The Birds of Long Island
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Web-Book Catalog 2021-05-10
Lehigh Gap Nature Center Library Book Catalog Title Year Author(s) Publisher Keywords Keywords Catalog No. National Geographic, Washington, 100 best pictures. 2001 National Geogrpahic. Photographs. 779 DC Miller, Jeffrey C., and Daniel H. 100 butterflies and moths : portraits from Belknap Press of Harvard University Butterflies - Costa 2007 Janzen, and Winifred Moths - Costa Rica 595.789097286 th tropical forests of Costa Rica Press, Cambridge, MA rica Hallwachs. Miller, Jeffery C., and Daniel H. 100 caterpillars : portraits from the Belknap Press of Harvard University Caterpillars - Costa 2006 Janzen, and Winifred 595.781 tropical forests of Costa Rica Press, Cambridge, MA Rica Hallwachs 100 plants to feed the bees : provide a 2016 Lee-Mader, Eric, et al. Storey Publishing, North Adams, MA Bees. Pollination 635.9676 healthy habitat to help pollinators thrive Klots, Alexander B., and Elsie 1001 answers to questions about insects 1961 Grosset & Dunlap, New York, NY Insects 595.7 B. Klots Cruickshank, Allan D., and Dodd, Mead, and Company, New 1001 questions answered about birds 1958 Birds 598 Helen Cruickshank York, NY Currie, Philip J. and Eva B. 101 Questions About Dinosaurs 1996 Dover Publications, Inc., Mineola, NY Reptiles Dinosaurs 567.91 Koppelhus Dover Publications, Inc., Mineola, N. 101 Questions About the Seashore 1997 Barlowe, Sy Seashore 577.51 Y. Gardening to attract 101 ways to help birds 2006 Erickson, Laura. Stackpole Books, Mechanicsburg, PA Birds - Conservation. 639.978 birds. Sharpe, Grant, and Wenonah University of Wisconsin Press, 101 wildflowers of Arcadia National Park 1963 581.769909741 Sharpe Madison, WI 1300 real and fanciful animals : from Animals, Mythical in 1998 Merian, Matthaus Dover Publications, Mineola, NY Animals in art 769.432 seventeenth-century engravings. -
“The Infinite Universe of the New Cosmology, Infinite in Duration As Well As Exten- Sion, in Which Eternal Matter in Accordanc
“The infinite Universe of the New Cosmology, infinite in Duration as well as Exten- sion, in which eternal matter in accordance with eternal and necessary laws moves endlessly and aimlessly in eternal space, inherited all the ontological attributes of Divinity. Yet only those — all the others the departed God took with him... The Divine Artifex had therefore less and less to do in the world. He did not even have to con- serve it, as the world, more and more, became able to dispense with this service...” ALEXANDRE KOYRE, “From the Closed World to the Infinite Universe”, 1957 into the big world -26- “La raison pour laquelle la relocalisation du global est devenue si importante est que le Terre elle-même pourrait bien ne pas être un globe après tout (...). Même la fameuse vision de la “planète bleue” pour- rait se révéler comme une image composite, c’est à dire une image composée de l’ancienne forme donnée au Dieu chrétien et du réseau complexe d’acquisitions de données de la NASA, à son tour projeté à l’intérieur du panorama diffracté des médias. Voilà peut-être la source de la fascination que l’image de la sphère a exercé depuis: la forme sphérique arrondit la con- naissance en un volume continu, complet, transparent, omniprésent qui masque la tâche extraordinairement difficile d’assembler les points de données venant de tous les instruments et de toutes les disciplines. Une sphère n’a pas d’histoire, pas de commencement, pas de fin, pas de trou, pas de discontinuité d’aucune sorte.” BRUNO LATOUR, “l’Anthropocène et la Destruction de l’Image -
The Library Development Review 2006-07
