The Library Development Review 2006-07
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Title MPOP Collection Vol.3, 400 Songs NR
NR. NO ARTIST A PICTURE OF ME (WITHOUT YOU) 50995 GEORGE JONES A WOMAN ALWAYS KNOWS 52017 DAVID HOUSTON AFRICA 08044 TOTO AFTER MIDNIGHT 06810 ERIC CLAPTON AFTER THE LOVIN' 06802 ENGELBERT HUMPERDINCK AIN'T THAT LONELY YET 50474 DWIGHT YOAKAM ALL FOR LOVE 06148 B.ADAMS / R.STEWART / STING ALL FOR YOU 07049 JANET JACKSON ALL I WANT 50161 TOAD THE WET SPROCKET ALL MY LIFE 52037 AMERICA ALL MY LOVING 06196 BEATLES ALL OUT OF LOVE 06042 AIR SUPPLY ALMOST PARADISE 06006 MIKE RENO & ANN WILSON ALWAYS 06328 BON JOVI AMANDA 52018 WAYLON JENNINGS AMAZED 50475 LONESTAR AMAZING GRACE 07152 JUDY COLLINS AND I LOVE HER 06198 BEATLES ANDANTE, ANDANTE 08141 ABBA ANNIE'S SONG 07112 JOHN DENVER ANYTHING IS POSSIBLE 50218 WILL YOUNG ANYTIME 50191 THE JETS ANYWHERE BUT HERE 50628 HILARY DUFF APRIL COME SHE WILL 50299 SIMON & GARFUNKEL ARE YOU EXPERIENCED? 52038 JIMI HENDRIX AUTUMN LEAVES 06091 ANDY WILLIAMS BABY 51782 ASHANTI BABY I'M A WANT YOU 09424 BREAD BAD 07427 MICHAEL JACKSON www.magic-sing.be Title MPOP Collection Vol.3, 400 songs NR. NO ARTIST BAD DAY 52091 FUEL BE 07506 NEIL DIAMOND BE MY BABY 07785 RONETTES BEAUTY AND THE BEAST 06487 CELINE DION / P.BRYSON BECAUSE I LOVE YOU 51736 PHIL COLLINS BECAUSE OF YOU 06013 98 DEGREES BEDTIME STORY 07974 TAMMY WYNETTE BELIEVE 06497 CHER BETTER CLASS OF LOSERS 52032 RANDY TRAVIS BIGGER THAN MY BODY 08186 JOHN MAYER BLACK CAT 51786 JANET JACKSON BLACK OR WHITE 07431 MICHAEL JACKSON BLACK SHEEP 50338 JOHN ANDERSON BLUE 50631 EIFFEL 65 BOOGIE WONDERLAND 50409 EARTH WIND & FIRE BOOGIE WOOGIE BUGLE BOY 09605 -
Web-Book Catalog 2021-05-10
Lehigh Gap Nature Center Library Book Catalog Title Year Author(s) Publisher Keywords Keywords Catalog No. National Geographic, Washington, 100 best pictures. 2001 National Geogrpahic. Photographs. 779 DC Miller, Jeffrey C., and Daniel H. 100 butterflies and moths : portraits from Belknap Press of Harvard University Butterflies - Costa 2007 Janzen, and Winifred Moths - Costa Rica 595.789097286 th tropical forests of Costa Rica Press, Cambridge, MA rica Hallwachs. Miller, Jeffery C., and Daniel H. 100 caterpillars : portraits from the Belknap Press of Harvard University Caterpillars - Costa 2006 Janzen, and Winifred 595.781 tropical forests of Costa Rica Press, Cambridge, MA Rica Hallwachs 100 plants to feed the bees : provide a 2016 Lee-Mader, Eric, et al. Storey Publishing, North Adams, MA Bees. Pollination 635.9676 healthy habitat to help pollinators thrive Klots, Alexander B., and Elsie 1001 answers to questions about insects 1961 Grosset & Dunlap, New York, NY Insects 595.7 B. Klots Cruickshank, Allan D., and Dodd, Mead, and Company, New 1001 questions answered about birds 1958 Birds 598 Helen Cruickshank York, NY Currie, Philip J. and Eva B. 101 Questions About Dinosaurs 1996 Dover Publications, Inc., Mineola, NY Reptiles Dinosaurs 567.91 Koppelhus Dover Publications, Inc., Mineola, N. 101 Questions About the Seashore 1997 Barlowe, Sy Seashore 577.51 Y. Gardening to attract 101 ways to help birds 2006 Erickson, Laura. Stackpole Books, Mechanicsburg, PA Birds - Conservation. 639.978 birds. Sharpe, Grant, and Wenonah University of Wisconsin Press, 101 wildflowers of Arcadia National Park 1963 581.769909741 Sharpe Madison, WI 1300 real and fanciful animals : from Animals, Mythical in 1998 Merian, Matthaus Dover Publications, Mineola, NY Animals in art 769.432 seventeenth-century engravings. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
“The Infinite Universe of the New Cosmology, Infinite in Duration As Well As Exten- Sion, in Which Eternal Matter in Accordanc
“The infinite Universe of the New Cosmology, infinite in Duration as well as Exten- sion, in which eternal matter in accordance with eternal and necessary laws moves endlessly and aimlessly in eternal space, inherited all the ontological attributes of Divinity. Yet only those — all the others the departed God took with him... The Divine Artifex had therefore less and less to do in the world. He did not even have to con- serve it, as the world, more and more, became able to dispense with this service...” ALEXANDRE KOYRE, “From the Closed World to the Infinite Universe”, 1957 into the big world -26- “La raison pour laquelle la relocalisation du global est devenue si importante est que le Terre elle-même pourrait bien ne pas être un globe après tout (...). Même la fameuse vision de la “planète bleue” pour- rait se révéler comme une image composite, c’est à dire une image composée de l’ancienne forme donnée au Dieu chrétien et du réseau complexe d’acquisitions de données de la NASA, à son tour projeté à l’intérieur du panorama diffracté des médias. Voilà peut-être la source de la fascination que l’image de la sphère a exercé depuis: la forme sphérique arrondit la con- naissance en un volume continu, complet, transparent, omniprésent qui masque la tâche extraordinairement difficile d’assembler les points de données venant de tous les instruments et de toutes les disciplines. Une sphère n’a pas d’histoire, pas de commencement, pas de fin, pas de trou, pas de discontinuité d’aucune sorte.” BRUNO LATOUR, “l’Anthropocène et la Destruction de l’Image -
