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The Corning Museum of NewGlass Review 19

The Corning, New York 1998 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daf3 sie inner- the 1997 calendar year. halb des Kalenderjahres 1997 entworfen und gefertigt wurden.

For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei:

The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 E-mail: [email protected]

All rights reserved, 1998 Alle Rechte vorbehalten, 1998 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-: 1-141-6 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt

Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 12 Some of the Best in Recent Glass 32 Bibliography/Bibliographie 40 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 86 Jury Statements

Two kinds of people select pieces for the New Glass Review, people ^^wei Sorten von Menschen wahlen die Arbeiten fur die New Glass who make things and people who don't. The first group includes artists, Review aus: Menschen, die Dinge machen und Menschen, die keine craftspeople, and designers (frequently all in one); the second group machen. Zur ersten Gruppe gehoren Kunstler, Kunsthandwerker und consists of museum people, critics, and writers (also frequently all in Designer (oft alles in einer Person); die zweite Gruppe besteht aus Mu- one). Jurors from these two groups often have decidedly different view­ seumsleuten, Kritikern und Autoren (oft auch alles in einer Person). Ju- points - they come from different worlds. roren aus diesen beiden Gruppen haben oft entschieden unterschiedli- Looking back over the years, it seems to me that the people who che Standpunkte - sie aus unterschiedlichen Welten. make things are more generous in their selections than those who Wenn ich auf die Jahre zuruckschaue, kommt es mir so vor, als ob die don't. (The famous art critic Clement Greenberg was an exception. He Menschen, die Dinge machen, in ihrer Auswahl groBzugiger sind als die, wanted to include just about everything.) I know that I am a source of die das nicht tun. (Der beruhmte Kunstkritiker Clement Greenberg war great frustration to my fellow permanent juror - Susanne Frantz, curator eine Ausnahme. Er wollte fast alles aufnehmen). Ich wei(3, daf3 ich eine of 20th-century glass at The Corning Museum of Glass - because I Quelle grofBer Frustration bin fur meine Dauerjurorkollegin - Susanne want to include all sorts of intriguing delights that do not meet her cura­ Frantz, Kuratorin fur Glas des 20. Jahrhunderts am Corning Museum of torial standards. I know this to be true because she moans when I make Glass - weil ich alle Arten kurioser Entzuckungen aufnehmen mochte, my selections. die nicht mit ihren Standards als Kuratorin ubereinstimmen. Ich weif3, And this is probably as it should be. Museums in our era are about daB das stimmt, weil sie stohnt wenn ich meine Entscheidungen treffe. "significance" when it comes to contemporary work. The curators spend Und das mufB vielleicht so sein. Museen in unserer Epoche legen their lives reading, looking, and comparing to discover the truly signifi­ Wert auf „Bedeutung" wenn es um zeitgenossische Kunst geht. Die cant. They have panoramic vision and magnificent memories. Nothing Kuratoren verbringen ihr Leben damit, zu lesen, zu gucken und zu ver- escapes them. (Susanne not only knows when my choice is insignifi­ gleichen, um das wahrhaft bedeutungsvolle zu entdecken. Sie haben cant, but she also knows that I chose a similar piece by the same per­ einen Panoramablick und groBartige Gedachtnisse. Nichts entgeht son three years ago.) ihnen. (Susanne weiB nicht nur wann meine Wahl bedeutungslos ist, Our co-juror David McFadden, chief curator at the American sondern sie weiB auch, daB ich ein ahnliches Stuck von der gleichen Museum in New York City, also saw very few peaks from a very elevat­ Person vor drei Jahren gewahlt habe.) ed plane. For both of these distinguished curators, collecting is a pro­ Unser Co-Juror David McFadden, leitender Kurator am American fessional responsibility. They work for institutions whose function is to Craft Museum in New York City, sah von einer sehr erhohten Ebene survive us all. They choose for posterity. ebenfalls nur sehr wenige Spitzen. Fur diese beiden ausgezeichneten , the other visiting juror in 1998, had no trouble filling Kuratoren ist Sammeln eine Berufsverantwortung. Sie arbeiten fur Insti- his quota of choices. He is so much a part of the contemporary glass tutionen, deren Aufgabe es ist, uns alle zu uberleben. Sie wahlen fur die scene, so immensely knowledgeable (on a firsthand basis) about who Nachwelt aus. makes what, how, and where, that he epitomizes the present. With his Lino Tagliapietra, 1998 der andere Gastjuror, hatte keine Schwierig- perspective as a world-famous master of an ancient craft tradition, he keiten, seine Wahlquote zu erfullen. Er ist so sehr Teil der zeitgenossi- might be expected to have a strong bias. It was not evident, however, schen Glasszene, so immens darin bewandert (aus erster Hand) wer as his selection demonstrates. was macht, wie und wo, daB er die Gegenwart verkorpert. Mit seiner Lino teaches glassmaking, and I teach painting. We see people Perspektive als weltberuhmter Meister in einer alten Handwerkstradition struggling to master ideas and techniques, just as we keep struggling to konnte man meinen, sei er stark befangen. Das war nicht ersichtlich, do. It makes us empathize with those who really try. I cannot speak for was auch seine Auswahl demonstriert. Lino, but when I looked at the candidates for inclusion in this year's Lino lehrt Glasmachen, und ich lehre Malerei. Wir sehen Leute sich Review, I was struck as never before by the high degree of technical abmuhen, Ideen und Techniken zu meistern, genauso wie wir weiter competence, by the sheer amount of effort involved in so much of what darum ringen. Das befahigt uns in die einzufuhlen, die es richtig versu- flashed before us. Little of it may prove to be significant in historical chen. Ich kann nicht fur Lino sprechen, aber als ich mir die Kandidaten terms, but we did see a great deal of good work. I find it very difficult to fur die diesjahrige Review ansah, war ich wie noch nie beeindruckt von pass by anything made with care and knowledge by a gifted human dem hohen Niveau der technischen Kompetenz, durch die reine Menge being. But as New Glass Review jurors, we do it all the time. der Anstrengungen bei vielem was vor uns aufblitzte. Wenig davon mag For me, a retired glass museum person with bulging cupboards and unter historischen Gesichtspunkten von Bedeutung sein, aber wir ha­ enough clutter to make visits from grandchildren a high-risk delight, ben eine Menge guter Arbeiten gesehen. Ich finde es schwierig, etwas there is much to admire but little to desire. I look for the extraordinary beiseite zu legen, das mit Sorgfalt und Wissen von einem talentierten glass by the anonymous maker, a piece that is not about self-identity or Menschen gemacht wurde. Aber als New Glass Review Juroren tun wir self-expression or political sensitivity, but so good that I wonder who das die ganze Zeit. could have made it. This is less about collecting on either a professional Fur mich als Glasmuseumsperson im Ruhestand mit Schranken, die or a personal level than it is about interest. zum bersten voll sind, und genug Wirrwarr, um den Besuch von Enkeln There are pieces in this Review\ha\ delight and inspire, many of zu einem auBerst riskanten Vergnugen zu machen, gibt es viel zu be- which I would just like to see and to hold. I no longer have any idea of wundern aber wenig zu verlangen. Ich suche nach dem auBergewohnli- how significant they may prove to be, but I can imagine the private chen Glas von einem anonymen Macher, ein Stuck, bei dem es nicht pleasure they would give me. Hikari Ando's tazza Aki no Oiwai (2) is um die eigene Identitat oder Selbstdarstellung oder politisches Gespur such a piece. Like a pastry in a window, it looks enriching. Blaise Camp­ geht, das aber so gut ist, daB ich mich frage, wer es gemacht haben bell's Strange Fruit (10) suggests the futility of leg lifts to a - konnte. Das hat wenig mit Sammeln, weder auf einer professionellen crusted yam with which I a strong personal identity. Some pieces noch einer personlichen Ebene zu tun, als mit Interesse. are just so puzzling that they hold a siren-like allure. Giselle Courtney's Es gibt Stucke in dieser Review, die entzucken und inspirieren, viele Anemone (16) is such a piece for me. When it comes to curious charm, davon wurde ich gerne sehen und anfassen. Ich habe keine Idee mehr the beaded blonde in JoAnn Feher's Let Down Your Golden Hair (22) wie bedeutungsvoll sie sich erweisen konnten, aber ich kann mir das intrigues like the story it reflects. The search for significance in glass private Vergnugen vorstellen, das sie mir geben wurden. Hikari Andos tends to denigrate humor, which is a shame. Wit can be as enduring as tazza Aki no Oiwai (2) ist solch ein Stuck. Es sieht verlockend wie eine profundity - and a lot more accessible. Torte in einem Schaufenster aus. Blaise Campbells Strange Fruit (10) Yuko Kikuzato (38) is represented by a bowl encased in turtles made laBt an die Nutzlosigkeit von Gymnastikubungen einer mosaikuberzoge- of concentric rings on a matrix of incised rings. How I wish it were in nen SuBkartoffel denken, zu der ich einen starken personlichen Bezug front of me so that I could experience the scale and texture, the color fuhle. Einige Stucke sind einfach so verwirrend, daB sie einen Sirenen and translucency! Looking at all these slides without seeing the real ahnlichen Reiz ausuben. Giselle Courtneys Anemone (16) ist fur mich thing is like choosing friends from passport photos. Once in a while, an solch ein Stuck. Wenn es um einen kuriosen Charme geht, fasziniert die old friend does turn up - such as (47), whose iconography mit Perlen verzierte Blondine in JoAnn Fehers Let Down Your Golden has a haunting consistency, but whose growth as an artist makes his Hair (22) wie die Geschichte, die sie widerspiegelt. Die Suche nach Be- work new. deutung in Glas tendiert dazu, Humor zu verunglimpfen, was eine The capacity of glass to share its molten motion with sea creatures Schande ist. Witz kann genauso fortdauern wie Tiefe - und viel zugang- has intrigued glassmakers throughout history. There are two extraordi­ licher sein. nary examples in this Review that would, I think, be a credit to any era. Yuko Kikuzato (38) ist mit einer Schale vertreten, die mit Schildkroten The first is by Yuko Mizuyoshi (55), who has managed to do a strange uberzogen ist, bestehend aus konzentrischen Ringen auf einer Matrix fish's portrait, inflate it with life, and set it in motion. The other is by aus eingeritzten Ringen. Wie sehr wunschte ich, sie vor mir zu haben, Jaromir Rybak (74), whose sinister creature's skin pulses with vitality. so daf3 ich die GroBe und Textur, die Farbe und Durchsichtigkeit erfah- The imitation of life is probably responsible for as much banality in ren konnte! All diese Dias zu sehen, ohne den wirklichen Gegenstand, glass as in painting, but this should not deny the potential for brilliant ist als ob man Freunde nach PaBphotos aussuchen wurde. Hin und performance. If anything characterizes this era, it is that everything is wieder taucht ein alter Freund auf - so wie Paul Marioni (47), dessen permissible - except the traditional. Creating images of aspects of the Ikonographie eine Bestandigkeit hat, die nicht mehr aus dem Kopf geht, world around us is obviously innate in the human psyche. To limit or aber dessen Wachstum als Kunstler seine Arbeit neu macht. exclude this propensity because it was done in the past is to deny our­ Die Kapazitat von Glas, seine geschmolzene Bewegung mit Meeres- selves. Change is inevitable, but not exclusive. kreaturen zu teilen, hat Glasmacher durch die Geschichte hindurch ge- fesselt. Es gibt zwei auBerordentliche Beispiele in dieser Review, die, Thomas S. Buechner (TSB) so meine ich, ein Lob fur jede Ara waren. Die erste stammt von Yuko Founding Director Mizuyoshi (55), der es gelungen ist, ein seltsames Fischportrat zu ma- The Corning Museum of Glass chen, ihm Leben einzuhauchen und es in Bewegung zu setzen. Das an- dere stammt von Jaromir Rybak (74), dessen unheimliche Haut der Kreatur vor Vitalitat pulsiert. Die Imitation von Leben ist wahrscheinlich fur soviel Banalitat in Glas wie in der Malerei verantwortlich, aber das sollte nicht das Potential fur eine brillante Ausfuhrung bestreiten. Wenn etwas diese Ara charakteri- siert, dann daB alles moglich ist - auBer das traditionelle. Bilder von Aspekten der Welt, die uns umgibt, zu kreieren, ist offensichtlich der menschlichen Psyche angeboren. Diesen Reichtum einzuschranken oder auszuschlieBen weil es in der Vergangenheit gemacht wurde, heiBt, uns selbst zu verneinen. Veranderung ist unvermeidlich, aber nicht ausschlieBlich.

Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glass

sympathize. I really do. As an undergraduate ceramics major, I Ich bin wohlwollend. Wirklich, das bin ich. Ich erinnere mich, daB ich remember being at a loss for ways to make my work different. I too suc­ als Studentin mit dem Hauptfach Keramik nicht mehr ein noch aus cumbed to the temptation of "When in doubt, decorate it some more." wuBte auf der Suche nach Wegen, meine Arbeit anders sein zu lassen. My specialty was elaborate handles. Even after 18 years as a curator, Auch ich erlag der Versuchung: „im Zweifelsfall ein biBchen mehr Deko- one of my harshest critiques of an object is to think, "That looks like ration". Meine Spezialitat waren sorgfaltig ausgefuhrte Henkel. Aber something that I would have made." In a spirit of empathy, I offer the fol­ nach 18 Jahren als Kuratorin ist meine harscheste Kritik an einem Ob- lowing suggestions. jekt wenn ich denke, „das sieht aus wie etwas, was ich gemacht haben Ask yourself: Does the world need another glass hammer, knife, konnte." Im Sinn von Empathie biete ich folgende Uberlegungen an. piece of fruit, chili pepper, pair of breasts, penis, or fish? Fragen Sie sich selbst: Braucht die Welt noch einen Hammer, ein Things to avoid, at least for the next few years: seed pods, funny Messer, ein Stuck Obst, eine Chilischote, Bruste, einen Penis oder faces, scary faces, shrines, and ornate goblet stems with unrelated Fisch aus Glas? bowls. Dinge, die man vermeiden sollte, wenigsten in den nachsten Jahren: Leave the meaningful words in block type to Jenny Holzer. Leave the Samenschoten, witzige Gesichter, erschreckende Gesichter, Schreine scratchy to Cy Twombly. und uberladene Kelchglasstiele mit Schalen, die dazu nicht in Bezie- If you are thinking of adding wire, raffia, feathers, twigs, rusty pieces hung stehen. of metal, or gold leaf to your , think again. Uberlassen Sie die bedeutungsvollen Worte in Blockschrift Jenny If you are using high-fire enamel paints, make sure that the form you Holzer. Uberlassen Sie eine dahingekritzelte Kalligraphie Cy Twombly. are painting on contributes something to the piece. If it is merely a can­ Wenn Sie daruber nachdenken, Draht, Raffiabast, Federn, Zweige, vas (probably a thick ovoid one), then why not use a real canvas? rostige Metallstucke oder Blattgold ihrer Skulptur hinzuzufugen, uberle- If you are attempting some degree of realistic representation of na­ gen Sie noch einmal. ture, set for yourself the highest standard of achievement: the works of Wenn Sie Emailfarben zum Einbrennen benutzen, vergewissern Sie Rudolf and Leopold Blaschka. sich, daB die Form auf die Sie malen, etwas zur Arbeit beizutragen hat. If you love Hobson's and Karla Trinkley's fragile-looking pate Wenn sie nichts weiter ist als eine Leinwand (wahrscheinlich eine dicke de verre from the late 1970s and 1980s, don't copy them. eiformige), warum benutzen Sie dann keine richtige Leinwand? If you made it before, do not make it again on a larger scale. Wenn Sie sich an einer Art realistischer Darstellung der Natur versu- If you are going to plunder , you had better be able to do it chen, setzen Sie sich selbst die hochsten MaBstabe: die Arbeiten von better - both in style and technique. Good luck. Rudolf und Leopold Blaschka. If you hope that adding one more decorative element will change Wenn Sie Diana Hobsons und Karla Trinkleys fragil aussehendes your sculpture from "a pile" into a unique expression of your own eccen­ Pate de Verre aus den spaten 70ern und 80er Jahren mogen, kopieren tric multifaceted personality and worldview, you are probably wrong. Sie es nicht. And finally, the element that kills nine out of 10 - the foot Wenn Sie etwas schon einmal gemacht haben, wiederholen Sie es or stand. If possible, avoid elevating your sculpture on anything that nicht in einem groBeren MaBstab. screams "THE BASE." Sometimes a base might seem to be the nice Wenn Sie sich daran machen, Murano zu plundern, sollten Sie in der finishing touch that transforms an object from something mundane into Lage sein, es besser zu machen - sowohl vom Stil als auch von der something special. This is not true. Find another way for the piece to be Technik her. Viel Gluck. stable. Setting it on a triangular base with three little ball feet is the su­ Wenn Sie hoffen, daB das Hinzufugen eines weiteren dekorativen preme bore. Elements Ihre Skulptur von einem „Haufen" zu einem einzigartigen Aus- With these lofty commandments comes a caveat. There are multiple druck ihrer eigenen exzentrischen vielschichtigen Personlichkeit und artists who contradict my prohibitions and produce excellent works. It is Weltsicht werden laBt, liegen Sie wahrscheinlich falsch. likely that their achievements have inspired the endless failed knock- Und schlieBlich das Element, das neun von zehn Skulpturen um- offs. Perhaps it would be a good exercise for sculpture instructors to ask bringt - der FuB oder Stander. Wenn moglich, vermeiden Sie es, Ihre their students to incorporate the above taboos and still produce a suc­ Skulptur auf irgendetwas zu heben, das schreit „DER SOCKEL". cessful work. You may be the next person to break these rules and Manchmal scheint ein Sockel den netten letzten Schliff zu geben, der prove me wrong. I hope so. ein Objekt von etwas Gewohnlichem in etwas Besonderes verwandelt. P.S. As always, I apologize to the established artists who entered ex­ Das ist nicht wahr. Finden Sie eine andere Losung fur die Arbeit, damit ceptional work that was not accepted because it did not seem suffi­ sie stabil ist. Sie auf einen dreieckigen Sockel mit drei kleinen runden ciently "new." Please do not give up on New Glass Review. Your sup­ FuBen zu stellen, ist oberlangweilig. port is appreciated and valued. You do not need us, but we certainly Zu diesen hochtrabenden Vorschriften gehort ein Einspruch. Es gibt need you. eine Vielzahl von Kunstlern, die meinen Verboten zuwider handeln und hervorragende Arbeiten produzieren. Es ist wahrscheinlich, daB ihre Susanne K. Frantz (SKF) Leistungen die endlosen Fehlschlage inspiriert haben. Vielleicht ware Curator of 20th-century Glass es eine gute Ubung fur Lehrende, ihre Studenten zu bitten, die oben ge- The Corning Museum of Glass nannten Tabus einzubauen und trotzdem eine erfolgreiche Arbeit zu produzieren. Sie konnten die nachste Person sein, die diese Regeln bricht und mir beweist, daB ich unrecht habe. Ich hoffe es. P.S. Wie immer entschuldige ich mich bei den etablierten Kunstlern, die exzeptionelle Arbeiten eingereicht haben und nicht akzeptiert wor- den sind, weil sie nicht ausreichend „neu" schienen. Bitte geben Sie bei der New Glass Review nicht auf. Ihre Unterstutzung wird geschatzt und ist es wert. Sie brauchen uns nicht, aber wir brauchen Sie ganz gewiB.

Susanne K. Frantz (SKF) Kuratorin fur Glas des 20. Jahrhunderts The Corning Museum of Glass

n a 1957 lecture, Marcel Duchamp said, "All in all, the creative act is l\/l arcel Duchamp hat 1957 in einem Vortrag gesagt, „alles in allem not performed by the artist alone; the spectator brings the work in wird der kunstlerische Akt nicht vom Kunstler allein geleistet; der Zu- contact with the external world by deciphering and interpreting its inner schauer bringt die Arbeit mit der AuBenwelt durch Dechiffrierung und In­ qualifications and thus adds his contribution to the creative act." The re­ terpretation ihrer inneren Qualifikation in Kontakt und leistet so seinen sponsibility of the viewer to participate in the completion of a creative Beitrag zum kunstlerischen Akt." Die Verantwortlichkeit des Betrachters, work was with special clarity by the jurors for New Glass Review 19, einen Beitrag zur Vervollstandigung beizutragen, wurde mit besonderer in which my expectation and anticipation were greater than the reality of Deutlichkeit von den Juroren fur die New Glass Review 19 empfunden, what was presented for review. an die meine Erwartung und Hoffnung groBer waren als die Realitat The scene in Corning was familiar to me as a repeat juror: two days dessen, was schlieBlich gezeigt wurde. in a darkened room with few sounds other than a chorus of carousel Das Szenarium in Corning war mir Wiederholungsjuror vertraut: zwei projectors clicking in rhythmic unity minute after minute, hour after hour. Tage in einem verdunkelten Raum, kaum Gerausche auBer dem Chor Participation as a viewer was unrelenting as we visited more than 2,300 der Karussel-Diaprojektoren, die rhythmisch Minute fur Minute, Stunde works submitted by nearly 900 artists from around the world. Each run- fur Stunde klickten. Die Teilnahme als Betrachter war unerbittlich, weil through narrowed the field until the jurors faced the ultimate challenge: wir mehr als 2.300 Arbeiten sahen, die von fast 900 Kunstlern aus der to make a final selection of no more than 25 works. At the conclusion of ganzen Welt eingereicht worden waren. Jeder Durchlauf engte das Feld my final review, I found 15 works that met my criteria of "new." Some des Jurors ein, bis der sich der ultimativen Herausforderung gegenuber- explanation was in order, both for myself and for the artists. sah: eine endgultige Auswahl von nicht mehr als 25 Arbeiten zu treffen. First, I considered what kinds of work were rejected. Most were, Als Endergebnis meiner SchluBdurchsicht fand ich 15 Arbeiten, die mei- unfortunately, repeat performances by new performers. Due to their nem Kriterium von „neu" entsprachen. Ein paar Erklarungen sind zulas- inherent qualities of color, fluidity, and transparency, a large number of sig, sowohl fur mich selbst als auch fur die Kunstler. works fell into the "4F" draft category - , fruit, fish, and feathers. Zuerst habe ich daruber nachgedacht, welche Arbeiten abgelehnt While lovely to look at and delightful to know, they were not new in any worden sind. Meistens waren es, leider, Wiederholungen durch neue real sense. Works that sought theatrical effect through tritely artificial Kunstler. GemaB ihrer wesentlichen Eigenschaften hinsichtlich Farbe, archetypal images - talismans, , and reliquaries - were likewise Flussigkeit und Transparenz fiel eine groBe Zahl der Arbeiten in das eliminated. Almost none of the works submitted considered the creative Konzept der „4F" Kategorien - Flora, Fruchte, Fisch und Federn. Auch potential of function. And finally, a of works were rejected simply wenn es hubsch war, sie zu betrachten und wunderbar, sie zu kennen, because they were coy and cute. waren sie nicht in einem wirklichen Sinn neu. Arbeiten, die versuchten, What did remain as my final choices were works that intrigued, per­ einen theatralischen Effekt durch abgedroschene kunstliche archetypi- plexed, and delighted me. These were works that embedded them­ sche Bilder-Talismane, Knochen und Reliquarien - zu erzielen, wur- selves in my memory, and which invited further investigation and den gleichermaBen ausgeschlossen. Fast keine der eingereichten Ar- extended contemplation. Four sculptural works rose above the assem­ beiten zog das kreative Potential von Funktion in Betracht. SchluBend- bled crowd. Ryosuke Kinoshita's Pane Report (40) was a haunting lich wurde eine ganze Gruppe von Arbeiten zuruckgewiesen, einfach depiction of an aged and well-worn book, the contents of which will weil sie affektiert und niedlich waren. remain forever unknown and unreadable, written with words that have Was in meiner Endauswahl ubrig blieb, waren Arbeiten, die neugierig become as transparent as glass itself. Yukiyo Kobayashi's Twins (41) machten, mich verblufften und entzuckten. Es waren Arbeiten, die sich embodies time literally and figuratively as a hybrid species combining in meinem Gedachnis verankerten und die zu einer weiteren Recherche the ironic smiles of archaic sculpture with the worldly sophistication of und ausgedehnten Uberlegungen einluden. Vier skulpturale Arbeiten Art Deco ornament. Julie Mihalisin and Philip Walling amplify the sen­ ragten aus der sie umgebenden Menge. Ryosuke Kinoshitas Pane Re­ suous and tactile quality of wearable jewelry into large-scale wall sculp­ port (40) war eine eindringliche Darstellung eines gealterten und abge- tures in Variations on a Theme #1 (51). The most poignant works in the nutzten Buches, dessen Inhalt fur immer unbekannt und unlesbar bleibt, group must be the two glass wigs by Jack Wax (96), who so deliciously geschrieben mit Worten, die so transparent wie Glas geworden sind. walks the fine line between pleasure and provocation, between history Yukiyo Kobayashis Twins (41) verkorpert Zeit buchstablich und figurativ and memory, and between the miraculous and the mundane. als hybride Spezies, die das ironische Lacheln archaischer Skulpturen Works that courageously explored function ranged from the dramatic mit dem weltlichen kultivierten Anspruch des Art Deco Ornaments ver- light-shattering Lobby Mural, Rockefeller Center by Peter Zsiba and bindet. Julie Mihalisin und Philip Walling erweitern die sinnlichen und Maura Smolover (100) to the intimate innuendos of Kazuko Mitsushi- taktilen Eigenschaften von tragbarem Schmuck hin zu groBformatigen ma's Rings: Praying the Glaciers on the Earth Won't Melt (54), which Wandskulpturen in Variations on a Theme #1 (51). Die ergreifendsten contrasts slick geometric frames with jagged, entrapped chunks of raw Arbeiten in der Gruppe sind wohl die beiden Glasperucken von Jack glass, and the sincere and unaffected humor of the Zebra Roadkill Wax (96), die so herrlich auf dem dunnen Grad zwischen Vergnugen necklace by Jennifer Kelting (37). What a treat it was for me to see und Provokation, zwischen Geschichte und Erinnerung und zwischen glass jewelry renovated by generous doses of fresh creativity. Osamu Wunderbarem und Weltlichem wandeln. Noda's Caldera series of cast plates (61) begged for a tactile confirma­ Arbeiten, die mutig die Funktion erforschen, reichen von der dramati- tion of the delicious surface textures of his mysterious glass footprints, schen Lichtinstallation Lobby Mural, Rockefeller Center von Peter Zsiba while Marianne Solberg's bowl (89) soothed the eye with its und Maura Smolover (100) bis zu den intimen Anspielungen in Kazuko evanescent, cloudlike imagery. The greatest of visual pleasure was pro­ Mitsushimas Rings: Praying the Glaciers on the Earth Won't Melt (54), vided by Takeshi Sano in his Soft Forms vessels (78), in which individ­ die schlichte geometrische Rahmen mit kantigen, verfuhrerischen ual eccentricities in form were celebrated without abandoning the play­ Brocken aus grobem Glas konstrastieren und dem ernsten und un- ful choreography of the set as a whole. gekunstelten Humor der Zebra Roadkill Halskette von Jennifer Kelting Few works presenting pictorial imagery ended up in my final selec­ (37). Was fur ein GenuB war es fur mich, durch generose Dosen fri- tion. Among those few was Judy Jensen's Vessel (34), with its almost scher Kreativitat erneuerten Glasschmuck zu sehen. Osamu Nodas Byzantine lushness and power. Designs that exploited and reveled in Caldera Serie von gegossenen Tellern (61) schrie geradezu nach einer color and appealed to the historian in me. Iwao taktilen Bestatigung der kostlichen Oberflachenstruktur seiner geheim- Matsushima's Iridescent Mosaic and Ribbon Bowl (50) was a nisvollen glasernen FuBabdrucke, wahrend Marianne Solbergs Schale charming salute to the history of the medium. Yoko Togashi's 16 Rooms ohne Titel (89) dem Auge durch ihre fluchtige, wolkenahnliche Bildspra- (93) gave a fresh twist to familiar paperweight imagery. A jewellike con­ che wohltat. Das groBte visuelle Vergnugen lieferte Takeshi Sano mit stellation of color, combined with interpenetrating forms, distinguished seinen Soft Forms vessels (78), in denen eine individuelle Exzentrik der Masayuki Kanda's Tropical Island (35). Rich color and idiosyncratic Form gefeiert wird, ohne die spielerische Choreographie des Ensem­ patterns came to life in Hikari Ando's Aki no Oiwai (2), with a form that bles als ganzes aufzugeben. referenced high Victorian ornament and the art of cake decorating in a Wenige Arbeiten mit bildhaften Darstellungen kamen bis in meine single exuberant gesture. Endauswahl. Unter den wenigen war Judy Jensen's Vessel (34), mit The works in my final selection, though few in number, were powerful seiner fast byzantinischen Uppigkeit und Kraft. Entwurfe, die Farben in effect. These artists engaged my vision and thought. Through the me­ und Muster ausnutzten und in ihnen schwelgten, sprachen den Histori- dium of glass and by way of accomplished technical expertise, these ker fur Angewandte Kunst in mir an. Iwao Matsushimas Iridescent works transported me into their world. In speaking of art, D. H. Law­ Mosaic and Lace Ribbon Bowl (50) war ein reizender GruB an die Ge­ rence reminded us that you cannot invent design, but you "recognise it, schichte dieses Mediums. Yoko Tagashis 16 Rooms (93) verlieh der in the fourth dimension. That is, with your blood and your bones, as well vertrauten Bilderwelt der Paperweights einen frischen Dreh. Eine Edel- as with your eyes." I cannot but agree. stein ahnliche Farbkonstellation, kombiniert mit sich gegenseitig durch- dringenden Formen, zeichnete Masayuki Kandas Tropical Island (35) David R. McFadden (DM) aus. Reiche Farben und ideosynkratische Muster werden in Hikari Chief Curator Andos Aki no Oiwai (2) lebendig, mit einer Form, die in einer einzigen Museum uberschwenglichen Geste in hochstem MaB auf das viktorianische New York, New York Ornament und die Kunst einen Kuchen zu verzieren, verweist. Die Arbeiten meiner Endauswahl, obwohl wenig an der Zahl, waren von der Wirkung her beeindruckend. Diese Kunstler nahmen meine Vorstellungskraft und meine Gedanken in Anspruch. Durch das Medium Glas und durch vollendetes technisches Konnen nahmen mich diese Arbeiten mit in ihre Welt. In einem Zitat von D. H. Lawrence uber Kunst erinnert er uns daran, daB man Entwurfe nicht erfinden kann, aber man kann „sie erkennen, in der vierten Dimension. Das heiBt mit unserem Blut und unseren Knochen, ebenso wie mit unseren Augen." Dem kann ich nur zustimmen.

