanies receive a prospectus for the competition. Each is asked to DKunstler und Firmen erhalten die Wettbewerbsunterlagen. Jeder wird submit a maximum of three slides. This year, 859 entrants from 36 aufgefordert, maximal 3 Dias einzureichen. Dieses Jahr sandten 859 countries sent in 2,287 slides. Four jurors (two permanent, two visiting) Bewerber aus 36 Landern 2287 Dias ein. Vier Juroren (2 feste und 2 looked at all the slides at least three times before choosing the 100 repro­ wechselnde) sahen sich mindestens dreimal alle Dias an, bevor sie sich duced here. The pieces were selected on the basis of the jurors' perception fur die 100 entschieden, die hier abgebildet sind. Die Vorstellungen der of "newness" and quality. The initials of the jurors appear with the pieces Juroren von „Neuheit" und Qualitat bildeten die Grundlagen der Auswahl. they chose. Bei den Arbeiten wurden die Initialen der jeweiligen Juroren, die sich fur Does the Review represent a cross section of what is new in glass? Yes, ein bestimmtes Stuck entschieden hatten, vermerkt. within the limitations of its format and the works submitted. It does not, and Stellt nun das Review einen reprasentativen Querschnitt von dem dar, should not, claim to present the 100 finest pieces of glass made in a given was neu im Glas ist? Ja, und zwar im Rahmen seines Umfangs und der zur year. Jurierung eingereichten Stucke. Es tritt nicht - und sollte es auch nicht- The New Glass Review jurors write a short statement about the two-day mit dem Anspruch auf, die 100 besten Arbeiten aus Glas, die innerhalb judging process and what they have seen. Responses sometimes include eines bestimmten Jahres entstanden sind, zu zeigen. trauma, agonized conscientiousness, confusion, fascinated repulsion, Die Juroren von New Glass Review schreiben uber das 2 Tage dau- anger, amusement, surprise, and genuine delight. You can sense a few of ernde Auswahlverfahren und uber das, was sie gesehen haben, ein these reactions in this year's statements. kurzes Statement. Als Reaktionen gibt es manchmal Traumata, qualende You can also perceive boredom. Why are so many observers disappointed Gewissenhaftigkeit, Verwirrung, fasziniertes Abgestoftensein, Arger, in contemporary glass year after year? It is true that the vast majority of Amusiertsein, Uberraschung und echte Begeisterung. Aus den State­ glass made since 1962 should be appreciated as, at best, a rewarding ments dieses Jahres kann man einige dieser Reaktionen heraushoren. exercise for the artist, then mercifully put far out of sight. Only a very small Man spurt aber auch Langeweile. Warum sind so viele Beobachter Jahr part of it has matured beyond attractive trickery or just plain bad sculpture. fur Jahr von zeitgenossischem Glas enttauscht? Es ist schon wahr, daf3 The same situation applies to art in general and always will. Does this der groftte Teil des Glases, das seit 1962 gemacht wurde, bestenfalls als mean that aspiring artists should be licensed before they are allowed to lobenswerte Bemuhung eines Kunstlers betrachtet werden sollte, welche touch a blowpipe or sully our precious sense of quality? No. It reinforces a man anschliefBend mitleidig beiseite legt. Nur ein sehr kleinerleil davon ist continuing challenge, to both artist and audience, to look beyond the trivial. jenseits attraktiver Augenspiegeleien und einfach schlechter Plastiken Glass is not in decline; there is just more of it to sift through. New Glass gereift. Allgemein trifft dies auch auf die Kunst zu und wird immer so sein. Review is one tool in that process. Heiftt das nun, daft aufstrebenden Kunstlern eine Genehmigung erteilt werden sollte, bevor sie zur Glasmacherpfeife greifen Oder unseren Susanne K. Frantz (SKF) kostbaren Sinn fur Qualitat beschmutzen durfen? Nein. Eher wird die The Corning Museum of Glass standige Herausforderung an Kunstler und an das Publikum bestarkt, uber dasTriviale hinauszublicken. Glas ist nicht im Niedergang begriffen; es gibt nur einfach mehr davon, was es nun durchzusieben gilt. New Glass Review ist bei diesem Vorgang eines der Werkzeuge. ew Glass Review is a publication founded on the premise of present­ Susanne K. Frantz (SKF) Ning work in slide form. This may explain why numerous entries The Corning Museum of Glass emphasized closely cropped images instead of fuller views that articulate total concept. Also, it seems that glass is often celebrated exclusively for its material dynamic. Slides that utilize dramatic effects to accentuate glass phenomenology frequently obscure sculptural definition and other aspects of content. Is it a window, a screen, a wall piece, or a light box? ew Glass Review ist eine Publikation, die auf der Voraussetzung Possibly it is not just a response to the slide format that is in question. Naufbaut, Arbeiten in Form von Dias prasentieren zu wollen. Das mag Could it be that the material - glass - time and again distracts artists from vielleicht erklaren, warum bei zahlreichen eingereichten Unterlagen die an attentive concern for ideas? Betonung auf knapp beschnittenen Abbildungen lag und nicht auf einer Ideas may come from a wide variety of experiences and observations. umfassenden Ansicht, die das Gesamtkonzept unterstreichen wurde. Therefore, it is important to keep all possibilities open. Glass art has yet to Auch scheint es, als ob Glas haufig ausschlieftlich aufgrund seiner mate- fully define itself. riellen Dynamik geschatzt wurde. Dias, auf denen dramatische Effekte zur Looking at such a concentration of work in glass was a very stimulating Akzentuierung von Glas-Phanomenologien eingesetzt werden, verschlei- and educational experience. Now I am much more interested in and ern haufig eine skulpturale Aussage und andere inhaltliche Aspekte. genuinely concerned about the potential of glass as an artistic medium. Handelt es sich um ein Fenster, einen Wandschirm, ein Objekt fur die Being a small part of the jury for New Glass Review was indeed a Wand oder eine Wandleuchte? Wahrscheinlich ist es nicht nur eine privilege. Reaktion auf das Dia-Format, die
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  • Revised International Art Glass Catalog 1924
    Luxfer Prism Co., Ltd. TORONTO “REVISED” International qAky Glass Catalog DOMESTIC Showing designs of the highest £rade of Art &lass. Art Nouveau patterns, also clear leaded, Leveled plate and Mitred Cut Glass. Special attention given to Memorial, Mausoleum and Society windows. Copyright 1924 hy the National Ornamental Glass Manufacturers Association .. .. of the United States and Canada Published exclusively by SHATTOCK & McKAY COMPANY 426-38 South Clinton Street, CHICAGO GENEKAL INFORMATION DOMESTIC CATALOG When ordering lights from this catalogue give the numbers of designs. NEVER CUT OUT THE DESIGNS. All windows are made to order to size given. In ordering give the maximum time, otherwise will assume that we will have 30 days to fill orders. When selecting a design compare the size and shape of glass wanted with the size and shape of designs. Have them as nearly alike as possible. Window lights ordered to fill a smaller space or of a different shape than indicated in design, we reserve the right to modify the design or increase the price. For odd shapes or sizes send in full size paper patterns. Windows that are grouped draw a rough plan showing how they go. in ordering mention width first—upright lights thus 18 x 60 or transom thus 60 x 18. Odd or fractional parts of inches charged as even inches of next larger size, for example a 22Yz x 23^4 will be charged as a 24 x 24. All sizes under 3 sq. ft. will be charged at the rate of 3 sq. ft. Lights measuring less than 12 inches in height or width will be charged at the rate of 12 inches high or wide.
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