Learn More About John James Audubon
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(Summer 2018) John Filson's Kentucke
Edward A. Galloway Published in Manuscripts, Vol. 70, No. 3 (Summer 2018) John Filson’s Kentucke: Internet Search Uncovers “Hidden” Manuscripts In 2010 the University Library System (ULS) at the University of Pittsburgh embarked on an ambitious mission: to digitize the content of the Darlington Memorial Library. Presented to the university via two separate gifts, in 1918 and 1925, the Darlington library has become the anchor of the Archives and Special Collections Department within the university library. Comprised of thousands of rare books, manuscripts, maps, broadsides, atlases, lithographs, and artwork, the library showcased the collecting passions of the Darlington family who lived in Pittsburgh during the nineteenth and early-twentieth centuries. The patriarch, William M. Darlington (1815-1889), was born in Pittsburgh and practiced law in Allegheny County. A passionate collector, William M. Darlington found his equal in Mary Carson O’Hara (1824- 1915), whom he married in 1845.1 They subsequently moved into a newly-constructed Italianate home just a few miles up the Allegheny River from Downtown Pittsburgh. Here, they raised three children, O’Hara, Mary, and Edith, all recipients of their parents’ love of history and bibliophiles to the core. Having married into a wealthy family, Mr. Darlington retired from his law career in 1856 to manage the estate of his wife’s grandfather, James O’Hara, whose land holdings encompassed a major portion of Pittsburgh.2 He would devote most of his adult life to collecting works of Americana, especially that which documented western Pennsylvania. Even the land upon which he built his estate, passed down to his wife, dripped with history having been the last home of Guyasuta, a Seneca chief.3 The Darlingtons eventually amassed the “largest private library west of the Alleghenies” containing nearly 14,000 volumes. -
Web-Book Catalog 2021-05-10
Lehigh Gap Nature Center Library Book Catalog Title Year Author(s) Publisher Keywords Keywords Catalog No. National Geographic, Washington, 100 best pictures. 2001 National Geogrpahic. Photographs. 779 DC Miller, Jeffrey C., and Daniel H. 100 butterflies and moths : portraits from Belknap Press of Harvard University Butterflies - Costa 2007 Janzen, and Winifred Moths - Costa Rica 595.789097286 th tropical forests of Costa Rica Press, Cambridge, MA rica Hallwachs. Miller, Jeffery C., and Daniel H. 100 caterpillars : portraits from the Belknap Press of Harvard University Caterpillars - Costa 2006 Janzen, and Winifred 595.781 tropical forests of Costa Rica Press, Cambridge, MA Rica Hallwachs 100 plants to feed the bees : provide a 2016 Lee-Mader, Eric, et al. Storey Publishing, North Adams, MA Bees. Pollination 635.9676 healthy habitat to help pollinators thrive Klots, Alexander B., and Elsie 1001 answers to questions about insects 1961 Grosset & Dunlap, New York, NY Insects 595.7 B. Klots Cruickshank, Allan D., and Dodd, Mead, and Company, New 1001 questions answered about birds 1958 Birds 598 Helen Cruickshank York, NY Currie, Philip J. and Eva B. 101 Questions About Dinosaurs 1996 Dover Publications, Inc., Mineola, NY Reptiles Dinosaurs 567.91 Koppelhus Dover Publications, Inc., Mineola, N. 101 Questions About the Seashore 1997 Barlowe, Sy Seashore 577.51 Y. Gardening to attract 101 ways to help birds 2006 Erickson, Laura. Stackpole Books, Mechanicsburg, PA Birds - Conservation. 639.978 birds. Sharpe, Grant, and Wenonah University of Wisconsin Press, 101 wildflowers of Arcadia National Park 1963 581.769909741 Sharpe Madison, WI 1300 real and fanciful animals : from Animals, Mythical in 1998 Merian, Matthaus Dover Publications, Mineola, NY Animals in art 769.432 seventeenth-century engravings. -
Bob's Wildlife Taxidermy Celebrating 30Th Anniversary Orefield Landmark Ready for Another Hunting Season
Bob's Wildlife Taxidermy Celebrating 30th Anniversary Orefield Landmark Ready for another Hunting Season Fall hunting seasons are just around the corner, and thousands of Lehigh Valley sportsmen will soon head afield in search of a trophy. For those hunters lucky enough to bag the buck, bear or bird of a lifetime, Orefield taxidermist Bob V. Danenhower Sr. is ready to preserve your memories. Danenhower said it's hard to believe it's been a quarter century since Bob's Wildlife Taxidermy opened its doors. His passion for wildlife dates to his childhood, and he began studying taxidermy at the age of 13, taking mail order courses from the Northwest School of Taxidermy. “I would have to work in my dad's business, Humphrey’s Hydraulics, to