David R. McFadden (DM) Leitender Kurator American Craft Museum New York, New York Being a New Glass Review juror for The Corning Museum of Glass Juror fur die New Glass Review ties Corning Museum of Glass zu was an important but nearly impossible task for me. In a very short sein, war fur mich eine wichtige aber fast unmogliche Aufgabe. Fur eine period of time, I was exposed to vast talent and a wide variety of new sehr kurze Zeit war ich ungeheuren Talenten ausgesetzt und einem works through which I had the opportunity to better understand current breiten Spektrum von neuen Arbeiten, durch die ich die Moglichkeit trends in the world of glassmaking. Suddenly, I had the overwhelming hatte, die gegenwartigen Trends in der Welt des Glasmachens besser responsibility of deciding that some candidates were better than others. zu verstehen. Plotzlich hatte ich die uberwaltigende Verantwortung zu As a glassblower myself, it is natural for me to constantly look for tal­ entscheiden, daB einige Kandidaten besser waren als andere. ented artists with new ideas, designs, or concepts for the Fur mich als Glasblaser ist es naturlich, standig nach talentierten process. I was somewhat disappointed to find little such Kunstlern mit neuen Ideen, Entwurfen oder Konzepten beim ProzeB among the more than 800 entrants. However, I discovered some new des Glasblasens Ausschau zu halten. Ich war irgendwie enttauscht, we- and interesting ideas in the areas of pate de verre, casting, and slump­ nig Innovationen dieser Art unter den mehr als 800 Bewerbern zu fin- ing, perhaps because these areas require less sophisticated skills - den. Gleichwohl, ich habe einige neue und interessante Ideen in den skills that may take less time to master than others. Bereichen Pate de Verre, GieBen und Absenken gefunden, vielleicht In order to achieve a high level of glassblowing skill, we need to have weil diese Bereiche nicht auf eine so ausgefeilte technische Fertigkeit good teachers in good programs - combined with years of practice, of angewiesen sind - Fertigkeiten, die weniger Zeit brauchen als andere, course. Students need to be attentive to learning basic techniques. bis man sie beherrscht. Moreover, glassblowers must develop their own identities by creating Um ein hohes Niveau beim Glasblasen zu erreichen, brauchen wir original designs. This leads me to offer one suggestion for the New gute Lehrer mit guten Programmen - selbstverstandlich kombiniert mit Glass Review. I would like to see comparisons between the works Jahren der Praxis. Studenten mussen beim Erlemen der Grundtechni- selected for the Review and those of other artists who are already rec­ ken aufmerksam sein. Uberdies mussen Glasblaser ihre eigene Iden- ognized in their fields. I would hope that, through these comparisons, titat entwickeln, indem sie originelle Entwurfe kreieren. Das bringt mich the younger artists might find inspiration. dazu, der New Glass Review einen Vorschlag zu unterbreiten. Ich It was a great honor to be a juror for the New Glass Review, and I ap­ wurde gern einen Vergleich sehen zwischen den Arbeiten, die fur die preciated the opportunity to recognize some new talent. It was a difficult flew'ewausgewahlt wurden, und denen von Kunstlern, die bereits in task, but one that I enjoyed. I would like to extend my thanks to the staff ihrem Bereich anerkannt sind. Ich wurde hoffen, daB durch diese Ver- of The Corning Museum of Glass for making the process smooth and gleiche jungere Kunstler Inspiration finden konnten. memorable. Es war eine groBe Ehre, Juror fur die New Glass Review zu sein, und ich habe die Moglichkeit geschatzt, neue Talente zu erkennen. Es war Lino Tagliapietra (LT) eine schwierige Aufgabe, aber eine, an der ich SpaB hatte. Ich mochte Artist and Glassblower meinen Dank fur das Team des Corning Museum of Glass ausspre- Murano, chen, das dafur gesorgt hat, daB der Vorgang glatt und denkwurdig ver- lief.

Lino Tagliapietra (LT) Kunstler und Glasblaser Murano, Italien

Note SchlufBbemerkung

n 1997, more than 6,000 copies of the New Glass Review 19 prospec­ 1997 sind mehr als 6000 Einladungen fur die New Glass Review 19 tus were mailed. Each entrant could submit a maximum of three slides. versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einreichen. A total of 877 individuals and companies representing 43 countries sub­ Insgesamt schickten 877 Einzelpersonen und Firmen aus 43 Landern mitted 2,390 slides. The 100 objects illustrated in this Review were se­ 2390 Dias. Die 100 Arbeiten, die in dieser ftew'ewabgebildet sind, lected by four jurors, whose initials follow the descriptions of the objects wurden von vier Juroren ausgewahlt, deren Initialen den ausgesuchten they chose. Objekten beigefugt sind. All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass Review eingereichten Dias werden in der Library of The Corning Museum of Glass, where they may be viewed by Rakow-Bibliothek des Corning Museums of Glass gesammelt, wo sie the public. Copies of slides published in any of the past Reviews may der Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in be purchased by special order from the Museum's Sales Department. den vergangenen Reviews erschienen sind, konnen durch Sonder- Copies of New Glass Review 3 (1982), 73(1992), 76(1995), 77(1996), bestellung bei der Verkaufsabteilung des Museums erworben werden. and 73 (1997) are still available from the Sales Department, which can Ausgaben der New Glass Review 3 (1982), 73(1992), 76(1995), also supply all back issues of the Review in black-and-white microfiche. 77(1996) und 73(1997) sind noch lieferbar. Alle alten Ausgaben der The Corning Museum of Glass would like to thank all of the artists Review konnen auch auf SchwarzweiB-Mikrofiche geliefert werden. and designers who submitted their slides to New Glass Review tor con­ Das Corning Museum of Glass mochte sich bei alien Kunstlern und sideration. Special thanks are due to those who made this publication Designern bedanken, die ihre Dias zum Wettbewerb eingereicht haben. possible: Young Oak Bond, Louise Bush, Harold, Ernestine Kyles, Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht haben: Richard Price, Joan Romano, Jacolyn Saunders, and Violet Wilson. Young Oak Bond, Louise Bush, Brandy Harold, Ernestine Kyles, Richard Price, Joan Romano, Jacolyn Saunders, und Violet Wilson. Visiting Jurors for the New Glass Review Competitions*

1977: Paul Smith, director, Museum of Contemporary of the 1989: , artist, Freeland, ; Timo Sarpa- American Crafts Council, New York, New York. neva, artist, littala Glassworks, Nuutajarvi, .

1978: Paul Smith, director, Museum of Contemporary Crafts of the 1990: , artist, Seattle, Washington; Michael W. Monroe, American Crafts Council, New York, New York. curator in charge, Renwick Gallery of the National Museum of American Art, Smithsonian Institution, Washington, D.C. 1979: James Carpenter, artist, New York, New York; Paul Smith, di­ rector, Museum of Contemporary Crafts of the American Crafts Council, 1991: Bruce Chao, artist, head of the Glass Department, Rhode Island New York, New York. School of Design, Providence, Rhode Island; Janet Kardon, director, American Craft Museum, New York, New York. 1980: Dan Dailey, artist, head of the Glass Department, College of Art, Boston, Massachusetts; J. Stewart Johnson, curator, 1992: Douglas Heller, director, Heller Gallery, New York, New York; Department of Architecture and Design, The Museum of , Elmerina and Paul Parkman, collectors, craft historians, Kensington, New York, New York. Maryland. 1981: Andrew Magdanz, artist, assistant professor, Rochester Institute 1993: Erwin and Gretel Eisch, artists, Frauenau, Germany; Paul J. of Technology, Rochester, New York; William S. Lieberman, chairman, Smith, director emeritus, American Craft Museum, New York, New York. Department of Twentieth-Century Art, The Metropolitan Museum of Art, New York, New York. 1994: , artist, , Pennsylvania; Yoriko Mizuta, associate curator, Hokkaido , Sapporo, 1982: , artist in residence, Rhode Island School of Design, . Providence, Rhode Island; Henry Geldzahler, curator, commissioner of cultural affairs of the city of New York, New York. 1995: Donald Kuspit, critic, professor of art history and philosophy, State University of New York, Stony Brook, New York. 1983: Robert Kehlmann, artist, critic, and editor of The So­ ciety Journal, Berkeley, California; Clement Greenberg, critic, New 1996: Arthur C. Danto, art critic and Johnsonian Professor Emeritus of York, New York. Philosophy at Columbia University, New York, New York; , 1984: Susan Stinsmuehlen, artist, Austin, Texas; Ronald D. Abram- artist, Amsterdam, the Netherlands. son, collector, Washington, D.C. 1997: Kiki Smith, artist, New York, New York; Geoffrey Edwards, cu­ 1985: Thomas Patti, artist, Plainfield, Massachusetts; David Revere rator of international sculpture and glass, National Gallery of Victoria, McFadden, curator, Cooper-Hewitt Museum, New York, New York; Melbourne, . Helmut Ricke, curator, Kunstmuseum Dusseldorf, Germany. 1998: Lino Tagliapietra, artist and glassblower, Murano, Italy; David 1986: Bertil Vallien, artist, Kosta Boda Glassworks, Afors, Sweden; McFadden, chief curator, American Craft Museum, New York, New Abram Lerner, founding director, Hirshhorn Museum and Sculpture York. Garden, Smithsonian Institution, Washington, D.C.

1987: Stanislav Libensky, artist, former professor, Academy of Applied Arts, , Czechoslovakia; Lloyd E. Herman, independent curator, founding director of the Renwick Gallery of the National Museum of * Jurors are listed according to the years in which the competitions were held and American Art, Smithsonian Institution, Washington, D.C. the results of those competitions were published. In each case, the glass select­ ed by the jurors was made during the previous year. 1988: , artist, professor of ceramics, Alfred University, * Die Juroren sind nach den Jahren aufgefuhrt, in denen der Wettbewerb statt- Alfred, New York; Jean-Luc Olivie, curator, Centre du Verre, Musee fand und die Ergebnisse veroffentlicht wurden. In jedem Fall wurde das von den des Arts Decoratifs, , . Juroren ausgewahlte Glas im Laufe des vorherigen Jahres gefertigt. Countries Represented/Vertretene Lander

Australia Japan Sweden

Allen, Lienors Ando, Hikari Bartron, Paula

Courtney, Giselle Hirosawa, Yoko Rooth, Jonas

Edols, Benjamin, and Kathy Elliott (21) Isogai, Akihiro Sahlin, Gunnel

Mount, Nick Kanda, Masayuki Switzerland Procter, Stephen Kawaguchi, Mayumi Kikuzato, Yuko Baldwin, Philip, and Monica Guggisberg (4) Turrin, Daniela Kinoshita, Ryosuke Kobayashi, Yukiyo Turkey Matsufuji, Koichi §enocak, Oya Raikov, Krasimir Matsushima, Iwao Mitsushima, Kazuko United States Mizuyoshi, Yuko Aoki, Miho Kotlanova, Lucie Nakanishi, Tomo Barney, Christine Marek, Josef Noda, Osamu Bishop, Debrae Masitova, Ivana Oguchi, Yumi Campbell, Blaise Rybak, Jaromir Sakai, Keisuke Clark, Jon Vlcek, Petr Sano, Takeshi Clarke, Phyllis Schunke, Michael Clayman, Daniel Denmark Shiga, Eiji Diaz de Santillana, Alessandro Drivsholm, Trine Shimonaka, Makiko Feher, JoAnn Shirasu, Ai Glancy, Michael Estonia Ta kah ai^^Yos h i h i ko Glover, Tracy Mikof-Liivik, Maie Takamatsu, Keiko Goldfarb, Alan Togashi, Yoko Grubb, Randall

France Yokoyama, Naoto Hussein, Yasemen Osman

Negreanu, Matei Yukutake, Harumi Jensen, Judy Kelting, Jennifer Krasnican, Susie Germany Korea Kim, Ki-Ra Levin, Robert Bartels, Horst Marioni, Paul Baumgartner, Hans Mihalisin, Julie, and Philip Walling (51) Hewel, Johannes De La Torre, Einar, and Jamex De La Torre Milliron, Donna Isphording, Anja Myers, Joel Philip Reay-Young, Helga The Netherlands Parramore, Roger Groot, Mieke Paust, Karen Great Britain Peiser, Mark C. Clarke, Brian Rueffert, Amy Clegg, Tessa Nuttall, Joanne Russell-Pool, Kari, and Marc Petrovic (73) Nishi, Etsuko Sage, Patricia

Norway Schaechter, Judith Hungary Solberg, Marianne Scheiner, Michael Lugossy, Maria Scott, Rolanda I.

Poland Smith, Joel, and Judythe Sieck (88) Italy Idzikowska, Barbara Wax, Jack

Crous, Joan Skibska, Anna Zerkowitz, Lisa

Nordio, Massimo Staniszewski, Grzegorz Zsiba, Peter, and Maura Smolover (100) Correction/Berichtigung

The photograph that accompanied the entry by Tessa Clegg was printed Das Foto zum Beitrag von Tessa Clegg ist in der Sektion „Artists and incorrectly in the "Artists and Objects" section of New Glass Review 18 Objects" in der New Glass Review 7£falsch abgebildet worden. Der (1997). The entire entry, with the photograph in the proper position, is komplette Beitrag mit dem richtigherum abgebildeten Foto ist hier reprinted below. noch einmal abgedruckt.

Tessa Clegg 13B Stock Orchard Crescent N7 9SL, England Play Box II Cast glass Gegossenes Glas H. 10 cm, Diam. 42 cm SKF 1. Lienors Allen Philip Baldwin and Artists and Objects* 4 Rawlings Place, Fadden Monica Guggisberg ACT 2904 Canberra, Australia Nonfoux, Switzerland Anemone The Blue Watcher Blown, -cut, and engraved Blown and carved glass Kiinstler und Objekte glass Geblasenes und gemeiReltes Geblasenes, auf der Drehbank Glas * Descriptive information has been provided by the entrants. aeschliffenes und graviertes H. 15 cm, W. 30 cm Glas TSB, SKF, LT * Die Objektbeschreibungen sind von den Teilnehmerinnen und H. 8 cm, W. 12 cm, D. 8 cm Teilnehmern geliefert worden. LT Christine Barney 432 Monmouth Street 2. Hikari Ando Jersey City, New Jersey 07302 Shinden Nozawaonsen Shimotakai, Nagano 389-25, Balance Japan Hot-worked glass HeiR bearbeitetes Glas Aki no Oiwai H. 46 cm, W. 19 cm, D. 11 cm Pate de verre TSB Pate de verre H. 20 cm, W. 20 cm, D. 40 cm TSB, DM

3. Miho Aoki Columbus, Moji (detail) Cast glass Gegossenes Glas Overall/Gesamt: H. 110 cm, W. 450 cm, D. 2 cm SKF, DM

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• 6. Horst Bartels Cut and polished glass Rastal GmbH & Co. KG Geschliffenes unapoliertes Lindenstraf3e 18 Glas D-56203 Hohr-Grenzhausen, H. 4.5 cm, W. 30 cm, D. 30 cm Germany LT Sawfish (Champagne Flute) 9. Debrae Bishop Flameworked and enameled glass P.O. Box 43 Lampenaearbeitetes und email- Sedgwick, Maine 04676 liertes Glas Missing Links H. 30 cm, W. 8 cm Blown, sandblasted, and enam­ TSB eled ® Geblasenes, sandgestrahltes 7. Paula Bartron und emailliertes Pyrex® Valhallavagen 191, Box 24115 Tallest/Hochstes: H. 10 cm, 10451 , Sweden W. 8 cm, D. 8 cm TSB Blue DiscsA/Vall Installation (detail: one of 32 pieces) 10. Blaise Campbell (Detail: eine von 32 Arbeiten) Sand-cast glass Amy Morgan Gallery Sandgegossenes Glas 5874 Ellsworth Avenue Diam. 40 cm Pittsburgh, Pennsylvania 15232 SKF Strange Fruit over plaster 8. Hans Baumgartner Glasmosaik auf Gips SchulstraGe 4 H. 13 cm, W. 51 cm, D. 20 cm D-94081 Furstenzell, Bayern, TSB, SKF, LT Germany Untitled

6

; ' •'••• k i 11. Jon Clark 14. Daniel Clayman 7703 Union Avenue 9 Newman Avenue Elkins Park, Pennsylvania Rumford, Rhode Island 02916 19027 Hull Articulated Mold-melted glass, cast bronze Mold-blown and lustered glass, Form geschmolzenes Glas, ge- base gossene Bronze Formgeblasenes und lustriertes H. 14 cm, W. 41 cm, D. 14 cm Glas, Marmorsockel LT H. 32.5 cm, W. 24 cm, D. 14.5 cm 15. Tessa Clegg SKF 18 Gransden Avenue London E8 3QA, England 12. Red Ring Tony Shafrazi Gallery Cast glass 119 Wooster Street Gegossenes Glas New York, New York 10012 H. 12 cm, Diam. 26 cm Glass Arcade, Rio de Janeiro TSB, SKF, LT and mosaic Farbiges Glas und Mosaik SKF 13. Phyllis Clarke P.O. Box 1666 Spring Valley, California 91979 Animal Perfume Vessels Flameworked glass Lampengearbeitetes Glas Tallest/Hochste: H. 21 cm, W. 8 cm, D. 8 cm TSB, LT Giselle Courtney Geblasenes Glas, Mixed Media 91 Lord Street H. 102 cm, W. 66 cm, D. 23 cm NSW 2042 Newtown, Australia TSB Anemone Flameworked glass, electro- 19. Alessandro Diaz de formed copper, 24-karat gold Santillana plating 644 Bonair Street Lampengearbeitetes Glas, elek- La Jolla, California 92037 trolytisch aufgebrachtes Kupfer, La Jolla Silver Star 24 Karat Goldauflage Blown and silvered glass H. 15 cm, W. 35 cm, D. 25 cm Geblasenes und versilbertes TSB Glas H. 25 cm, W. 210 cm, D. 205 cm Joan Crous TSB, SKF, LT Galleria D'Arte & Divetro Via S. Tomaso 72 20. Trine Drivsholm 24121 Bergamo, Italy Stockflethsvej 8 The Last Supper, 1997 (detail) 8400 Ebeltoft, Denmark Sand-cast glass Soft Form I Sandgegossenes Glas Blown and sandblasted glass W. 87 cm, D. 70 cm Geblasenes und sandgestrahl- TSB, SKF tes Glas H. 13 cm, W. 30 cm, D. 17 cm Einar De La Torre and TSB, LT Jamex De La Torre San Diego, California WMmm Alchemy Blown glass, mixed media 21. Benjamin Edols and Geblasenes, geschliffenes und Kathy Elliott poliertes Glas; elektrolytisch aufaebrachtes Kupfer 2/21 Kangaroo Street H. 18 cm, Diam. 15.5 cm NSW 2095 Manly, Australia TSB, LT Vein Blown and wheel- 24. Tracy Glover Geblasenes und radgraviertes 1655 Elmwood Avenue Glas Cranston, Rhode Island 02910 H. 38 cm, W. 21 cm, D. 12 cm TSB, LT Water Droplet Blown glass 22. JoAnn Feher Geblasenes Glas H. 12.5 cm, Diam. 31.25 cm 1933 Broadway Avenue East, TSB, SKF #1B Seattle, Washington 98102 25. Alan Goldfarb Let Down Your Golden Hair 143 North Avenue Stitched and knotted glass Burlington, Vermont 05401 beads Aufgestickte und verknotete Psychotantra Vase and Goblet Glasperlen Blown glass H. 17 cm, W. 6 cm, D. 7 cm Geblasenes Glas TSB Taller/Hochste: H. 45.72 cm, W. 15.24 cm 23. Michael Glancy TSB, LT Galerie von Bartha Baumleinaasse 20 CH-4051 Basel, Switzerland Dichroic Revelation Blown, cut, and polished glass; electroformed copper 26. Mieke Groot Grisaillemalerei Bellamystraat 91-93 H. 40.3 cm, W. 31 cm 1053 BJ Amsterdam, SKF The Netherlands 29. Yoko Hirosawa Untitled Blown and enameled glass 2-7-5 Yamatohigashi Geblasenes und emailliertes Yamato, Kanagawa 242-0017, Glas Japan Largest/GroBte: Diam. 26 cm Tea Ceremony Objects - TSB, SKF, LT Chawan, Chaire, Mizusashi Blown glass, silver leaf 27. Randall Grubb Geblasenes Glas, Blattsilber L. H. Selman Ltd. Tallest/Hochstes: H. 17 cm, 761 Street Diam. 16 cm Santa Cruz, California 95060 LT Undulating Octopus with Green 30. Yasemen Osman Hussein Tiger Cardinal Fish (detail) Flameworked and encased 21 Balmoral Road glass Castle Bromwich, Birmingham Lampengearbeitetes und uber- B36 0JT, England fangenes Glas Hoofs Overall/Gesamt: H. 29.2 cm, Mold-melted glass, wax, clay W. 7.7 cm, D. 7.7 cm Formgeschmolzenes Glas, TSB Wachs, Ton H. 15 cm, W. 10 cm 28. Johannes Hewel TSB, SKF Rot am See, Germany Rescue Grisaille painted "antique" sheet glass „Antik"glasscheiben mit 31. Barbara Idzikowska fenes und poliertes Glas Koreariska 49/5 H. 23 cm, Diam. 19 cm 52-121 Wroclaw, TSB, LT St. Elisabeth Kirche von Suden (from the drawing by F. B. 34. Judy Jensen Wernher) with the assistance of Stained and enameled glass Kenny Pieper Farbiges und emailliertes Glas 1009 Ruth Avenue H. 39 cm, W. 51 cm Austin, Texas 78757 TSB, SKF Vessel 32. Akihiro Isogai Reverse painting on blown glass, mixed media 1232-7 Tamashima Ruckseitig bemaltes geblase­ Kurashiki, Okayama 713, Japan nes Glas, Mixed Media Earth Cradle 73 H. 10.16 cm, Diam. 25.4 cm Blown, carved, enameled, and SKF, DM sandblasted glass Geblasenes, gemeiReltes, 35. Masayuki Kanda emailliertes und sandgestrahl- 50-250 Shimo-Yasumatsu tes Glas Tokorozawa, Saitama H. 18.7 cm, W. 17 cm, 359-0024, Japan D. 24.7 cm TSB, LT Tropical Island Blown, fused, and kiln-formed 33. Anja Isphording glass Geblasenes, verschmolzenes Am Weiher 19 und ofengeformtes Glas D-34431 Marsberg, Germany H. 10 cm, W. 29 cm, D. 29 cm Untitled DM Mold-melted, ground, and pol­ ished glass Formgeschmolzenes, geschlif- 36. Mayumi Kawaguchi 39. Ki-RaKim 29 Busshoji #5-502 Hanshin Apartment Himi, Toyama-ken 935-0114, Hoopyong-dong Japan Chunchon, Kangwon Do Organic Body 200-162, Republic of Korea Pate de verre Function of Daily Life Pate de verre Mold-melted and electroformed H. 40 cm, W. 40 cm, D. 40 cm lass TSB ormgeschmolzenes und elek- trolytisch bearbeitetes Glas 37. Jennifer Kelting H. 20 cm, W. 43.5 cm, 601 West Cliveden, A306 D. 13.5 cm Philadelphia, Pennsylvania SKF, LT 19119 40. Ryosuke Kinoshita Zebra Roadkill (detail) Flameworked glass beads 2-4-9 Midorigaoka Lampengearbeitete Glasperlen Meguro-ku, 152, Japan Overall/Gesamt: H. 2 cm, Pane Report W. 32 cm, D. 1 cm Mold-melted glass TSB, DM, LT Formgeschmolzenes Glas H. 5.5 cm, W. 23 cm, D. 28.5 cm 38. Yuko Kikuzato TSB, DM, LT 3-34-11 Nodake Ginowan-shi, Okinawa-ken 901-2203, Japan Animal Jar II Pate de verre Pate de verre H. 17 cm, Diam. 16 cm TSB 41. Yukiyo Kobayashi H. 52 cm, W. 104 cm, 2-10-8 Asahidai D. 1.27 cm Owariasahi, Aichi 488, Japan SKF Twins 44. Robert Levin Cast glass, oil paint.. Gegossenes Glas, Olfarbe 189 Upper Brown's Creek Road H. 65 cm, W. 65 cm, D. 25 cm Burnsville, North Carolina TSB, DM 28714 Creature Goblet 42. Lucie Kotlanova Blown, sandblasted, and acid- Gallery Pyramida etched glass Narodnf tr. 11 Geblasenes, sandgestrahltes 110 00 Prague 1, Czech Repub­ und sauregeatztes Glas lic H. 51 cm, W. 20 cm, D. 12 cm TSB Festive Cups Blown, cut, and painted glass; 45. Maria Lugossy bamboo Geblasenes, geschliffenes und 99 Jablonka UT bemaltes Glas, Bambus 1037 Budapest, Hungary Tallest/Hochster: H. 44 cm, Metamorphosis II W. 13 cm Laminated, ground, sandblast­ TSB ed, and polished sheet glass Laminierte, geschliffene, sand­ 43. Susie Krasnican gestrahlte und polierte 2000 Hermitage Avenue Glasscheiben Silver Spring, Maryland 20902 H. 55 cm, W. 35 cm, D. 20 cm TSB, SKF, LT A Balancing Act Sandblasted and enameled sheet glass Sandgestrahlte und emaillierte Glasscheiben

44 45 46. Josef Marek 49. Koichi Matsufuji Dolni Podluzi 213 3-3-2 Yaemizo 407 55 Dolni Podluzi, Czech Saga-shi, Saga-ken 849, Japan Republic Untitled The Way Out Mold-melted glass, steel, Cut and assembled glass and muslin, oil paint stone Formgeschmolzenes Glas, Geschliffenes und montiertes Stahl, Musselin, Olfarbe Glas und Stein H. 23 cm, W. 102 cm, H. 35 cm, W. 33 cm, D. 60 cm D. 34.5 cm SKF, LT TSB, SKF ,' • mm - 47. Paul Marioni 50. Iwao Matsushima

4136 Meridian Avenue North 1976 Narazu l Seattle, Washington 98103 Okayama City, Okayama-ken ' , ' . ,v. .'7^ The Journey (detail) 701-1202, Japan Cast glass Iridescent Mosaic and Lace Gegossenes Glas Ribbon Bowl Overall/Gesamt: H. 190 cm, Core-formed, flameworked, and W. 240 cm, D. 6.4 cm polished glass TSB kerngeformtes, lampengearbei- tetes und poliertes Glas 48. Ivana Masitova H. 6 cm, Diam. 13 cm M. Horakove 83 DM, LT 46 170 00 Prague, Czech Republic Vessel II H. 13 cm, W. 35 cm, D. 65 cm TSB, SKF

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50 51. Julie Mihalisin and Copper/Glass Vessel Philip Walling Pate de verre, copper tubing, wire Riley Hawk Gallery Pate de verre, Kupferrohren, 642 North High Street Draht Columbus, Onio 43215 H. 16 cm, Diam. 8 cm Variations on a Theme #1 TSB (detail) Slumped glass, copper, con­ 54. Kazuko Mitsushima crete, bircn C-101 Nakathu 2-8, Kita Abgesenktes Glas, Kupfer, Osaka 531, Japan Beton, Birke Overall/Gesamt: H. 62.5 cm, Rings: Praying the Glaciers on W. 112.5 cm, D. 5 cm the Earth Won't Melt DM Cold-worked glass, silver Kalt bearbeitetes Glas, Silber 52. Maie Mikof-Liivik Largest/GroRter: H. 5.5 cm, W. 3.5 cm, D. 2.2 cm Kentmanni 20A-25 SKF, DM EE-0001 Tallinn, Estonia Ladder in the Ego 55. Yuko Mizuyoshi Flameworked, gilded, and 2-10-23 Kajiyama Tsurumi-ku painted glass Yokohama, Kanagawa 230, Lampengearbeitetes, vergolde- Japan tes und bemaltes Glas H. 30 cm, W. 10 cm, D. 10 cm Freckled Hawkfish TSB, LT Mold-melted and slumped glass powders 53. Donna Milliron Formgeschmolzene und abge- senkte Glaspuder 4570 Tennessee Drive H. 28.5 cm, W. 51 cm, D. 24 cm Shingle Springs, California TSB 95682 56. Nick Mount 59. Matei Negreanu 2 The Parkway 4 rue de la Poste Leabrook SA 5068, Australia 41600 Lamotte-Beuvron, Scent Bottles France Blown glass Machine a memoire Geblasenes Glas Blown glass, patinated lead foil, Taller/Hochste: H. 55 cm wood TSB, LT Geblasenes Glas, patinierte Bleifolie, Holz 57. Joel Philip Myers Each/Je: H. 70 cm, W. 27 cm, RR 2, Box 372 D. 23 cm Bloomington, Illinois 61704 SKF " . . the dogs go on with their 60. Etsuko Nishi doggy life ana the torturer's horse Scratches its innocent Flat 7, 12 Stanhope Mews West behind on a tree" (from W. H. London SW7 5RB, England Auden's poem "Musee des Cup Beaux Arts"; detail) Pate de verre Blown glass, metal pins Pate de verre Geblasenes Glas, Metallnadeln H. 6 cm, Diam. 13 cm Overall/Gesamt: H. 99 cm, LT W. 500 cm, D. 20 cm SKF, LT 58. Tomo Nakanishi Suita-shi, Osaka, Japan Cat's Pot 1 Pate de verre Pate de verre H. 35 cm, W. 27 cm, D. 18 cm TSB, DM, LT •Hi 56

. (MM 61. Osamu Noda 64. Yumi Oguchi 4-1-13,- Honson, Niijima-mura 203 Furusawa Tokyo 100-04, Japan Toyama-shi, Toyama-ken Caldera 930-0151, Japan Coiled hot glass Mass of Line Gewickeltes heifBes Glas Pate de verre Largest/GroRtes: H. 35.5 cm, Pate de verre W. 35 cm, D. 38 cm H. 35 cm, W. 55 cm, D. 38 cm DM, LT TSB, LT 62. Massimo Nordio 65. Roger Parramore , Italy 263 Pink Dogwood Lane Opposti & complementari Waynesville, North Carolina Blown glass with murrine; 28786 carved Incalmo Vessel #2 Geblasenes Glas mit Murrine, Flameworked glass gemeiBelt Lampengearbeitetes Glas Tallest/Hochste: H. 50 cm, H. 30 cm, Diam. 15 cm W. 12 cm, D. 12 cm LT TSB, LT 63. Joanne Nuttall Auckland, New Zealand Red Vessels Cast glass Gegossenes Glas Each/Je: H. 42 cm, W. 7 cm, D. 9 cm SKF, LT

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OwC***1' iatrid 66. Karen Paust 69. Krasimir Raikov 948 East Market Atelier "L.A.-Kapitanski" York, Pennsylvania 17403 9, Slaveikov Sg. fl. 3, ap. 12 Squash Blossom 1000 Sofia, Bulgaria Stitched glass beads, copper Torso III wire Molded and abraded glass Aufgestickte Glasperlen, Geformtes und abgeschliffenes Kupferdraht Glas H. 14 cm, W. 12 cm, D. 7 cm H. 55 cm, W. 27 cm, D. 13 cm TSB LT 67. Mark C. Peiser 70. Helga Reay-Young Route 1 HohenstrafBe 29 Penland, North Carolina 28765 D-51515 Kurten, Germany Compulsion The Leopard Never Changes Hot cast glass His Spots HeifB gegossenes Glas Painted, etched, and sandblast­ H. 34.1 cm, W. 44 cm, D. 20 cm ed glass; wire TSB, LT Bemaltes, geatztes und sand- gestrahltes Opalglas; Draht 68. Stephen Procter H. 61 cm, W. 89 cm, D. 1 cm G.P.O. Box 804 SKF ACT 2601 Canberra, Australia Drop in the Ocean Blown and cut glass Geblasenes und geschliffenes Glas H. 9 cm, Diam. 18 cm TSB, SKF, LT

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'Jm Hf 71. Jonas Rooth Lampenaearbeitetes und gebla­ Toredalsvagen 65 senes Glas 14463 Ronninge, Sweden H. 33 cm, W. 41 cm, D. 20 cm TSB Urn Blown and assembled glass 74. Jaromfr Rybak Geblasenes und montiertes Glas Prague, Czech Republic H. 55 cm, Diam. 25 cm Safirin Moray TSB, LT Mold-meltea glass Formgeschmolzenes Glas 72. Amy Rueffert H. 38 cm, W. 46 cm, D. 16 cm 158 Weirs Road TSB, SKF, LT Gilford, New Hampshire 03246 75. Patricia Sage Untitled Blown glass Facere Gallery Geblasenes Glas 1420 Fifth Avenue, #108 Taller/Hochstes: H. 22.5 cm, Seattle, Washington 98101 W. 20.25 cm, D. 24.75 cm Fish Bead TSB Flameworked glass Lampengearbeitetes Glas 73. Kari Russell-Pool and H. 6 cm, W. 3 cm, D. 1 cm TSB Marc Petrovic 2 View Street Centerbrook, Connecticut 06409 Untitled, "Tea Pot Series" Flameworked and blown glass

