Lester Young Lester Young Mp3, Flac, Wma

Lester Young Lester Young mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lester Young Country: France Released: 2003 MP3 version RAR size: 1490 mb FLAC version RAR size: 1584 mb WMA version RAR size: 1925 mb Rating: 4.6 Votes: 772 Other Formats: XM VQF AAC VOC MIDI MP2 RA Tracklist 1-1 Count Every Star 1-2 Ad Lib Blues 1-3 Thou Swell 1-4 On The Sunny Side Of The Street 1-5 Undercover Girl Blues 1-6 September In The Rain 1-7 Frenesi 1-8 I Can't Get Started 1-9 I Can't Give You Anything But Love 1-10 Stardust 1-11 Foggy Day 1-12 Lester Swings 1-13 Down 'N' Adam 1-14 Too Marvelous For Words 1-15 Little Pee Blues 1-16 Tea For Two 1-17 Mean To Me 1-18 Pete's Cafe 1-19 Deed I Do 1-20 Peg O' My Heart 2-1 These Foolish Things 2-2 Blues Lester 2-3 Jump Lester Jump 2-4 I Don't Stand A Ghost Of A Chance (With You) 2-5 Back Home Again In Indiana 2-6 Man I Love 2-7 I Want To Be Happy 2-8 I Found A New Baby 2-9 Somebody Loves Me 2-10 I Never Knew 2-11 Just You Just Me 2-12 Afternoon Of A Basie Ite 2-13 Sometimes I'm Happy 2-14 She's Funny That Way 2-15 Db Blues 2-16 Lester Blows Again 2-17 Jumpin' At Mesner's 2-18 Jive At Five 2-19 Axi War Dance 2-20 Clap Hands Here Comes Charlie 2-21 Tickle Toe 2-22 Jumpin' At The Woodside Notes From the collection "BD Jazz", released with a 16 pages cartoon drawn by Emilie Balaguer inspired by Lester Young's biography. Made in Italy for french market. No 8 of 20. Barcode and Other Identifiers Barcode: 9782849070086 Other versions Category Artist Title (Format) Label Category Country Year Lester Young (2xCD, Comp, Nocturne, Corda JZBD 006 Lester Young JZBD 006 Portugal 2003 Com) Seca Related Music albums to Lester Young by Lester Young 1. Lester Young - Lester Swings 2. Lester Young - Lester Young Collates No. 2 3. Lester Young - Lester Young Vol. 2 4. Lester Young - Jazz Anthology 5. Lester Young - V.I.P.-Jazz 7 - Lester Young 6. Lester Young Trio - Lester Young Trio 7. Lester Young Quintet - Tenderly/New D. B. Blues 8. Lester Young & Billie Holiday - Lester Young & Bilie Holiday 9. Lester Young - Cool Riffs 10. Lester Young - The Pres.

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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
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Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
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Lester Young
THE TRAGEDY AND TRIUMPH OF LESTER YOUNG By RON TABOR still at (or close to) the height of his creative powers, and much like Billie Holiday, Young suffered an extended period “I STAY BY MYSELF. SO HOW DO YOU KNOW ANYTHING of physical, psychological, and most believe, artistic decline, ABOUT ME?”1 which was visible to all but the most obtuse observers. Young’s death, in other words, can almost be described as protracted and public. To anyone more than a little familiar with the life of Lester Young, the great African American jazz tenor saxophonist, the What is usually accounted for as the cause of Young’s deterio- title of my essay must seem ironic. For Young’s life is more ration and ultimate demise was the time he spent in the US often described, when it is described at all, as a triumph fol- Army during the last year of World War II, when he was lowed by tragedy. This reflects the arc of his artistic career. In arrested for possession of marijuana and barbiturates and the late 1930s, Young burst upon the national jazz scene as a spent a term in the detention barracks. Nobody knows exactly star, even the star, of the fabulous Count Basie band. His new what went on there, but whatever it was, it had a profound sound and radical approach to improvisation, in the context impact on the saxophonist. According to most observers, of the innovations of the band itself, set the jazz world afire, Young emerged from the experience a changed—some say, paved the way for modern jazz, and influenced hundreds if disturbed—man.
