Ewsletter NUMBER TWENTY ONE Spring 2011 Norfolk Historic Buildings Group Non-Members: £2.00
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On Top of the World, 1830 to 1914 Transcript
On Top of the World, 1830 to 1914 Transcript Date: Wednesday, 7 March 2012 - 6:00PM Location: Museum of London 7 March 2012 On Top of the World 1830 - 1914 Professor Simon Thurley Tonight we turn to the nineteenth century. What a vast subject, what a broad canvass, how to make sense of an age when so much was built and so much architectural diversity created. Well, somehow I will have to, and that’s why, of course, I’m standing here. However Gresham College have made my job quite a lot easier as, since my last lecture, I have been invited to continue my visiting professorship for another year. So this allows me a bit of headroom. Despite its advertised title I have decided to make tonight’s lecture, which deals with the period 1830 to 1914, part one of two. In October I will deliver 1830 to 1914 part II which will deal with Victorian cities and their infrastructure. Tonight I’m going to address the issue of architectural style in Victorian England. The complexity of explaining and understanding English architecture after 1760 derives essentially from three things. These are not in any order or causal juxtaposition: the first is, changing demands - new types of building for new types of activity: railway stations, post offices, law courts, factories, warehouses, pumping stations for example. The second is rapidly developing technology in materials and techniques: iron, steel, glass, terracotta etc. The third is historicism, the fact that there were many styles to choose from, everything from Egyptian and Hindu to Ottoman and Elizabethan. -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
Download Tour Itinerary
Discover the hidden treasures of North-west Norfolk Private “connoisseur” visits to 3 magnificent houses where William Kent worked: Houghton, Holkham & Raynham Other private houses & gardens not normally accessible also included Wonderful gardens at their late summer best Comfortable country house style hotel in idyllic surroundings Holkham Hall North Norfolk's broad rolling acres have long been home to great estates and important country houses; the income from agriculture one source of much of the area’s wealth. A second, equally important source was trade with North West Europe and Scandinavia, managed through the mighty Hanseatic League, of which King’s Lynn was an important member. At the outset of this tour, a day will be spent in and around King’s Lynn, and we shall be guided by the town’s most informed local guide. He has arranged private access to the town’s most important recently restored historic house, in addition to some of the town’s fine churches and civic buildings. Thereafter, our days will be spent exploring the houses, gardens and wonderful churches of this part of the world, subject to any government restrictions that may be in force when we visit. A remarkable figure looms large over the best of these houses – the Yorkshire genius, William Kent. Houghton Hall was a ‘new build’ mansion, commissioned by the Prime Minister, Sir Robert Walpole, where Kent was called in to ‘mastermind’ the interiors and their decoration, most of which are remarkably well preserved. Raynham Hall was already a fine house when Kent was employed to adapt it to the latest ideas associated with a revival of interest in all things ‘Palladian’, his expertise honed during his time in Italy. -
Disappearing Walls: Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon a Dissertation Submitted in Partia
Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers. -
ARCHITECTURE, POWER, and POVERTY Emergence of the Union
ARCHITECTURE, POWER, AND POVERTY Emergence of the Union Workhouse Apparatus in the Early Nineteenth-Century England A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Gökhan Kodalak January 2015 2015, Gökhan Kodalak ABSTRACT This essay is about the interaction of architecture, power, and poverty. It is about the formative process of the union workhouse apparatus in the early nineteenth-century England, which is defined as a tripartite combination of institutional, architectural, and everyday mechanisms consisting of: legislators, official Poor Law discourse, and administrative networks; architects, workhouse buildings, and their reception in professional journals and popular media; and paupers, their everyday interactions, and ways of self-expression such as workhouse ward graffiti. A cross-scalar research is utilized throughout the essay to explore how the union workhouse apparatus came to be, how it disseminated in such a dramatic speed throughout the entire nation, how it shaped the treatment of pauperism as an experiment for the modern body-politic through the peculiar machinery of architecture, and how it functioned in local instances following the case study of Andover union workhouse. BIOGRAPHICAL SKETCH Gökhan Kodalak is a PhD candidate in the program of History of Architecture and Urbanism at Cornell University. He received his bachelor’s degree in architectural design in 2007, and his master’s degree in architectural theory and history in 2011, both from Yıldız Technical University, Istanbul. He is a co-founding partner of ABOUTBLANK, an inter-disciplinary architecture office located in Istanbul, and has designed a number of award-winning architectural and urban design projects in national and international platforms. -
Images of New England: Documenting the Built Environment