71 76. Gunnel Sahlin 79. Judith Schaechter Kosta Boda Snyderman Gallery Sweden 303 Cherry Street Aqua Botanica Philadelphia, Pennsylvania Blown glass 19106 Geblasenes Glas Little Red Womanhood Tallest/Hochstes: H. 45 cm, Stained, sandblasted, en­ Diam. 10 cm graved, and enameled glass; TSB, LT copper foil Farbiges, sandgestrahltes, gra- 77. Keisuke Sakai viertes und emailliertes Glas, Kobe-shi, Hyogo-ken, Japan Kupferfolie H. 66 cm, W. 87 cm Ancient Shell TSB, SKF Blown glass Geblasenes Glas 80. Michael Scheiner H. 12 cm, W. 28 cm, D. 17 cm SKF Central Falls, Rhode Island In a Manner of Speaking 78. Takeshi Sano Blown glass, water, lead sheet 5-5-407 Matsukeyauchi, Kouda Geblasenes Glas, Wasser, Blei- Kashima-gun, Ishikawa-ken blech 926-02, Japan H. 79 cm, W. 53 cm, D. 15 cm TSB, SKF Soft Forms Blown, cut, and hand-polished glass Geblasenes, geschliffenes und handpoliertes Glas Tallest/Hochstes: H. 16 cm, W. 7 cm, D. 7 cm TSB, SKF, DM, LT 81. Michael Schunke 84. Eiji Shiga 80 Nishikanaya Mamashita Beach Street, Toyama City, Toyama 930-01, Niijimamura Japan Tokyo 100-04, Japan Refuge Spiral Bottle Blown glass, copper Blown glass Geblasenes Glas, Kupfer Geblasenes Glas H. 82 cm, W. 33 cm, D. 33 cm H. 30 cm, W. 25 cm, D. 25 cm SKF LT 82. Rolanda I. Scott 85. Makiko Shimonaka P.O. Box 5693 Gifu-shi, Gifu-ken, Japan Richmond, Virginia 23220 Ko To No Ha (Leaves of Basin Things) Mold-melted glass Pate de verre, blown and Formgeschmolzenes Glas enameled glass H. 20 cm, Diam. 41 cm Pate de verre, geblasenes und TSB, LT emailliertes Glas H. 15 cm, Diam. 20 cm 83. Oya §enocak SKF §irin Sok. 106 80850 Emirgan, Istanbul, Turkey Inclination (Whiskey ) Blown and carved glass Geblasenes und gemeiBeltes Glas Each/Je: H. 9.3 cm, Diam. 8 cm TSB

84 85 86. Ai Shirasu Gegossenes, geschliffenes, 912-2 Shimoyamada Nodaga- poliertes und sandgestrahltes wacho Glas, Bronze Yozagun, Kyoto, Japan H. 19.5 cm, Diam. 24 cm TSB Untitled Blown and slumped glass, yarn 89. Marianne Solberg Geblasenes una abgesenktes Glas, Gam Grevlingasen 17 H. 30 cm, W. 45 cm, D. 30 cm 1370 Asker, Norway TSB, SKF Untitled Blown glass 87. Anna Skibska Geblasenes Glas William Traver Gallery H. 20 cm, Diam. 30 cm 110 Union Street DM, LT Seattle, Washington 98101 90. Grzegorz Staniszewski . .. Moon. .. Flameworked glass ul. Kleczkowska 28/14 Lampengearbeitetes Glas Wroc+aw 50-227, Poland H. 480 cm, W. 60 cm, D. 30 cm Starless Sky Over Me SKF Sand-cast glass and metal; polished 88. Joel Smith and Sandaegossenes Glas und Metall, poliert Judythe Sieck H. 25 cm, W. 40 cm, D. 14 cm Steuben TSB, LT 120 East Third Street Corning, New York 14830 Sundial Cast, cut, polished, and sand­ blasted glass; bronze 91. Yoshihiko Takahashi id ges Aone 966-1, Tsukuimachi H. 2.5 cm, W. 26 cm, D. 25 cm Tsukuigun, Kanagawa 220-04, DM, LT Japan 94. Daniela Turrin Untitled Blown and enameled glass, 58 Myrtle Street solid glass rods; assembled NSW 2048 Stanmore, Australia Geblasenes und emailliertes Immaterial (Water) Glas, Vollglasstabe, montiert Mold-melted glass Overall/Gesamt: H. 300 cm, Formgeschmolzenes Glas W. 630 cm, D. 50 cm Diam. 21 cm SKF TSB, LT 92. Keiko Takamatsu 95. Petr Vlcek 5-25-19 Okusawa, Setagaya-ku Marikova 1/187 Tokyo, Japan 16200 Prague 6, Czech Republic Shells Green Leaf Blown glass Mold-melted glass Geblasenes Glas Formgeschmolzenes Glas Each/Je: H. 25 cm, Diam. 15 cm H. 40 cm, W. 25 cm, D. 13 cm TSB SKF, LT 93. Yoko Togashi 80 Nishikanaya Toyama City, Toyama, Japan 16 Rooms Hot cast, fused, and ground glass Heif3 gegossenes, verschmol- 96. Jack Wax Untitled Elliott-Brown Gallery Slumped sheet glass, lead 619 North 35th Street, #101 came, brass Seattle, Washington 98103 Abgesenkte Glasscheibe, Bleirute, Messing Mire, Woken, Wince H. 160 cm, W. 117 cm, D. 415 cm Mold-blown glass, hydrostone, SKF pigment, steel and nylon table Formgeblasenes Glas, Hydro- 99. Lisa Zerkowitz stein, Pigment, Stahl und Nylontisch 3501 58th Avenue Southwest Overall/Gesamt: H. 87 cm, Seattle, Washington 98116 W. 92 cm, D. 35 cm Scent Bottles SKF, DM Blown and flameworked glass Geblasenes und lampengear- 97. Naoto Yokoyama beitetes Glas 1-25-19 Kamiyoga Tallest/Hochste: H. 7.5 cm, Setagaya-ku, Tokyo 158, Japan W. 7.5 cm, D. 4 cm TSB Homage to Van Gogh - Sun­ 100. Peter Zsiba and Blown and hot-worked glass; Maura Smolover assembled Geblasenes und heiB bearbei- 10 Sterling Place tetes Glas, montiert New Milford, Connecticut H. 76.5 cm, W. 42 cm, D. 42 cm 06776 TSB Lobby Mural, Rockefeller Cen­ ter 98. Harumi Yukutake Slumped and lacquered glass 6796 Kureha #ll-202 Abgesenktes und lackiertes Toyama, Toyama 930-01, Glas Japan H. 205 cm, W. 760 cm, D. 8 cm TSB, DM MHMI Anna Skibska, Poland Some frolic, play, and dream with THE moon, 1997 Flameworked glass Lampengearbei- tetes Glas H. 234 cm £99&a£^ Photo courtesy of the William Traver Gallery

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Some of the Best in Recent Glass

his is the third in the "Some of the Best. .series. Despite its pre­ ies ist die dritte Folge in der Serie von „Some of the Best. . Trotz Tsumptuous title, the portfolio of images was started as a sincere re­ Ddes anmaBenden Titels war dieses „Portfolio" an Bildern als ernst- sponse to questions regarding the criteria for inclusion in the New Glass hafte Antwort auf Fragen, hinsichtlich der Kriterien fur eine Aufnahme in Review. Over the past 20-odd years, there have been continuing, but die New Glass Review, gestartet worden. Im Lauf von mehr als 20 Jah- largely futile, attempts to define the qualities sought by the jurors. The ren hat es kontinuierliche, aber groBtenteils vergebliche Versuche gege- adjectives "new" and "good" are obviously both infinitely broad and sub­ ben, die Kriterien, die von den Juroren gesucht werden, zu definieren. ject (as they should be) to personal interpretation. Consensus among Die Adjektive „neu" und „gut" sind ganz offensichtlich unendlich weit und the jurors is not sought and is seldom achieved. Therefore, it comes as Gegenstand (so wie es auch sein sollte) fur eine personliche Interpreta­ no surprise that the individual choices are often controversial to the au­ tion. Ein Konsens zwischen den Juroren wird nicht gesucht und selten dience. The debate over selections is just one aspect of the Review that erreicht. Deshalb ist es nicht uberraschend, daB die individuellen keeps it interesting (as well as maddening). "Some of the Best. . of­ Wahlen oft denen des Publikums widersprechen. Die Debatte uber die fers recent works that are new and good in the opinion of one of the two Auswahl ist lediglich ein Aspekt der Review, die sie weiterhin interes- permanent jurors. The photographs were assembled throughout the sant (aber auch zum Verrucktwerden) sein laBt. „Some of the Best. . ." year independently of the New Glass Review competition; however, bietet jungste Arbeiten, die nach Meinung eines der zwei standigen they occasionally duplicate some of the jury's selections. Juroren neu und gut sind. Die Abbildungen werden das ganze Jahr hin- Just a few years ago, there was a craze for pate de verre inspired by durch unabhangig vom New Glass Review Wettbewerb gesammelt; Karla Trinkley's and Diana Hobson's fragile, sugarlike vessels. In like gleichwohl tauchen sie gelegentlich auch in der Auswahl der Jury auf. manner, the Polish artist Anna Skibska's flameworked webs have at­ Vor nur wenigen Jahren war pate de verre, inspiriert durch Karla tracted a fair number of imitators. As was the case with the pate de Trinkleys und Diana Hobsons fragile, zuckerahnliche GefaBe der letzte verre, the originals are deemed original for good reason and they leave Schrei. Ganz ahnlich haben auch die lampengearbeiteten „Spinnen- Bernard Dejonghe, France The White Climb (detail), 1997 Molded, devitrified, and chiseled optical glass Geformtes, entglastes und ge- meifteltes optisches Glas H. 28.2 cm Photo by Kazuyuki Okamoto

Bernard Dejonghe, France Installation at the Musee d'Art Contemporain, Dunkerque, 1997 Molded, devitrified, and chiseled optical glass Geformtes, entglastes und gemeiBeltes optisches Glas Photo by Claude Theriez

netze" der polnischen Kunstlerin Anna Skibska eine nette Anzahl von Imitatoren angezogen. Wie im Fall der pate de verre erscheinen die Ori- ginale aus guten Grunden ursprunglich und lassen ihre Nachfolger im Staub hinter sich. Die William Traver Gallery in Seattle landete einen Coup als sie 1997 eine Ausstellung mit Skibskas Arbeiten organisierte. Das war keine leichte Aufgabe, weil ihre Kreationen fast unmoglich zu transportieren sind und deshalb praktisch vor Ort konstruiert werden muBten. Diese Arbeiten fuhren Skibskas Redefinition des Potentials von lampengearbeitetem Glas als Skulptur vor, die eine ernsthafte Aus- einandersetzung verdient hat. Besonders die in die Lange gezogenen Kafigarbeiten verweisen auf Phanomene, die so unterschiedlich sind wie die schaurige Schonheit von Reptilien, Pflanzenskeletten und fal- lendem Schnee. Abgesehen von der wohl verdienten Richard Marquis Retrospektive im wurden die Glasausstellungen in den amerikani- schen Museen in den letzten Jahren von Ubersichtsausstellungen do- miniert. Europaische Museen mussen dafur gelobt werden, daB sie viel ofter den intelligenten Weg eingeschlagen haben, einzelne Kunstler vor- zustellen. Bernard Dejonghes Ausstellung im Musee d'Art Contempor­ ain in Dunkerque war eine wunderbare, sparsame Installation, die uber mehrere Galerien verstreut war. Dejonghe verletzt und opfert die Rein- heit von massiven Glasblocken durch Narben. Die AuBenwande uber- zieht eine handgemeiBelte Haut, die zu der Studie in extremem Kon- trast beitragt. Die folgende gleichzeitige Transparenz, Undurchsichtig- keit und WeiBe, erhoht durch die unsichtbare Masse, ruft einen Effekt von Ruhe und Stille hervor - so als ob der Betrachter durch das reinste Wasser auf eine daruberliegende Eiskruste starren wurde. Dejonghe ar- beitet auch mit Ton, und seine Skulpturen existieren oft in dem interes- santen physikalischen Zustand, in dem sich Glas und Keramik treffen. Ein weiteres franzosisches Museum, das Carre d'Art - Musee d'Art Contemporain in NTmes, hat Skulpturen von Giuseppe Penone aus , Italien, gezeigt. Die Thematik der Landschaft, des menschlichen Eingriffs in die Natur und der zarten Balance zwischen den beiden stehen dauerhaft im Interesse des Kunstlers, der mit der the followers in the dust. The William Traver Gallery in Seattle executed verbunden ist. Abgesagte Aste, die in Glas gegossenen sind, lehnen a coup by organizing a 1997 show of Skibska's work. This was not an gegen die Wand oder sind in lebende Pflanzen und Zeichnungen von easy task because her creations are almost impossible to transport and Laubwerk integriert. Gelegentlich werden die Arme zu glasernen Fin- must therefore be constructed virtually on-site. These works display gerspitzen. Zersplitterte Baumstumpfe umhullen Bucher und SchoB- Skibska's redefinition of the potential of flameworked glass as sculpture linge. Die Glaselemente sind im Centre international de recherche sur worthy of serious consideration. The elongated cageworks, in particular, le verre et les arts plastiques (C.I.R.V.A.) in Marseilles entstanden, in suggest phenomena as diverse as the eerie beauty of reptile and vege­ das Penone seit ungefahr 1986 zum Arbeiten kommt. Eine seiner tal skeletons and falling snow. fruhen Arbeiten bezieht sich auf den Kreislauf von Wachstum, Erneue- Aside from the well-deserved Richard Marquis retrospective by the rung und Tod; sie bestand aus einer gebogenen Glasscheibe, die - wie Seattle Art Museum, glass exhibitions at American museums over the ein riesiger Fingernagel - uber einem Hugel von Lorbeerblattern lag. past year were dominated by surveys. European museums are to be Laura de Santillana aus Venedig wurde in dieses Portfolio schon bei commended for more often taking the intelligent route of presenting solo fruherer Gelegenheit aufgenommen. Als Designerin von GefaBen ge- artists. Bernard Dejonghe's show at the Musee d'Art Contemporain, lingt ihr die schwierige Aufgabe, alten Formen ein frisches Aussehen zu Giuseppe Penone, Italy Sur la pointe des doigts, 1994-1997 Cast glass, bronze, iron Gegossenes Glas, Bronze, Eisen H. 150 cm Piege de lumiere, 1994-1997 Cast glass, drawings Gegossenes Glas, Zeichnungen Photo by Andre Morin

Giuseppe Penone, Italy Light Trap: Oak, Chestnut, Hornbeam, , Cherry, Hornbeam, 1994 Cast glass Gegossenes Glas L. (longest/langstes) 124.5 cm Photo courtesy of the Marian Goodman Gallery

Dunkerque, was a beautiful, spare installation scattered throughout sev­ geben. Die Stucke aus der „Mountain" Serie haben die Qualitat von eral galleries. Dejonghe violates and scarifies the purity of massive feuchten und abgenutzten Steinen und rufen den gleichen Impuls her- glass blocks with seams of devitrification. The exterior walls are flayed vor mit dem man sie in der Hand standig herumdreht. by hand chiseling that adds to the study in extreme contrasts. The en­ Anna Dickinson's skulpturale GefaBe andern sich in kleinen Zu- suing simultaneous transparency, opacity, and whiteness, lifted by invis­ wachsen. Die Arbeit kann man nicht mit „verbessert" umschreiben, weil ible mass, provoke an effect of silence and stillness - as if the viewer sie im Entwurf und in der Ausfuhrung immer perfekt schien. Fur Dickin­ were staring up through the purest water to an icy crust above. son ist das eigenhandige Fertigen der Objekte von ihrer Substanz, Dejonghe also works in clay, and his sculptures often exist in the in­ ihrem Zweck und Wert nicht zu trennen. Das Glas ist geblasen, ge- teresting physical state where glass and ceramic meet. schliffen, sandgestrahlt und/oder graviert, anschlieBend mit verschiede- Another French museum, the Carre d'Art - Musee d'Art Contem- nen Metallen, einschlieBlich Silber und Kupfer, galvanisiert. Die Metall- porain, NTmes, showed sculptures by Giuseppe Penone of Turin, Italy. arbeit steht bewuBt im Hintergrund und hat fur gewohnlich eine zuruck- The themes of the landscape, human intervention in nature, and the haltende Verarbeitung. Uber die Dekoration hinaus bedeutet sie eine tenuous balance between the two are continuing interests of this artist, strukturale Integration in die Architektur der GefaBe. Mit diesen Arbeiten who is associated with Arte Povera. Sawed tree branches cast into bekennt sich Dickinson zum EinfluB durch afrikanische und lateinameri- glass are leaned against the wall or integrated into living plants and kanische Holzschnitzarbeiten, Korbwaren und Textilien ebenso wie drawings of foliage. At times, the limbs grow into glass fingertips. Split durch die Keramik von Hans Coper und Lucie Rie. tree trunks enfold books and saplings. The glass elements were made Andere bemerkenswerte Skulpturen, die auf einer funktionalen Basis at the International Center for Research in Glass and Art (C.I.R.V.A.) in entstanden sind, sind die beiden im Auftrag entstandenen monumenta- Marseilles, which Penone began using around 1986. One of his earlier len Kronleuchter von Gaetano Pesce fur den Eingangsbereich des Pa­ pieces pertained to the cycle of growth, shedding, and death; it consist­ lais des Beaux-Arts in Lille, Frankreich. Locker an die traditionelle Form ed of a curved sheet of glass overlying - like a huge fingernail - a eines in Falten gelegten Kronleuchters angelehnt, sind die giganti- mound of laurel leaves. schen, weich aussehenden Taschen aus unregelmaBigen Bullseye- Laura de Santillana of Venice was included in this portfolio on a pre­ Glass-Elementen zusammengesetzt. Sie sind in ein riesiges gewebtes vious occasion. As a designer of vessels, she manages the difficult task Netzwerk aus Tauen und Stahl gebunden und darin aufgehangt. Die rie- of imparting a fresh look to ancient forms. The pieces of the "Mountain" sigen Skulpturen sind nicht nur dem Namen nach Kronleuchter. Besser series have the quality of wet and worn stones, and they inspire the gesagt, sie verstromen Licht aus innen liegenden flexiblen Beleuch- same sort of impulse to turn them over and over in the hands. tungskorpern und werden so zu vergroBernden Ankunftssignalen beim Anna Dickinson's sculptural vessels change in small increments. Eintritt in eine bedeutende Institution. The work cannot be described as "improving" because it has always Die groBen Moglichkeiten fur naturalistische polychrome Skulpturen seemed perfect in design and execution. For Dickinson, fabricating the in Glas - besonders in pate de verre - wurden Ende des 19. Jahrhun- objects herself is inseparable from their essence, purpose, and value. derts von dem Franzosen Henri Cros begrundet. Die zarte Farbgebung, The glass is blown, cut, sandblasted, and/or engraved, then electro- Modellierung und auBerordentliche Kunstfertigkeit bei Cros' Arbeit kann Laura de Santillana, Italy Mountains, 1997 Blown glass Geblasenes Glas Laura de Santillana, Italy H. (taller/hochste) 44 cm Mountain, 1997 Photo by Fabio Zonta Blown glass Geblasenes Glas H. 51 cm Photo by Fabio Zonta

Anna Dickinson, England Brown vase with blue patina and string, 1995 Blown glass; sand­ blasted, etched, polished, electro- • • formed, patinated Geblasenes Glas, sandgestrahlt, geatzt, poliert, IMMm - elektrolytisch bear- beitet, patiniert in# H. 28 cm Photo by Ian Dobbie

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I Anna Dickinson, England I Large, round strap vase with silver and £MNI green neck, 1995 Blown glass; sand­ lp blasted, etched, mm polished, electro- an formed with silver and copper, ill patinated 3i Geblasenes Glas, | wSm sandgestrahlt, geatzt, poliert, mit Silber und Kupfer elektrolytisch be- arbeitet, patiniert H. 61 cm Photo by Ian Dobbie Gaetanp Pesce, Italy Chandeliers, 1993-1997 Palais des Beaux-Arts de Lille, France Kiln-formed glass, rope, steel, electrical fixtures Ofengeformtes Glas, Taue, Stahl, Beleuchtungs- korper Max. Diam. (each) 7.0 m Photo by Colette Save

Gaetano Pesce, Italy Chandelier, 1993-1997 Palais des Beaux-Arts de Lille, France Kiln-formed glass, rope, steel, electrical fixtures Ofengeformtes Glas, Taue, Stahl, Beleuchtungs- korper Max. Diam. 7.0 m Photo by Colette Save

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1 Nicholas Africano, United States White Skirt, 1997 Pate de verre Pate de verre H. 34 cm Photo courtesy of the Lance Fung Gallery

Nicholas Africano, United States Reveries, 1997 Pate de verre Pate de verre H. 67 cm Photo courtesy of the Lance Fung Gallery

formed with various metals, including silver and copper. The metalwork es immer noch mit spateren figuralen Glasskulpturen aufnehmen. is understated and usually given a restrained finish. Beyond decoration, Gleichwohl, neue Skulpturen des Amerikaners Nicholas Africano it suggests structural integration into the architecture of the vessels. nahern sich Cros' Leistung hinsichtlich der Sensibilitat. Die weiblichen Through these works, Dickinson acknowledges the influences of African Nackten und Halbnackten geben die wachserne Lichtdurchlassigkeit and Latin American wood carvings, basketry, and textiles, as well as the und subtile Farbgebung der Haut wider. Ihre entspannte Haltung und ceramics of Hans Coper and Lucie Rie. die verschleierte Kleidung vermitteln ein Gefuhl von Realismus, zu dem Other notable sculptures built on a functional ground are Gaetano eine traumerische Geisterhaftigkeit ein Gegengewicht bildet. Pesce's two monumental chandeliers commissioned for the entrance to Die Ausstellung der Seattler Kunstlerin Sherrie Markovitz in der the Palais des Beaux-Arts in Lille, France. Loosely based on the tradi­ Monique Knowlton Gallery, New York, Ende 1997 war das Warten von tional form of a draped chandelier, the giant, soft-looking bags are as­ mehreren Jahren seit ihrer letzten Ausstellung wert. Sie zeigte die bis sembled from irregular elements of Bullseye glass. They are tied to and heute komplexesten und groBten Beispiele der fur sie typischen, suspended from a woven network of rope and steel. The huge sculp­ schwer mit Perlen und Fundstucken bedeckten Tierkopfe. Eine Ausein- tures are not chandeliers in name only. Rather, they emit light from in­ andersetzung mit ethnischen Objekten (besonders auf Huichol Perlen- ternal flexible fixtures and thus become amplified signals of approach to arbeiten) und Volkskunst ist in alien Skulpturen von Markovitz erkenn- an institution of importance. bar. Die jungsten Entwicklungen schlieBen totemistische Babypuppen The great potential for naturalistic polychrome sculpture in glass - und - vielleicht besonders interessant - organische Formen ein, deren particularly pate de verre-was established at the end of the 19th cen­ Oberflache mit winzigen Glasperlen eher gestaltet als beladen ist. Der tury by the Frenchman Henri Cros. The delicate coloring, modeling, and riesige Pink Buddha hangt von der Wand wie ein schwangerer Bauch superb craftsmanship of Cros's work have yet to be matched in subse­ oder eine bestickte Wolke. quent figural sculpture in glass. However, new sculptures by the Ameri­ Peter Ivy, ein junger Kunstler, der erst vor zwei drei Jahren sein Stu- can Nicholas Africano approach Cros's output in sensitivity. The fe­ dium abgeschlossen hat, nimmt irdische Wunder ins Blickfeld. Dabei Kilt':

Sherrie Markovitz, United States Circle, 1997 Glass beads, gourd Glasperlen, Flaschenkurbis Diam. 23 cm Photo courtesy of the Monique Knowlton Gallery Sherrie Markovitz, United States Buddha 98, 1998 Glass beads Glasperlen H. 112 cm Photo courtesy of the Monique Knowlton Gallery

male nudes and semi-nudes radiate the waxy translucency and subtle entkleidet er eine Idee bis auf das wesentlich Einfache und bringt dann coloring of skin. Their relaxed postures and veiled costumes impart a den Betrachter langsam auf den Weg, wo das Magische gewurdigt wer- sense of realism that is counterbalanced by dreamy ghostliness. den kann. Hinzu kommt, daB Ivys technische Fertigkeiten es ihm erlau- Seattle artist Sherrie Markovitz's exhibition at the Monique Knowlton ben, seine Ideen leicht und unaufdringlich zu realisieren. Gallery, New York, at the end of 1997 was worth the wait of several Eine Person mit Gespur wird die Form und Farbe einer Seifenblase years since her last show. It displayed the most complex and sizable bewundern. Trotzdem, wie oft betrachten wir wirklich eine? Wie konnen examples to date of her signature animal heads heavily encrusted with wir? Wir bewundern auch eine Glaskugel fur ihre Gabe, den Atem fur beads and found objects. Responses to ethnic objects (particularly to immer festzuhalten und zu konservieren. Was fur eine wunderbare Idee Huichol ) and folk art are obvious in all of Markovitz's sculp­ ist es, uns zu zwingen uber beide Volumina nachzudenken, indem man ture. Recent developments include totemic baby dolls and - perhaps das leichte, fluchtige, nur von der Luft getragene, in das andere plaziert. most interesting - the abstract organic forms surfaced, rather than load­ Geschutzt durch sein glasernes Pendant, kann es fur Stunden oder so- ed, with minute glass beads. The huge Pink Buddha hangs off the wall gar Tage intakt bleiben. Ivy ist von Erfindungen fasziniert, die die Ba­ like a pregnant belly or an embroidered cloud. lance halten zwischen ehrgeizigem Einfallsreichtum und fehlgeleiteter Peter Ivy, a young artist only two or three years out of undergraduate Albernheit. In seinem Night Light aktiviert die Hitze, die aus einer klei- school, focuses on the wonders of the mundane. He does so by strip­ nen Gluhbirne aufsteigt, einen Papierfacher, auf dem ein Insekt und ein ping an idea to essential simplicity and then slowing the viewer to a Staubknauel plaziert sind. Indem der Facher leicht rotiert, wandern die pace where the magic can be appreciated. In addition, Ivy's technical Schatten des Insekts und des Staubs durch den Raum. Bei einer ande- skills allow him to realize his ideas lightly and unobtrusively. ren Arbeit ist eine Glaskugel mit Wasser und Staub gefullt. Wenn man A person with any sense will man/el at the form and color of a soap das Objekt dreht, steigt der Staub auf, bildet verschiedene Schichten bubble. However, how often do we really study one? How can we? We und rotiert um ein weiBes Haar, das im Zentrum des Glases befestigt also admire the glass bubble for its ability to capture and preserve the ist. Es gibt keinen Grund, an Ivy zu zweifeln, wenn er behauptet, daB breath forever. What a beautiful idea it is to force us to contemplate seine seltsamen Objekte „einen beruhigenden Effekt haben, der die both volumes by placing the slight, fugitive one, supported only by air, Aufmerksamkeit ahnlich fesselt wie die Flamme einer Kerze". inside the other. Protected by its glass counterpart, it may remain intact Autoren, die uber Kunst und Kunsthandwerk schreiben, beziehen for hours or even days. Ivy is fascinated by inventions that are balanced sich oft auf Kants Kritik der reinen Vernunft (1790), weil er viele Ideen between ambitious ingenuity and misguided foolishness. In his Night deutlicher macht, mit denen wir heute noch kampfen. Ivys spielerische Light, the heat rising from a small bulb activates a fan that sup­ Objekte verdeutlichen Kants Behauptung, daB „schone Kunst mogli- ports an insect and a ball of dust. As the fan slowly rotates, the shad- cherweise nur das Produkt eines Genies ist". Er beschreibt Genie als Peter Ivy, United States Bubble Holder, 1995 Blown glass, soap bubble Geblasenes Glas, Seifenblase H. 15.2 cm

Peter Ivy, United States Night Light, 1995 Blown glass, mixed media Geblasenes Glas, Mixed media H. 23 cm

ows of the insect and dust travel around the room. In another work, a glass bubble is filled with water and dust. When the object is spun, the dust rises, stratifies, and revolves around a white hair fixed in the center of the glass. There is no reason to doubt Ivy when he states that his strange objects have "a calming effect that holds one's attention much like the flame of a candle." Writers about art and craft often refer to Immanuel Kant's Critique of Judgment (1790) because he clarifies so many of the ideas with which we still struggle. Ivy's playful things bring to mind Kant's statement that "fine art is possible only as the product of genius." He describes genius „ein Talent, etwas herzustellen, fur das keine bestimmte Regel aufge- as "a talent for producing something for which no determinate rule can stellt werden kann, nicht als Predisposition in Form von Fertigkeit, die be given, not a predisposition consisting of a skill for something that can erlernt werden kann, indem man die eine oder andere Regel befolgt; be learned by following some rule or other; hence the foremost property folglich muB die allererste Eigenschaft eines Genies Originalitatse'\r\". of genius must be originality." Kant goes on to say that while a work Kant fuhrt weiter aus, daB obwohl eine Arbeit hubsch, elegant oder an- may be nice, elegant, or graceful, if it does not have something called mutig sein kann, sie nicht Kunst ist, wenn sie nicht etwas hat was Geist spirit, it is not art. Such spirit is an idea that prompts thought and imagi­ genannt wird. Diese Art Geist ist eine Idee, die Gedanken und Imagina­ nation, and it cannot be completely described by any language other tion hervorruft und die mit keiner Sprache vollstandig beschrieben wer­ than a kind of poetry. For this viewer, it is the same spirit that represents den kann als mit einer Art Poesie. Fur diesen Betrachter ist es der glei- the ultimate esthetic criteria for quality - and it is possessed by the ob­ che Geist, der die letztgultigen Kriterien fur Qualitat reprasentiert - und jects included herein. er ist erfullt durch die Objekte, die hier aufgenommen sind.