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Tommy Irvine Jazz Collection SPC.2018.038
http://oac.cdlib.org/findaid/ark:/13030/c8g166g7 No online items Inventory of the Tommy Irvine Jazz Collection SPC.2018.038 Jade Delao California State University Dominguez Hills Archives and Special Collections 2018-12-05 University Library South -5039 (Fifth Floor) 1000 E. Victoria St. Carson, CA 90747 [email protected] URL: https://www.csudh.edu/libarchives/ Inventory of the Tommy Irvine SPC.2018.038 1 Jazz Collection SPC.2018.038 Language of Material: English Contributing Institution: California State University Dominguez Hills Archives and Special Collections Title: Tommy Irvine Jazz Collection creator: Cole, Nat King, 1919-1965 creator: Holiday, Billie, 1915-1959 creator: Eckstine, Billy creator: Garner, Erroll creator: Shearing, George creator: Vaughan, Sarah, 1924-1990 Identifier/Call Number: SPC.2018.038 Physical Description: 24 boxes Date (inclusive): 1908-1981, undated Date (bulk): 1940-1953 Language of Material: Collection material is in English. Abstract: This collection contains approximately 444 records held in 76 album sets with performances from musicians, many of which fall under the musical genre of jazz. Most of the records are 10" Shellac, 78 RPMs. Notable musicians featured in this collection include: George Shearing, Billy Eckstine, Nat King Cole, Erroll Garner, Billie Holiday, Sarah Vaughan, and others. Physical Description: Shellac, 10'', 78 RPM Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical materials and not intended to include or imply permission of the copyright holder, which must also be obtained.
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Philo Records 78 RPM Discography
Philo Records by Frank Daniels The first concert labeled as Jazz at the Philharmonic occurred in July 1944 at Los Angeles Philharmonic Auditorium. The Philharmonic Orchestra was the main attraction to the building, but Norman Granz’s jazz concerts were soon to be regarded as historic by jazz afficionados. The Philharmonic Record Shop, owned by Leo and Edward Mesner, occupied the same building as the famous concert hall, and they were thrilled to hear the jazz that was happening at the auditorium – so thrilled that they decided to start a record label. In late spring 1945, Philo Recordings was born. Naturally, it was named after the record store and the auditorium that housed them. Philo Records got started slowly, but soon the new label released popular blues and jazz hits. Before the end of the year, Norman Granz was on board, reeling in new artists for Philo and bringing the label some of his recordings – such as the famous 1942 concert featuring Nat King Cole, Lester Young, and Red Callender. By the end of the year, the west-coast label was releasing several new singles every month, but they were having problems with their name. As the Mesners tried to register the Philo name as a trademark, they faced resistance from the Philco Radio Corporation, who indicated that the Philo name may cause confusion. After over a month of discussion, the Mesner brothers decided to change their business to Medlee (= M + Ed + Lee). They dropped that idea within a week or two, however, in favor of another name: Aladdin. With that name, the label would be popular throughout the R&B scene during the early 1950s.
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Aly Keita Benny Goodman Charlie Haden John Mclaughlin Nels Cline Steve Swell Szilard Mezei
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC BARB BFFFFFFFF ANA Aly Keita Benny Goodman Charlie Haden John McLaughlin Nels Cline Steve Swell Szilard Mezei The Road to Carnegie Hall Thoughts on South Africa International Jazz News CD Reviews Book Reviews Volume 43 Number 2 April May June 2017 Haden ad for Cadence.qxp_Layout 1 3/2/17 3:43 PM Page 1 New book about Charlie Haden “Charlie Haden’s story is a classic American saga, and Josef Woodard allows him to tell it elo- quently and in moving detail,” —Francis Davis “Woodard’s treas- ure trove of inter- views with Charlie Haden gives us such an intimate feeling of the jazz giant that we feel like we re sitting in the room with an old friend.... Haden opens up about his iconic musical associ- ates over the years, allowing us rare access into the insular world of jazz itself.” —Michelle Mercer Conversations with Charlie Haden compiles 20 years of award-winning jazz critic and author Josef Woodard’s interviews with Haden, who can- didly talks about his life, politics, music, aesthetics, and the great musi- cians with whom he worked, including Ornette Coleman, Don Cherry, Paul Bley, Carla Bley, Keith Jarrett, Billy Higgins, Paul Motion, Dewey Redman, Pat Metheny, Geri Allen, Brad Mehldau, Gonzalo Rubalcaba, and many others. Published by Silman-James Press (www.silmanjamespress.com). Available now from all good bookstores, as well as Amazon.com. In 1955, Oscar Pettiford introduced us to Bohemia After Dark. Sixty-two years later, Roberto Magris offers his twist on the city with PRAGUE AFTER DARK.