474 American Archivist / Vol. 50 / Fall 1987 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/50/4/474/2747585/aarc_50_4_k61r617u31jx5704.pdf by guest on 23 September 2021 Images of New England: Documenting the Built Environment NANCY CARLSON SCHROCK Abstract: The 1980s find the New England states in a period of economic expansion and development that has an impact upon its landscape and built environment. Older structures are being renovated or destroyed, while extensive new building is simultaneously under way. Documenting these changes involves identifying and preserving the records of build- ings that are disappearing as well as those of new construction. The author reviews briefly the history of architecture in New England, focusing on its relationship to the evolution of types of documentation in the nineteenth and twentieth centuries: original design records, publications and stock plans, and visual records of completed buildings and their changes over time. The differing approaches of the six states to preserving these records are profiled, and their efforts linked with the growth of an active historic preservation movement. Aspects of the built environment remain less well documented: current development, commercial architecture, landscape design, builders' records, and owner-initiated projects. The author concludes by proposing regional efforts to deal with these issues, capitalizing upon the expertise and experience of the curators, archivists, and conservators of New England's architectural collections. About the author: Nancy Carlson Schrock is self-employed as a book conservator and consultant on library preservation in Winchester, Massachusetts. During 1979-82, she served as project di- rector for NHPRC- and NEH-sponsored surveys of architectural records, which culminated in publication of Mass COPAR's Architectural Records in Boston. -
| Things to Do and See |
| THINGS TO DO AND SEE | Gravetye Manor Vowels Lane, West Hoathly, Sussex, RH19 4LJ Telephone (01342) 810567 E-mail [email protected] www.gravetyemanor.co.uk Gravetye Manor is a smallm country house hotel set in 1000 acresacre of wooded parklands andnd gardens,gardens, famofamous for being createdted byby William Robinson, arguably onee off EEngland’sngland’s greatestgreatest gardeners.gard “...beautyauty was never lost sightsight of;o nothing was done without consideringconside its effectct on the landscalandscapep from everyry poipointnt of view...” William Robinsonbinson on Gravetye - 1918 Michelin Star | XXX | | CONTENTS | As a guest at Gravetye Manor, we want you to get the most out of your stay with us. We hope this guide will compliment and enrich your stay at Gravetye with little extra ideas for you to fill your time with. Gravetye can spoil you with a wealth of things to do and see whilst here. Our staff are always on hand and happy to help or advise with any queries you may have regarding activities in and around the Manor. Please enjoy. | At Gravetye | 4 | Activities nearby | 8 | Local area | 11 | Local gardens | 14 | Historic houses | 16 | Eating out | 20 | Vineyards | 24 | Before you depart | 25 | Glyndebourne | 26 | Where we are | 27 | AT GRAVETYE | Gravetye’s peace and seclusion means whether you want to relax with a good book or take a stroll in the beautiful gardens there are still a number of things you can do on the estate. | Croquet | Picnics William Robinson’s playground, where To aide in the planning of your local children used to dance on his day we can arrange light picnics birthday and still do to commemorate of sandwiches, fresh fruit and cakes/ his special day, is a great spot for fun biscuits which can be eaten either croquet in the summer. -
Brooks 1 Carson Brooks Professor Spanagel ISP Architectural History
Brooks 1 Carson Brooks Professor Spanagel ISP Architectural History 20 June 2018 Evolution of Victorian Architecture Intro: The nineteenth century in London is when industrialization occurred, thus, the way the city developed changed greatly. The changes came from what materials became available, the factories being built, and the demand for housing. The style of architecture during the nineteenth century is known as Victorian. Due to such a large number of migrants to London during the nineteenth century, the city is left with little choice but to expand rapidly, leading to the creation of flats instead of full houses. Population Rise and Influence: During the nineteenth century, London grew and expanded rapidly. Within a ten-year time period more than 330,000 migrants entered the capital, “representing a staggering 17 percent of the total population” (Porter 2001, 205). At the start of the nineteenth century London’s population was approximately one million, by the end of the century the population grew to four and a half million (Porter 205). London had limited choices of how to respond to the increasing population so the city began expanding. Once London began to expand, suburbs developed that separated social classes. During the Victorian era, houses are built for middle class people but within the century, the design of housing is altered. The middle class, otherwise known as the working class, became the target market. Over-crowding and “high market value of land in central London with the low market value of many forms of labor” causes housing issues Brooks 2 in London (Hennock 1979). -
Saffron Walden Buildings & Architects