Susanne K. Frantz Susanne K. Frantz Curator of 20th-century Glass Kuratorin fur Glas des 20. Jahrhunderts The Corning Museum of Glass The Corning Museum of Glass Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS

Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Corning Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der Museum of Glass since the bibliography for New Glass Review 18. New Glass Review 18 der Rakow-Bibliothek des Corning Museums of Glass hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, Zeitgenossisches Glas (nach 1945) and Stained Glass Flachglas (nach 1945), einschlieBlich architekturbezogenes Glas, Technology (after 1945) Glasmosaik, Glasmalerei und Farbglas Films and Videotapes Technologie (nach 1945) Filme und Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive coverage of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass (UrbanGlass, Brooklyn, New York) Glass Art Magazine Glass (Urban Glass, Brooklyn, New York) Glass Art Society Journal Glass Art Magazine Neues Glas/New Glass (Germany) Glass Art Society Journal La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass (Bundesrepublik Deutschland) Stained Glass Quarterly La Revue de la Ceramique et du Verre (Frankreich) Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich im Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben Entries beginning with a cardinal or ordinal number, expressed either as wurde. a numeral or spelled out, will be found after the alphabetical entries, ar­ ranged numerically. Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl oder als Wort ausgedruckt sind, werden nach den alphabetischen Ein- Exhibition catalogs, formerly listed under the name of the city in which tragen zahlenmaBig geordnet. each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die 1. Under the name of the author (person or organization). Ausstellung stattgefunden hat, gefuhrt wurden, finden sich jetzt nach 2. Under the name of the city in which the exhibition was held (when the folgendem Schema geordnet: author's name is not provided). 3. Under the title (when neither the author's name nor the city name is 1. Unter dem Namen des Autors (der Person oder Organisation) provided). 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GLAS (nach 1945)

1 Anonymous pp. 100-101, ill. In Japanese. 10 "American Contemporary Glass Art: Ameri­ "Absolut Art" American architect and artist Alison Berger. can Glass Galleries" The Seagram Museum Newsletter, Spring 1996, Glass and Art (Tokyo), no. 9, May 1995, pp. 13- p. 1, ill. 15 and 28-34, ill. In Japanese. 6 "All Dolled Up" 1996 exhibit at The Seagram Museum. Includes galleries in Aspen, Seattle, and , Jan. 1997, pp. 46-47, ill. Bethesda; work by John Brekke, Josiah McEI- Japanese designer creates raised beaded em­ heny, and Stephen Paul Day. 2 "Actualite: Ateliers de I'ADAC Centre du broidery. Verre" Le Courrierdes Metiers d'Art, no. 165, Sept./Oct. 11 "American Glass" 7 "Allglass: Nella tradizione del vetro soffiato" 1997, pp. 6-7, ill. Siteline (Smithsonian Institution Traveling Exhibi­ Abitare, no. 357, Dec. 1996, p. 43, ill. In Italian Activities at the Paris cultural center. tion Service), no. 40, Summer 1997, p. 6, ill. and English. Description of a traveling exhibition with 56 New designs from Venetian firm Allglass. pieces of . 3 '"Al Dente': Design zwischen Material und Atmosphare" 8 "Amenity Space and the Future of Glass ArtAurea, no. 4, Dec. 1996/Jan. 1997, pp. 29- 12 "American Glass Artists Respond to Our Sculpture: 1993 Glass Sculpture Competition" 34, ill. Questionnaire: 'What Are Arts and Crafts?"' Glass and Art (Tokyo), no. 5, March 1994, Herbert Jakob Weinand, contemporary designer Glass and Art (Tokyo), no. 11, Nov. 1995, pp. 23- pp. 50-64, ill. In Japanese. whose work includes glass. 33, ill. In Japanese. Glass sculptures and installations in public areas, including Notojima Glass Museum; conversations 4 "Alf Lechner" among glass artist and sculptors. 13 "American Glass Legacy: Brent Kee Anzeiger des Germanischen Nationalmuseums, Young" 1994, pp. 206-208, ill. Glass and Art (Tokyo), no. 11, Nov. 1995, pp. 9- 9 "America, Come Together" Sculpture/installation that includes glass panes by 21, ill. In Japanese. Glass Collector's Digest, v. 10, no. 3, Oct./Nov. artist Lechner. 1996, p. 101, ill. glass eagle designed by Kelsey Murphy 14 " Receives Commission to Create 5 "Alison Berger's Glass Installation Work" of Pilgrim Glass Corp. and presented to Presi­ New Sculpture in Glass" Glass and Art (Tokyo), no. 19, Nov. 1997, dent Clinton. Journal of Glass Studies, v. 39, 1997, pp. 213-214, ill. 31 "Ausstellung 'Jan Adam - Der Glasgarten' Neon by Judith Gor in Beverwijk, the Nether­ 1997 Rakow Commission. im Glasmuseum Frauenau" lands. Die Schaulade, v. 69, no. 7, July 1994, p. 50, ill. 15 "Annieglass, la creation temperament" Glass by Czech designer Jan Adam. 49 "Cappy Thompson" Table et Cadeau, no. 380, April 1997, p. 22, ill. Art and Crafts (Seoul), June 1993, pp. 55-56, ill. English summary. 32 "Australian Colleges with Glass Courses In Korean. Santa Cruz, California, and accesso­ and Art Museums with Glass Collections" Enameling technique. ries firm. Glass and Art (Tokyo), no. 15, Nov. 1996, p. 28- 29, ill. In Japanese. 50 "Castiglioni" 16 "Aperto vetro" Schmuck Magazin, no. 2, April/May 1997, p. 84, ill. Magazine Premier for Tableware (), no. 51, 33 "Auszeichnung fur Rastal" Brief note on Castiglioni lighting fixtures. Jan. 1997, pp. 44-45, ill. In Italian. Die Schaulade, v. 69, no. 5, May 1994, p. 35, ill. Brief article about "Venezia Aperto Vetro"; Horst Barters drinking horn animal series for Ra­ 51 "A Centuries-Old Legacy" installation by Markku Salo illustrated. stal, selected for New Glass Re view competition. Waterford Reflections, v. 3, no. 1, Fall 1996, p. 14, ill. 17 "April Brings Spring Fellows" 34 "Autori: Gaetano Pesce" Waterford chandeliers. The Journal, A Newsletter for Friends of Whea- Domus, no. 787, Nov. 1996, p. 151, ill. In Italian ton Village, v. 19, no. 2, Spring 1996, p. 4, ill. and English. 52 "Chequered History of Crystal Producer" Christine Barney, Gerry Newcomb, Joel Brief biography of Pesce. Glass, Monthly Journal of the European Glass In­ O'Dorisio, Kirstie Rea. dustry, v. 73, no. 11, Nov. 1996, pp. 498-501, ill. 35 "Avant Garde Head Turners" Cut at Sklo Bohemia AS. 18 "April Is Michigan Glass Month" Swarovski, Oct. 1996, p. 59, ill. American Style, v. 3, no. 3, Spring 1997, p. 15, ill. Tiaras. 53 "CIRVA: Creation and Research of Glass Art" 19 "Art & Auction: Exceptional Glass on Sale" 36 " Take a Bite of the Specialty Glass Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 37- American Style, v. 3, no. 2 (7), Winter 1996, Market" 41, ill. In Japanese. p. 59, ill. Niche, v. 9, no. 3, Summer 1997, p. 33, ill. Glass center in Marseilles. Raphael collection at Christies's auction. Work by Glass bagels made by Massachusetts studio. Chihuly, Hank Murta Adams, Michael Glancy illu­ 54 "Classico e moderno: II sistema Cler di strated. 37 "Bags of Style" Fiam Italia" Swarovski, Oct. 1996, pp. 18-21, ill. Ottagono, v. 31, no. 120, Sept.-Nov. 1996, pp. 20 "Art-Craft Borders Explored in Katonah" Swarovski handbags. 156-159, ill. In Italian and English. Antiques and The Arts Weekly, v. 25, no. 35, Flexible furniture system designed by Ron Arad. Aug. 29, 1997, pp. 72-73, ill. 38 "Barolo Total: Ein Fest fur Claus Josef Rie- Exhibit with glass by Mary Shaffer and others. del" 55 "Clearly James Glassblowing" Die Schaulade, v. 69, no. 7, July 1994, pp. 36- Hot Gas (Scientific Glassblowers Association of 21 "Artful Menorahs: New Light on an Old Tra­ 37, ill. Australia), v. 3, no. 4, Nov. 1996, pp. 8-10, ill. dition" Riedel wineglass design for Barolo. Mobile glassblowing studio in England. American Style, v. 3, no. 2 (7), Winter 1996, p. 13, ill. 39 "The Bead Project" 56 "A Closer Look at the Secondary Market" Includes menorahs by , Ginny Inform (Empire State Crafts Alliance), v. 16, no. Waterford Reflections, v. 2, no. 4, Summer 1996, Ruffner. 4, Feb. 1997, p. 5, ill. p. 10+, ill. UrbanGlass pilot program to benefit economically 22 "Artisan Profile: Fred Curtis" disadvantaged women in New York City. 57 "Colin Reid Commission" Waterford Reflections, v. 2, no. 4, Summer 1996, Crafts (U.K.), no. 146, May/June 1997, p. 12, ill. Cast glass Corinthian capitals for use as table pp. 8-9, ill. 40 "Bernard Michael D'Onofrio" bases. Art and Crafts (Seoul), June 1993, pp. 36-37, ill. 23 "Artisan Profile: John Moloney" In Korean. 58 "Collectors' Weights 1977-1993" Waterford Reflections, v. 3, no. 3, Spring 1997, Reflections (Caithness Paperweights), no. 8, pp. 14-15, ill. 41 "Bertil & Ulrica Vallien Glass Art Exhibit" 1993, pp. 18-19, ill. Glass and Art (Tokyo), no. 1, 1993, p. 50, ill. Illustrations of the annual weights issued for 24 "Artist Profile: Robert Stephan, Margaret collectors. Stephan " 42 "Bertil Vallien from Sweden" & Light (Palo Alto, CA), v. 1, no. 2, Winter Art and Crafts (Seoul), June 1993, pp. 34-35, ill. 59 "Colourful Hand Made Crystal Glass" 1994, p. 8, ill. In Korean. The Gift Buyer International, v. 33, no. 6, Feb. 1997, p. 48, ill. 25 "Artist Review: Kasumi Rio and Takeshi Fu- 43 "Best Glass Fused Piece, Glassworks '93" Glassware by the Okra firm (Richard Golding) of kunishi" Firing Line (Orton Firing Institute, Westerville, Brierley Hill, Stourbridge. Glass and Art {Tokyo), no. 9, May 1995, pp. 74- OH), Winter/Spring 1994, p. 21, ill. 81, ill. In Japanese. Piece by Linda Andrews. 60 "Come una galleria d'arte: Fiam Italia al Salone del Mobile" 26 "Artisteri" 44 "Biennale Metiers d'Art a Villeurbanna" Ottagono, v. 31, no. 119, June-Aug. 1996, pp. Form, v. 93, no. 2 (710), 1997, p. 11, ill. Le Courrierdes Metiers d'Art, no. 159, Jan./Feb. 156-159, ill. In Italian and English. Table glass by designers from Kosta: Martti Ryt- 1997, p. 22, ill. New collection of glass furniture by Ron Arad. konen, Lena Bergstrom, Per Sundberg. Biennale of crafts from Rhone-Alpes region. 61 "Le Comite Colbert sensibilise les jeunes 27 "Artists of Contemporary Glassmaking Cel­ 45 "Book Celebrates One of America's Top aux metiers du luxe" ebrated at Cleveland Museum of Art" Wildlife Artists" Offrir International, no. 342, April 1997, p. 82, ill. Antiques and The Arts Weekly, v. 25, no. 30, July MassBay Antiques, v. 18, no. 3, July 1997, p. 35, Student classes include glassmaking at Lalique. 25, 1997, p. 80, ill. ill. Rick Ayotte and his nature paperweights. 62 "Commissions: Eric Hilton - Northstar" 28 "Artist's Portrait: Jay Musler" American Craft, v. 57, no. 1, Feb./March 1997, p. Glass and Art (Tokyo), no. 9, May 1995, pp. 35- 46 "Breaking Barriers: Recent American Craft" 29, ill. 43, ill. In Japanese. Craft Arts International, no. 38, 1996-1997, pp. Sculpture made for cruise ship. 88-90, ill. 29 "Artists' Statements: Sculptural Creations Review of exhibition at American Craft Museum. 63 "Commissions: John Gilbert Luebtow" Based on Astronomical Phenomena" American Craft, v. 57, no. 3, June/July 1997, pp. Leonardo, v. 30, no. 4, 1997, p. 269, ill. 47 "Bright Lights, Big Cities: Dusty Sprengna- 34-35, ill. Sculpture of wood and neon tubes by Jiff gel Captures Neon the World Over" Installation with slumped and etched glass at Matousek. Signs of the Times, v. 219, no. 9, Aug. 1997, pp. Scripps Research Institute, La Jolla. 20-23, ill. 30 "Ausglass: Jam Factory Craft and Design 64 "Commissions: Kay Kirkpatrick - Sitka Center" 48 "Calligraphs" Room" Glass and Art (Tokyo), no. 15, Nov. 1996, International Lighting Review, no. 2, 1996, p. 40, American Craft, v. 57, no. 1, Feb./March 1997, p. pp. 26-27, ill. In Japanese. ill. 29, ill. Three block-printed glass panels for Bothell, 66-69, ill. In Japanese. Demonstration of cage cup techniques by Van Washington, company. Interview with the Polish glass artist. Eyk firm in Rohrnbach.

65 "Conrad Modenski" 81 "Dale Chihuly" 98 "Directions: Looking for a New Direction in Starlight (For the Christopher Radko Collector), Glass and Art (Tokyo), no. 1, 1993, pp. 86-89, ill. Glass" Spring 1993, p. 9, ill. In Japanese. Faber, no. 65, June 1995, p. 1, ill. In Japanese. Polish maker of molds for Christmas ornaments. Floral arrangements in glass baskets by Chihuly. Works by glass artists in Kanazawa and Toyama areas, including Kazumi Tsuji and Takeshi Fuku- 66 "Contemporary Flameworked Glass" 82 "Dale Chihuly: Seaforms" nishi. The Journal, a Newsletter for Friends of Wheaton Night & Day (The Corcoran Gallery of Art), v. 2, Village, v. 20, no. 2, Spring 1997, p. 1, ill. no. 7, Jan./Feb. 1996, p. 17, ill. 99 "Discussion: The New Age of Glass in Ja­ 1997 exhibition at the Museum of American Exhibition at the Corcoran Gallery. pan Has Just Begun" Glass. Glass and Art (Tokyo), no. 14, Aug. 1996, pp. 83 "Dale Chihuly's New Experiment" 39-53, ill. In Japanese. 67 "Contemporary Glass Art Movement" Glass and Art (Tokyo), no. 6, June 1994, pp. 64- Conversation with Kazumi Ikemoto, Takahashi Glass and Art (Tokyo), no. 2, June 1993, pp. 25- 65, ill. In Japanese. Yoshihiko, and Yumiko Noda. 35, ill. In Japanese. Chihuly's Museum of Glass in Tacoma Union Includes works by Noda Yumiko, Kazumi Ike- Station. 100 "Discussion: Working to Become a Glass moto, Dale Chihuly, Marvin Lipofsky, Erwin Eisch, Artist" Brent Kee Young, and others. 84 "Dalla Finlandia" Glass and Art (Tokyo), no. 14, Aug. 1996, pp. Abitare, no. 361, April 1997, pp. 92-93, ill. In 55-59, ill. In Japanese. 68 "Contemporary Glass Modeling: Possibili­ Italian and English. ties and Limits" Kerttu Nurminen wins 1996 Kaj Franck award. 101 "La dolcezza della linea. Le nuove crea- Glass and Art {Tokyo), no. 7, Oct. 1994, pp. 76- zioni di Fiam" 77, ill. In Japanese. 85 "Daniela Puppa" Ottagono, v. 32, no. 122, March/May 1997, pp. Barovier & Toso Informa, no. 9, April 1997, p. 2, ill. 144-147, ill. In Italian and English. Lamp and vase designs for Barovier & Toso. 69 "The Contemporary Glass Society" Fiam Italia designs include all-glass tables. Glass Circle News, no. 70, Jan. 1997, p. 4. New organization for British studio glassworkers 86 "Dead Chic" and their supporters. Swarovski, April 1997, pp. 40-41, ill. 102 "The Dragon Vase" Jewelry designer Simon Wilson. Lalique Collectors News, Oct. 1996, pp. 2-3, ill. 70 "Contemporary Paperweight Artists' Update" New Lalique collectible. Annual Bulletin of the Paperweight Collectors As­ 87 "Dejonghe: Prix national de la Culture" sociation, 1996, pp. 33-36, ill. Le Courrierdes Metiers d'Art, no. 159, Jan./Feb. 103 "A Dusseldorf, Glastec revele les desseins Examples of work by many paperweight artists. 1997, p. 10, ill. du verre" Award to Bernard Dejonghe for large glass sculp­ Verre (Institut du Verre, Versailles), v. 2, no. 6, 71 "Contemporary Showcase: The Latest tures. Nov./Dec. 1996, pp. 65-66, ill. Creations from Today's Paperweight Artists" "Glass Technology Live" and "New Design in Annual Bulletin of the Paperweight Collectors As­ 88 "Den stora Blasningen" Glass" exhibits at Glastec '96. sociation, 1997, pp. 66-68, ill. Skona Hem, no. 5, 1997, p. 31, ill. Work by 12 paperweight makers. Storsjohyttans Glasbruk at Ostersund, Sweden, 104 "E. Costantini and the Grand Masters' with glass designers Nilla Eneroth, Ulla Gustafs- Joint Works - Picasso, Chagall, Cocteau" 72 "Contemporary Style of Cut Crystal - The son, and Anna-Lena Rudolfsson. Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 39- Charm of Swarovski" 44, ill. In Japanese. Glass and Art (Tokyo), no. 6, June 1994, pp. 94- 89 "Design fur Sammler und GenieRer: Das 95, ill. In Japanese. Milchglasgeschenk von Ritzenhoff" 105 "Les Ecoles du verre a la Biennale de Ve- Die Schaulade, v. 69, no. 7, July 1994, p. 135, ill. nise: Points de vue" 73 "Crafts - The Turning Point between Mod­ The design competition sponsored by Ritzenhoff. Le Courrierdes Metiers d'Art, no. 159, Jan./Feb. ern and Contemporary" 1997, p. 23. Glass and Art (Tokyo), no. 12, Winter 1996, pp. 90 "Design: Marta Macelova" 83-91, ill. In Japanese. New Glass Re view (Czech), no. 4, 1997, p. 24, ill. 106 "Edinburgh: Lighting Up the City" Impact of 1978 World Crafts Council conference In German and English. Flash Art, v. 30, no. 193, March/April 1997, p. 55. held in Kyoto, Japan. designer. Award to Peter Fink for light works project.