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Other Library Materials (Newsletters, Reports, Library Development Review Etc.) 1-1-2007 The Library Development Review 2006-07 University of Tennessee Libraries Follow this and additional works at: https://trace.tennessee.edu/utk_libdevel Part of the Arts and Humanities Commons Recommended Citation The Library Development Review. Knoxville: University of Tennessee, 2006/2007. This Review is brought to you for free and open access by the Other Library Materials (Newsletters, Reports, Etc.) at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Library Development Review by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. THE LIBRARY DEVELOPMENT REVIEW 2006–2007 1 THE LIBRARY DEVELOPMENT REVIEW 2006–2007 AARON D. PURCELL Editor BLUE DEAN AND LaURA PURCELL Associate Editors ANGIE DOBBS Designer MARY MARSHBURN Production Editor PENNY BROOKS Production Coordinator East Tennessee holds a beauty all its own. Few places offer such diversity of life, nature, and possi- bilities. The University Libraries at the University of Tennessee has a vested interest in promoting, preserving, and celebrating Appalachian culture and recognizing the region’s international contri- butions. Our collections offer all users unlimited possibilities for scholarship, research, learning, and understanding. Our services are further evidence of fulfilling this important statewide mission. But it is our staff, friends, and donors who make all of this possible, and we thank you for your continued support. During the past year the University Libraries supported the University of Tennessee’s “Ready for the World” initiative in many ways. -
William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library
Syracuse University SURFACE The Courier Libraries Fall 1987 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library Eileen Snyder Follow this and additional works at: https://surface.syr.edu/libassoc Part of the History of Science, Technology, and Medicine Commons Recommended Citation Snyder, Eileen. "William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library." The Courier 22.2 (1987): 67-94. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII, NUMBER 2, FALL 1987 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII NUMBER TWO FALL 1987 Benjamin Spock and the Spock Papers at Syracuse University By Robert S. Pickett, Professor of Child and 3 Family Studies, Syracuse University Alistair Cooke: A Response to Granville Hicks' I Like America By Kathleen Manwaring, Syracuse University Library 23 "A Citizen of No Mean City": Jermain W. Loguen and the Antislavery Reputation of Syracuse By Milton C. Sernett, Associate Professor 33 of Afro,American Studies, Syracuse University Jan Maria Novotny and His Collection of Books on Economics By Michael Markowski, Syracuse University 57 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library By Eileen Snyder, Physics and Geology Librarian, 67 Syracuse University News of the Syracuse University Library and the Library Associates 95 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library BY EILEEN SNYDER When, shortly after World War II, it was decided that Syracuse University should add to its science curriculum a course on the his~ tory of science, Professor William Park Hotchkiss became the pro~ gram's most effective advocate. -
Audubon's "The Birds of America": a Sesquicentennial Appreciation
Syracuse University SURFACE The Courier Libraries Fall 1989 Audubon's "The Birds of America": A Sesquicentennial Appreciation David Frederic Tatham Syracuse University, [email protected] Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, American Studies Commons, and the Poultry or Avian Science Commons Recommended Citation Tatham, David. "Audubon's 'The Birds of America': A Sesquicentennial Appreciation." The Courier 24.2 (1989): 3-7. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXIV, NUMBER 2, FALL 1989 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXIV NUMBER TWO FALL 1989 Audubon's The Birds of America: A Sesquicentennial Appreciation By David Tatham, Professor of Fine Arts, 3 Syracuse University Audubon/Au,du,bon: Man and Artist By Walter Sutton, Professor Emeritus of English, 9 Syracuse University Edward fitzGerald and Bernard Barton: An Unsparing Friendship By Jeffrey P. Martin, Syracuse University Library 29 An Unpublished Reminiscence of James Fenimore Cooper By Constantine Evans, Instructor in English, 45 Syracuse University The Punctator's World: A Discursion (Part Three) By Gwen G. Robinson, Editor, Syracuse University Library 55 Associates Courier News of the Syracuse University Library and the Library Associates 89 Audubon's The Birds of America: A Sesquicentennial Appreciation BY DAVID TATHAM In 1896, James J. Belden (1825-1904) presented to Syracuse Uni, versity the munificent gift of a complete set of the 435 engravings that constitute John James Audubon's The Birds of America, along with its accompanying five volumes of Ornithological Biography. -