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Other Astor Labels
AUSTRALIAN RECORD LABELS ASTOR DISTRIBUTED LABELS 1952 TO 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, JUNE 2019 1 ASTOR LABELS INCLUDED IN THIS LISTING ABC 1979–1980 EUROPA 1972–1979 OVATION 1980–1981 AMARET 1969–1970 FABLE / BOOTLEG –1982 PLAYBOY 1972–1978 AMERICAN INTERNATIONAL 1979 FULL MOON 1979–1981 PRT / PRECISION 1980–1982 ASH 1977 GALLERIA DEL CORSO 1962 RED BIRD 1964–1966 ATTIC 1977–1980 GENERATION 1971–1972 REPRISE 1963–1966 AUDIO BOOK 1959 GO!! 1964–1967 RIALTO 1980–1982 AUDIO FIDELITY 1963–1969 GOLDEN HOUR 1969–1980 ROUGH DIAMOND 1981–1982 BARNABY 1974–1976 GRT / JANUS 1972–1978 ROXBURY 1977 BLUEPRINT 1980–1981 GULL 1974–1976 SCEPTER 1972–1975 B.T. PUPPY 1967–1970 HI FI RECORD 1959–1966 SCOPE 1966–1967 CAMERON INDIGO 1976–1979 SCORE 1968 CASABLANCA 1974–1980 KAMA SUTRA 1966–1968 SOMERSET / SONIC 1972–1975 CHELSEA 1977 KARATE 1966 SWEET PEACH 1970–1971 CLEF 1954–1958 LA RECORDS 1979 TRIP 1975 COLPIX 1963–1965 LISMOR 1979 TWIN HITS 1963–1964 CREAM 1977–1981 MAGIC MOON 1981–1982 UP FRONT DANDELION 1971 MERCURY 1952–1962 VANGUARD 1956–1980 DAWN 1970–1975 MOTOWN 1978–1982 VERVE 1956–1967 ELEKTRA 1966–1970 NIXA 1953–1959 WESTBOUND 1971–1972 ENSIGN 1981–1982 ORFEON 1961 2 ABC RECORDS PREVIOUSLY DISTRIBUTED THROUGH RCA. DISTRIBUTION PASSED TO ASTOR WHEN ABC WAS SOLD TO MCA IN 1979. MOST LP’S WERE REISSUES (‘RI’), AND MANY HAD AN MCA LABEL. 45’S AB 12449 PINBALL, THAT’S ALL / MY MUSIC BILL WRAY 8.79 AB 12451 (IF LOVING YOU IS WRONG) I DON’T WANT TO BE RIGHT / I FEEL THE HURT COMING ON BARBARA MANDRELL 7.79 AB 12456 CHEATER’S KIT / STOLEN WINE TOMMY OVERSTREET 8.79 AB 12458 LAY DOWN BESIDE ME / I WOULD LIKE TO SEE YOU AGAIN DON WILLIAMS 9.79 AB 12459 YOU CAN DO IT / I DON’T WANT YOU TO LEAVE ME AL HUDSON & THE PARTNERS 8.79 AB 12463 SAIL AWAY / THE ONLY ONE OAK RIDGE BOYS 8.79 TO MCA MAIN CATALOGUE IN 1979 LP’S ABCD 752 CABARET RI SOUNDTRACK ABCX 758 CAN’T BUY A THRILL RI STEELY DAN ABCX 767 THE BEST OF B.
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Charles University of Prague Faculty of Education
CHARLES UNIVERSITY OF PRAGUE FACULTY OF EDUCATION DEPARTMENT OF MUSIC EDUCATION DIPLOMA DISSERTATION ELENA GONATA FACULTY OF EDUCATION CHARLES UNIVERSITY DEPARTMENT OF MUSIC EDUCATION SAXOPHONE AND ITS ROLE IN JAZZ MUSIC ELENA GONATA MUSIC EDUCATION- CHOIR CONDUCTING SUPERVISOR OF DISSERTATION: Doc. PhDr. Stanislav Pecháček, Ph.D. 2008/09 PRAGUE PEGAGOGICKÁ FAKULTA UNIVERZITY KARLOVY KATEDRA HUDEBNÍ VÝCHOVY SAXOFON A JEHO ROLE V JAZZOVÉ HUDBĚ ELENA GONATA HUDEBNÍ VÝCHOVA- SBORMISTROVSTVÍ VEDOUCÍ DIPLOMOVÉ PRÁCE: Doc. PhDr. Stanislav Pecháček, Ph.D. 2008/09 PRAHA Declaration I confirm that this is my own work and the use of all materials from other sources has been properly and fully acknowledged. Prague 20/04/2009 Acknowledgements First of all I would like to thank my supervisor Mr. Stanislav Pecháček., for the help he offered me not only on my diploma work, but also throughout these five years I have been a student in the University. Mr. Stanislav Pecháček has been patient, understanding and helpful throughout my academic career and while my University career is coming into an end I feel obliged to pay a big respect to my tutor. In extent, I would like to thank all of the tutors whom I was a student throughout these five years, from the beginning of my academic career. Special thanks to Mrs. Afroditi Kathmeridou a tutor of Classical and Jazz Conservatory of Prague, who has always been there for me, supporting me not only as a tutor but as a friend as well. A significant figure in my life who 1 want to thank is Mrs. Kristi Pavlou, my tutor in Cyprus for a whole ten years.