74 "Craftsmen at Work: The Glass Makers" 91 "Design Milada Rocejdlova" 107 "EdlesGlas" Reflections (Caithness Paperweights), no. 12, New Glass Review (Czech), v. 52, no. 3, 1997, p. ArtAurea, no. 4, Dec. 1995/Jan. 1996, p. 24, ill. July 1997, pp. 12-13, ill. 29, ill. In German and English. Work of Jack Ink at the Glasmuseum Rheinbach. Caithness staff. Crystalex designer. 108 "Eisch - Glas: Handgemachte Zartlichkeit" 75 "The Creation of a New Glass Society" 92 "Design Solutions: Danny Lane" Die Schaulade, v. 68, no. 1, Jan. 1993, p. 84, ill. Glass Network (Contemporary Glass Society, House & Garden, v. 52, no. 10, Oct. 1997, p. 98, ill. Younger Eisch family members join the firm. Great Britain), no. 1, April 1997, pp. 1-2. 93 "Design-Wettbewerb zur 200. Jahresfeier" 76 "II secondo Gallotti & Radice" Porzellan + Glas, no. 5, May 1993, p. 59, ill. 109 "Elefant im Handstand" Domus, no. 749, May 1993, u.p., ill. In Italian and Design competition among Scandinavian artists Die Schaulade, v. 72, no. 5, May 1997, p. 34, ill. English. to celebrate 200th anniversary of Nuutajarvi. Piece by Horst Bartels, designer for Rastal. Gallotti & Radice, glass furnishings designers, show new products and sculptures. 94 "Di-Maestro. SAFO: Timur Sazhin i Lida 110 "Der Erfolg der GLAStec beruht auf dem Fomina" umfassenden Angebot" 77 "'Critical Mass' - 1996 GAS Conference, Reklama, nos. 2/3, 1993, pp. 12-13, ill. In Rus­ Glas + Rahmen, v. 47, no. 22, Nov. 1996, pp. Boston, June 6-9" sian. 1223-1224, ill. GAS News, Summer 1996, pp. 8-13, ill. Russian glass designers of chandeliers, table­ Germany's GLAStec fair offered variety of flat Photo review. ware, etc. glass (industrial, architectural, hobby); models of buildings, furniture, holography; glass sculpture 78 "Crystalex Co. Ltd./AG" 95 "Dialogues ceramiques a Dunkerque" by Renato Santarosso. New Glass Review (Czech), v. 41, no. 5, 1996, Table et Cadeau, no. 381, May 1997, pp. 6-7, ill. pp. 5-8, ill. In English and German. Glass and ceramics by Bernard Dejonghe in 111 "Erfrischend, edel, elegant" New tableware products. museum exhibit. Glaswelt, v. 50, no. 8, Aug. 1997, pp.74-81, ill. Firms showing at Ambiente '97: Venini, Orrefors, 79 "A Cut Above: Tom Konczal" 96 "Diana Hobson from England" Schott-Zwiesel, Jenaer, , Ritzenhoff, La­ Common Ground: Glass, Winter 1996, pp. 23- Art and Crafts {Seoul), June 1993, pp. 40-41, ill. lique, Kosta Boda. 24, ill. In Korean. California drill engraver. Pate de verre technique. 112 "Erlesenes zum Kauf" ArtAurea, no.4, Dec. 1995/Jan. 1996, p. 29, ill. 80 "Czeslaw Zuber" 97 "Das Diatret feiert bei Van Eyk" Exhibit of 20th-c. decorative arts, especially Art Glass and Art (Tokyo), no. 5, March 1994, pp. Die Schaulade, v. 69, no. 7, July 1994, p. 53, ill. Nouveau glass and Italian glass of the 1950s. 113 "Erwin Eisch - Glas aus den 60er Jahren: 129 "Fall Fellows Bid Farewell to CGCA" 15 mini-architectural structures made of glass Die Anfange der Studioverglasung" The Journal, a Newsletter for Friends of Wheaton on display in the Palazzo Reale, Naples. GFF - Zeitschrift fur Glas, Fenster, Fassade, no. Village, v. 20, no. 1, Winter 1997, p. 5, ill. 8, April 2, 1997, p. 392, ill. Junichiro Baba, Ken Carder, Melanie Guernsey, 145 "Forza Italia" Beth King. Swarovski, Jan. 1997, pp. 20-21, ill. 114 "Etsuko Nishi from Japan" Designs of accessories by Stefano Ricci. Art and Crafts (Seoul), June 1993, p. 42, ill. In 130 "Fall Fellowships Awarded" Korean. The Journal, A Newsletter for Friends of Whea­ 146 "Franzosische Glaskunst in Frauenau" Pate de verre technique. ton Village, v. 19, no. 3, Summer 1996, p. 6, ill. Porzellan + Glas, no. 7, July 1993, p. 71, ill. Junichiro Baba, Ken Carder, Melanie Guernsey, Retrospective of the work of Claude Morin at the 115 "Eumundi Glass School Makes a Smash Beth A. King. Glasmuseum Frauenau. Debut" Craftlink, v. 10, no. 2, Oct. 1996, p. 9. 131 "Ein farbenfrohes Glasvergnugen" 147 "Fruhlingsgefuhle in Glas verewigt" Queensland Glass Artists Association runs work­ Glaswelt, v. 48, no. 6, June 1995, p. 34+, ill. ArtAurea, no. 2, 1995, p. 94, ill. shop. Table accessories and furniture by Monica Back- Vase by Wiebke Vogt. strom, Venini, Eisch, and others at Frankfurt fair, 1995. 116 "European Craft: New Century Exhibit" 148 "Fulbright Scholarship Announced" Glass and Art (Tokyo), no. 6, June 1994, pp. 34- The Crafts Report, v. 23, no. 258, Oct. 1997, p. 11, 36, ill. In Japanese. 132 "'Faszination Afrika' auf Erfolgskurs" ill. Work by Ann Wolff, Stanislav Libensky/Jaroslava Die Schaulade, v. 69, no. 1, Jan. 1994, pp. 90- Jonathan Schmuck will study glass at the Austra­ Brychtova. 91, ill. lian National University at Canberra. Swarovski collectors' club series, designed by Michael Stamey. 117 "Exhibition Feature: Chihuly over Venice 149 "The Future of Art : Tama Art and the Corcoran" University's New Kogei Department and Its Impli­ 133 "Featured Artist Kunio Ohashi" Night & Day (The Corcoran Gallery of Art), v. 4, cations" Sign Builder Illustrated, no. 44, March/April 1997, no. 5, July/Aug. 1997, cover and pp. 4-5, ill. Glass and Art (Tokyo), no. 19, Nov. 1997, pp. 44- pp. 12-13, ill. 61, ill. In Japanese. Ohashi's neon sculptures on display at the Mu­ Glass art education. 118 "Exhibition Highlights the Art of Flamewor- seum of Neon Art. king" Antiques and The Arts Weekly, v. 25, no. 21, May 150 "Gallery" 134 "Fiam Italia" American Craft, v. 57, no. 3, June/July 1997, pp. 23, 1997, p. 29. Ottagono, v. 31, no. 119, June-Aug. 1996, p. 160, Exhibit at Wheaton Village. 78-83, ill. ill. In Italian and English. Flameworked pieces by Jeffrey Spencer, Robert The Corning Museum of Glass acquires glass ta­ Mickelsen; bowl by Brook Forrest White Jr.; 119 "Exhibition Review: Glass, Formal or Free" ble designed by Vittorio Livi for Fiam Italia. sculptural piece by Susie Krasnican. New Zealand Society of Artists in Glass News­ letter, May 1995, p. 8, ill. 135 "Fiam Italia. La casa deN'artista" "Glass '95" at an Auckland gallery. 151 "Gallery" Ottagono, v. 31, no. 121, Dec. 1996-Feb. 1997, pp. American Craft, v. 57, no. 5, Oct./Nov. 1997, pp. 158-161, ill. In Italian and English. 112-117, ill. 120 "Exhibitions: Mass Noise" Glass furniture for Fiam by Danny Lane, Umberto Includes piece by Gary Beecham and engraved Form Function Finland, no. 2 (66), 1997, p. 47, ill. Mariani, Massimo losa Ghini, Ron Arad, Philippe glass panel by Denita Benyshek. Glass by Annaleena Hakatie, Sami Lahtinen, and Starck. Markku Salo in and littala. 152 "Gallery: In the Renaissance Spirit" 136 "Fiam Italia in palcoscenico" Form Function Finland, no. 63 (3), March 1996, p. Ottagono, v. 30, no. 117, Dec. 1995-Feb. 1996, 121 "Expo: Houses" 37, ill. pp. 138-141, ill. In Italian and English. I.D. Magazine (International Design), v. 44, no. 4, Heikki Orvola vase. June 1997, p. 20, ill. Fiam glass furniture used in operetta in Bologna. Tom Patti's installations in head­ 153 "Gallotti & Radice" 137 "Filigrane Kreationen in Glas" quarters building, Toledo. Domus, no. 752, Sept. 1993, u.p., ill. In Italian Schmuck Magazin, no. 2, April/May 1997, pp. and English. 118-119, ill. 122 "Exposition: Dietman, verres divers" All-glass table by the Italian design firm. L'Oeil, no. 486, June 1997, p. 14, ill. Glass jewelry by Langani. Erik Dietman exhibit of glass made at CIRVA be­ 154 "Geisterwelt in Glas von Kjell Engman" 138 "The Fine Art of Copper Wheel " tween 1993 and 1997. Die Schaulade, v. 70, no. 7, July 1995, p. 69, ill. Waterford Reflections, v. 3, no. 4, Summer 1997, pp. 18-19, ill. Exhibition of spirit creatures by Engman at Ro­ 123 "Expositions: Biennale de Venise - Erik senthal in Nuremberg. One-of-a-kind engraved Waterford pieces. Dietman, verres divers" La Revue de la Ceramique et du Verre, no. 95, 155 "Geschenke aus Kristall: Individueller July/Aug. 1997, p. 60, ill. 139 "Finland Design Exhibition" Faber, no. 93, Oct. 1997, p. 2, ill. In Japanese. Schmuck von Lalique" Includes work by Kaj Franck. Die Schaulade, v. 69, no. 7, July 1994, p. 122, ill. 124 "Expositions: Dale Chihuly a la verrerie de Glass jewelry designed by Marie-Claude Vianne" Lalique. 140 "First Annual UrbanGlass Award - World La Revue de la Ceramique et du Verre, no. 95, Contemporary Glass Exhibit" July/Aug. 1997, p. 62, ill. Lobby (Hokkaido Museum of Modern Art), no. 55, 156 "Geschenkideen von " Dec. 1995, p. 8, ill. In Japanese. Die Schaulade, v. 69, no. 10, Oct. 1994, p.73, ill. 125 "Expositions: Dominique Marcade" Award (1995) to Bertil Vallien, Ginny Ruffner, and New giftware designed by Marie-Claude Berard La Revue de la Ceramique et du Verre, no. 95, others. for Baccarat. July/Aug. 1997, p. 60, ill. Blown glass in Honfleur exhibit. 141 "-Glas von Ingrid A. Reineke" 157 "Getting Desgrippes" Die Schaulade, v. 68, no. 12, Dec. 1993, p. 63, ill. Swarovski, April 1997, pp. 16-27, ill. 126 "Expositions: 'L'Univers et THomme,' Yan Swiss artist who has designed two tables. Perfume bottle designs by Joel Desgrippes. Zoritchak" La Revue de la Ceramique et du Verre, no. 92, 142 "Floating Houses: Alan Glovsky" 158 "'Ginkgo' by Katherine Coleman" Jan./Feb. 1997, p. 58, ill. Glass (UrbanGlass), no. 66, Spring 1997, p. 55, ill. Glass Circle News, no. 71, April 1997, p. 1, ill. Paris exhibit. Engraved cased plate by Coleman. 143 "Formes animales" 127 "Expositions: Raymond Martinez" Le Courrierdes Metiers d'Art, no. 160, March 159 "Glas aktuell: Dosenobjekt, Franz X. Holler" La Revue de la Ceramique et du Verre, no. 93, 1997, p. 6, ill. Glaswelt, v. 49, no. 11, Nov. 1996, p. 8, ill. March/April 1997, p. 60, ill. "Fossils" and animals in ceramic and glass by Paris exhibit. Jean Fontaine in Lille exhibit. 160 "Glas aktuell: Franz X. Holler" Glaswelt, v. 48, no. 6, June 1995, p. 7, ill. 128 "The Face of Crystal: The World of 144 "Forum: Atelier Mendini - Micro-architet- Prize-winning sculpture by Holler. Stefano Ricci" ture da mostra" Glass and Art (Tokyo), no. 12, Winter 1996, pp. Domus Dossier, v. 5, no. 5, April 1997, pp. 30- 161 "Glas aktuell: Rosenthal" 110-111, ill. In Japanese. 31, ill. In Italian and English. Glaswelt, v. 49, no. 10, Oct. 1996, p. 9, ill. Combined designs of Rosenthal and Egizia; vase 178 "Glass Ole'96" 193 "IGA Seeks Glass Art Associations World­ by . Stained Glass, v. 92, no. 2, Summer 1997, pp. wide. Part 3" 102-103, ill. GAS News, Spring 1996, pp. 2-3. 162 "Glaseier" Annual exhibition of Art Glass Association of Sammler Journal, v. 26, no. 4, April 1997, p. 15, ill. Southern California. 194 "Illuminating Color" Exhibition of decorated glass eggs at Bayerisch- Metropolis, v. 16, no. 8, April 1997, p. 47, ill. Bohmisches Raritaten-Museum in Bodenmais. 179 "Glass Table Coordinates" Lamp line by Artemide. Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 48- 163 "Glasfachschule Zwiesel schafft mit 51, ill. In Japanese. 195 "llluminazione: Apparecchi e sistemi" neuem Schulgebaude modernste Ausbildungs- Glass tableware exhibit of works by Kazumi Tsuji Domus, no. 776, Nov. 1995, pp. 102-124, ill. In platze" and Kazumi Ikemoto. Italian and English. GFF - Zeitschrift fur Glas, Fenster, Fassade, no. Lighting units and systems. 8, April 2,1997, p. 394, ill. 180 "Glass Today by American Studio Artists: An Exhibit at the Museum of Fine Arts, Boston, Glassmaking school at Zwiesel. 196 "In Search of the New Existence of Peo­ Massachusetts" ple, Architecture, City Spaces, and Art" Glass Craftsman, no. 143, Aug./Sept. 1997, pp. 164 "Glasmuseum Frauenau feierte Geburtstag" Glass and Art (Tokyo), no. 14, Aug. 1996, pp. 50-52, ill. Die Schaulade, v. 70, no. 7, July 1995, p. 28, ill. 97-101, ill. In Japanese. The 5th International Glass Symposium and the Glass installations by Togakudo firm. 20th anniversary of the Glasmuseum Frauenau. 181 "Glass Today: 80 Japanese Glass Artists Respond to Questionnaire" 197 "In the Making: Life's a Beach" 165 "Glasphantasien von Mercantile" Glass and Art (Tokyo), no. 14, Aug. 1996, pp. 14- 38, ill. In Japanese. Reflections (Caithness Paperweights), no. 12, Die Schaulade, v. 70, no. 3, March 1995, p. 145, ill. July 1997, pp. 6-7, ill. New designs from Orrefors and Kosta Boda. Includes works by Kazumi Ikemoto, Kazumi Tsuji, and others. Steps in how a paperweight is made. 166 "Glass & Art Information: The Charm of 198 "Individualist gefragt: Mundgeblasene Paperweights" 182 "Glass under Glass" Freundschaftsbecher von Hertha Wascher" Glass and Art (Tokyo), no. 9, May 1995, p. 110, ill. Stained Glass, v. 92, no. 3, Fall 1997, pp. 186-187, Die Schaulade, v. 70, no. 3, March 1995, p. 211, ill. In Japanese. ill. Enameled beakers by Wascher. Paperweight exhibition held in Tokyo. Chihuly project in Tacoma, Washington, has begun. 167 "Glass and I" 199 "Individualist ist Trumpf. Swarovski: De­ sign-Trends im ausgehenden 20. Jahrhundert" Tanko (special edition), no. 14, May 1995, pp. 183 "Glasscapes - Mingo and Asho" 104-105, ill. In Japanese. Arizona Society of Glass Bead Makers News­ Die Schaulade, v. 68, no. 12, Dec. 1993, p. 76, ill. Core-formed technique by Iwao Matsushima. letter, no. 7, Nov./Dec. 1996, p. 2, ill. Recent Swarovski designs. Lampwork and furnace beads by California glassworkers. 168 "Glass and Opposing Artists" 200 "Industriedesign 1948-1988" Glass and Art (Tokyo), no. 6, June 1994, pp. 50- Jahrbuch des Museums fur Kunst und Gewerbe 54, ill. In Japanese. 184 "The Glassmakers" Hamburg, v. 8, 1989, p. 175, ill. Works by Yosinori Masuda, Shinji Yonehara, Ka- Reflections (Caithness Paperweights), no. 11, Acquisition of a 1969 Ettore Sottsass of 1996, pp. 14-15, ill. tuya Ohgita, and Syunji Ohmura. glass, fiberglass, and neon. Craftsmen at Caithness. 169 "Glass and Rival Artists" 201 "Internationales Symposium 'Glass Ambi­ 185 "Glassmaking Technique of Howard Ben Glass and Art (Tokyo), no. 7, Oct. 1997, pp. 100- tions '94' in Novy Bor" Tre" 103, ill. In Japanese. Die Schaulade, v. 69, no. 12, Dec. 1994, pp. 52- Art and Crafts (Seoul), June 1993, pp. 32-33, ill. Work by Miho Aoki, Taiko Kita, and others. 53, ill. In Korean. 400 artists gathered at Novy Bor for the 5th sym­ 170 "Glass Artists Take a Stand at New York posium; objects created were displayed at Schloss 186 "Glastraume aus Schweden: Studio Glas- Trade Show" Lemberk. hyttan und Hermans Kristall" American Glass Review, v. 117, no. 6, May/June Die Schaulade, v. 68, no. 4, April 1993, pp. 66- 1997, pp. 9-11, ill. 202 "Interview: 'Eine kleine Schramme hinter- 67, ill. Glass studios in juried handmade division: Bur- lassen'" Work of two Swedish firms. chetta, Annieglass, Skeels, Weinstein, Smyers, Transparent (Aachen), no. 4, [1996?], pp. 82-91, and others. ill. English summary. 187 "I Goti Luminosi" Interview with Czech owner of gallery (located Barovier & Toso Informa, no. 7, Sept. 1994, pp. south of Hamburg) Eliska Stolting, and work by 171 "Glass Education Institutes in America" 3-6, ill. Glass and Art (Tokyo), no. 11, Nov. 1995, pp. 35- Fisar, Bilek, Sabokova, Rozsypal, Libensky/ New series of lamps and lighting by Barovier & Brychtova. 37. In Japanese. Toso. 203 "Isgard Moje-Wohlgemuth Exhibition" 172 "Glass Educational Institutions and Studios 188 "II 'Goto d'Autore': I 'Goti de Fornasa' per in Japan" Glass and Art (Tokyo), no. 2, June 1993, pp. 44- la Fenice" 47, ill. In Japanese. Glass and Art (Tokyo), no. 14, Aug. 1996, pp. 60- Barovier & Toso Informa, no. 9, April 1997, p. 3, ill. 65, ill. In Japanese. 130 drinking glasses by many Italian designers (sponsored by Barovier & Toso) on display in Mi­ 204 "Ishikawa Prefecture: Notojima Glass Mu­ 173 "Glass Gallery Breaks into SoHo" lan. seum" Niche, v. 9, no. 3, Summer 1997, p. 41, ill. Tanko (special edition), no. 14, May 1995, pp. 189 "Green Globe Awards" 92-93, ill. In Japanese. 174 "Glass in Art" American Style, v. 4, no. 1, Fall 1997, p. 13, ill. Includes work designed by Chagall and made by Cameo (Broadfield House Glass Museum), no. 2, Paperweight with frogs designed by John Gilvey. E. Costantini. Summer 1994, p. 3. Two new pieces of public art in Stourbridge, to 190 "Havet och segling har inspirerat Ronny 205 "It's Official: Kaatskill Kaleidoscope Is recognize the area's glass heritage. Nilsson" World's Largest" Glas och Porslin, v. 66, no. 2, 1997, p. 7, ill. The Brewster Society News Scope, v. 11, no. 4, 175 "Glass in Focus" Ronny Nilsson of Lindshammar Glasbruk. Winter 1996/1997, p. 3, ill. American Craft, v. 57, no. 5, Oct./Nov. 1997, pp. 37.5-foot kaleidoscope in the Catskill Mountains, 110-111, ill. 191 "Hessischer Staatspreis fur das Deutsche New York. Recent exhibitions at Boston, Corning, , Kunsthandwerk" Cleveland, and Indianapolis museums. Die Schaulade, v. 69, no. 9, Sept. 1994, p. 174, ill. 206 "Jahresausgabe 1993 des Sammler Clubs Glass artist Horst Stauber wins second prize. Swarovski" 176 "Glass Now 16th" Die Schaulade, v. 68, no. 1, Jan. 1993, p. 90, ill. Faber, no. 55, June 1994, p. 7, ill. In Japanese. 192 "An Iceberg for the Pontiff" The new series "Faszination Afrika" designed by Brief summary of Tokyo exhibition. Glass, Monthly Journal of the European Glass In­ Martin Zendron. dustry, v. 74, no. 1, Jan. 1997, p. 3, ill. 177 "Glass Now 17th" Engraved sculpture by to com­ 207 "Jan Fisar: 30 Jahre Arbeit mit Glas" Faber, no. 64, May 1995, p. 1, ill. In Japanese. memorate anniversary of the coronation of Pope Neues Glas, no. 1, 1997, p. 8. Tokyo exhibition of work by 60 glass artists. John Paul II. Retrospective at Hittfeld gallery. 208 "The Japan Glass Exhibit - Its Circum­ Oertel firm in Welzheim celebrates 125th anni­ 240 "The Liquid Art of Izabel Lam" stances and Environment" versary. Tableware International, v. 27, no. 1, Feb. 1997, Glass and Art (Tokyo), no. 6, June 1994, pp. 20- pp. 24-25, ill. 25, ill. In Japanese. 225 "Koge: Japanskt pa Smalands Museum" Kulturspridaren (Smalands Museum, Vaxjo), no. 241 "Log On: " 209 "Japanese Contemporary Glass Show - 3, 1997, p. 3. Niche, v. 8, no. 3, Summer 1996, p. 112, ill. 1994" 19 Japanese glass artists in exhibition at Vaxjo, Web site. Glas and Art (Tokyo), no. 7, Oct. 1994, pp. 64-65, Sweden. ill. In Japanese. 242 "Looking at the Years of the Japan Glass Glass symposium held in Notojima Museum of 226 "Kort nieuws: Nieuwe unica van Kristal Exhibition in Succession: 20 Years of Contempo­ Glass, and Chihuly's glassmaking demonstration. Leerdam" rary Glass Modeling" Glas en Keramiek, no. 2, 1997, p. 7, ill. Glass and Art (Tokyo), no. 6, June 1994, pp. 6- 210 "Japanskt glas trollbinder" New lines from Leerdam. 18, ill. In Japanese. Glas och Porslin, v. 67, no. 4, 1997, p. 14, ill. Brief exhibits from 1974 to the Exhibit of contemporary Japanese glass at the 227 "Die Kultseite: Neues Glasdesign" present, including 1993 Yokohama exhibit from Smalands Museum in Vaxjo, Sweden. Schmuck Magazin, no. 1, Feb./March 1997, The Corning Museum of Glass collection. p. 30, ill. 211 "Jiri Harcuba from Czechoslovakia" Glass by 40 designers in exhibition at the Kunst- Art and Crafts (Seoul), June 1993, p. 57, ill. In 243 "Looking Good" museum Dusseldorf; objects by Matteo Thun and Swarovski, Jan. 1997, pp. 22-25, ill. Korean. Guido Antonellos illustrated. Engraving technique. Eyeware. 228 "Die Kultseite: Verres divers" 244 "Lounging Around at SOFA" 212 "Joel Philip Myers" Schmuck Magazin, no. 3, June/July 1997, p. 44, ill. Smarts (Canberra), no. 9, March 1997, pp. 8-9, ill. New Zealand Society of Artists in Glass News­ Glass by Erik Dietman. letter, April 1996, p. 8, ill. Gallery owner takes work by eight Australian art­ ists to the Chicago exposition. 229 "Die Kultseite: Young Glass '97" 213 "Johanna Grawunder, architecte du verre" Schmuck Magazin, no. 4, Aug./Sept. 1997, p. 50, ill. Table et Cadeau, no. 379, March 1997, p. 90, ill. Exhibition at Ebeltoft glass museum. 245 "Lugnt pa ytan" English summary. Form, v. 93, no. 2 (710), 1997, p. 11, ill. Limited-edition glass and metal sculpture by Sal- 230 "Kunsthandel: Kiki Kogelnik" Vase designs by Anna Ehrner and other Kosta viati and Christofle, and designed by Grawunder. Weltkunst, v. 67, no. 9, May 1997, p. 930, ill. Boda, Orrefors designs. Exhibit in . 214 "Johanna Grawunder, vasi di vetro soffiato 246 "La Maison-culte de Bruno Taut" 'Piegati'" 231 "Kunsthandwerk der Gegenwart: Glas" Verre (Institut du Verre, Versailles), v. 2, no. 6, Abitare, no. 357, Dec. 1996, p. 135, ill. In Italian Jahrbuch des Museums fur Kunst und Gewerbe Nov./Dec. 1996, p. 67, ill. and English. Hamburg, v. 8, 1989, pp. 182-185, ill. Re-creation of Taut's glass house of 1914 at Grawunder designs vases and bowls for Salviati. Acquisition of work by Littleton, Myers, Reid, Zim­ Glastec '96. mermann, Brocklehurst, Elias, Libensky/Brych- 215 "Johansfors: From President's Palace to tova, Prechts, Alston. 247 "Marble Museum" Playful Glassware" Glass and Art {Tokyo), no. 2, June 1993, pp. 98- Tableware International, v. 27, no. 1, Feb. 1997, p. 232 "Kunsthandwerkliche Qualitat setzte Jury 99, ill. In Japanese. 168, ill. Collections from Harrie Art Glass and Lundberg New designs from Swedish glass factory. gehorig unter EntscheidungsstrefB" Glas + Rahmen, v. 47, no. 21, Nov. 1, 1996, in Tokyo marble museum. 216 "John Magin Receives Award" p. 1163, ill. Competition and exhibition of Rheinhessen glass; The Journal, A Newsletter for Friends of Whea- 248 "Maria Lugossy" ton Village, v. 8, no. 1, 1985, p. 2, ill. Ingrid Conrad-Lindig piece. Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 31- 37, ill. In Japanese. 217 "Jorg F. Zimmermann im Glasmuseum 233 "I lampadari di cristallo di Bohemia" Tokyo exhibit. Frauenau" llluminatecnica, nos. 381/382, Sept./Oct. 1992, Die Schaulade, v. 69, no. 9, Sept. 1994, p. 202. pp. 264-266, ill. 249 "Martin Szekely, bicchiere per acqua Perrier" Chandeliers made at Marino Cristal firm in the Abitare, no. 357, Dec. 1996, p. 134, ill. In Italian 218 "Judy Jensen to Jury Art Kaua'i '96 Exhibi­ Czech Republic. and English. tion" Szekely designs drinking glass for Perrier. Kaua'i Society of Artists Newsletter (Uhu'e, HI), 234 "Laskande; Ratt i tiden" Aug. 1996, pp. 1-2, ill. Form, v. 93, no. 2 (710), 1997, p. 6, ill. 250 "Mary Shaffer" Reverse painting on glass piece by Jensen. Glass by Lena Forslund van Leers, Katarina An- Art and Crafts (Seoul), June 1993, p. 45, ill. dersson, Eino Makela. In Korean. 219 "Kaj Franck Design Prize 1996" 235 "Leben mit Glas" Magazine Premier for Tableware (Milan), no. 51, 251 "Masters of Contemporary Glass Opens at ArtAurea, no. 2, 1995, p. 94, ill. Jan. 1997, p. 32, ill. In Italian. Indianapolis" Glass at the 47th Internationale Handwerks- Award to Kerttu Nurminen. Antiques and The Arts Weekly, v. 25, no. 34, messe in . Aug. 22, 1997, p. 30. 220 "Karuizawa Bohemian Art Glass Museum" The Glick Collection. Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 58- 236 "Lichtsignaturen = Signs of Light" Jahrbuch fur Licht und Architektur (Berlin), 1992, 61, ill. In Japanese. 252 "Material Transport: With Intent to Launch. Museum of old and new . pp. 162-169, ill. Neon. Peter Kreider" Glass (UrbanGlass), no. 68, Fall 1997, p. 71, ill. 221 "Kentucky Glass: A Marriage of Fire and Exhibit at UrbanGlass. Earth" 237 "Life after a CGCA Fellowship" Glass Art, v. 12, no. 4, May/June 1997, p. 60, ill. The Journal, A Newsletter for Friends of Whea- Glass by John Cicero Stokes and Kenneth von ton Village, v. 19, no. 2, Spring 1996, pp. 4-5, ill. 253 "Medicis Erben" Roenn in exhibit of work by Kentucky artists. Scott Chaseling, Harumi Yukutake, Katrina Hude, ArtAurea, no. 4, Dec. 1996/Jan. 1997, p. 79, ill. Paul Lamed. New collection by Rosenthal produced in co­ 222 "Kiki Smith Sculpture Acquired for Fogg operation with Egizia and Sottsass Associati. Art Museum" 238 "Lighting Is in the Spotlight at Museums Antiques and The Arts Weekly, v. 25, no. 23, and Art Galleries throughout the U.S." 254 "Merchandise News: A New Glass De­ June 6, 1997, p. 6. Home Lighting and Accessories, v. 79, no. 6, signer" June 1996, pp. 120-124, ill. The Gift Buyer International, v. 33, no. 11, July 223 "Klaus Moje from Australia" Dawn Ladd, lighting designer, has New York ex­ 1997, p. 23, ill. Art and Crafts (Seoul), June 1993, pp. 43-44, ill. hibit of lighted sculptures. Designs by Belle Walker, British glassmaker. In Korean. Fusing and technique. 239 "Linee di leggerezza. Le nuove forme di 255 "Merchandise News: Bold and Bright" Fiam Italia" The Gift Buyer International, v. 33, no. 11, July 224 "Kleine Manufaktur mit groRer Tradition. Ottagono, v. 32, no. 123, June/Aug. 1997, pp. 1997, p. 32, ill. Exklusives Kristall von Oertel" 134-137, ill. In Italian and English. Hand-painted glassware by Salee Slight of Rosy Die Schaulade, v. 69, no. 7, July 1994, p. 45, ill. New line of all-glass tables by Fiam Italia. Corner Glass. 256 "Mikroarchitektur fur den Tisch" 272 "Neue Kreationen in Glas" German design students create glasses for min­ ArtAurea, no. 4, Dec. 1995/Jan. 1996, pp. 60-63, ill. Die Schaulade, v. 69, no. 7, July 1994, p. 47, ill. eral water service. Work of Beatrice Schlabowsky, whose tabletop de­ Drinking sets and lamp designs by Vera Walther. corations incorporate flat glass and pate de verre. 288 "News: II vetro deH'anniversario" 273 "New Addition to Erickson Glass Collection" Abitare, no. 364, July/Aug. 1997, p. 30, ill. In 257 "Das Milchglas - Ritzenhoff stellt neues The Journal, a Newsletter for Friends of Wheaton Italian and English. Designprojekt vor" Village, v. 20, no. 2, Spring 1997, pp. 2-3, ill. Vetreria de Majo "Anniversary" vase to celebrate Die Schaulade, v. 68, no. 4, April 1993, p. 73, ill. Compote by the Erickson Glass Works, New 50 years of the Venetian glassworks. Design project to create a collection of decorated Bremen, Ohio, between 1943 and 1960. milk glasses by artists and architects. 289 "News: II vetro di Altare" 274 "New and News: Eventi - Aperto Vetro" Abitare, no. 365, Sept. 1997, pp. 80-81, ill. In 258 "Milchglaser von Ritzenhoff" Ottagono, v. 31, no. 120, Sept.-Nov. 1996, p. 3, ill. Italian and English. Die Schaulade, v. 70, no. 6, June 1995, p. 32, ill. Brief notice; Chihuly chandeliers illustrated. Revitalization of the glassmaking town, and a Milk glasses with designs by architects, designers, competition to design an oil bottle. and artists. 275 "New and News: Eventi - " Ottagono, v. 30, no. 117, Dec. 1995-Feb. 1996, p. 290 "News: Nuova epoque di Kosta Boda" 259 "Milk, Milker, the Milk Projekt" 4, ill. In Italian and English. Abitare, no. 330, June 1994, p. 71, ill. In Italian Die Schaulade, v. 70, no. 3, March 1995, pp. 163- Exhibit at the Amos Andersen Art Museum, Hel­ and English. 164, ill. sinki. Spiral-threaded glasses developed by Anna Ehr- Artists, architects, and designers decorate milk ner for Kosta Boda. glasses in Ritzenhoff Glaswerke project. 276 "New and News: Giovani progettisti - Chi- ara Cantono, Milano" 291 "News: Oklahoma Bombing Memorial Un­ 260 "Mit Volldampf voraus" Ottagono, v. 31, no. 120, Sept.-Nov. 1996, p. 7, ill. veiled" Porzellan + Glas, no. 1, Jan. 1993, pp. 44-45, ill. In Italian and English. Architecture, v. 86, no. 8, Aug. 1997, p. 27, ill. The firm Hofbauer, known for traditional tableware Range of lamps and vases by young designer, Plans include 168 stone and glass chairs. as well as miniature cars and jeeps, reopens. Chiara Cantono. 292 "News: Piroghe di Murrina" 261 "Modern at Castle 277 "New & Notable: Anna Carlgren's Waterset" Abitare, no. 338, March 1995, p. 63, ill. In Italian Howard: A Review" I.D. Magazine (International Design), v. 44, no. 4, and English. Glass Circle News, no. 65, Nov. 1995, p. 9. June 1997, p. 28, ill. New line of murrine objects designed by Laura Review of exhibition. de Santillana. 278 "New & Noteworthy: Chihuly Over Venice" 262 "Modern und sammelwurdig" Glass Craftsman, no. 140, Feb./March 1997, p. 29. 293 "News: Shopping da Bagatti Valsecchi" Schmuck Magazin, no. 2, April/May 1997, p. 123, ill. Abitare, no. 357, Dec. 1996, p. 41, ill. In Italian Beadwork by Joyce Scott. 279 "New Fellows Arrive for Fall Session" and English. The Journal, A Newsletter for Friends of Whea­ Borek Sipek vase. ton Village, v. 20, no. 4, Fall 1997, pp. 4-5, ill. 263 "Modernste Ausbildungsplatze" Michael Amis, Stephen Paul Day and Sibylle Pe- Die Schaulade, v. 72, no. 5, May 1997, p. 34, ill. 294 "News: Swarovski compie 100 anni" retti, Koichi Matsufuji. New building for the Glasfachschule Zwiesel. Abitare, no. 343, Sept. 1995, pp. 79-80, ill. In Italian and English. 280 "New Fellows Travel from Afar" Swarovski centenary celebration. 264 "Monica Borgward, Glaskennerin und ehe- The Journal, a Newsletter for Friends of Wheaton malige Galeristin aus Bremen" Village, v. 20, no. 2, Spring 1997, p. 5, ill. ArtAurea, no. 4, Dec. 1996/Jan. 1997, p. 97. 295 "News: Torsten and Wanja Soderberg Scott Fitzel, KC Grennan, Hitoshi Kakizaki, Kait Prize to Brita Flander" Brief review of New Glass Review 17, 1995; Rhoads. Form Function Finland, no. 64 (4), April 1996, p. mention of Horst Bartels. 63, ill. 281 "New Horizons for Spring Fellows" 265 "Mosaic Makeover for Nureyev's Tomb" The Journal, A Newsletter for Friends of Whea­ 296 "News: Vetri alia Gipsoteca di Possagno" The Art Newspaper, v. 8, no. 69, April 1997, p. 5, ill. ton Village, v. 19, no. 3, Summer 1996, p. 3, ill. Abitare, no. 340, May 1995, p. 64, ill. In Italian and Gold and glass mosaic carpet by Ravenna studio Christine Barney, Gerry Newcomb, Joel O'Dorisio, English. on the ballet dancer's Paris grave. Kirstie Rea. "Gypsotheca" exhibit with Cristiano Bianchin glass­ ware displayed in the Possagno Plaster Casts 266 ": la mano e il pensiero" 282 "New Original of Moser Trade­ Gallery, Treviso. Magazine Premier for Tableware, no. 52, July mark" 1997, pp. 34-35, ill. In Italian and English. New Glass Review (Czech), v. 41, no. 5, 1996, 297 "News: 1998 Exhibition" Limited editions by designers from the Moser pp. 14-15, ill. In English and German. The Corning Museum of Glass Newsletter, Au­ Studio include carved bowls by Frantisek Vizner. tumn 1997, p. 5, ill. 283 "News: Baccarat, Lalique e Richard Ginori "The Glass Skin," an exhibit of work by 20 artists 267 "Mundgeblasenes Glas fur hochste An- - decoro e funzione" who focus on the surface to communicate their spruche" Abitare, no. 319, June 1993, pp. 71-72, ill. In ideas. Porzellan + Glas, no. 8, Aug. 1993, pp. 154-155, ill. Italian and English. New collection designed by Massimo losa Ghini for Baccarat and Lalique issue historical replicas 298 "Not Your Average Steelie" the Glaswerke Ritzenhoff in Marsberg. from the period 1860-1942. Mirrors & Light (Palo Alto, CA), v. 1, no. 2, Winter 1994, pp. 1-3, ill. 268 "Murano - Mailand 1939-70" 284 "News: Carlo Moretti, dal 1958" Marble makers Stephen Maslach, Jody Fine, ArtAurea, no. 4, Dec. 1996/Jan. 1997, p. 25, ill. Abitare, no. 347, Jan. 1996, p. 22, ill. In Italian Josh Simpson, and others. Exhibition of the Steinberg Foundation collection and English. at the Kunstmuseum Diisseldorf. Milan retrospective, Nov. 1995. 299 "Notizie: De Majo - II rispetto del vetro" Abitare, no. 358, Jan. 1997, p. 39, ill. In Italian 269 "Le Musee-Atelier du Verre - La Resi­ 285 "News: Cristallo per Isgro" and English. dence des artistes" Abitare, no. 334, Nov. 1994, p. 84, ill. In Italian Vetreria de Majo firm in Murano; "Ashanti" glass­ Offrir International, no. 343, May 1997, p. 30, ill. and English. es by Yoichi Ohira and bowl by Cristiano Bianchin The Musee-Atelier du Verre at Sars-Poteries. Emilio Isgro's giant sculpture of the "Tablets of illustrated. Moses" for Fiam Italia. 270 "Musei del vetro" 300 "Notizie/News: A Venezia e in ogni dove" Alte Vitrie, v. 8, no. 1, 1996, p. 27, ill. 286 "News: Dopo il latte, la birra" Domus, no. 781, April 1996, u.p., ill. In Italian and Contemporary glass in the Lausanne Museum of Abitare, no. 353, July/Aug. 1996, p. 33, ill. English. Decorative Arts. In Italian and English. Objects by Carlo Moretti. Ritzenhoff firm begins series of beer glasses 271 "Neben den Konsumgutern auch das teure decorated by famous European designers. 301 "Notizie/News: A Venezia una nuova galle- Einzelstuck" ria per il vetro" Glaswelt, v. 49, no. 12, Dec. 1996, pp. 30-32, ill. 287 "News: II bicchiere da acqua minerale del Domus, no. 783, June 1996, u.p., ill. In Italian Glass designs, both tableware and unique futuro" and English. pieces, by European firms seen at Frankfurter Abitare, no. 357, Dec. 1996, p. 36, ill. In Italian Marina Barovier Gallery, Venice, and exhibit of Herbstmesse '96. and English. Lino Tagliapietra's glass. 302 "Notizie/News: Accordo di collaborazione" 316 "Notizie/News: Fiere e mostre" 331 "Notizie/News: Mostre ed esposizioni" Domus, no. 786, Oct. 1996, u.p., ill. In Italian and Domus, no. 748, April 1993, u.p., ill. Domus, no. 761, June 1994, u.p., ill. In Italian English. Brief note about Bianconi exhibition in Milan. and English. Collection of glassware ("Handle with Care") de­ Descriptions of glass exhibits: ancient glass in a signed for Egizia by Sottsass, and marketed by 317 "Notizie/News: Fiere in corso" Milan bookstore and glass by Giampaolo Seguso Rosenthal. Domus, no. 765, Nov. 1994, u.p., ill. In Italian and in a Bergamo gallery. English. 303 "Notizie/News: Arte, architettura, design" Brief note on the "Future Bauhaus" show at the 332 "Notizie/News: Museo a Murano" Domus, no. 781, April 1996, u.p., ill. In Italian and Glastec 94 Dusseldorf Fair. Domus, no. 776, Nov. 1995, u.p., ill. In Italian and English. English. Murrine exhibit at Seattle gallery, 1996. 318 "Notizie/News: Forme sbozzate, forse im- Opening of the Barovier & Toso Museum, which compiute" also includes archives with photos, drawings, and documents. 304 "Notizie/News: Arte con il vetro" Domus, no. 792, April 1997, u.p., ill. In Italian and Domus, no. 783, June 1996, u.p., ill. In Italian English. and English. Rodolfo Dordoni vases for Venini. 333 "Notizie/News: Oggetti estenuati" "Form-Light-Glass" exhibition in Prague. Domus, no. Ill, Dec. 1995, u.p., ill. In Italian and 319 "Notizie/News: Goti de fornasa" English. Domus, no. 746, Feb. 1993, u.p., ill. Borek Sipek designs for Follies-Driade. 305 "Notizie/News: Cinquant'anni di vetro e di Barovier & Toso drinking vessels. luce" 334 "Notizie/News: Oggetti insoliti" Domus, no. 781, April 1996, u.p., ill. In Italian and Domus, no. 763, Sept. 1994, u.p., ill. In Italian English. 320 "Notizie/News: II design italiano su CD- AV Mazzega firm producing Murano glass lamps ROM" and English. Val-Saint-Lambert presents a new collection of since 1945. Domus, no. 784, July/Aug. 1996, u.p., ill. In Italian and English. glass designs by Martin Szekely, Borek Sipek, "The Protagonists of Italian Design," a CD-ROM and Damien Bihr. 306 "Notizie/News: Cristallo contemporaneo" with Castiglioni, Sottsass, and others. Domus, no. 776, Nov. 1995, u.p., ill. In Italian and 335 "Notizie/News: Per i fiori a gambo lungo" English. 321 "Notizie/News: Intrappolare il tempo" Domus, no. 785, Sept. 1996, u.p., ill. In Italian Lamps (1995) and drinking glasses (1983) by Domus, no. 784, July/Aug. 1996, u.p., ill. In and English. Carlo Moretti. Italian and English. Murano glass vases designed by Roberto Pa- Timepieces encased in glass birdcages, mouse­ lomba for Allglass. 307 "Notizie/News: Cristallo e polvere di vetro traps, and butterfly nets by Massimo Lunardon. colorato" 336 "Notizie/News: Salone del Mobile - Mostre Domus, no. 777, Dec. 1995, u.p., ill. In Italian and 322 "Notizie/News: Lampadari in vetro di Mu­ ed eventi" English. rano" Domus, no. 792, April 1997, u.p., ill. In Italian and "" line of glasses by I Lirici firm. Domus, no. 796, Sept. 1997, u.p., no. 25, ill. In English. Italian and English. Displays and events at the 1997 Milan internatio­ 308 "Notizie/News: Cristallo toscano" Murano glass chandeliers. nal furniture show. Domus, no. 758, March 1994, u.p., ill. In Italian and English. 323 "Notizie/News: Lampade in vetro di Mu­ 337 "Notizie/News: Storie di vetro" Tuscan glass initiative resulted in 50 designs; rano" Domus, no. 781, April 1996, u.p., ill. In Italian and titanium glass wineglass by Alberto Meda illus­ Domus, no. 781, April 1996, u.p., ill. In Italian and English. trated. English. Salviati collection with pieces designed by Line of lamps in Murano glass by Leucos. Johanna Grawunder, Sergio Asti, and others. 309 "Notizie/News: Da arte povera a pezzi d' autore" 324 "Notizie/News: L'opera multimediale di 338 "Notizie/News: Tradizione veneziana e Domus, no. 795, July/Aug. 1997, u.p., no. 6, ill. In Federica Marangoni" modernita" Italian and English. Domus, no. 797, Oct. 1997, u.p., ill. In Italian and Domus, no. 791, March 1997, u.p., ill. In Italian and Exhibit of designer drinking glasses at Castello English. English. Sforzesco, Milan. Marangoni made of glass, iron, and televi­ Sergio Asti glassware design, "Marco," for Salviati. sion screens (which produce an electronic rain­ 310 "Notizie/News: Dan Graham - I nuovi con- bow) in Venice. 339 "Notizie/News: Una tradizione che rivive" fini dell'arte" Domus, no. 781, April 1996, u.p., ill. In Italian and Domus, no. 797, Oct. 1997, u.p., ill. In Italian and 325 "Notizie/News: Messe luminosa" English. English. Domus, no. 778, Jan. 1996, u.p., ill. In Italian and Venini collection features black and white murrine Graham retrospective in Santiago de Compo- English. vases and bowls by Guggisberg/Baldwin. stela, Spain, includes glass pavilion. Pietro Massini uses optical fibers in his sculptures. 340 "Notizie/News: Variazione sul tema della 311 "Notizie/News: Design contemporaneo e 326 "Notizie/News: Mosaico e vetro" murrina" mosaico" Domus, no. 776, Nov. 1995, u.p., ill. In Italian and Domus, no. 794, June 1997, u.p., ill. In Italian Domus, no. 796, Sept. 1997, u.p., no. 24, ill. In English. and English. Italian and English. Furniture and objects decorated with glass mo­ Murrine spheres used as sculptures or lamps by Exhibit on the use of mosaics in contemporary saics by Casa Bisazza in Milan. Alt glassworks. design, with examples by Sottsass, Ugo Marano, and others. 327 "Notizie/News: Mostre d'arte e design" 341 "Notizie/News: Vasi in vetro incamiciato" Domus, no. 764, Oct. 1994, u.p., ill. In Italian and Domus, no. 785, Sept. 1996, u.p., ill. In Italian English. and English. 312 "Notizie/News: Design nel vetro" Mosaic exhibition at Marina Barovier Gallery in Vases designed by Cristiano Bianchin for Vetreria Domus, no. 747, March 1993, u.p., ill. Venice includes pieces showing mosaic glass de Majo. Toots Zynsky vases. technique from 1910 to 1960. 342 "Notizie/News: Vasi regali" 313 "Notizie/News: Due oggetti, un progettista" 328 "Notizie/News: Mostre di arte e design" Domus, no. 791, March 1997, u.p., ill. In Italian Domus, no. 775, Oct. 1995, u.p., ill. In Italian and Domus, no. Ill,Dec. 1995, u.p., ill. In Italian and and English. English. English. Vases designed by Rodolfo Dordoni for Venini. Vase designed by Argentine designer Alejandro Glass by Christian Bianchin in Hamburg exhibit. Ruiz for Venini. 343 "Notizie/News: Venini per Nonino" 329 "Notizie/News: Mostre di arte e design" Domus, no. 789, Jan. 1997, u.p., ill. In Italian and 314 "Notizie/News: Edizioni di vetro" Domus, no. 783, June 1996, u.p., ill. In Italian English. Domus, no. 747, March 1993, u.p., ill. and English. Venini grappa bottle designed for the Friuli distillery. Glass by Cleto Munari for firm. Cristiano Bianchin exhibit in Paris. 344 "Notizie/News: Vetri decorati" 315 "Notizie/News: Effetti magici" 330 "Notizie/News: Mostre di arte e design" Domus, no. Ill, Dec. 1995, u.p., ill. In Italian and Domus, no. 773, July/Aug. 1995, u.p., ill. In Domus, no. 784, July/Aug. 1996, u.p., ill. In English. Italian and English. Italian and English. Egizia glass decorating company executes de­ Vases designed by Rodolfo Dordoni for Venini. Venini exhibit at Cini Foundation, Venice. signs by Sottsass Associates. 345 "Notizie/News: Vetri dinamici" 360 "The Perfect Work Space, New Orleans- 378 "Profile of the Artist John Healey" Domus, no. 794, June 1997, u.p., ill. In Italian Style" Keep It Simple (Healey Studio, Buffalo, NY), v. 1, and English. Niche, v. 8, no. 3, Summer 1996, p. 37, ill. Feb. 1997, p. 1. Vases made of Pyrex by Massimo Lunardon of Lighthouse Glass studio. Milan. 379 "Progetti: Borek Sipek - Progettare I'es- 361 "Personnytt" senziale" 346 "Notizie/News: Vetro contemporaneo a Ve- Form, Supplement to no. 2, 1997, p. 88, ill. Domus Dossier, v. 5, no. 5, April 1997, p. 115, ill. nezia" Erika Lagerbielke, Ann Wolff. In Italian and English. Domus, no. 775, Oct. 1995, u.p., ill. In Italian and English. 362 "Personnytt: Internationell Svensk" 380 "Progetti: Un semilavorato per opere d'arte" Venetian art galleries exhibit one-of-a-kind Form, v. 92, no. 5 (707), 1996, p. 77, ill. Domus Dossier, v. 5, no. 5, April 1997, pp. 58-59, pieces by Italian and foreign artists. Bertil Vallien glass in exhibit of studio glass at ill. In Italian and English. The Metropolitan Museum of Art. Display spaces for exhibition of Gaetano Pesce's 347 "Notizie/News: Vetro d'artista" glass. Domus, no. 763, Sept. 1994, u.p., ill. In Italian 363 "Petr Macke, a Glassexport Designer" and English. New Glass Review (Czech), no. 4, 1997, pp. 20- Cristiano Bianchin glass. 381 "Progetti: Utilism International - Elementi 21, ill. In German and English. per allestire" Domus Dossier, v. 5, no. 5, April 1997, pp. 54-55, 348 "Notizie/News: 1947-1997 Cinquant'anni di 364 "Philippe Starck interpreta per Flos la lam- ill. In Italian and English. attivita" pada a sospensione" Display units developed for CIRVA's exhibition Domus, no. 796, Sept. 1997, u.p., no. 19, ill. In Ottagono, v. 30, no. 117, Dec. 1995-Feb. 1996, spaces in Marseilles. Italian and English. pp. 142-145, ill. In Italian and English. 50th anniversary of Vetreria de Majo, Murano, Starck designs for ceiling lights. and the commemorative vase recently issued. 382 "Pyrex-Glas ermoglicht neue Kunstform" Die Schaulade, v. 69, no. 7, July 1994, p. 60, ill. 365 "Pleins feux sur deux plasticiens d'excep- 349 "Notojima Glass Workshop" Designs by Al-Hambra for lampshades, decora­ tion: Bernard Dejonghe, I'art en fusion" tive windows, and plates. Tanko (special edition), no. 14, May 1995, pp. 90- Offrir International, no. 343, May 1997, p. 31, ill. 91, ill. In Japanese. 383 "QAG Purchases Glass from CCQ Show" 366 "Portfolio: Bryan James Bowers" 350 "Le novita Fiam. Tango al MOMA di New Craftlink (Craft Council of Queensland, Brisbane), American Craft, v. 57, no. 5, Oct./Nov. 1997, p. v. 11, no. 3, Oct. 1997, p. 8, ill. York" 99, ill. Ottagono, v. 30, no. 115, June-Aug. 1995, pp. 138- Queensland Art Gallery acquires vases by Ann 141, ill. In Italian and English. Robinson and Ben Edols/Kathy Elliott. 367 "Portfolio: David K. Chatt" "Tango" table and other glass furniture by de­ American Craft, v. 57, no. 2, April/May 1997, p. signers Fabio Di Bartolomei, Vittorio Livi, Roberto 384 "Quadruple Overlay" 59, ill. Semprini, Massimo losa Ghini. Reflections (Caithness Paperweights), no. 8, Beadwork by Chatt. 1993, pp. 9-11, ill. 351 "Oceneni: Sklo Kanazawa" Steps in producing a quadruple overlay paper­ Atelier, no. 23, Nov. 16, 1995, p. 9, ill. English 368 "Portfolio: Katherine Gray" weight. summary. American Craft, v. 57, no. 4, Aug./Sept. 1997, p. 59, ill. International exhibition in Japan; award to Ivo 385 "Quality, Originality, Iridescence" Rozsypal. Glass, Monthly Journal of the European Glass In­ 369 "Portfolio: Poetry on Ice" dustry, v. 73, no. 10, Oct. 1996, p. 447, ill. 352 "Oltre i limiti: Nuovi oggetti daH'America" Swarovski, Jan. 1997, p. 6. Okra Glass Studios in Brierley Hill, England. Showcase (Milan), v. 8, no. 21, Oct. 1996, John Brekke sculptures at Wattens, Austria. pp. 32-41, ill. In Italian and English. 386 "Questionnaire: Glass Makers & Resear­ 370 "Portfolio: Sonya Y. S. Clark" "Breaking Barriers: Recent American Craft" exhibi­ chers Reveal The Dale Chihuly I Know'" American Craft, v. 57, no. 5, Oct./Nov. 1997, p. tion; includes glass by Dale Chihuly, Joyce Scott. Glass and Art (Tokyo), no. 18, Aug. 1997, 100, ill. pp. 33-39, ill. In Japanese; English summary. 353 "On the Cover" Sculptural headdress with beads. American Glass Review, v. 118, no. 1, July/Aug. 387 "Rakow Awards: Ann Wolff Receives Com­ 1997, cover and p. 3, ill. 371 "Portfolio: Stephen Rich Nelson" mission to Create New Sculpture in Glass" Flo Perkins's glass and metal bouquet, a golfing American Craft, v. 57, no. 1, Feb./March 1997, p. The Corning Museum of Glass Newsletter, Sum­ trophy. 73, ill. mer 1997, p. 3, ill. 354 "On View: Design Italian Style" 372 "Portfolio: Therese Lahaie" Echoes, v. 6, no. 1, Summer 1997, p. 12, ill. American Craft, v. 57, no. 3, June/July 1997, p. 388 "Rassegna: Apparecchi per rilluminazione" 1950s Italian furniture and glass at a New York 63, ill. Domus, no. 762, July/Aug. 1994, pp. 102-120, ill. gallery. In Italian and English. Lighting and lamps. 373 "Portrait de formateur - Reveuse de cou- 355 "Ein Oscar fur die Brockenhexe: Glasma- leurs" nufaktur Harzkristall erhalt Designpreis" CERFAV Infos (Plate-Forme Verriere, Vannes-le- 389 "Rassegna: llluminazione" Die Schaulade, v. 72, no. 6, June 1997, p. 28, ill. Chatel), no. 18, Sept. 1997, p. 4, ill. Domus, no. 785, Sept. 1996, pp. 127-150, ill. In Award to Harzkristall for drinking glass collection. Chantal Royant, glass artist. Italian and English. New lines of lamps and lighting, including a table- 356 " feiert 75. Geburtstag" 374 "Portrait: Professor Ronald Pennell" light vase with flower, designed by Starck. Die Schaulade, v. 69, no. 7, July 1994, p. 88, ill. Glass Network (Contemporary Glass Society, Light bulbs, halogen lamps, etc., by Osram firm. Great Britain), no. 1, April 1997, p. 3, ill. 390 "Rassegna: Lampade e accessori" Domus, no. 794, June 1997, pp. 125-144, ill. In 357 "Out of the Fire Book" 375 "Possibilities of Glass" Italian and English. Glass and Art (Tokyo), no. 1, 1993, pp. 38-49, ill. Tanko (special edition), no. 14, May 1995, pp. New lamps and lighting from Italian and German In Japanese. 98-103, ill. In Japanese. firms. Comments and excerpts from the 1991 book by Discussion about Studio Glass Movement and Bonnie J. Miller, including work by nine artists. contemporary glass art. 391 "Raume und Traume" Glaswelt, v. 50, no. 8, Aug. 1997, p. 68+, ill. 358 "Paul J. Stankard" 376 "Pres. Bill Clinton Receives Lenox Gift" Showroom of the firm Glasgestaltung Peters in­ Art and Crafts (Seoul), June 1993, pp. 46-47, ill. Gifts & Decorative Accessories, v. 98, no. 3, cludes work of Christine Triebsch, Jens Gussek, In Korean. March 1997, p. 8, ill. and Cristina Zanotti in mosaics, furniture, flat Bowl with engraving of the White House. glass, etc. 359 "People and Architecture: New Directions in Giving Form to Environment" 377 "Presidential Perks" 392 "Recent Glass Sculpture Exhibit Now at Glass and Art {Tokyo), no. 17, Spring 1997, pp. Collector Editions, v. 25, no. 4, July/Aug. 1997, p. Milwaukee Art Museum" 85-87, ill. In Japanese. 18, ill. Antiques and The Arts Weekly, v. 25, no. 39, Glass company creates lighted prism sculptures Inaugural gift to President Clinton of an engraved Sept. 26, 1997, p. 37. in Hokkaido. crystal bowl by Lenox. 30 artists in "A Union of Ideas" exhibit. 393 "Recent Works in Glass by Timo Sarpa- 412 "Shortform: Chelsea, Chelsea" 428 "Studio: Droppar & klot" neva" Crafts (U.K.), no. 148, Sept./Oct. 1997, p. 14, ill. Skona Hem, no. 7, July 1997, p. 20, ill. Form Function Finland, no. 2 (66), 1997, p. 43, ill. Catherine Hough exhibits her glass at Chelsea Carafes by Gunnel Sahlin. crafts fair. 394 "The Relationship of Art and Design and 429 "Suntory Museum of Arts - Its Glass Glass" 413 "Shortform: Glassmaker William Walker" Collection" Glass and Art (Tokyo), no. 9, May 1995, pp. 67- Crafts (U.K.), no. 143, Nov./Dec. 1996, p. 14, ill. Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 37- 73, ill. In Japanese. Exhibit of Walker's glass and bronze pieces in 40, ill. In Japanese. Discussion of glass and design. Salisbury, Wiltshire. An interview with the director of the Suntory Mu­ seum. 395 "Rettsu Studio and Contemporary 414 "Shortform: In the Frame" Bohemian Glass Exhibit" Crafts (U.K.), no. 147, July/Aug. 1997, p. 11, ill. 430 "Susan Plum" Faber, no. 79, Aug. 1996, p. 2, ill. In Japanese. Exhibition of spectacles (1940s-1980s) at Lon­ Art and Crafts (Seoul), June 1993, p. 48, ill. don's Crafts Council Gallery. In Korean. 396 "Roaring Feats of Success" Niche, v. 8, no. 4, Autumn 1996, p. 22, ill. 415 "Shortform: London Glassblowing Work­ 431 "Sybren Valkema: A Panorama of Glass" Two animal-skin glass spheres by Mark Mat­ shop" GAS News, Spring 1996, p. 5. thews added to Victoria and Albert Museum Crafts (U.K.), no. 143, Nov./Dec. 1996, p. 13. Obituary. collection. Peter Layton opens new gallery, an extension of the workshop. 432 "Takako Sano Bestows GAS with Its First 397 "Ronald Pennell: Between the Forests" Major Gift" Glass Circle News, no. 70, Jan. 1997, p. 1, ill. 416 "Singapore: The 'Feather White' Project" GAS News, Summer 1996, pp. 6-7. The Score (Spectrum Glass Co.), no. 58, March 398 "Rosmarie Lippuner - Concept d'un 1997, pp. 1-2, ill. 433 "Taking a Bead on American Presidents" musee" Architectural installation with iridescent glazing Antiques and The Arts Weekly, v. 25, no. 6, Feb. CCS Bulletin (Crafts Council Schweiz/Suisse/ and Chihuly "Anemone" sculptures. 7, 1997, p. 8, ill. Svizzera), no. 3, Sept. 1996, p. 6. Exhibit of portraits of presidents done in beads by The crafts collections at the Musee des Arts De- 417 "Soft Light: Pate-de-verre" Liza Lou. coratifs in Lausanne. Glass and Art (Tokyo), no. 9, May 1995, pp. 98- 99, ill. In Japanese. 434 "Tama Art College" 399 "Ruth King" Tokyo gallery features pate de verre. Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 14- Art and Crafts (Seoul), June 1993, pp. 38-39, ill. 15, ill. In Japanese. In Korean. 418 "Sonderausstellung im New Yorker Glassmaking courses at the school. Corning Museum of Glass" Die Schaulade, v. 69, no. 1, Jan. 1994, p. 88, ill. 400 "Salvador Dali" 435 "Thirty Years in the Glasshouse" Stanislav Libensky and Jaroslava Brychtova Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 45- Reflections (Caithness Paperweights), no. 8, retrospective. 49, ill. In Japanese. 1993, pp. 12-14, ill. Pate de verre glass designs by Salvador Dali. Combined years of three glassmakers at Caith­ 419 "Sonderschau im Rahmen der Herbst- ness, and some individual weights they have 401 "Salviati: Un Nouveau Souffle a Venise" messe" made. Table et Cadeau, v. 37, no. 383, Aug./Sept. 1997, Die Schaulade, v. 69, no. 9, Sept. 1994, pp. 156- 157, ill. pp. 120-121, ill. English summary. 436 "Tiffany Treasures" Includes glass by Jorg Zimmermann at the Home Lighting and Accessories, v. 79, no. 8, Frankfurt fair. 402 "Scl^muck - Glas - Keramik" Aug. 1996, pp. 30-42, ill. ArtAurea, no. 4, Dec. 1996/Jan. 1997, p. 10, ill. "Tiffany" lamps and lighting on market today. 420 "Song of the Sea" Glass sculptures of Jan Adams. Journal, v. 50, no. 7, Oct. 1996, p. 10, ill. Beaded sculptures by Wendy Ellsworth. 437 "Tom Philabaum: A Passion for the Art of 403 "Scoops on Scopes" Glass" The Brewster Society News Scope, v. 11, no. 4, Living with Art from the May and Danela Galle­ 421 "Special Exhibition. Dale Chihuly: The Winter 1996/1997, pp. 4-5, ill. ries (Scottsdale, AZ), Fall 1996, p. 9, ill. George R. Stroemple Collection & Chihuly over New designs. Venice" Portland Art Museum Newsletter, Fall 1997, 438 "Tradition-Based Glass Education in 404 "Les Sculptures en verre de Yves Trucchi" cover and pp. 1-3, ill. Czech and Slovak" Verre Actualites, no. 147, Dec. 1996, p. 37, ill. Glass and Art (Tokyo), no. 12, Winter 1996, pp. 57-61, ill. In Japanese. 422 "A Special Father and Daughter Exhibit" Japanese glass students studying in Czech Re­ 405 "Seattle Artist Chosen for MacArthur Grant" The Journal, A Newsletter for Friends of Whea- Artweek, v. 28, no. 8, Aug. 1997, p. 2, ill. ton Village, v. 19, no. 4, Fall 1996, p. 7. public. , designer of glass sound instruments. Paperweights and "botanicals" by Paul Stankard. 439 "Trends & News: Oiva Toikka" 406 "The Second New York Biennial of Glass" 423 "Specialist Meetings Report: Studio Glass" Design in Finland, 1995, p. 60, ill. Glass (UrbanGlass), no. 65, Winter 1996, pp. 57- Maker's News (Crafts Council, U.K.), no. 12, Toikka's glass birds. 58, ill. Spring 1997, p. 7. Curated by John Perreault. Overview of British studio glass now: education 440 "Trinkglaser 2000" and training, technical aspects, marketing, etc. Die Schaulade, v. 69, no. 12, Dec. 1994, p. 78, ill. 407 "Seeds, Seeds, Seeds" Winners of a competition, sponsored by Rastal, Glass Gazette, Summer 1997, pp. 11-12, ill. 424 "Stolen Art Alert" for innovative drinking vessels. Lobby sculpture by Lisa Samphire for a research I FAR Reports and The Art Loss Register, v. 18, center for seeds in Saskatoon. nos. 1/2, Jan./Feb. 1997, pp. 20-24, ill. 441 "Tucson Conference: A Lopsided Summary" Seven pieces by Kiki Kogelnik, a work by Ettore GAS News, Spring 1997, p. 3, ill. 408 "Seimei Tsuji's World of Glass" Sottsass, four items by Martin Bradley, and four Glass and Art (Tokyo), no. 2, June 1993, pp. 50- Venetian vessels. 442 "Und Glasscherben bringen doch Gluck" 52, ill. In Japanese. Porzellan + Glas, no. 5, May 1993, p. 86, ill. 425 "Strenge Form und weiche Farben" Baldur Schonberg repairs glass and also makes 409 "A Sensual Experience of Objects" Glaswelt, v. 48, no. 7, July 1995, p. 21, ill. glass reproductions. American Style, v. 4, no. 1, Fall 1997, p. 13, ill. Designs by Michael Boehm for Rosenthal. SOFA exposition in Chicago; piece by Joel Philip 443 "An Underground Light Show" Myers. 426 "Strictly Limited" Home Lighting & Accessories, v. 79, no. 9, Sept. Continental Homewares, Spring 1993, pp. 45-50, 1996, pp. 148-149, ill. 410 "Shape of Sinks to Come" ill. Light project at the Denver International Airport Crafts (U.K.), no. 144, Jan./Feb. 1997, p. 10, ill. Includes glass by Ettore Sottsass, Thomas Bas- by Leni Schwendinger. Kiln-formed glass basins by craftsman Jeff Bell. tide, Goran Warff. 444 "Unikate aus farbigem Glas" 411 "Shining Crystal Revelation" 427 "Ein Stuck Thuringer Glasgeschichte" Schmuck Magazin, no. 2, April/May 1997, p. 50, ill. Interiors, v. 156, no. 10, Oct. 1997, u.p., ill. Die Schaulade, v. 69, no.7, July 1994, pp. 38-39, ill. Exhibition of Guggisberg/Baldwin glass at the Sculpture by David Dowler in Steuben exhibition. The firm Docter Glashutte Gehlberg. Museum Bellerive, Zurich. 445 "UrbanGlass Is a Catalyst for Collabora­ 1996, pp. 36-37, ill. In English and German. Glass and Art (Tokyo), no. 19, Nov. 1997, pp. 31- tions" Arts and crafts cooperative in Prague. 33, ill. In Japanese. Inform (Empire State Crafts Alliance), v. 16, no. 4, Illustrated with some examples from 1982, 1985, Feb. 1997, p.1. 462 "Weg mit den Scheuklappen!" 1988, and 1991 shows at the Hokkaido Museum Porzellan + Glas, no. 7, July 1993, pp. 36-37, ill. of Art. 446 "Utmarkt Svensk Form: Designpris" The firm Walther-Glas asked students at a design Form, v. 92, no. 4 (706), 1996, p. 11, ill. English school in to design innovative tableware. 478 "Young Artist of 1997" summary. Form Function Finland, no. 2 (66), 1997, p. 58, ill. Honorary mention to Lena Bergstrom of Orrefors 463 "Weltspitze der Glaskunst: Rastal-Chefde- Light installations by architectural team of Tommi Kosta Boda for vase series. signer Horst Bartels erhalt Design-Auszeichnung" Gronlund and Petteri Nisunen. Die Schaulade, v. 71, no. 5, May 1996, p. 30, ill. 447 "Utmarkt Svensk Form: Diplom" Horst Bartels's selection for New Glass Review 479 "Zehn Jahre Wenzl-Design" Form, v. 92, no. 4 (706), 1996, p. 18, ill. English publication. Die Schaulade, v. 70, no. 5, May 1995, p. 64, ill. summary. Walter Wenzl has been a glass designer since Awards to Anne Nilsson, Lena Bergstrom, 464 "What a Great Move!" 1975. Ingegerd Raman, Gunnel Sahlin, and others. Niche, v. 9, no. 1, Winter 1997, p. 29, ill. Rosetree Glass Studio moves to renovated Art 480 "Zeitgenossisches Glas" 448 "Van Eyk - Tradition in Glas" Deco movie theater, New Orleans. ArtAurea, no. 4, Dec. 1996/Jan. 1997, p. 7, ill. Die Schaulade, v. 69, no. 2, Feb. 1994, p. 208, ill. Exhibition of contemporary Swiss artists, Bern. The firm Hackel Bleikristall (a successor to Vil- 465 "Wheaton Village Shows a Woman's Ap­ leroy & Boch) has reopened under the name Van proach to the Figure - in Glass" 481 "Zeitgenossisches Glas in Venedig" Eyk GmbH. Antiques and The Arts Weekly, v. 25, no. 35, ArtAurea, no. 4, Dec. 1996/Jan. 1997, p. 76, ill. Aug. 29, 1997, p. 25. Exhibit of 100 contemporary artists in Venice at 449 "The Venerable Bead" Work by Anna Booth, Melanie Guernsey, Ruth the Museo Correr and the Glasmuseum Murano. Lapidary Journal, v. 50, no. 7, Oct. 1996, p. 9, ill. King, Lucartha Kohler. Chihuly, Markku Salo illustrated. Bead shrine by Suzanne Stern of Albuquerque. 466 "Where to See Chihuly Art Glass in Japan" 482 "Zum 70. Geburtstag von Professor Claus 450 " Lamps" Glass and Art (Tokyo), no. 18, Aug. 1997, p. 40, ill. J. Riedel" I.D., 42nd Annual Design Review 1996, v. 43, no. In Japanese. Die Schaulade, v. 70, no. 3, March 1995, pp. 4, July/Aug. 1996, p. 168, ill. Work by Chihuly in Kobe City Museum and a mu­ 235-237, ill. New designs by Donghia Furniture Co. seum in Nagoya. Interview with Claus Riedel on his 70th birthday.