SAFFRON WALDEN HISTORICAL JOURNAL The following article appears by permission and is the copyright of the Saffron Walden Historical Journal and the author. Fair dealing for the purposes of private study or non-commercial educational, archival or research purposes is freely allowed, but under no circumstances are articles or illustrations to be reprinted in any other publication, website or other media without permission. All rights reserved. It has not been possible to include all the original illustrations with the articles, but these can be seen in copies deposited at Saffron Walden Town Library. Enquiries re articles can be sent to [email protected] Some Saffron Walden Buildings and their Architects ©Bruce Munro Reprinted from: Saffron Walden Historical Journal No 5 Spring 2003 Saffron Walden’s many and remarkable old buildings include features of nearly every architectural period from Norman times until the present day. Unfortunately, we know little of the architects and builders who so skilfully created the early buildings, save perhaps for the parish church of St. Mary’s where John Wastell of Bury St. Edmunds, who died circa 1515, was master mason. The Church is interesting as being the work of one architect - carrying out an almost total rebuild - almost all other Essex churches, including Thaxted, evolved with different master masons Saffron Walden Buildings & Architects – Saffron Walden Historical Journal No 5 (2003) employed. Wastell it was who built the great fan vault of King’s College Chapel and who worked on Ely and Canterbury Cathedrals, Great St. Mary’s Church, Cambridge, amongst others. Much later Robert William Furze Brettingham (1750-1820) [grandson of Matthew Brettingham (1699-1769) who designed Shortgrove bridge] planned the great restoration of the parish church of 1790. -
2E Haunted Houses
BA RBAR A VIL L IE RS D C H ESS O F C L E VE L AN D , U . m th m z z o tu z t t r in in o e e af e W g . K 3 :2 e HA UN T E D H O US E S T ALES O F T HE SUPERNAT URAL With S o me Acco unt o f H ereditary C ur s e s a n d Fa mil y Le g e n ds By CH A RL E S G A R PE R Ill ustr ated by the A uthor a n ha t ohnson sa id I mer ely me to say w J . T hat i n the cour se of some sex tho usand year s A 11 nations ha ve beli eved tha t f rom the dead A visitant at interva ls appea r s ; t s str n t u on this str a n e hea d A nd wha e a g es p g , bar the r eason rear s ’ ‘ nst such hehe s some thin str on er sh ll Gaz . “g In its beha t those den who w ill f YRO N . lf . y LON DON H L T D C H A PM A N 85 A L L , . 1 907 P RE FA CE vii lands o distant seas and amon the most un is f , g l etter ed sava es r eli ion has been ever o und g , g f , as inva r ia bl th li h t this an d y e be ef in g os s . -
List of House Types
List of house types This is a list of house types. Houses can be built in a • Assam-type House: a house commonly found in large variety of configurations. A basic division is be- the northeastern states of India.[2] tween free-standing or Single-family houses and various types of attached or multi-user dwellings. Both may vary • Barraca: a traditional style of house originated in greatly in scale and amount of accommodation provided. Valencia, Spain. Is a historical farm house from the Although there appear to be many different types, many 12th century BC to the 19th century AD around said of the variations listed below are purely matters of style city. rather than spatial arrangement or scale. Some of the terms listed are only used in some parts of the English- • Barndominium: a type of house that includes liv- speaking world. ing space attached to either a workshop or a barn, typically for horses, or a large vehicle such as a recreational vehicle or a large recreational boat. 1 Detached single-unit housing • Bay-and-gable: a type of house typically found in the older areas of Toronto. Main article: Single-family detached home • Bungalow: any simple, single-storey house without any basement. • A-frame: so-called because of the appearance of • the structure, namely steep roofline. California Bungalow • Addison house: a type of low-cost house with metal • Cape Cod: a popular design that originated in the floors and cavity walls made of concrete blocks, coastal area of New England, especially in eastern mostly built in the United Kingdom and in Ireland Massachusetts. -
Foxhunting and the Landscape Between 1700 and 1900; with Particular Reference to Norfolk and Shropshire
Foxhunting and the landscape between 1700 and 1900; with particular reference to Norfolk and Shropshire Jane Bevan Degree of Doctor of Philosophy University of East Anglia School of History October 2011 This copy of the thesis has been supplied on the condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived from it, may be published without acknowledgement Abstract This thesis explores the history of foxhunting from 1700 to 1900. It examines how perceptions of an ideal hunting country, and what constituted an elite quarry, altered in tandem with alterations to the English lowland countryside. The relationship between the landscape and changes bought about by the upheaval of enclosure and agricultural development are discussed, in the context of the evolution in practice and geographical spread of foxhunting, at a national, regional and county-wide level. Several long-held beliefs are challenged. The social history of foxhunting and the increased participation of both ‘polite’ urban neophytes and prosperous tenant farmers during the two centuries is compared with the declining involvement of women. The impact of hunt clubs and the rise of subscription packs in the two study areas is contrasted. The influence of changes in the landscape on foxhunting is considered alongside the reciprocal impact of foxhunters manipulating the physical surroundings to enhance their sport. A detailed study of the history of hunting and its most iconic feature, the covert, in Norfolk and Shropshire highlights the importance of landowners control over the countryside.