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Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again for the First Time CD 1997 ???? ????? CD 1990 4
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again For The First Time CD 1997 ???? ????? CD 1990 4 Giants Of Swing 4 Giants Of Swing CD 1977 Abate, Greg It'S Christmastime CD 1995 Monsters In The Night CD 2005 Evolution CD 2002 Straight Ahead CD 2006 Bop City: Live At Birdland CD 2006 Abate, Greg Quintet Horace Is Here CD 2004 Bop Lives CD 1996 Adams, George & Don Pullen Don't Lose Control CD 1979 Adams, Greg Midnight Morning CD 2002 Adams, Pepper 10 to 4 at the 5-Spot CD 1958 Adderley, Cannonball The Poll Winners: Volume 4 CD 1960 The Cannonball Adderley Quintet In San Francisco [Live] [Bonus Track] CD 1959 Adderley, Cannonball With Bill Evans Know What I Mean? CD 1961 Adderley, Nat Work Song CD 1990 Ade & His African Beats, King Sunny Juju Music CD 1982 Aggregation, The Groove’s Mood CD 2008 Akiyoshi, Toshiko Desert Lady/Fantasy CD 1993 Live at Maybeck Recital Hall: Volume 36 CD 1994 Finesse CD 1978 Alaadeen and the deans of swing Aladeen And The Deans Of Swing Plays Blues For RC And Josephine, Too CD 1995 Alaadeen, Ahmad New Africa Suite CD 2005 Time Through The Ages CD 1987 Page 1 of 79 Title Format Released Albany, Joe The Right Combination CD 1957 Alden, Howard & Jack Lesberg No Amps Allowed CD 1988 Alexander, Eric Solid CD 1998 Alexander, Monty Goin' Yard CD 2001 Jamboree CD 1998 Ray Brown Trio - Ray Brown Monty Alexander Russell Malone (Disc 2-2) CD 2002 Reunion in Europe CD 1984 Ray Brown Monty Alexander Russell Malone (Disc 1) CD 2002 My America CD 2002 Monty Meets Sly And Robbie CD 2000 Stir It
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Download the Tenor Saxophone of Lester
1 The TENORSAX of LESTER WILLIS YOUNG “PRES” “PREZ” PART 2 1943 - 1949 Solographer: Jan Evensmo Last update: Oct. 17, 2018 2 Born: Woodville, Mississippi, August 27, 1909 Died: New York City, March 15, 1959 Introduction: Lester Young was one of Oslo Jazz Circle’s greatest heroes. Although we were spellbound by his works with Teddy Wilson and Billie Holiday in the late 1930s, his music from later periods was always in demand, and there are many treasures in the 1940s, see solography below! In my Jazz Solography Series, Vol. 13 (1983), his music was presented, updated in this 2014 version. History (continued): In the spring of 1943 Lester worked with Al Sears’ big band at the Renaissance Casino in New York, subsequently did a U.S.O. tour with Al Sears. Worked with Count Basie at the Apollo Theatre, New York (October 1943), with Dizzy Gillespie at The Onyx Club, New York, then rejoined Basie from December 1943 until September 1944 – he was inducted into the U.S. Army at Fort MacArthur early in October 1944. Whilst doing combat training at Camp McClellan, Alabama, he underwent surgery, soon after his return to duty he was court martialed and sentenced to a year’s detention. He was taken ill at Camp Gordon, Georgia, in June 1945 and was subsequently released from the service. He moved back to California and did first regular playing at an October 1945 recording session. In 1946 he began his long association with Norman Granz’s Jazz At The Philharmonic’ shows, throughout the late 1940s and 1950s continued to lead own small groups (ref.