451 "Venezia Aperto Vetro" 467 "Who Makes Marbles in West Virginia 483 "Zwiesels Glasfachschule feiert die Ein- American Style, v. 3, no. 2 (7), Winter 1996, p. 17, ill. Now?" weihung des Erweiterungsbaues" The Glory Hole (West Virginia Museum of Ameri­ GFF - Zeitschrift fur Glas, Fenster, Fassade, no. 452 "Venezia Aperto Vetro" can Glass), v. 1, no. 3, Winter 1996/1997, p. 4. 6, March 2, 1997, pp. 296-297. Showcase (Milan), v. 8, no. 21, Oct. 1996, pp. 90- Machine and handmade marbles. Dedication of a new building at Zwiesel glass 93, ill. In Italian and English. school, and an exhibition of the work of former The 1996 exhibition; illustrations of work by Ja- 468 "Wilhelm Wagenfeld" students. romir Rybak, Bertil Vallien, Chihuly, Tagliapietra. ArtAurea, no. 4, Dec. 1995/Jan. 1996, pp. 98-99, ill. Glass stacking dishes by the German designer. 484 "1. rocnik Mezinarodniho trienale sklenene 453 "La venezianita del vetro" plastiky" Abitare, no. 351, May 1996, p. 80, ill. 469 "William Douglas Carlson" Atelier, no. 26, Dec. 22, 1993, p. 9, ill. English Three glass exhibits in Venice: Toots Zynsky, Art and Crafts (Seoul), June 1993, pp. 54-55, ill. summary. Lino Tagliapietra, and Venini artists. In Korean. 1st International Triennial of Glass Sculpture, Nu­ Laminating technique. remberg, included 32 Czech artists. 454 "Le Verre" Metiers d'Art (issue title: Le Limousin), nos. 60/61, 470 ": Spirited Forms" 485 "The 7th Niijima International Glass Art Dec. 1996, pp. 85-86, ill. German and English The World & I, v. 12, no. 9, Sept. 1997, pp. 152- Festival" summary. 157, ill. Glass and Art (Tokyo), no. 8, Feb. 1995, p. 114, ill. Glassmaking traditions continue in Limousin in In Japanese. workshop near Limoges. 471 "William Morris: The Unending Tale of Wil­ William Morris's glassmaking demonstration. liam Morris" 455 "Le Verre a St'Art 97" Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 42- 486 "13. Ausstellung der Gruppe Objekte '71 Le Courrier des Metiers d'Art, no. 159, Jan./Feb. 51, ill. In Japanese. unter der Schirmherrschaft von Rastal" 1997, p. 22, ill. Die Schaulade, v. 68, no. 6, June 1993, p. 46, ill. Glass at Strasbourg fair. 472 "The Winter Fellows ... A Very Grateful Work by Willi Pistor included in an art and Group" decorative art exhibition. 456 "Vessels Created by Artist Kazumi Tsuji" The Journal, a Newsletter for Friends of Wheaton Glass and Art {Tokyo), no. 5, March 1994, pp. Village, v. 20, no. 2, Spring 1997, p. 4, ill. 487 "20 Jahre 'Sommeliers'" 82-87, ill. In Japanese. Niho Kozuru, Elizabeth McClure, Jackie Pancari, Porzellan + Glas, no. 8, Aug. 1993, pp. 152-153, ill. Takeshi Tsujino. New line of Riedel glass, 'Sommeliers,' which of­ 457 "Vetri d'arte" fers a different glass for each type of wine. Alte Vitrie, v. 8, no. 1, 1996, pp. 28-29, ill. 473 "Wiriter Fellows Arrive in January" Exhibits: Nando Luraschi in Turin; Lino Tagliapie­ The Journal, a Newsletter for Friends of Wheaton 488 "25 Jahre 'Objekte 71' Kunstausstellung tra, Toots Zynsky in Venice; Rosanna La Spesa Village, v. 20, no. 1, Winter 1997, p. 4, ill. unter der Schirmherrschaft von Rastal" in Albisola; Fernando Agostinho and Vladimir Niho Kozuru, Elizabeth McClure, Jackie Pancari, Die Schaulade, v. 71, no. 5, May 1996, p. 91, ill. Zbynovsky in . Takeshi Tsujino. Exhibit at the Keramikmuseum in Westerwald; object by Michael Kropp and Livia Kubach. 458 "Vetri in franchising: I Lirici" 474 "Wisconsin Glass in the 1990s" Abitare, no. 338, March 1995, p. 50, ill. In Italian Glass Shards, Fall 1997, p. 4. 489 '"93 Japanese Glass Exhibition" and English. Exhibit at Bergstrom-Mahler Museum. Glass and Art {Tokyo), no. 4, Dec. 1993, pp. 42- New collection of glass, I Lirici. 43, ill. In Japanese. 475 "Women Who Challenge in Glass" Glass exhibition to celebrate 20th anniversary of 459 "Vetro contemporaneo d'artista" Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 6- Japan Glass Crafts Council. Domus, no. 795, July/Aug. 1997, u.p., no. 3, ill. In 31, ill. In Japanese. Italian and English. Six glass artists: Akane Matsuura, Yumiko Noda, 490 "100th Anniversary of Swarovski" Venice exhibit of work by Lino Tagliapietra and Niyoko Ikuta, Naoko Abe, Masaki, and Yoko Glass and Art (Tokyo), no. 9, May 1995, pp. 106- . Kuramoto. 107, ill. In Japanese.

