Portmeirion, Perspective and Pleasure Francis Ellisi and Sebastian Messerii I Francis Ellis – Master of Architecture, Northumbria University, 2010
Portmeirion, Perspective and Pleasure Francis Ellisi and Sebastian Messerii i Francis Ellis – Master of Architecture, Northumbria University, 2010. Architect, MAAP Architects, 25 Collingwood Street, Newcastle upon Tyne, NE1 1JE. ii Sebastian Messer RIBA – Architecture, Department of Architecture, Engineering and Construction, School of the Built and Natural Environment, Northumbria University, Newcastle upon Tyne, NE1 8ST. Keywords: Baroque, empirical, narrative architecture, perspective, pleasure, urban design Abstract The holiday village of Portmerion was created by Bertram Clough Williams-Ellis (1883 - 1978) over a period of fifty-one years, starting in 1926. It was grade II listed in 1971. However, Portmerion has become a part of western popular culture rather than of mainstream architectural history. Its use as the setting for the cult 1967 television series “The Prisoner” ensures continued worldwide interest and a constant stream of visitors. Williams Ellis‟ design methods were empirical, initial designs being adjusted by eye on site in close collaboration with trusted builders. This paper analyses the development of Portmerion as a gesamtkunstwerk; considering the experience of movement through the village as a dynamic composition of shifting vistas, focussing the visitor on a series of constructed views. Through this analysis, Portmerion is revealed as both a manifestation of the architecture of pleasure and an exercise in the pleasure of architecture. Introduction Williams-Ellis‟ architectural training was curtailed after a mere three months so his development as an architect happened informally. He adopted his middle name, Clough, as a nom d’artiste by which he was commonly known, so that is used hereafter. Clough was a keen sailor and his ad hoc education was augmented by travelling widely; a tour of northern Italy proving especially significant as it introduced him both to the coastal village of Portofino and to Geoffrey Scott, the author of „The Architecture of Humanism‟ (Williams-Ellis, 1971, p.193).
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