Le Costellazioni
ASTRONOMIA VALLI DEL NOCE www.astronomiavallidelnoce.it [email protected] LE COSTELLAZIONI Una costellazione (dal latino constellatio, cum+stellatus) è un gruppo di stelle visibili che assumono una particolare forma sulla volta celeste. Queste forme sono date dalla pura immaginazione, nella realtà le stelle non hanno questa correlazione. Stelle che sulla volta celeste ci appaiono vicine tra loro, nello spazio tridimensionale potrebbero risultare più distanti rispetto a stelle di costellazioni diverse. Ciò che noi vediamo è solo la loro proiezione sulla volta celeste. Il raggruppamento delle costellazioni è essenzialmente arbitrario e può variare da cultura a cultura. Alcune forme più facili da identificare erano comuni a più culture. L'Unione Astronomica Internazionale (UAI) ha diviso il cielo in 88 costellazioni ufficiali con confini precisi, in modo che il cielo sia completamente diviso in settori univoci. Oggi col termine costellazione non si intendono più le figure formate dalle stelle, ma delle aree di cielo ben definite. Storia delle costellazioni Fin dal Paleolitico l'uomo ha guardato il cielo, sia per motivi pratici (orientamento, misurazione del tempo, agricoltura) che religiosi (culti di divinità astrali, interpretazione degli eventi). Nel Paleolitico Superiore (16000 anni fa), l’uomo aveva dato vita ad un sistema di 25 costellazioni, ripartite in tre gruppi, riconducibili metaforicamente alle tre dimensioni con cui tutti i popoli da sempre hanno rappresentato il mondo: il Paradiso, la Terra e gli Inferi: • Primo gruppo: costellazioni riferite al mondo superiore, ovvero dominate da creature aeree (ad es. Cigno, Aquila, Pegaso, ecc.), le quali avevano al culmine la maggior altezza sull’orizzonte; • Secondo gruppo: costellazioni legate alla Terra (ad es. -
THE BIRDS of AMERICA JOHN JAMES AUDUBON 21St Century Edition
THE BIRDS OF AMERICA JOHN JAMES AUDUBON 21st Century Edition 1 2 About the original edition John James Audubon, The Birds of America Acknowledged as one of the most important and beautiful color plate books ever published, John James Audubon’s The Birds of America is also one of the rarest and most collectable. 21st Century Edition It was published from 1827 to 1839 in sets of four volumes. More than 160 subscribers, The iGroup Press and Yushodo are the exact number is unknown, paid US$1,000 delighted to publish a limited edition of 100 each (US$20,200 in today’s dollars). There is a sets of The Birds of America by John James consensus that fewer than 200 sets were printed Audubon (1785 to 1851). but probably not less than 170. To renew John James Audubon’s master- Line engravings and aquatint by William H. piece for the 21st century, the iGroup Lizars of Edinburgh and more importantly Press and Yushodo have photographed by Robert Havell Jr. of London, transformed the original edition of The Birds of America Audubon’s original life-size watercolors into a using an 80 megapixel camera. The images work of rare beauty. have been digitally processed for the first time and printed on specially made paper. To accommodate these large illustrations, The Craftsmen in Japan have hand made Birds of America was published as a double each book with care, resulting in four elephant folio some 40 inches tall and 28 inches volumes as elegant as the originals. The wide, equivalent to 100 by 68 centimeters. -
Namen Van Sterrenbeelden En Sterren