460 "A Vianne, Chihuly over Venice" 476 "Workshop - Lino Tagliapietra in Toyama" 491 "1985 Creative Glass Center of America Le Courrier des Metiers d'Art, no. 163, June 1997, Glass and Art (Tokyo), no. 8, Feb. 1995, p. 116, Fellowships Awarded" pp. 4-5, ill. ill. In Japanese. The Journal, A Newsletter for Friends of Whea­ ton Village, v. 8, no. 1, 1985, p. 2. 461 "Vytvarna remesla: 45 Years" 477 "World Glass Now - Its Course of Devel­ Jeff Burnett, Erik Halvorson, Leonard DiNardo, New Glass Review (Czech), v. 51, nos. 11/12, opment from 1982 to 1994" Valentin Vanetik. 492 "1994 collezione di bicchieri 'GOTO'" summary. 520 "Le Chemin des verriers" Domus, no. 781, April 1996, p. 59, ill. In Italian Dana Vachtova exhibition in Pardubice, Czech Revue de la Ceramique et du Verre, no. 96, and English. Republic. Sept./Oct. 1997, pp. 51-53, ill. Massimo Lunardon drinking glass collection by Old glassmaking sites (Couloubrines) and new designer Ron Arad and others. 506 "Sklo 20. stoleti v Pardubicich" studios (Eric Lindgren, Steve Linn, Beatrice Jail- Atelier, no. 18, Sept. 1, 1994, p. 12, ill. English let) in the Causse de I'Hortus area developed for 493 "The 1995 International Paperweight Fes­ summary. cultural . tival, Santa Cruz, California" 20th-c. glass from the collection of the museum Reflections (Caithness Paperweights), no. 11, in Pardubice. Work by Marie Gluckaufova, Jirina 521 "Exposition: Jacques Kaufmann" 1996, pp. 6-7, ill. Zertova, and Dana Zamecnikova illustrated. La Revue de la Ceramique et du Verre, no. 92, Jan./Feb. 1997, pp. 15-17, ill. 494 "1995 vetri decorati 'Handle with Care' - 507 "Vaclav Cigler - sklenene objekty, kresby, Ceramic installations, some incorporating glass, Egizia" projekty" in Dunkirk exhibit. Domus, no. 781, April 1996, p. 60, ill. In Italian Atelier, nos. 17/18, Aug. 28, 1997, p. 1, ill. Eng­ and English. lish summary. 522 "Soleil verre" Sottsass Associates provide new screen-printed Cigler's sculpture in Klatovy exhibition. La Revue de la Ceramique et du Verre, no. 94, designs for glassware for Egizia firm. May/June 1997, pp. 54-55, ill. 508 "Vystava malovaneho skla" Enameled vases, bowls by Troyes studio. 495 "1996 Glass Art Society Student Awards" Atelier, no. 3, Feb. 2, 1995, p. 5, ill. English sum­ The Glass Art Society Journal, 1996, p. 30, ill. mary. Jenny Kipp, Auli Rautiainen, John Pomputias. 523 "Udo Zembok: Passeur de frontieres" Exhibition of painted glass by Kopecky, Elias, Revue de la Ceramique et du Verre, no. 96, Rozatova, Matous, and others. 496 "1996 Glass Sellers' Awards for Art and Sept./Oct. 1997, pp. 40-43, ill. Craft" Sculpture and architectural panels by Zembok. 509 Adlin, Jane Glass, Monthly Journal of the European Glass In­ "Recent Acquisitions: A Selection 1995-1996. dustry, v. 73, no. 11, Nov. 1996, p. 506, ill. 524 Antonelli, Paola Twentieth Century" Award to Gail Gill for glass sculpture; student "Piu luce colorata! James Carpenter, architetto di The Metropolitan Museum of Art Bulletin, v. 54, award to Belinda Hornsey for vessels. cristallo" no. 2, Fall 1996, p. 70, ill. Abitare, no. 316, March 1993, pp. 200-207, ill. In Gift of a Howard Ben Tre sculpture of 1989. 497 "1996 in Review: Public Art" Italian and English. Art in America. Annual 1997-1998, v. 85, no. 8, Projects by Carpenter: dome for Portland Center, Aug. 1997, pp. 36-37, ill. 510 Aktag, Rahmi dichroic sculpture for London building, arch truss Includes work by John Beirs, Martha Schwartz, "Bingul Ba§arir" wall in Los Angeles, Indianapolis chapel window, Arlan Huang. Seramik Dunyasi (Istanbul), Oct./Dec. 1996, pp. and others. 20-25, ill. In Turkish. Sculptures and wall panels of clay and glass by 498 Abrams, Janet Turkish artist Bingul Ba§arir. 525 "Prodotti di massa e cultura d'elite" "Mutant Materials" Abitare, no. 317, April 1993, pp. 233-235, ill. In Domus, no. 774, Sept. 1995, pp. 111-114, ill. In Italian and English. Italian and English. 511 Alexander, Bill Lemonade bottle and light bulb from "Industrial Large design exhibition at Museum of Modern "Reviews: The Beaded Object" Elegance" exhibition, 1992. Art, New York; includes glass section. Art , v. 21, no. 1, Jan./Feb. 1997, p. 62, ill. Exhibit at Asheville, North Carolina. 526 Aoki, Tomoko 499 Abrink, Pernilla "American Contemporary Glass Art: Glass Artist's 512 Alfano, Nancy "Moten med laddning" Production Work Shows a New Direction" "The Distinctive Style of Mayauel Ward" Form, v. 92, no. 6 (708), 1996, pp. 62-65, ill. Glass and Art (Tokyo), no. 9, May 1995, pp. 10- Annual Bulletin of the Paperweight Collectors As­ English summary. 12, ill. In Japanese. Karin Johansson uses recycled bottle bases in sociation, 1997, pp. 82-84, ill. her jewelry. 513 "The Distinctive Style of Mayauel Ward" 527 "American Contemporary Glass Art: 500 Abrink, Pernilla and Wallerius, Inga Glass Collector's Digest, v. 11, no. 4, Dec. 1997/ Pilchuck Glass School" "Form: Noterat" Jan. 1998, pp. 82-86, ill. Glass and Art {Tokyo), no. 9, May 1995, pp. 16- Form, v. 92, no. 5 (707), 1996, pp. 8-11, ill. Paperweight artist. 21, ill. In Japanese. Short notices of exhibits and new glass designs. 25th anniversary of Pilchuck Glass School. Illustrated work by Martti Rytkonen, Caroline 514 Alvarez, Maribel L. Sodergrens, Helena Blom, and Camilla Caster. "Conversation: Jamex and Einar de la Torre" 528 "Glass Art Society Conference" Glass (UrbanGlass), no. 66, Spring 1997, pp. 12- Glass and Art {Tokyo), no. 6, June 1994, pp. 501 Achel. Fenestra Ateliers 13. 100-101, ill. In Japanese. Glas, het materiaal waaruit dromen zijn History of Glass Art Society; Dante Marioni and gemaakt... = Glass, the Stuff of Which Dreams Lino Tagliapietra glassmaking demonstration at 515 Anderson, Kathie Jackson 24th GAS conference. Are Made . . . "Collectors from Cyberspace" Achel, Belgium: the gallery, [1996], 32 pp., ill. In American Style, v. 3, no. 2, Winter 1996, pp. 40- Dutch and English. 47, ill. 529 "The Latest Glass Situation in New York" Studio and the work of Jan-Willem van Zijst and Seattle collectors bring artists, galleries, and Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 72- Angela van der Burght. collectors to the World Wide Web. 73, ill. In Japanese. Includes activities at The Corning Museum of 502 Adams, Jamie 516 "Flo Perkins" Glass and work by Chihuly, Libensky, Donald "Creativity Thrives at Inspiration Farm" Lipski, Bertil Vallien at Corning Incorporated. About Beads (Seattle, WA. Dale Leuthold, ed.), American Style, v. 3, no. 3, Spring 1997, p. 21, ill. v. 1, no. 3, May 1997, pp. 6-7+, ill. Workshops and other activities at Brian Kerk- 517 Anderson, Kathie Jackson and Malone, 530 Aoki, Tomoko and others vliet's Bellingham, Washington, farm. Harper Chaney "Column from World: USA, Italy, Korea, China, "A City Shaped by Glass" Germany" Glass and Art (Tokyo), no. 19, Nov. 1997, pp. 72- 503 Adlerova, Alena American Style, v. 4, no. 1, Fall 1997, pp. 58-67, ill. Seattle: Chihuly's Boathouse, the museums and 76, ill. In Japanese. "Bohumil Elias - malba v prostoru a svetle" Glass activities such as the Venice Biennial '97, Atelier, no. 19, Sept. 15, 1994, p. 4, ill. English galleries, and artists James Nowak, Paul Marioni, glass performance group "B-Team" in U.S.A. summary. and others. Recent work by Elias in Prague exhibition. 518 Anderson, Nola 531 Arnold, Jill 504 "Sklenena tavena plastika '95" "On the Horizon: Stephen Procter, Kirstie Rea, "American Glass Beadmakers: A Talk by Robert Atelier, no. 20, Oct. 5, 1995, p. 12, ill. English Itzell Tazzyman" Liu" summary. Glass (UrbanGlass), no. 68, Fall 1997, p. 57, ill. Bead Society of Great Britain Newsletter, no. 35, Cast glass sculpture exhibit at Jablonec. Sept. 1996, pp. 1-2. 519 Andreani, Carole 505 "Sklenena plastiky Dany Vachtove a "Bernard Dejonghe: La Part de I'ombre" 532 Attias, Laurie linoryty Ivo Krena" La Revue de la Ceramique et du Verre, no. 95, "Antoine Leperlier's Glass Menagerie" Atelier, no. 25, Dec. 14, 1995, p. 7, ill. English July/Aug. 1997, pp. 22-25, ill. ARTnews, v. 96, no. 1, Jan. 1997, p. 64, ill. 533 "Transfigured Night" The Secret of Murano 560 Beeby, Chris H. Metropolis, v. 16, no. 8, April 1997, pp. 60-63+, ill. Venice: Marsilio, 1997, 158 pp., ill. "Burning Issues Conference Impressions" Light designs and installations by Yann Kersale. Work by Murano's "maestri" (Alfredo Barbini, New Zealand Society of Artists in Glass News­ Archimede Seguso, and Lino Tagliapietra) and letter, April 1996, pp. 10-11, ill. 534 Avgikos, Jan many international artists whose designs have "Reviews: The Crystal Stopper'" been made in Murano. 561 Belfort. Stadt Leonberg, Museum fur Artforum, v. 36, no. 1, Sept. 1997, p. 124, ill. Kunst und Geschichte Mirrored sculptures by Felix Gonzalez-Torres and 547 Barre, Frangois Ursula Huth: Malerei und Plastik in Glas (Text: others in New York exhibit. "L'incerto inevitabilmente" Christina Ossowski) Domus, no. 787, Nov. 1996, pp. 53-57, ill. In Belfort, France: the museum, 1997, 28 pp., ill. In 535 Axel-Nilsson, Goran Italian and English. French and German. "Svenskt/Schwedisches" Major exhibition of work by Gaetano Pesce at the Kontur, Swedish Design Annual, no. 6, 1957, pp. . 562 Belgrade. Muzej Primenjene Umetnosti, 4-23, ill. In Swedish and German. Salon Muzeja Primenjene Umetnosti Includes old and new glass (Vicke Lindstrand, 548 Barta, Pavel and Novotny, Karel Dragan Drobnjak: Staklo Svetlost. Retrospek- Monica Bratt, Nils Landberg, Sven Palmqvist). "Art Design - Linea UBOK" tivna Izlozba Stakla = Retrospective Exhibition of New Glass Re view (Czech), v. 52, no. 5, 1997, Glass (Text: Biljana Vukotic) 536 Baas, Friedrich-Karl and Ruhlig, Dagmar pp. 17-19, ill. In German and English. Beograd: the museum, 1996, [31] pp., ill. In "Avantgardeglas - Die neue Generation: Hoch- Glass designs by Vladimir Jelinek, Karel Serbo-Croatian and English. schule fur bildende Kiinste Hamburg" Novotny, and others for Institute of Living and Glas (Freunde der Glaskunst Richard Sussmuth Clothing Style. 563 Bell, Viv e.V., Immenhausen), no. 19, 1996, pp. 1-79, ill. "Excerpts from a Pilchuck Diary" Exhibition of glass by graduates of the Hoch- 549 Basel. Galerie von Bartha New Zealand Society of Artists in Glass News­ schule fur bildende Kiinste Hamburg at the Glas- Anna Dickinson (Intro.: Dan Klein) letter, Oct. 1996, p. 13, ill. museum Immenhausen in 1996. Basel: Edition von Bartha, 1997, 35 pp., ill. 564 Bellevue. Bellevue Art Museum 537 "Schulerarbeiten der Glasfachschule 550 Bauland, Dorothee Heir Apparent: Translating the Secrets of Vene­ Hadamar" "Die Cote d'Azur konserviert in Kristall" tian Glass (Text: Jennifer P. Lewis; also essays Glas (Freunde der Glaskunst Richard Sussmuth Glaswelt, v. 50, no. 4, April 1997, pp. 70-71, ill. by Tina Oldknow, Sheldon Barr, Harry James e.V., Immenhausen), no. 18, 1995, pp. 1-43, ill. Cologne exhibit of work by brothers Ahmed and Moody) Exhibition of work from the Glasfachschule Hada­ Ada Loumani, owners of Verrerie de Valbonne in Bellevue, WA: the museum, 1997, 32 pp., ill. mar at the Glasmuseum Immenhausen in 1995. France. Exhibit highlights the connection between Includes work of teachers and former students. Venetian traditions and the Studio Glass 551 "Glasmobel fur Individualisten" Movement. 538 Baatz, Willfried Glaswelt, v. 50, no. 8, Aug. 1997, p. 50+, ill. "Spiel mit dem Licht" Glass furniture. 565 Bender, Dolores ArtAurea, no. 4, Dec. 1996/Jan. 1997, pp. 34-47, ill. "ACAD Guest Artists: Melanie Rowe and Leslie Lighting fixtures, including some of glass, by var­ 552 "Kreationen aud dem Studioglasofen" Rowe Israelson" ious European designers. Glaswelt, v. 50, no. 2, 1997, pp. 60-61, ill. Glass Gazette, Spring 1997, p. 14. Collection of studio glass (private collector Lilly Sessions at Alberta College of Art and Design. 539 Backer, Noelle Ernsting) on exhibit at the Glasmuseum Alter Hof Herding in Coesfeld-Lette. "A Real-life Expedition through Virtual Craft" 566 Bernard, Elodie The Crafts Report, v. 23, no. 249, Jan. 1997, pp. "Jean-Paul Raymond" 16-17, ill. 553 Beardsley, John Neues Glas, no. 2, 1997, pp. 18-25, ill. In Ger­ Doug Bucci uses metal and glass in his compu­ "Sculpting the Land: Is it Landscape Design or man and English. ter-aided designs. Sculpture?" Sculpture, v. 15, no. 4, April 1996, pp. 18-19, ill. 567 "Raymond Martinez: Les Fontaines 540 Baker, Patricia Reinforced concrete wall with glass inserts for bleues" "Studio Glass: Craft or Art - Further Thoughts" Miami airport by Martha Schwartz. La Revue de la Ceramique et du Verre, no. 95, Glass Circle News, no. 71, April 1997," pp. 3-4, ill. July/Aug. 1997, pp. 34-35, ill. 554 Becker, Vivienne Fountain project in Marseilles. 541 Baldwin, Gary "Light Fantastic" "Ceska - Post-war Importer of Moser Glassware" Swarovski, Jan. 1997, pp. 26-29, ill. Glass Collector's Digest, v. 11, no. 4, Dec. 1997/ The "Aurora Borealis" cut glass stone and its use 568 "William Velasquez: Jeux d'apparences" Jan. 1998, pp. 57-63, ill. in designer jewelry since the 1950s. La Revue de la Ceramique et du Verre, no. 94, Ceska Art Glass importers established 1978 in May/June 1997, pp. 28-31, ill. New York. 555 "Modern Mystic" Swarovski, July 1997, pp. 30-31+, ill. 569 Bertil Vallien at Bullseye Glass, March 542 Bargellesi-Severi, Guglielmo, ed. Glass designs by Kazumasa Nagai. 1997 Robert Smithson: Slideworks (Text: Vicki Gold­ Portland, OR: Bullseye Glass, 1997, 44 pp., ill. berg & Jean Pierre Criqui) 556 Beckman, Ulf The making of 25 sandcast boats, maps, and Milano: Carlo Frua, 1997, 201 pp., ill. "The Design of the Jubilee Exhibition" heads by Vallien at Bullseye Glass Co. Use of mirrors in the artist's earthworks. Form, v. 91, no. 6 (702), Swedish Design Annual, 1995, pp. 58-63, ill. In Swedish and English. 570 Bertsch, Georg-Christof 543 Barovier Mentasti, Rosa Swedish design exhibition included lamps, and "Un design extraterrestre: Tristan Pranyko" "Artisti internazionali e maestri vetrai veneziani" glass by Ingegerd Raman. Domus, no. 790, Feb. 1997, pp. 76-81, ill. In Giornale Economico, no. 5, Sept./Oct. 1996, pp. Italian and English. 7-11, ill. 557 "A Feast for All the Senses" Wine bottle designs for German company by Venetian glassmakers (Oscar Zanetti, Pino Si- Form, v. 91, no. 6 (702), Swedish Design Annual, Pranyko. gnoretto, Lino Tagliapietra, etc.) execute ideas of 1995, pp. 30-35, ill. In Swedish and English. artists. Stockholm gallery displays glass by Anette Alsio, 571 Biesen, Alden Helena Gibson, and Ulla Forsell. Breekpunt: International Glass Art Project 1995 544 "I vetri dello Spazialismo" (Text: Mireille Houtzager and others) CeramicAntica, v. 6, no. 11 (66), Dec. 1996, pp. 558 "Konsthantverk: Enastaende" Bilzen, Belgium: Landcommanderij Alden Biesen; 6-11, ill. Form, v. 93, no. 3 (711), 1997, p. 10, ill. Genk: Aksent v.z.w, 1995, 87 pp., ill. In Dutch. Exhibition at Vicenza of Venetian glass of the Glass by Ingegerd Raman; glass by Olle Ander­ Exhibition of work by 33 European artists. 1950s-1960s. son on display in Goteborg. 572 Biggs, Bonnie and Halem, Henry 545 I vetri di Archimede Seguso dal 1950 al 559 Beckman, Ulf; Wallerius, Inga; and Jon- "Letters to the Editor: Glass Education" 1959 son, Lotta GAS News, Spring 1996, p. 6. Torino: Umberto Allemandi & C.; New York and "Form: Noterat" Verona: G. & Peter 1901 Inc., 1995, 96 pp., ill. Form, v. 92, no. 6 (708), 1996, pp. 10-12, ill. 573 Billings, Johanna S. Seguso exhibit in Pesaro, 1995. Brief review of exhibitions with Venini glass "Story of Lotton" (Stockholm); Lena Nilsson and others (Gote­ Antique Week (Eastern edition), v. 30, no. 1, 546 Barovier Mentasti, Rosa and Berengo, borg); Birgitta Ahlin and Sirkka Lehtonen; Chris­ March 24,1997, p. 6+, ill. Adriano topher Ramsey of Johansfors. Charles Lotton. 574 Bilodeaux, Jean 589 "Wahrlich! Eine 'Starcke' Ausstellung" 603 Brno. Moravska Galerie v Brne "Master of the Chevron" Kunsthandwerk & Design, no. 4, July/Aug. 1997, Eliska Rozatova: Torza (Text: Ludmila Dufkova) Jewelry Crafts, Nov./Dec. 1996, pp. 12-14+, ill. pp. 42-44, ill. Brne, Czech Republic: Moravska Galerie, 1996, Chevron beadmaker Art Seymour. Philippe Starck exhibit, "Design mit Zukunft," at [33] pp., [12] pp. plates, ill. In Czech and English. Bremen museum. 575 Birkhill, Frederick and others 604 Bruce, Jane "Demonstrations: Blown, Cast, Flameworked and 590 Bormioli, Costantino "At the Heart of Adventure" Stained Glass; Beads and Marbles" "Andar per vetro" Journal of the Australian Association of Glass The Glass Art Society Journal, 1996, pp. 64-80, ill. Alte Vitrie, v. 8, no. 2, 1996, pp. 23-26, ill. Artists (issue title: Heart of Glass: Ausglass 95), English summary. post-conference edition, 1995, p. 21. 576 Blaettler, Roland Three glassmaking centers in France: La "Exposition: Setsuko Nagasawa" Rochere, St. Meloir des Ondes, and Dinard. 605 Brunen, Derek La Revue de la Ceramique et du Verre, no. 92, "The Residence of Energy" Jan./Feb. 1997, pp. 34-35, ill. 591 "Un libro di vetro: Cosi fragile" Glass, British Columbia Glass Arts Association Glass pieces included in ceramic artist's Geneva Alte Vitrie, v. 8, no. 2, 1996, pp. 19-21, ill. Newsletter, v. 8, no. 3, May/June 1996, p. 5, ill. exhibit. English summary. Comments on the BCGAA biennial exhibition. Book made of glass. 577 Blankstein, Amy 606 Bruthansova, Tereza and Broz, Josef "Commissions: Maria Lugossy" 592 Bormioli, Gino "Kiki Smith: Pokus o podobu skutecneho osviceni" Sculpture, v. 15, no. 6, July/Aug. 1996, p. 13, ill. "Ricordando un vetraio" Atelier, nos. 16/17, Aug. 24, 1995, p. 7, ill. Monument for victims of World War II in Szekes- Alte Vitrie, v. 10, no. 1, 1997, p. 7, ill. English Interview with Smith on occasion of her Prague fehervar, Hungary. summary. exhibition. Obituary of Elso Brondi, glassworker. 578 Blauensteiner, Charlotte 607 Bryant, Elizabeth "Eine Initiative: Forum fur Angewandte Kunst, 593 Bourre, Alexandra "Michael Scheiner: From Glass to Sculpture" Nurnberg" "Expositions: Le 'Nomades'land' de Serge Mansau" Reflex (Seattle, WA), July/Aug. 1991, p. 18, ill. Kunsthandwerk & Design, no. 5, Sept./Oct. 1997, Revue de la Ceramique et du Verre, no. 96, Sept./ Review of Seattle exhibit. pp. 34-37, ill. Oct. 1997, p. 57, ill. Nuremberg craft fair included glass by Magda- Mansau exhibit in Paris. 608 Buechner, Thomas S. lena Maihofer, Cornelius Fleer, Horst Stauber. "Jury Statement" 594 Bowers, Bryan and others New Glass Review, no. 18, 1997, pp. 4-5. 579 Boca Raton. Habatat Galleries "Young Artists: Life after School" William Morris: "The Rhyton" The Glass Art Society Journal, 1996, pp. 92-96, ill. 609 Burkhajdt, Frangois Boca Raton, FL and Pontiac, Ml: the galleries, "La scuola di Sipek" 1997, 16 pp., ill. 595 Boysen, Bill Domus, no. 791, March 1997, pp. 106-110, ill. In "The SIU Mobile Glass Studio: History and Func­ Italian and English. 580 Bochinska, Beata tion" Sipek and designers Katerina Dousova, Barbora "Kasia Ha+as-tozykowska i Adam -Lozykowski: The Mystic Light of the Aladdin Knights (Aladdin Skorpilova, and Leona Matejkova revitalize Tworczy duet, nie tylko na zycie" Lamp Collectors), v. 24, no. 2, July 1996, pp. 4- Czech design. Szkto i Ceramika, v. 47, no. 4,1996, pp. 20-24, ill. 5, ill. Fused colored glass plates by Adam t£»zykowski. Author's facility, Southern Illinois University. 610 Byrd, Joan Falconer "Richard Jolley: Reflections of a Classical Ideal" 581 Bohm-Parr, Judith 596 Bradbourne, Stephen and Auld, Jo American Craft, v. 57, no. 3, June/July 1997, pp. "Pink Elephants, Prawns and Pate" "Joel Philip Myers Workshop 1997" 56-59, ill. Journal, of the Australian Association of Glass New Zealand Society of Artists in Glass News­ Artists (issue title: Heart of Glass: Ausglass 95), letter, June 1997, pp. 10-13, ill. 611 Bzowy, Rick post-conference edition, 1995, pp. 17-19. "Transparence, Translucence, " 597 Bradley, Carol Journal of the Australian Association of Glass 582 Boland, Mary Jane "Exhibitions. Peter Powning: Elemental" Artists (issue title: Heart of Glass: Ausglass 95), "Auckland Exhibition of Work of Maori Artists" ARTSatlantic, v. 15, no. 1 (57), Spring 1997, pp. post-conference edition, 1995, pp. 20-21. New Zealand Society of Artists in Glass News­ 18-19, ill. letter, April 1996, p. 24. Waterloo exhibit. 612 Caba, Randall "Yesterday, Today, Tomorrow: A Personal Profile 583 Bolt, Gary 598 Branch, Mark Alden in the Neon " "Starfish Glassworks" "Let There Be Light Bulbs" Sign Builder Illustrated, no. 43, Jan./Feb. 1997, Glass Gazette, Summer 1997, pp. 3-5, ill. International Design, v. 43, no. 6, Nov. 1996, pp. pp. 20-27, ill. New hot-glass studio and gallery in Victoria, B.C., 44-49, ill. Post-World War II growth of the neon sign indus­ founded by Bolt, Lisa Samphire, and Morna Tudor. New designs for fluorescent, halogen, high-inten- try. sity, and incandescent bulbs. 584 Bolton, Erica 613 Calio del Vescovo, Salvatore "London's Contemporary Art Fair" 599 Branzi, Andrea "Glass Craft of " Craft Arts International, no. 40,1997, pp. 81-82, ill. "Concorso internazionale per servizi da sake, Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 92- Glass by Annette Meech, Brian and Jenny Blan- Miyagi" 93, ill. In Japanese. thorn; pate de verre by Emma O'Dare. Domus, no. 783, June 1996, pp. 94-95, ill. In Italian and English. 614 Canning, Susan 585 Bookhardt, D. Eric International competition for sake sets in Japan; "Reviews: Nancy Bowen" "Review: Joseph Cornell and Mitchell Gaudet" glass set by Junko Kobayashi. New Art Examiner, v. 24, no. 7, April 1997, p. 48, ill. Art Papers, v. 121, no. 2, March/April 1997, p. 57, ill. Mixed-media sculpture includes glass. Exhibitions in New Orleans: Cornell's construc­ 600 Bratislava. Univerzitnej Kniznice tions and Gaudet's glass and iron assemblages. Vitraz-Mozaika: Elena Bellusova (Text: Vincent 615 Cannon, Margaret Kutik) "Dolls: Reclaimed" 586 "Reviews: Dale Chihuly" Bratislava, Czechoslovakia: the university, 1966, Ontario Craft, v. 22, no. 2, Summer 1997, pp. 20- Art Papers, v. 21, no. 1, Jan./Feb. 1997, p. 55, ill. [23] pp., ill. 21, ill. New Orleans exhibit. Mosaics by Elena Bellus. Toronto exhibit included glass and bone dolls by Laura Donefer; dolls of beadwork and bits of mo­ 587 Booth, Barbara 601 Braun, Astrid saic and mirrors by Mimi Holmes. "Art and Architecture Blend in Shinjuku l-Land, "Eine Region rustet auf: Erweiterung der Glas- Tokyo" fachschule Zwiesel" 616 "Education and After" Craft Arts International, no. 39, 1997, pp. 92-93, ill. Glaswelt, v. 50, no. 6, June 1997, p. 12+, ill. Ontario Craft, v. 22, no. 1, Spring 1997, pp. 12- Includes Giuseppe Penone's "fingernail" sculpture. Expansion of the Zwiesel glass school; includes 13, ill. examples of student work. Glassworks cooperative, northwest of Toronto, 588 Borgward, Monica founded by Andrew Kuntz and six Sheridan Col­ "Glas ist mein Leben" 602 Brennan, Anne lege graduates. ArtAurea, no. 2, 1995, pp. 73-76, ill. In German "Interview: Klaus Moje" and English. Glass (UrbanGlass), no. 68, Fall 1997, pp. 50- 617 Capatti, Alberto Artist Michael Kramer and his tableware. 53, ill. "II prefissoide video" Ottagono, v. 31, no. 121, Dec. 1996-Feb. 1997, pp. 632 "Vetro, lo stato deN'arte" 645 "Mann-Made. 'Recent Glass Sculpture: A 42-46, ill. In Italian and English. Abitare, no. 335, Dec. 1994, pp. 170-175, ill. In Union of Ideas'" Poul Henningsen 1925 lamp designs, 1969 Italian and English. Neues Glas, no. 3, 1997, pp. 30-35, ill. In Ger­ stained glass window by Patrick Caulfield, and Recentwork by William Sawaya, Laura Panno, man and English. 1979 neon sculpture by Lili Lakich. Borek Sipek, Mario Bellini, Ettore Sottsass, Baro- Exhibit at the Milwaukee Art Museum, curated by vier and Toso. Audrey Mann. 618 Capella, Juli "L'artigianato moderno negli USA" 633 Cash, Stephanie and Ebony, David 646 "The Marilyn and Gene Glick Collection" Domus, no. 796, Sept. 1997, pp. 80-91, ill. In "Obituaries: Kiki Kogelnik" Neues Glas, no. 3, 1997, pp. 36-41, ill. In Ger­ Italian and English. Art in America, v. 85, no. 3, March 1997, p. 126, ill. man and English. Overview of American design and craftsmanship. Exhibition at the Indianapolis Museum of Art. 634 Casselman, Carol-Ann 619 "Branco e il riciclo" "Where's the Content/Context? GAAC Members' 647 "A New Facet for an Old Medium. Part 1" Domus, no. 789, Jan. 1997, pp. 102-103, ill. In Juried Exhibition" American Style, v. 3, no. 2, Winter 1996, pp. 30- Italian and English. Fusion Magazine (Ontario Clay and Glass Asso­ 35, ill. Milan-based group, Branco, recycles bottles and ciation), v. 21, no. 1, Winter 1997, pp. 9-10, ill. Overview of studio glassmaking and brief biogra­ other glass into furniture parts. Exhibit of work by members of the Glass Art As­ phies of many artists. sociation of Canada at Waterloo gallery. 620 "Droog Design - Oggetti che pensano" 648 "New York Journal" Domus, no. 784, July/Aug. 1996, pp. 82-89, ill. In 635 Castro, Jan Garden Glass and Art (Tokyo), no. 5, March 1994, pp. Italian and English. "Reinventing Tradition" 112-114, ill. Also in no. 6, June 1994, pp. 80-81; Lamps and lighting by Dutch design firm. Sculpture, v. 16, no. 1, Jan. 1997, pp. 32-35, ill. and in no. 7, Oct. 1994, pp. 74-75. In Japanese. Interview with Dutch artist Pieter Laurens Mol Studio Glass Movement news, work by many 621 "Ettore Sottsass: La vita, un grande pro- whose sculptures include glass. American artists, UrbanGlass news, etc. getto" Domus, no. 796, Sept. 1997, pp. 65-73 and 164, 649 "Self-Expression: The Work of Mark 636 Celant, Germano, ed. ill. In Italian and English. Bokesch-Parsons" Italian Metamorphosis, 1943-1968 Interview with Sottsass; includes glass for design Neues Glas, no. 2, 1997, pp. 34-39, ill. In Ger­ New York: Guggenheim Museum Publications; group Memphis, 1986. man and English. : ENEL; Rome: Progetti Museali, 1994, 727, [10] pp., ill. 622 "Intervista ad : Bottiglia" 650 "When Glass Is Not a Glass: Vitreous Domus, no. 779, Feb. 1996, p. 49, ill. In Italian Exhibition at the Guggenheim Museum; glass, items 239-266. Sculpture" and English. American Style, v. 3, no. 3, Spring 1997, pp. 30- Castiglioni comments on well designed objects, 39, ill. including a Codd-stoppered bottle. 637 Cerny, Charlene and Seriff, Suzanne, ed. Recycled, Re-seen: Folk Art from the Global 651 Champaign. Krannert Art Museum Scrap Heap 623 "Philippe Starck 'Rinuncio al design e mi Michele Blondel (Text: Malek Chebel and Eleanor New York: Harry N. Abrams; Santa Fe: Museum metto a disposizione della societa" Heartney) of International Folk Art and the Museum of New Domus, no. 794, June 1997, pp. 52-61, ill. In Champaign, IL: the museum, the University of Illi­ Mexico, 1996, 208 pp., ill. Italian and English. nois, Urbana-Champaign, 1997, 24 pp., ill. Includes beads, bottles, and other glass. Interview with Starck. Exhibition of mixed media, including glass.