earn enough money to order my next lesson,” Danenhower recalled. “It seemed to take forever, because Dad didn’t pay so well.” In the 70s, Danenhower worked for Laros Taxidermy in Allentown, where he learned the finer points of wildlife art from veteran taxidermist Dick Laros. “I had to wait until I was 18 to take my taxidermy test,” he said. “Eighteen was state law at that time, and I was the first 18-year-old ever to be licensed in Pennsylvania.” Becoming a full-time taxidermist is no easy task, especially when you start with nothing but some cheap hand tools, knowledge and a strong work ethic. “There were several lean years when we really looked forward to the local game warden dropping off a fresh, road-killed deer so we could fill the freezer with venison,” Danenhower said. -
Daniel Boone Homestead Visitor Guide
Pennsylvania Daniel Boone Daniel Boone in Pennsylvania After the Boones The name Daniel Boone will forever be In Pennsylvania, Daniel’s boyhood home Trails of History synonymous with the saga of the American changed to reflect the growth, prosperity and Homestead frontier. Born on November 2, 1734, and raised cultural diversity of the Oley Valley. In Pennsylvania, all roads lead to history. here, Boone was the inveterate wayfarer who Squire Boone moved his family from To help find your path, the Pennsylvania achieved lasting fame guiding land-hungry Pennsylvania in 1750 and sold his house and Historical and Museum Commission (PHMC) Birdsboro, Berks County settlers to the Kentucky frontier and fighting part of his homestead to his cousin William has blazed several special-interest trails to defend them against attack. Maugridge. Maugridge, also born in Devon- leading to some of Pennsylvania’s most Daniel’s father, Squire Boone, was an Eng- shire, worked as a shipwright in Philadelphia historic sites. We invite you to explore one lish Quaker born in Devonshire in 1696. While prior to 1750 and later served as a magistrate site at a time, travel an entire trail or create still a youth, Squire, his brother George and sister and judge for Berks County from 1752 until his your own road trip to Pennsylvania’s past. Sarah embarked for Philadelphia to appraise the death in 1766. The Maugridges were not Quakers No matter whether you choose one of our possibilities of settlement for their father’s family, who but leaders among the local Anglicans. classic trails, a trail based on PHMC’s annual immigrated finally in 1717. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
The Making of a Conservationist: Audubon's Ecological Memory
Journal of Ecocriticism 5(2) July 2013 The Making of a Conservationist: Audubon’s Ecological Memory Christian Knoeller (Purdue University)* Abstract While Audubon’s exploits as consummate artist, accomplished naturalist, and aspiring entrepreneur are widely recognized, his contributions as author and nascent conservationist remain less fully appreciated. Extensive travels observing and documenting wildlife as an artist-naturalist gave him a unique perspective on how human-induced changes to the landscape impacted wildlife. He lamented the reduction in range of many species and destruction of historic breeding grounds, as well as declining populations caused by overhunting and habitat loss. His understanding of changing landscapes might be thought of in terms of ecological memory reflected in his narratives of environmental history. He described the destruction of forests and fisheries as well as the shrinking ranges of species including several now extinct such as the Passenger Pigeon, Carolina Parakeet, and Ivory-billed Woodpecker. Quadrupeds of North America and the Missouri River Journals depict the impact of environmental destruction he witnessed taking place in the first half of the 19th century. While these later works suggest a growing interest in conservation, Audubon had already voiced such concerns frequently in his earlier writings. Copious journals kept throughout his career in the field on America’s westering frontier reveal a keen appreciation for environmental history. By the time he arrived on the Upper Missouri in 1843, his values regarding the preservation of wildlife and habitat had been forged by writing for decades about his observations in the wild. What began as a quest to celebrate the natural abundance of North America by documenting every species of bird took on new dimensions as he expressed increasing concerns about conservation having recognized the extent of development and declines in wildlife during his lifetime. -
“The Infinite Universe of the New Cosmology, Infinite in Duration As Well As Exten- Sion, in Which Eternal Matter in Accordanc