Prof. Dr. Ρ. Η. van Laer VREEMDE WOORDEN IN DE STERRENKUNDE en namen van sterrenbeelden en sterren Tweede herziene druk J. B. Wolters Groningen 1964 Uitgegeven met steun van het Prins Bernhardfonds Inhoud Blz. Voorrede van Prof. Minnaert 5 Verantwoording 7 Lijst van de gebruikte afkortingen en tekens 11 Het Griekse alfabet 12 Transcriptie en uitspraak van Arabische woorden . 13 Uitspraak van de Griekse en Latijnse woorden 14 EERSTE AFDELING Vreemde woorden in de sterrenkunde 19 TWEEDE AFDELING Namen van sterrenbeelden en sterren 71 Historische inleiding 71 Verklaring van de namen van sterrenbeelden en sterren ... 78 Planeten en hun manen 107 Planetoïden 112 De maan 114 Kometen 117 Meteoorzwermen 118 INDICES Nederlandse namen van sterrenbeelden 119 Lijst van de behandelde namen van sterren, planeten, planetoïden en manen 122 3 Voorrede van Prof \ Dr. M. G. /. Minnaert bij de eerste druk Het gebruik van vreemde woorden in de wetenschap heeft zijn kwade, maar ook zijn goede zijde. Het is een euvel, daar het de begrijpelijkheid van de tekst voor den niet-geschoolden lezer bemoeilijkt, de stijl onper- soonlijker en vlakker maakt. Anderzijds is het een voordeel, daar de vast- stelling van internationaal gangbare, nauwkeurig gedefinieerde termen de scherpe vastlegging der begrippen bevordert, en de betrekkingen verge- makkelijkt tussen de wetenschappelijke werkers over de gehele wereld. Het werk van Dr. van Laer nu is bij uitstek geschikt om tegemoet te ko- men aan de bezwaren, en de voordelen tot hun recht te laten komen. Hij brengt ons vooreerst een korte, heldere verklaring van wat elk vreemd woord in onze wetenschap betekent: een belangrijk hulpmiddel dus voor ieder, die zich in de Sterrekunde inwerken wil. -
Learn More About John James Audubon
“How could I make a little book, when I have seen enough to make a dozen large books?” Birds of America, the culmination of 15 years of passionate study, was a mammoth undertaking. It cost $115,640 (approximately $2,000,000 today) and included 435 life- size prints of 497 bird species, engraved on copper plates by Robert Havell, Jr. and colored by an assembly line of 50 colorists. Printed on “double elephant” sized paper, Audubon laid out the images with an artist’s eye rather than by biological classification, reaping the scorn of ornithological purists, but winning praise even from King George IV. Scottish artist, John Syme, painted his portrait in frontier regalia (which now hangs in the White House). London’s Royal Society elected him a fellow. English and French noblemen became subscribers. “To have been torn from the study would have been as death; my time was entirely occupied with art.” Life after Birds of America was a continuing roller coaster ride for Audubon. He reunited with his family in the United States only to return to England to find that many of his subscribers were in default and that he had lost others due to the poor quality of the coloring of the plates. Yet he continued to add to his collection of bird and wildlife drawings, exploring the west, the Florida coast, and Labrador, and publishing three more books, including an octavo edition of Birds of America that included 65 additional plates. “A true conservationist is a man who knows that the world is not given by his fathers, but borrowed from his children.” After his death, Lucy sold the New York Historical Society all of the 435 preparatory watercolors for Birds of America. -
Cartes Et Constellations Anciennes Ou Disparues
CartesCartes etet constellationsconstellations anciennesanciennes ouou disparuesdisparues Patrice Février 2011 1 SommaireSommaire DDééfinitionfinition OrigineOrigine AstAst éérismesrismes UnUn peupeu dd ’’histoirehistoire LesLes grandsgrands cyclescycles mythologiquesmythologiques ReprRepr éésentationssentations etet cartescartes PtolPtol éémmééee AlmagesteAlmageste ZodiaqueZodiaque LesLes constellationsconstellations disparuesdisparues ConstellationsConstellations chinoiseschinoises 2 3 QuQu ’’estest --cece ququ ’’uneune constellation?constellation? Qui n’a jamais entendu parler de la Grande Ourse ou observé la casserole dans le ciel ? Qui ne s’est jamais posé la question de la signification de ces figures, qu’on appelle « constellations », illustrant le ciel nocturne ? En fait d’explication, il n’y en a qu’une : ces figures sont le fruit du hasard, de notre position dans l’espace, de notre vision du ciel en 2 dimensions et surtout de notre imagination … 4 OrigineOrigine desdes nomsnoms L'origine des noms de nos constellations est très ancienne. On a retrouvé en Arménie sur des dalles datant du 4e millénaire avant notre ère des représentations du Cygne, du Taureau ou du Lion. Les Babyloniens utilisaient déjà une bonne partie des constellations attribuées ensuite aux Grecs, en particulier celles du zodiaque. 