William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library
Syracuse University SURFACE The Courier Libraries Fall 1987 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library Eileen Snyder Follow this and additional works at: https://surface.syr.edu/libassoc Part of the History of Science, Technology, and Medicine Commons Recommended Citation Snyder, Eileen. "William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library." The Courier 22.2 (1987): 67-94. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII, NUMBER 2, FALL 1987 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII NUMBER TWO FALL 1987 Benjamin Spock and the Spock Papers at Syracuse University By Robert S. Pickett, Professor of Child and 3 Family Studies, Syracuse University Alistair Cooke: A Response to Granville Hicks' I Like America By Kathleen Manwaring, Syracuse University Library 23 "A Citizen of No Mean City": Jermain W. Loguen and the Antislavery Reputation of Syracuse By Milton C. Sernett, Associate Professor 33 of Afro,American Studies, Syracuse University Jan Maria Novotny and His Collection of Books on Economics By Michael Markowski, Syracuse University 57 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library By Eileen Snyder, Physics and Geology Librarian, 67 Syracuse University News of the Syracuse University Library and the Library Associates 95 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library BY EILEEN SNYDER When, shortly after World War II, it was decided that Syracuse University should add to its science curriculum a course on the his~ tory of science, Professor William Park Hotchkiss became the pro~ gram's most effective advocate. -
Audubon's "The Birds of America": a Sesquicentennial Appreciation
Syracuse University SURFACE The Courier Libraries Fall 1989 Audubon's "The Birds of America": A Sesquicentennial Appreciation David Frederic Tatham Syracuse University, [email protected] Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, American Studies Commons, and the Poultry or Avian Science Commons Recommended Citation Tatham, David. "Audubon's 'The Birds of America': A Sesquicentennial Appreciation." The Courier 24.2 (1989): 3-7. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXIV, NUMBER 2, FALL 1989 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXIV NUMBER TWO FALL 1989 Audubon's The Birds of America: A Sesquicentennial Appreciation By David Tatham, Professor of Fine Arts, 3 Syracuse University Audubon/Au,du,bon: Man and Artist By Walter Sutton, Professor Emeritus of English, 9 Syracuse University Edward fitzGerald and Bernard Barton: An Unsparing Friendship By Jeffrey P. Martin, Syracuse University Library 29 An Unpublished Reminiscence of James Fenimore Cooper By Constantine Evans, Instructor in English, 45 Syracuse University The Punctator's World: A Discursion (Part Three) By Gwen G. Robinson, Editor, Syracuse University Library 55 Associates Courier News of the Syracuse University Library and the Library Associates 89 Audubon's The Birds of America: A Sesquicentennial Appreciation BY DAVID TATHAM In 1896, James J. Belden (1825-1904) presented to Syracuse Uni, versity the munificent gift of a complete set of the 435 engravings that constitute John James Audubon's The Birds of America, along with its accompanying five volumes of Ornithological Biography. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
THE BIRDS of AMERICA JOHN JAMES AUDUBON 21St Century Edition
THE BIRDS OF AMERICA JOHN JAMES AUDUBON 21st Century Edition 1 2 About the original edition John James Audubon, The Birds of America Acknowledged as one of the most important and beautiful color plate books ever published, John James Audubon’s The Birds of America is also one of the rarest and most collectable. 21st Century Edition It was published from 1827 to 1839 in sets of four volumes. More than 160 subscribers, The iGroup Press and Yushodo are the exact number is unknown, paid US$1,000 delighted to publish a limited edition of 100 each (US$20,200 in today’s dollars). There is a sets of The Birds of America by John James consensus that fewer than 200 sets were printed Audubon (1785 to 1851). but probably not less than 170. To renew John James Audubon’s master- Line engravings and aquatint by William H. piece for the 21st century, the iGroup Lizars of Edinburgh and more importantly Press and Yushodo have photographed by Robert Havell Jr. of London, transformed the original edition of The Birds of America Audubon’s original life-size watercolors into a using an 80 megapixel camera. The images work of rare beauty. have been digitally processed for the first time and printed on specially made paper. To accommodate these large illustrations, The Craftsmen in Japan have hand made Birds of America was published as a double each book with care, resulting in four elephant folio some 40 inches tall and 28 inches volumes as elegant as the originals. The wide, equivalent to 100 by 68 centimeters. -