“The infinite Universe of the New Cosmology, infinite in Duration as well as Exten- sion, in which eternal matter in accordance with eternal and necessary laws moves endlessly and aimlessly in eternal space, inherited all the ontological attributes of Divinity. Yet only those — all the others the departed God took with him... The Divine Artifex had therefore less and less to do in the world. He did not even have to con- serve it, as the world, more and more, became able to dispense with this service...” ALEXANDRE KOYRE, “From the Closed World to the Infinite Universe”, 1957 into the big world -26- “La raison pour laquelle la relocalisation du global est devenue si importante est que le Terre elle-même pourrait bien ne pas être un globe après tout (...). Même la fameuse vision de la “planète bleue” pour- rait se révéler comme une image composite, c’est à dire une image composée de l’ancienne forme donnée au Dieu chrétien et du réseau complexe d’acquisitions de données de la NASA, à son tour projeté à l’intérieur du panorama diffracté des médias. Voilà peut-être la source de la fascination que l’image de la sphère a exercé depuis: la forme sphérique arrondit la con- naissance en un volume continu, complet, transparent, omniprésent qui masque la tâche extraordinairement difficile d’assembler les points de données venant de tous les instruments et de toutes les disciplines. Une sphère n’a pas d’histoire, pas de commencement, pas de fin, pas de trou, pas de discontinuité d’aucune sorte.” BRUNO LATOUR, “l’Anthropocène et la Destruction de l’Image -
What You Should Know About a Federal Migratory Bird Taxidermy Permit
WHAT YOU SHOULD KNOW ABOUT A FEDERAL MIGRATORY BIRD TAXIDERMY PERMIT A Federal Migratory Bird Taxidermy Permit will authorize you to mount or otherwise perform taxidermy work on migratory birds, their parts, nests or eggs, belonging to someone else. The conditions of a Federal Taxidermy Permit are very specific. You should review Title 50 Parts 10, 13, 20 (subparts A-B, D-J) and 21.24 of the Code of Federal Regulations (CFR). You are responsible for reviewing and understanding these regulations before you request and accept a permit. These regulations can be found on our website at: https://www.fws.gov/birds/policies-and- regulations/permits/permit-policies-and-regulations.php. Refer to Taxidermists and Federal Law for more information. Below is a review of several sections pertinent to a Federal Migratory Bird Taxidermy Permit. 1. Can I mount migratory game birds with a Federal Taxidermy permit? Yes. You can receive and mount migratory game birds taken and possessed in accordance with applicable Federal and State hunting regulations. All such birds must be properly tagged as required by 50 CFR 20.36. The tag may be removed during taxidermy operations but must be retained and reattached after mounting, and must remain attached until the specimen is delivered to the owner. (See 50 CFR 21.24(d)(2)) 2. Can I mount and sell captive-reared migratory waterfowl? Yes. You can sell properly marked, captive-reared migratory waterfowl that you have acquired from a propagator who has a Federal Migratory Bird Waterfowl Sale and Disposal permit. The propagator must give you a completed Notice of Transfer or Sale of Migratory Waterfowl form (Form 3-186) at the time of the transfer and you must maintain this form in your files. -
The Library Development Review 2006-07
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Other Library Materials (Newsletters, Reports, Library Development Review Etc.) 1-1-2007 The Library Development Review 2006-07 University of Tennessee Libraries Follow this and additional works at: https://trace.tennessee.edu/utk_libdevel Part of the Arts and Humanities Commons Recommended Citation The Library Development Review. Knoxville: University of Tennessee, 2006/2007. This Review is brought to you for free and open access by the Other Library Materials (Newsletters, Reports, Etc.) at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Library Development Review by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. THE LIBRARY DEVELOPMENT REVIEW 2006–2007 1 THE LIBRARY DEVELOPMENT REVIEW 2006–2007 AARON D. PURCELL Editor BLUE DEAN AND LaURA PURCELL Associate Editors ANGIE DOBBS Designer MARY MARSHBURN Production Editor PENNY BROOKS Production Coordinator East Tennessee holds a beauty all its own. Few places offer such diversity of life, nature, and possi- bilities. The University Libraries at the University of Tennessee has a vested interest in promoting, preserving, and celebrating Appalachian culture and recognizing the region’s international contri- butions. Our collections offer all users unlimited possibilities for scholarship, research, learning, and understanding. Our services are further evidence of fulfilling this important statewide mission. But it is our staff, friends, and donors who make all of this possible, and we thank you for your continued support. During the past year the University Libraries supported the University of Tennessee’s “Ready for the World” initiative in many ways. -