5 On retrouve l’origine des constellations peu de temps après l’apparition de l’écriture, puisque des symboles cunéiformes représentant ces constellations ont été décelés sur des textes et des objets de civilisations aujourd’hui disparues, situées dans la vallée de l’Euphrate, il y a plus de 5 000 ans … Toutefois, il faudra attendre le IIème siècle ap. J-C. pour que l’astronome Grec Ptolémée procède à un découpage du ciel sur 1022 étoiles groupées en 48 constellations. Les constellations étaient ainsi la plupart du temps apparentées à des animaux ou figures mythologiques, dont l’utilité était aussi bien ésotérique (astrologie) que géographique, cartographique ou calendaire. -
John James Audubon American Naturalist
John James Audubon American Naturalist The life and work of John James Audubon Education Resource John James Audubon Collection Louisiana’s Old State Capitol Museum of Political History Secretary of State Tom Schedler www.sos.la.gov / www.GeauxVote.com Page 2 John James Audubon, American Naturalist The life and work of John James Audubon This K-12 thematic unit examines the life and work of John James Audubon This publication is developed and produced by the Secretary of State’s Museum Division Education Department Contact Information Louisiana’s Old State Capitol Museum of Political History 100 North Blvd. Baton Rouge, LA 70801 225.342.0500 www.sos.la.gov/osc 2005 Revised 2009 Secretary of State Tom Schedler www.sos.la.gov www.GeauxVote.com Page i John James Audubon, American Naturalist The life and work of John James Audubon This K-12 instructional unit examines the life and work of John James Audubon Table of Contents EDUCATOR NOTES ........................................................................................................................................................ 1 JOHN JAMES AUDUBON, AMERICAN NATURALIST ....................................................................................................... 2 EARLY LIFE .......................................................................................................................................................................... 2 SELF-TAUGHT ARTIST AND SCIENTIST ...................................................................................................................................... -
Liverpool Biennial 2018
BIENNIAL PARTNER EXHIBITION EXHIBITIONS Liverpool 1 9 WORLDS WITHIN 21 Tate Liverpool LJMU’s Exhibition WORLDS John Moores Royal Albert Dock, Research Lab Painting Prize 2018 Liverpool Waterfront LJMU’s John Lennon Some of these sites Walker Art Gallery L3 4BB Art & Design Building are open at irregular William Brown Street Biennial Duckinfield Street times or for special L3 8EL 2 L3 5RD events only. Refer to Open Eye Gallery p.37 for details. 23 19 Mann Island, 10 Bloomberg New Liverpool Waterfront Blackburne House 7 Contemporaries 2018 2018 L3 1BP Blackburne Place St George’s Hall LJMU’s John Lennon L8 7PE St George’s Place Art & Design Building 3 L1 1JJ Duckinfield Street RIBA North – National 11 L3 5RD Architecture Centre The Oratory 8 21 Mann Island, St James Mt L1 7AZ Victoria Gallery 24 Liverpool Waterfront & Museum This is Shanghai L3 1BP 12 Ashton Street, Mann Island & Liverpool University of The Cunard Building 4 Metropolitan Liverpool L3 5RF Liverpool Waterfront Bluecoat Cathedral Plateau School Lane L1 3BX Mount Pleasant 17 L3 5TQ Chalybeate Spring EXISTING 5 St James’ Gardens COMMISSIONS FACT 13 L1 7A Z 88 Wood Street Resilience Garden L1 4DQ 75–77 Granby Street 18 25 L8 2TX Town Hall Mersey Ferries 6 (Open Saturdays only) High Street L2 3SW Terminal The Playhouse Pier Head, Georges Theatre 14 19 Parade L3 1DP Williamson Square Invisible Wind Central Library L1 1EL Factory William Brown Street 26 (until 7 October) 3 Regent Road L3 8EW George’s Dock L3 7DS Ventilation Tower 7 20 George’s Dock Way St George’s Hall 15 World