The Gothic Trespass in the Life and Songwriting of Tennessee Blues Musician Ray Cashman
DESOLATION BLUES: THE GOTHIC TRESPASS IN THE LIFE AND SONGWRITING OF TENNESSEE BLUES MUSICIAN RAY CASHMAN Victor Bouvéron A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Folklore in the American Studies Department. Chapel Hill 2017 Approved by: William Ferris Glenn Hinson Crystal O’Leary-Davidson © 2017 Victor Bouvéron ALL RIGHTS RESERVED ii ABSTRACT Victor Bouvéron: Desolation blues: The Gothic trespass in the life and songwriting of Tennessee blues musician Ray Cashman (Under the direction of William Ferris) This thesis explores the pervading feeling of the Gothic in the life and songwriting of Tennessee blues musician Ray Cashman. I argue that Cashman emotionally responds to the South through the framework of the Gothic to assert his identity as a white southern working- class male. As a reader, writer and performer, he trespasses the lines of race and class. The ethnographic fieldwork I conducted in Tennessee, Georgia and North Carolina between 2015 and 2017 led me to reflect on the intriguing relationship between blues, southern Gothic literature and white working-class culture in the South. The songs written by Cashman often express a feeling of desolation, bleakness and decay, invoke a sense of nostalgia for a bygone time, or describe eerie landscapes and supernatural presences. Cashman also retells southern Gothic stories, like “Snake Feast,” inspired by Harry Crews’s A Feast of Snakes. iii ACKNOWLEDGEMENTS This project started the day I met Bill Ferris in Lille, France, in 2013. Bill encouraged me to apply to UNC-Chapel Hill and introduced me to the field of folklore. -
Learn More About John James Audubon
“How could I make a little book, when I have seen enough to make a dozen large books?” Birds of America, the culmination of 15 years of passionate study, was a mammoth undertaking. It cost $115,640 (approximately $2,000,000 today) and included 435 life- size prints of 497 bird species, engraved on copper plates by Robert Havell, Jr. and colored by an assembly line of 50 colorists. Printed on “double elephant” sized paper, Audubon laid out the images with an artist’s eye rather than by biological classification, reaping the scorn of ornithological purists, but winning praise even from King George IV. Scottish artist, John Syme, painted his portrait in frontier regalia (which now hangs in the White House). London’s Royal Society elected him a fellow. English and French noblemen became subscribers. “To have been torn from the study would have been as death; my time was entirely occupied with art.” Life after Birds of America was a continuing roller coaster ride for Audubon. He reunited with his family in the United States only to return to England to find that many of his subscribers were in default and that he had lost others due to the poor quality of the coloring of the plates. Yet he continued to add to his collection of bird and wildlife drawings, exploring the west, the Florida coast, and Labrador, and publishing three more books, including an octavo edition of Birds of America that included 65 additional plates. “A true conservationist is a man who knows that the world is not given by his fathers, but borrowed from his children.” After his death, Lucy sold the New York Historical Society all of the 435 preparatory watercolors for Birds of America. -
John James Audubon American Naturalist
John James Audubon American Naturalist The life and work of John James Audubon Education Resource John James Audubon Collection Louisiana’s Old State Capitol Museum of Political History Secretary of State Tom Schedler www.sos.la.gov / www.GeauxVote.com Page 2 John James Audubon, American Naturalist The life and work of John James Audubon This K-12 thematic unit examines the life and work of John James Audubon This publication is developed and produced by the Secretary of State’s Museum Division Education Department Contact Information Louisiana’s Old State Capitol Museum of Political History 100 North Blvd. Baton Rouge, LA 70801 225.342.0500 www.sos.la.gov/osc 2005 Revised 2009 Secretary of State Tom Schedler www.sos.la.gov www.GeauxVote.com Page i John James Audubon, American Naturalist The life and work of John James Audubon This K-12 instructional unit examines the life and work of John James Audubon Table of Contents EDUCATOR NOTES ........................................................................................................................................................ 1 JOHN JAMES AUDUBON, AMERICAN NATURALIST ....................................................................................................... 2 EARLY LIFE .......................................................................................................................................................................... 2 SELF-TAUGHT ARTIST AND SCIENTIST ......................................................................................................................................