America the Beautiful Part 1
America the Beautiful Part 1 Charlene Notgrass 1 America the Beautiful Part 1 by Charlene Notgrass ISBN 978-1-60999-141-8 Copyright © 2020 Notgrass Company. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Jordan Pond, Maine, background by Dave Ashworth / Shutterstock.com; Deer’s Hair by George Catlin / Smithsonian American Art Museum; Young Girl and Dog by Percy Moran / Smithsonian American Art Museum; William Lee from George Washington and William Lee by John Trumbull / Metropolitan Museum of Art. Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of Denali in Denali National Park. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History 975 Roaring River Rd. Gainesboro, TN 38562 1-800-211-8793 notgrass.com Thunder Rocks, Allegany State Park, New York Dear Student When God created the land we call America, He sculpted and painted a masterpiece. -
Rachel Carson, Sensitive and Perceptive Interpreter of Nature
CONTRIBUTIONS to SCIENCE, 8 (1): 23–32 (2012) Institut d’Estudis Catalans, Barcelona DOI: 10.2436/20.7010.01.130 ISSN: 15756343 www.cat-science.cat focus Celebration of the 50th anniversary of Rachel Carson’s Silent Spring Rachel Carson, sensitive and perceptive interpreter of nature Joandomènec Ros1,2 1. Department of Ecology, Faculty of Biology, University of Barcelona, Barcelona 2. Biological Sciences Section, Institute for Catalan Studies, Barcelona Resum. En complirse els cinquanta anys de la publicació de Summary. On the occasion of the 50th aniversary of the publi Silent Spring (1962) sembla totalment oportú retre un meres cation of Silent Spring (1962), this welldeserved homage to its cut homenatge a la seva autora, una magnífica escriptora i di author is a particularly timely one. Rachel Carson was a talent vulgadora de les meravelles de la natura, i recordar el que va ed writer, able to excellently convey the marvels of nature. But significar per a la consciència ambiental, primer americana i it was her disclosure, first to the American public and after després mundial, la denúncia dels disbarats que la fumigació wards to the whole world, of the havoc wreaked on organisms, indiscriminada de diclorodifeniltricloroetà (DDT) i altres bioci habitats, and human health by the indiscriminate spraying of des va provocar en les espècies, els hàbitats i la salut huma DDT and other biocides, by which she will always be remem na. Mentre que s’ha atribuït, justament, a Rachel Carson el bered. Rachel Carson is credited, and justly so, as being one of paper de precursora del moviment ecologista, no és tan cone the founder’s of the environmentalist movement. -
William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library
Syracuse University SURFACE The Courier Libraries Fall 1987 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library Eileen Snyder Follow this and additional works at: https://surface.syr.edu/libassoc Part of the History of Science, Technology, and Medicine Commons Recommended Citation Snyder, Eileen. "William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library." The Courier 22.2 (1987): 67-94. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII, NUMBER 2, FALL 1987 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII NUMBER TWO FALL 1987 Benjamin Spock and the Spock Papers at Syracuse University By Robert S. Pickett, Professor of Child and 3 Family Studies, Syracuse University Alistair Cooke: A Response to Granville Hicks' I Like America By Kathleen Manwaring, Syracuse University Library 23 "A Citizen of No Mean City": Jermain W. Loguen and the Antislavery Reputation of Syracuse By Milton C. Sernett, Associate Professor 33 of Afro,American Studies, Syracuse University Jan Maria Novotny and His Collection of Books on Economics By Michael Markowski, Syracuse University 57 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library By Eileen Snyder, Physics and Geology Librarian, 67 Syracuse University News of the Syracuse University Library and the Library Associates 95 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library BY EILEEN SNYDER When, shortly after World War II, it was decided that Syracuse University should add to its science curriculum a course on the his~ tory of science, Professor William Park Hotchkiss became the pro~ gram's most effective advocate.