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SKIVLISTA SU UPPSALA VT 16 SEM 1: OSCAR PETERSON; ”Live At
SKIVLISTA SU UPPSALA VT 16 SEM 1: OSCAR PETERSON; ”Live at North Sea Jazz Festival” 1980; med Toots Thielemans; ”Caravan” LESTER YOUNG: ”The Great Lester Young vol 2” 1947; ”Sunny Side of the Street” ” ”Lester Young – Buddy Rich Trio” 1953; ”Somebody Loves Me” AL COHN, ZOOT SIMS: ”Al Cohn Quintet featuring Zoot Sims” 1958 ”Brandy and Beer” LOUIS ARMSTRONG: ”Louis Armstrong and the All-Stars”, ”Big Butter and Egg Man” SEM 2: LOUIS ARMSTRONG HOT FIVE 1926 ”Big Butter and Egg Man” MILES DAVIS: ”In Person” 1961, ”If I were a Bell” URBIE GREEN: ”The Persuasive Trombone of Urbie Green” 1960, ”At Last” BENNY GOODMAN: ”Sing, Sing, Sing” 1935-39, ”Chloe”, ”A Handful of Keys” OSCAR PETERSON: ”Dave Brubeck & Oscar Peterson”, ”You Look Good to Me” SEM 3: COUNT BASIE: m Bennie Motens Kansas City Orch, ”Prince of Wails” CANNONBALL ADDERLY: ”Quintet in Chicago”, 1959, ”Limehouse Blues” DON BYAS: ”Live at Mintons” 1941, ”Stardust” ------- ” ---- ”Ben Webster & Don Byas”, 1945 m Slam Stewart ”Indiana” CLIFFORD BROWN: ”CB & Max Roach”, 1954, ”Joy Spring” ----- ” ----- ”C with Strings”, 1955, ”Yesterdays” BIX BEIDERBECKE: ”Bix and his Gang”, 1928, ”Louisiana” SEM 4: COUNT BASIE: ”Squabblin´” med Walter Page´s Blue Devils ”Lady Be Good” Jones-Smith Inc 1936, Lester Young ”Jumpin at the Woodside” CB and his Orchestra 1937 ”Harvard Blues” 1942 m Don Byas, Jimmy Rushing DUKE ELLINGTON: ”Black & Tan Fantasy” 1927 ”If You´re Ever in My Arms Again” m Barney Bigard cl. ”Ko-Ko” m Ben Webster, Jimmy Blanton 1940 ”Duke´s Place” m Ella Fitzgerald, Stockholms Konserthus 1966 SEM 5: Ulf spelade ett potpurri på ”Take the A-Train” och ”Caravan”.
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Lester Young Lester Swings Mp3, Flac, Wma
Lester Young Lester Swings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lester Swings Country: Germany Released: 1977 MP3 version RAR size: 1550 mb FLAC version RAR size: 1323 mb WMA version RAR size: 1635 mb Rating: 4.1 Votes: 659 Other Formats: VOX AHX MMF FLAC ADX WAV AU Tracklist A1 I've Found A New Baby 4:04 A2 Back To The Land 3:52 A3 I Cover The Waterfront 4:03 A4 Somebody Loves Me 3:54 A5 I Want To Be Happy 3:56 A6 Mean To Me 4:09 B1 The Man I Love 4:48 B2 Peg O' My Heart 4:02 B3 Too Marvelous For Words 2:57 B4 'Deed I Do 3:11 B5 Encore 3:05 B6 Polka Dots And Moonbeams 3:37 B7 Up 'N Adam 3:42 C1 Three Little Words 3:09 C2 Count Every Star 2:39 C3 It All Depends On You 3:15 C4 Neenah 3:27 C5 Jeepers Creepers 2:50 C6 Thou Swell 2:54 C7 September In The Rain 3:02 C8 Undercover Girl Blues 2:41 D1 Frenesi 2:59 D2 Pete's Cafe 3:31 D3 Little Pee Blues 2:37 D4 A Foggy Day 2:50 D5 In A Little Spanish Town 3:07 D6 Let's Fall In Love 2:52 D7 Down 'N Adam 2:54 D8 Lester Swings 2:28 D9 Slow Motion Blues 2:54 Credits Bass – Gene Ramey (tracks: C6 to C8, D1 to D9), Joe Shulman (tracks: C1 to C5), Ray Brown (tracks: B3 to B7) Drums – Bill Clarke* (tracks: C1 to C5), Buddy Rich (tracks: A1 to A3, A5, A6, B1 to B7), Jo Jones (tracks: C6 to C8, D1 to D9) Engineer [Reissue] – Edwin Outwater Illustration [Cover Art] – Beverly Parker Liner Notes – Neil Tesser Mastered By [Credited On Etching] – Howie Weinberg Mastered By [Credited On Liner] – Robert Ludwig* Piano – Hank Jones (tracks: B3 to B7), John Lewis (tracks: C1 to C8, D1 to D9),
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