624 Capuani, Michele 638 Chalmers, Chris 652 Charlotte. Mint Museum of Art "Angelo Mangiarotti e la materia" "An Echo from the Past: Island Studio Glass" ARTCurrents 10: Sherry Markovitz (Text: Mark Ottagono, v. 30, no. 115, June-Aug. 1995, pp. Glass Art Association Newsletter, no. 18, May Richard Leach) 98-105, ill. In Italian and English. 1997, p. 10, ill. Charlotte, NC: the museum, 1992, [16] pp., ill. Includes oil cruet and stemmed glass by designer Vases, paperweights with a mark attributed to Is­ Beaded sculpture. Angelo Mangiarotti. land Studio Glass of Guernsey, founded in 1982. 653 Chatham, Walter F. and others 625 Carlson, Robert 639 Chambers, Karen S. "1997 AIA Religious Art" Award "Joel Philip Myers Retires" "American Contemporary Glass Art - Contempo­ Faith and Form (Journal on Religion, Art and Ar­ GAS News, Summer 1997, p. 3. rary Art Which Was Started in America" chitecture), v. 30, no. 1, 1997, p. 23, ill. Glass pioneer retires from university teaching. Glass and Art (Tokyo), no. 9, May 1995, pp. 26- Glass and stone ark for Minnesota synagogue by 27, ill. In Japanese. Laurie Gross and Brian Beebe. 626 "Lifetime Achievement Award Presentation Works by Howard Ben Tre and William Carlson. to Jaroslava Brychtova and Stanislav Libensky" 654 Chattopadhyay, Collette The Glass Art Society Journal, 1996, pp. 23-29, ill. 640 "G.A.S.ing Up for Another Year" "Reviews: Kiki Smith and Coop Himmelblau at Neues Glas, no. 1, 1997, pp. 44-47, ill. In Ger­ MOCA" 627 "Steven Maslach: A Glassmaker Cast in man and English. Artweek, v. 28, no. 3, March 1997, pp. 33-34, ill. the American Mold" Glass Art Society's 27th conference, in Tucson, Installations at Los Angeles Museum of Contem­ Verre (Institut du Verre, Versailles), v. 2, no. 6, Arizona. porary Art. Nov./Dec. 1996, pp. 40-42, ill. 641 "Glass and Architecture, USA" 655 Chicago. Marx-Saunders Gallery 628 Carlson, Robert; Rooney, Alice; and Neues Glas, no. 1,1997, pp. 10-19, ill. In Ger­ Art of Janusz Walentynowicz (Text: Nannette V. Harrington, LaMar man and English. Maciejunes) "Tribute to Alice Rooney" New projects: Antonakos, Ed Carpenter, James Chicago, IL: the gallery, 1996, [8] pp., ill. The Glass Art Society Journal, 1996, pp. 16-20, ill. Carpenter, Howard Ben Tre, Paul Marioni/Ann Troutner, and others. 629 Casciani, Stefano 656 Jon Kuhn: Essence of Matter (Text: James "Le cose venute dal Nord" Yood) Abitare, no. 349, March 1996, pp. 170-176, ill. In 642 "Glass Architecture, Part 2: Glass's Mod­ Chicago, IL: the gallery, 1997, [8] pp., ill. Italian and English. ernist Accent" New glass designs by Carina Seth-Andersson of Neues Glas, no. 2, 1997, pp. 46-53, ill. In Ger­ 657 Jose Chardiet: Celebracion (Text: James Sweden, and Timo Sarpaneva for littala, Finland. man and English. Yood) Ed Carpenter, Ray King, James Carpenter, Chicago: the gallery, 1997, [7] pp., ill. Stephen Antonakos. 630 "News: Ettore Sottsass al Beaubourg" Abitare, no. 330, June 1994, pp. 67-68, ill. In 658 Sidney Hutter: Vessel as Icon (Text: Italian and English. 643 "The Glass Arts Self-Taught" Samuel Crocker) Sottsass retrospective at the Georges Pompidou American Style, v. 4, no. 1, Fall 1997, p. 17, ill. Chicago, IL: the gallery, 1997, [7] pp., ill. Center, Paris. Artists not trained in glassworking are now using glass (Linda Benglis, Kiki Smith, John Torreano). 659 Stephen Powell: Color Matters (Text: Rolf 631 "News: ULAN - La nuova arte decorativa" Achilles) Abitare, no. 353, July/Aug. 1996, p. 44, ill. In 644 "Julie Mihalisin's Marriage of Metal and Chicago, IL: the gallery, 1997, [8] pp., ill. Italian and English. Glass" Polish project to record contemporary decorative Metalsmith, v. 17, no. 2, Spring 1997, cover and 660 William Carlson (Text: James Yood) arts; includes glass by Czeslaw Zuber. pp. 16-21, ill. Chicago, IL: the gallery, [1996], [15] pp., ill. 661 William Morris (Text: James Yood) 674 Collins, Lynn Glass Line, v. 11, no. 1, June/July 1997, p. 1+, ill. Chicago, IL: the gallery, 1996, [7] pp., ill. "Figuring Out the Form" Author's lampworked pieces. Craft Arts International, no. 38, 1996-1997, pp. 662 Chirico, Mariateresa 68-70, ill. 691 Daniel Schlier: 50 tetes regardant a "Absolut Glass Design" Glass by Australian artist Sallie Portnoy. gauche et a droite Alte Vitrie, v. 8, no. 2, 1996, pp. 2-4, ill. In Italian; Bruxelles: Editions Sainte-Opportune; Bordeaux: English summary. 675 Columbus. Riley Hawk Galleries Galerie Jean-Francis Dumont, 1994, 50 plates, Altare craftsmen design for Absolut Vodka ads. William Morris: Rhyton (Essay: Tina Oldknow) 2 pp., ill. Columbus, OH: the galleries, 1997, [12] pp., ill. Reverse paintings on glass. 663 Cihakova-Noshiro, Vlasta "3 x o tvorivem horizontu" 676 Copeland, Beverly M. 692 Davis, Paul R. Atelier, no. 1, Jan. 5, 1995, pp. 4-5, ill. English "Conversation: With Collector Marilyn Glick" "Electric Signs of Las Vegas" summary. Glass Focus, v. 11, Aug./Sept. 1997, p. 1+. Sign Builder Illustrated, no. 45, May/June 1997, Three exhibitions in Prague include work by pp. 56-59, ill. Dana Zamecnikova. 677 "Interview: Leah Wingfield" Glass Focus, v. 11, Feb./March 1997, p. 1+. 693 "Why I Love MONA" 664 Cleveland. Cleveland Museum of Art Sign Builder Illustrated, no. 44, March/April 1997, p. Glass Today: American Studio Glass From 678 "Interview: Sidney Hutter" 10+, ill. Cleveland Collections: A Reference Guide Glass Focus, v. 11, Oct./Nov. 1997, p. 1+. The Museum of Neon Art, Los Angeles. Cleveland, OH: the museum, 1997, 26 pp. Bibliography includes books and articles, archival 679 "Interview: Toots Zynsky" 694 Dawes, Templeton material, videotapes, slides by the artists in show, Glass Focus, v. 11, June/July 1997, p. 1+. "Australian Glass Strikes Resonance in Singa­ web sites. pore" Craft Arts International, no. 38, 1996-1997, 680 Copenhagen. Kunstindustrimuseet p. 108, ill. 665 Cleveland. Riley Hawk Galleries UNIKA: 66 Kunsthandvaerkere 1996 (Text: Grete Exhibition at Singapore gallery, Feb. 1997. Awareness in the Context of Time: Jaroslava Balle, Agnete Dinesen, Richard Manz, and Brychtova, Stanislav Libensky, Pavel Hlava, Ma­ Hanne Kjaerholm) rian Karel, Bretislav Novak, Ivana Solcova-Sram- Kobenhavn: the museum, 1996, 144 pp., ill. 695 Delaney, Pauline and others kova, Dana Zamecnikova. Seven Contemporary Craft exhibit with glass by Finn Lynggaard, Tchai "Post Conference Tour by Overseas Artists" Czech Artists in 1997 Munch, and others. Journal of the Australian Association of Glass Cleveland, OH and Columbus, OH: the galleries, Artists (issue title: Heart of Glass: Ausglass 95), post-conference edition, 1995, pp. 38-39. 1997, [25] pp., ill. 681 Costa, Eduardo "Review of Exhibitions: Teresa Serrano" 696 Desaulniers, Gilles 666 Clifford, Katie Art in America, v. 85, no. 11, Nov. 1997, p. 129, ill. "Bertil Vallien in Lybster, Scotland" "Reviews: Tony Feher" Installation with mirrors. Art Papers, v. 21, no. 5, Sept./Oct. 1997, p. 57, ill. Glass Gazette, Winter 1997, pp. 5-6, ill. In Eng­ lish and French. Sculptures with bottles and other glass. 682 Cowlin, Graham "Traditional Glassmaking in Majorca" 697 "Jean-Paul Martel" 667 Cloete, Shirley The Glass Association Newsletter, no. 17, Feb. Glass Gazette, Spring 1997, pp. 8-9, ill. In French Glass Art: Shirley Cloete 1997, pp. 5-6. and English. Cape Province, Republic of South Africa: the art­ Three family glasshouses making souvenir items. ist, [n.d.], [6] pp., ill. 698 "Joan Crous: Innovative Glass Artist" South African glass artist. 683 Craig, Brock Glass Gazette, Summer 1997, pp. 6-8, ill. In "Exhibition Review: Wasp Drawings" French and English. 668 Cochrane, Grace Glass Gazette, Winter 1997, pp. 7-9, ill. "On the Horizon: Giles Bettison, Deb Cocks, Glass artist Morna Tudor's drawings in Vancouver 699 "Michele Perozeni: Material and Light" exhibit. Richard Whiteley" Glass Gazette, Summer 1997, p. 13, ill. In French Glass (UrbanGlass), no. 68, Fall 1997, pp. 54- and English. 55, ill. 684 Cravat, Rex Pate de verre by Perozeni. Australian artists. "Rex Cravat" Glass Line, v. 10, no. 6, April/May 1997, p. 1+, ill. 700 Descamps, Emmanuelle Lampworker. 669 Cockaerts, Anne "Expositions: Silvia Levenson" "G.A.S. houdt 27ste conferentie in Tucson-Arizona. La Revue de la Ceramique et du Verre, no. 93, Belgische vertegenwoordiging succesvol" 685 Crestou, Nicole March/April 1997, p. 58, ill. Kwintessens, v. 6, no. 3, 1997, pp. 42-43, ill. "Expositions: Jean-Regis Coupechoux" Exhibit at Sars-Poteries. Glass Art Society conference and Belgian artists La Revue de la Ceramique et du Verre, no. 95, who participated. July/Aug. 1997, p. 57, ill. 701 Dietz, Ulysses Grant Sculptures of glass and concrete at Tonnerre ex­ Paul J. Stankard: Homage to Nature 670 "Young Glass 97 - 10 jaar Ebeltoft" hibit. New York: Harry N. Abrams, 1996, 160 pp., ill. Kwintessens, v. 6, no. 3,1997, p. 39, ill. In Dutch. Reviewed by Robert Silberman in American Exhibition at the glass museum in Ebeltoft, Den­ 686 "Michele Perozeni" Craft, v. 57, no. 2, April/May 1997, p. 22+; by mark. La Revue de la Ceramique et du Verre, no. 92, Clarence Newell in The Glass Club Bulletin, no. Jan./Feb. 1997, p. 29, ill. 179, Fall/Winter 1996, pp. 21-22. 671 Cocks, Deb Former ceramic artist now works in pate de verre. "Day to Day" 702 Dissanayake, Ellen Journal of the Australian Association of Glass 687 Croasdale, Martha "Mentioning the Unmentionable: Beauty, Quality, Artists (issue title: Heart of Glass: Ausglass 95), The Making of the Woodland Series Transcendence" post-conference edition, 1995, pp. 22-23. [Galesburg, MD: the author, 1997], 8 pp., ill. The Glass Art Society Journal, 1996, pp. 58-62, ill. Author is shown sandblasting, electroplating, etc. 672 Coesfeld-Lette. Ernsting Stiftung, Alter Hof 703 Dolan, David Herding 688 Crommelin, Liesbeth "Art and Design Education for an Unknown Fu­ Glasmuseum Alter Hof Herding - Glassammlung "Expositions: La Metamorphose de Barbara ture" Ernsting = Glassmuseum Alter Hof Herding - Nanning" Craft Arts International, no. 40, 1997, pp. 71-78, ill. Glasscollection [sic] Ernsting La Revue de la Ceramique et du Verre, no. 91, 1996-1997 student work includes glass. Coesfeld-Lette: the museum, 1996, 104 pp., ill. In Nov./Dec. 1996, p. 58, ill. German and English. Paris exhibit. 704 Doornek, Richard The Ernsting's collection of contemporary glass "Racine Prairie School" and the establishment of a new museum/founda­ 689 Cusack, Bernadette Firing Line (Orton Firing Institute, Westerville, tion in Germany. "William Morris: Finding the Past" OH), Jan./Feb. 1993, pp. 22-24, ill. Glass Craftsman, no. 141, April/May 1997, pp. Glass studio for middle- and high-school students 673 Collegeville. Philip and Muriel Berman Mu­ 12-16, ill. at Wisconsin school. seum of Art at Ursinus College Sculpture by the Seattle artist. Steve Tobin: Reconstructions 705 Dorigato, Attilia and Klein, Dan, ed. Collegeville, PA: the museum, 1995, 80 pp., ill. 690 Daily, Marty International New Glass: Venezia Aperto Vetro Tobin exhibition, Autumn 1995. "Decisions - Craft? Art?" Venezia: Arsenate Editrice, 1996, 223 pp., ill. In Italian and English. 720 "Troubleshooting Neon Signs" 735 Edwards, L. 1996 exhibits at the Palazzo Ducale, Museo Signs of the Times, v. 219, no. 4, March 1997, p. "Tropic of Condo" Correr, Ca'Pesaro, Museo Vetrario Murano, and 34+, ill. Collectibles, Flea Market Finds, v. 5, no. 3, Fall the Palazzo Franchetti. 1997, pp. 71-75, ill. 721 Dunham, Bandhu Scott Florida collection of ashtrays by Frances and 706 Dougherty, Linda Johnson "Interview: Brian Kerkvliet" Michael Higgins. "Reviews: Joshua Neustein" Attitude Problem (Bandhu Scott Dunham, Art Papers, v. 21, no. 1, Jan./Feb. 1997, p. 63, ill. Prescott, AZ), no. 16, March 1994, pp. 7-8, ill. 736 Eesti Klaasikunstnike Uhendus = Installation with large chandelier. Estonian Glass Artists' Union 722 "Interview: Shane Fero" Eesti Klaasikunst 60: Eesti Klaasikunstnike 707 Douglas, Lake Attitude Problem (Bandhu Scott Dunham, Ohendus 1996 (Eve Koha, ed.) "New Orleans Glass: The Third Coast" Prescott, AZ), no. 17, July 1994, p. 8, ill. Tallinn: the union, 1996, 112 pp., ill. In Estonian Glass (UrbanGlass), no. 67, Summer 1997, pp. and English. 18-25, ill. 723 Dunkerque. Musee d'Art Contemporain Work by 50 Estonian glass artists. Bernard Dejonghe 737 Ekelund, Jan-Olof 708 Douglass, Steven L. Dunkerque, France: the museum, 1997, 56 pp., ill. "Erika Lagerbielke jubilerade under Ambiente" "Reviews: Kiki Smith" In French and English. Glas och Porslin, v. 66, no. 2, 1997, pp. 12-13, ill. Flash Art, v. 30, no. 197, Nov./Dec. 1997, p. 112, ill. Dejonghe exhibit in Dunkirk, France, and Geneva, New York exhibit. Switzerland. 738 "Stark comeback av Eva Englund" Glas och Porslin, v. 67, no. 4, 1997, p. 9, ill. 709 Drabeck, Bernard A. and Jacobsen, Roger 724 Duret-Robert, Frangois : Les Annees 50 New collection designed by Englund for Meet G. Nordic Design. "Cape Cod Glass - Raising Canes" Paris: Les Editions de I'Amateur, 1996, 224 pp., ill. Annual Bulletin of the Paperweight Collectors Daum designs of the 1950s. 739 Elger, Dietmar and others Association, 1997, pp. 69-75, ill. 725 Dusseldorf. Kunstmuseum Diisseldorf im Felix Gonzalez-Torres (v. 1: Text, v. 2: Catalogue Raisonne) 710 Ducote, Barbara Ehrenhof Otto Piene: Retrospektive 1952-1996. Raster, Ostfildern-Ruit, Germany: Cantz Verlag, 1997, "Dall'estero design e produzione" 110, 167 pp., ill. In German and English. Abitare, no. 336, Jan. 1995, pp. 118-147, ill. In Rauch, Feuer, Licht, Sky Art, Inflatables, CAVS, Neue Arbeiten (Catalog: Stephan von Wiese and Exhibition of artist's installations and conceptual Italian and English. sculpture includes glass and lighting. Selection of 1994 design projects from 14 coun­ Susanne Rennert) tries; includes glass, lamps, and lighting. Koln: Wienand; Dusseldorf: the museum, 1996, 208 pp., ill. 740 Elliott, Kathy Light sculptures, pp. 110-125. "The Hot and Cold of Glass Blowing" 711 Ducote, Barbara, ed. Smarts (Canberra), no. 8, Dec. 1996, pp. 24-25, ill. "13 nazioni e 280 prodotti per il 1997" The glass and glassmaking of Ben Edols and 726 Eager, Thomas and others Abitare, no. 358, Jan. 1997, pp. 74-106, ill. In Kathy Elliott. Italian and English. "The Lectures: A Day at the New products by European and American de­ Massachusetts Institute of Technology" The Glass Art Society Journal, 1996, pp. 45-50, ill. 741 Emilson, Anders signers and firms; glass by Paul Wieser, Scandi­ "Jag maste ge mig ut. .." navian firms, Lalique, Baccarat, etc. Form, v. 93, no. 2 (710), 1997, pp. 60-65, ill. 727 East Islip. Islip Art Museum English summary. Glass Art Now: Made in Brooklyn (Text: John 712 Dufkova, L'udmila Glass designs by Matz Borgstrom. Perreault) "Jan Zoricak: Soulad zivota a dila" East Islip, NY: the museum, 1997, [23] pp., ill. Bulletin Moravske Galerie v Brne, no. 52, 1996, Work by 10 artists associated with UrbanGlass. 742 Enbom, Carla pp. 93-94, ill. In Czech and English. "Glass Sculpture and Studio Glass" Glass by Yan Zoritchak. Form Function Finland, no. 2 (66), 1997, pp. 44- 728 Ebeltoft. Glasmuseum 45, ill. Glasmuseet: De forste 10 ar= The Glasmuseum: 713 "Skleneny svet Jaroslava Brychty" Exhibitions of work by Emmanuel Saulnier and The First 10 Years, 1986-1996 (Charlotte Sahl- Tony Jojola at the Finnish Glass Museum. Atelier, no. 11, May 29, 1997, p. 12, ill. English Madsen, ed.) summary. Ebeltoft, Denmark: the museum, 1997, 33 pp., 46 Glass figurines and small sculptures by Jaroslav 743 England, Eileen M. and England, Boyd A. plates, ill. In Finnish and English. "A Traveling Flint's Influence on Glass Paper­ Brychta (1895-1971) in Brno exhibition. Work by many artists who have participated in weights" the museum in the past. 714 Dulis, Gilles Glass Collector's Digest, v. 10, no. 5, Feb./March La Menagerie revolutionnaire de Gilles Dulis 1997, pp. 54-59, ill. 729 Made in Japan (Charlotte Sahl-Madsen, Gene Crabtree, maker of Millville Rose paper­ (July 1989) Soren Larsen, Sigrun Einarsdottir, Atsushi Takeda) Concarneau: Editions Galerie Gloux, 1989, [10] weights and influential glassmaker who worked Ebeltoft, Denmark: the museum, 1997, 122 pp., ill. at 18 or more factories. leaves in a folder, ill. In Danish, Japanese, English. Reverse paintings on glass by Dulis. Exhibition of contemporary glass from Japan. 744 "New Jersey Crimp Rose Paperweight Art­ ist: Anthony DePalma" 715 Dumoulin, Sophie 730 Young Glass 1997: An International Com­ Annual Bulletin of the Paperweight Collectors As­ "La Cristallerie des Papes, a 20th Anniversary" petition (Charlotte Sahl-Madsen and Sandra sociation, 1996, pp. 46-49, ill. Table et Cadeau, no. 378, Feb. 1997, p. 80, ill. Blach, ed.) English summary. Ebeltoft, Denmark: the museum, 1997,160 pp., ill. Avignon firm of hand-blown glass. 745 Enomoto, Yoshiro "Art Village Shinshu and Work of Yukiaki Ezoe" 731 Ecole des Arts Decoratifs de Strasbourg Glass (Tokyo), no. 41, Aug. 1997, pp. 27-28, ill. In 716 "Palladio, ou comment vendre du verre" Diplomes, juin 1995 Japanese. Table et Cadeau, no. 381, May 1997, pp. 44-47, ill. Strasbourg: the school, 1995, 187 pp., ill. Paris shop sells glass by Carlo Moretti and other Includes glass, pp. 34-35, 74-81. 746 Erardi, Glenn Italian glass. "Venetian Glass and 1950s Furniture Auction" 732 Edwards, Geoffrey Antique Trader Weekly, v. 41, no. 26, June 25, 717 Dundas, Bill "Curious Australian Glass Movement" 1997, pp. 101-102, ill. "Double Take: Fiber Optic Sign Projects" Glass and Art (Tokyo), no. 5, March 1994, pp. Signs of the Times, v. 219, no. 4, March 1997, 74-79, ill. In Japanese. 747 Erbele, Dorothea pp. 118-121, ill. Glass exhibition of Australian artists Brian Hirst, '"Sieben Orte und ein Tisch' - Ortungsversuche Jan Blum, Stephen Procter, and others at Con­ am BufB- und Bettag" 718 "Fiber Optics on the Fast Track" temporary Art Niki, Tokyo. Kunst und Kirche, no. 2, 1997, pp. 114-115, ill. Signs of the Times, v. 219, no. 4, March 1997, Includes outdoor installation with flasks by pp. 112-117, ill. 733 "Jury Statement" Tamara Grcic. New Glass Review, no. 18, 1997, pp. 5-7. 719 "Neon Accents" 748 Erik Dietman: Le nez dans le verre, un Signs of the Times, v. 219, no. 9, Aug. 1997, pp. 734 "On the Horizon: Meza Rijsdijk, Neil verre dans le nez (Jean-Frangois de Canchy, ed.) 116-121, ill. Roberts, Maureen Williams" [Marseille]: CIRVA; Paris: Editions du Regard, Recent projects of a Rhode Island sign company. Glass (UrbanGlass), no. 68, Fall 1997, p. 56, ill. 1997, 156 pp., plates, ill. 749 Eriksson, Ann-Catrine 763 Franceschini, Paola 778 Freisleben, Zdenek "Konsthantverk: 15 Orrefors-ar" "Notizie/News: Design all'asta" "Slysme hlas" Form, v. 93, no. 3 (711), 1997, p. 7, ill. Domus, no. 785, Sept. 1996, u.p., ill. In Italian Atelier, no. 2, Jan. 23, 1997, p. 4, ill. English Anniversary collection by Erika Lagerbielke. and English. summary. 20th-c. design items at three Christie's auctions Exhibition related to theme of the Old and New 750 Erwin Eisch: "Nimm zwei und werde frei." include glass by Memphis designers. Testaments included glass by Dana Vachtova, Glas, Malerei, Zeichnung (Erich Schneider, ed. Libensky/Brychtova. Text: Erich Schneider, Herbert Schneidler and 764 "Notizie/News: Novita a casa Bagatti Val- Ines Kohl) secchi" 779 Frisbie, Barb Schweinfurt: Schweinfurter Museum; Schwein- Domus, no. 789, Jan. 1997, u.p., ill. In Italian and "May Meeting" furt: Weppert GmbH, 1997,107 pp., ill. English. Glass Club of Toledo Newsletter, Sept. 1997, pp. Borek Sipek vase on sale at Milan house-museum 1-2. 751 Ettinger, Roseann shop. Report of a talk by Herb Babcock. Popular Jewelry of the '60s, '70s, & '80s Atglen, PA: Schiffer Publishing, 1997,192 pp., ill. 765 Frank, Elizabeth 780 Frolcova, Milada "Reviews: Stephen Antonakos" "Keramika v Galerii SM" 752 Failing, Patricia ARTnews, v. 96, no. 8, Sept. 1997, p. 137, ill. Atelier, no. 9, May 5, 1994, p. 5, ill. English sum­ Howard Kottler: Face to Face Exhibit with neon. mary. Seattle, WA; London: University of Washington Exhibit included work by Hana Exnarova that Press, 1995, 133 pp., ill. 766 Frank, Michael combines clay and glass. Includes glass by ceramist Kottler, and 1960s To­ "A Majorca Memoir - Craig Wright Shares His ledo workshops with , Dominick Mediterranean Sources" 781 Frost, J. A. Labino. Architectural Digest, v. 54, no. 10, Oct. 1997, p. "Dudley Plays Host to This Year's Emerging 62+, ill. Talent" 753 Farr, Michael Includes glass made by Vidrios Gordiola. Glass, Monthly Journal of the European Glass In­ Design in British Industry: A Mid-century Survey dustry, v. 73, no. 10, Oct. 1996, pp. 455-456, ill. Cambridge: Cambridge University Press, 1955, 767 Frankel, Elana Exhibit of work by final-year students from 14 333 pp., ill. "Fluid Fire: Spontaneous Combustion in Three U.K. colleges and universities. Glass, pp. 105-114; lighting pp. 62-68. Parts" Metropolis, v. 16, no. 9, May 1997, p. 63, ill. 782 Furler, Loene and Scott, Bev 754 Federal Republic of Germany Glassblowing performance by the B-Team at Ur- "Mart: Jam Factory Encourages Spread of Crafts" Made in Germany: German Crafts. New York In­ banGlass. Smarts (Canberra, Australia), no. 1, Feb. 1995, ternational Gift Fair pp. 19-20. [Frankfurt am Main: Bundesverband Kunsthand- 768 Frankfurt. Museum fur Kunsthandwerk werk e.V. = Federal Association of Crafts?, Design aus Portugal: Eine Anthologie = Design 783 Gache, Sherry 1997], 1 vol., ill. from Portugal: An Anthology (Curator: Madalena "Reviews: Christian Megert" Includes glass by Borowski, Katja Schetting. Figueiredo and others) Sculpture, v. 15, no. 4, April 1996, p. 63, ill. Frankfurt am Main: the museum, 1997, 344 pp., ill. "Glassbooks" installation in Rome exhibit. 755 Ferrara, Annette In German and English. Includes glass. "News Briefs: Chihuly to Bridge Tacoma Mu­ 784 "Reviews: Luca Valerio" seums" 769 Deutschland und Korea (7. Triennale fur Sculpture, v. 16, no. 4, April 1997, p. 63, ill. New Art Examiner, v. 24, no. 10, July/Aug. 1997, Form und Inhalte) Italian artist uses glass in Rome exhibit. pp. 8-9. Frankfurt am Main: the museum, 1997,191 pp., ill. Bridg9 with glass pavilions to be completed Octo­ Includes glass sculpture by Christine Triebsch, 785 Gachot, Ted ber 1998. Ursula Huth. "Connecting . . . with Industry" Metropolis, v. 16, no. 9, May 1997, pp. 88-91+, ill. Gaetano Pesce's explorations with materials, in­ 756 Fessy, Emmanuel 770 Florian Lechner: Spannungszeichen "Celebrating 200 Year Finnish Glass Craft" cluding recycled glass. Frankfurt am Main: the museum; Nussdorf/lnn: Glass and Art (Tokyo), no. 4, Dec. 1993, p. 106, Florian Lechner, Glas+Form, 1996, [16] pp., ill. ill. In Japanese. 786 Gaillemin, Jean-Louis and Gaethgens, Includes works by Markku Salo and Timo Sarpa- Thomas 771 Franks, Jonathan W. neva. "Les Musees de Berlin: Un Musee pour aujour- "Massiv gegossen" d'hui" Antiquitaten Zeitung, v. 23, no. 22, Oct. 27,1995, 757 Fields-Meyer, Thomas and Zutell, Irene Connaissance des Arts, no. 535, Jan. 1997, pp. p. 740, ill. "Bottle Battle" 104-109, ill. Contemporary glass in auction at Cologne: Paolo People Weekly, v. 47, no. 24, June 23, 1997, pp. Glass installation by . Martinuzzi piece of 1975, Libensky/Brychtova 113-114, ill. pieces of 1986. Grandma Prisbrey's Bottle Village. 787 Gannon, Ray "New Centre" 772 Frantz, Susanne K. 758 Finch, Christopher Hot Gas (Scientific Glassblowers Association of "Jury Statement" "Modern Swedish Glass - New Focus on a Scin­ Australia), Jan. 1994, p. 3, ill. tillating Legacy" New Glass Review, no. 18, 1997, pp. 7-9. Proposed glass center at the University of Architectural Digest, v. 54, no. 7, July 1997, p. Queensland. 42+, ill. 773 "Libensky and Brychtova - A 40-Year Collaboration" 788 Gaskins, Bill 759 Finckenstein, Charlotte v. Glass and Art (Tokyo), no. 6, June 1994, pp. 42- ^ "Reviews: " "Wanderer zwischen verschiedenen Welten" 49, ill. In Japanese. ^ New Art Examiner, v. 24, no. 6, March 1997, p. ArtAurea, no. 4, Dec. 1996/Jan. 1997, pp. 48-53, ill. Interview with Libensky and Brychtova, and an 46, ill. Monica Guggisberg and Philip Baldwin. exhibition held at The Corning Museum of Glass. Beaded headdress.

760 Floris Meydam: Designer (Text: Helmut 774 "Some of the Best in Recent Glass" 789 Gehr, Christa Ricke and Annet van der Kley-Blekxtoon) New Glass Review, no. 18,1997, pp. 32-39, ill. "Anziehend einladend schon" Leerdam: Uitgeverij Glaswerk, 1997, 360 pp., ill. Glaswelt, v. 49, no. 12, Dec. 1996, pp. 28-29, ill. 775 "Using Glass as an Expression of Art" Visiting Barnbach, Austria: contemporary stained 761 Forler, Kathryn Art and Crafts (Seoul), June 1993, pp. 26-28, ill. glass and the glass center of Stolze-Oberglas. "In Review: Peter Powning - Elemental Clay and In Korean. Glass" The author traces a brief history of Studio Glass 790 Gentili, Enzo Biffi Fusion Magazine (Ontario Clay and Glass Asso­ Movement. "Venezia: II seme del vetro. Cristiano Bianchin" ciation), v. 21, no. 2, Spring/Summer 1997, pp. CeramicAntica, v. 7, no. 9 (75), Oct. 1997, pp. 6- 8-9, ill. 776 Fraser, Linda 11, ill. Exhibition at Waterloo, Ontario. "Chihuly over Venice" Exhibition of Bianchin's glass, Venice. Craft Arts International, no. 39, 1997, pp. 89-90, ill. 762 Foulkes, Nicholas 791 Giarratana, Rossella "Reflective Glory" 777 "Venezia Aperto Vetro: of "Fascino e indiscrezione: Kenneth Jay Lane" Swarovski, July 1997, pp. 14-17, ill. International New Glass, 1996" Antiquariato, no. 194, June 1997, pp. 54-61, ill. Chandeliers. Craft Arts International, no. 39, 1997, pp. 98-99, ill. Costume jewelry of the 1960s-1970s by Lane. 792 Gibory, Eric 807 Gordan, Dan Queensland workshops taught by Warren "Baccarat: Le Repositionnement" "Den vita vinden" Langley, Nick Mount, and Gerry Cummins. Table et Cadeau, no. 378, Feb. 1997, p. 82, ill. Skona Hem, no. 9, Sept. 1997, pp. 82-86, ill. New Baccarat perfume flacons. Carafes by Anne Nilsson, Helen Krantz, Gunnel 821 Grenon, Ariane Sahlin, and others. "Alain et Marisa Begou: La Profondeur du verre" 793 "V. Nason & C.: Retour vers le futur" Le Courrierdes Metiers d'Art, no. 163, June 1997, Table et Cadeau, no. 378, Feb. 1997, p. 42, ill. 808 "Glasblasarnas larlingar" pp. 8-11, ill. 60-year-old French firm. Skona Hem, no. 6, June 1997, p. 89+, ill. Exhibit at Vaxjo museum of work from Transjo 822 "Aperto Vetro: Quelques notes" 794 Gilbert, Anne glassworks by Josiah McElheny, Jan-Erik Ritz- Le Courrier des Metiers d'Art, no. 157, Nov. 1996, "Fifties, Sixties American Art Glass New Collec­ man, Ann Wolff, and others. pp. 9-10, ill. ting Field" Renninger's Antique Guide, v. 23, no. 3, Feb. 24- 809 Gradidge, Roderick 823 "CIRVA: Etats du verre" March 9, 1997, p. 8, ill. "Exhibitions: William Walker, Glassmaker" Le Courrierdes Metiers d'Art, no. 159, Jan./Feb. Glass by Michael and Frances Higgins. Crafts (U.K.), no. 145, March/April 1997, pp. 55- 1997, pp. 8-9, ill. 56, ill. Marseilles exhibit reviews ten years of activity at 795 "Higgins Glass Is Emerging as a New Exhibit in Salisbury. the Centre International de Recherche sur le Collecting Field" Verre. Today's Collector (Warman's), v. 5, no. 5, May 810 Graff, Mary 1997, p. 26, ill. "Fire and Ice" 824 "Creation: Six personnages en quete de Figurines & Collectibles, Nov./Dec. 1997, pp. 45- verre" 796 Girard, Sylvie 49, ill. Le Courrierdes Metiers d'Art, no. 162, May 1997, "Expositions: Bruno Romanelli" Glass Eye Studio (Rob Adamson) in Seattle and pp. 14-15, ill. La Revue de la Ceramique et du Verre, no. 91, Cape Cod Glassworks (Bill and Mark Burchfield). Serge Mansau, Marcoville, Czeslaw Zuber, Jean- Nov./Dec. 1996, p. 58, ill. Pierre Seurat, Pascal Riberolles, and Claire de Paris exhibit. 811 Grafica e oggetti d'arte Rougemont in Antony exhibit. Milano: Editoriale Giorgio Mondadori, 1996, [8], 797 "Expositions: Edvin Ohrstrom" 253, [18] pp., ill. 825 "Fusions minerales: Bernard Dejonghe" La Revue de la Ceramique et du Verre, no. 93, Biographical information about 20th-c. Italian art­ Le Courrierdes Metiers d'Art, no. 163, June 1997, March/April 1997, p. 60, ill. ists; "Vetro d'arte: La ripetizione del mito," by Sil- pp. 16-17, ill. Paris exhibit. vano Tagliapietra, pp. 229-233. 826 "Jacques Kaufmann, ceramiste et sculpteur" Le Courrierdes Metiers d'Art, no. 158, Dec. 1996, 798 Glass Department, University of Wolver­ 812 , Marie-Christine and Mansau, pp. 3-5, ill. hampton Serge Sculptures and installations include some glass. 16 New Glass Artists Serge Mansau: Sculpteur de flacons. Vivre dans Wolverhampton, England: the university, 1997, I'art duparfum [17] postcards in a folder, ill. Paris: Editions de la Martiniere; Grasse: Musee 827 "Pascale Riberolles, souffleuse de verre" Exhibition at Wolverhampton and at a London International de la Parfumerie, 1995, 175 pp., ill. Le Courrierdes Metiers d'Art, no. 160, March gallery. 1997, cover and pp. 8-11, ill. 813 Gray, Katherine 799 The Glass Skin "Reviews: Kait Rhoades" 828 "Udo Zembok, de vitrail en verre" Sapporo, Japan: Hokkaido Museum of Modern Glass (UrbanGlass), no. 67, Summer 1997, p. Le Courrierdes Metiers d'Art, no. 160, March Art; Corning, NY: The Corning Museum of Glass; 53, ill. 1997, p. 15, ill. Rouen exhibit. and Dusseldorf: Kunstmuseum Dusseldorf, 1997, Exhibit at an Oregon college. 144 pp., ill. In Japanese. Catalog for exhibit of 20 contemporary artists 814 Greenbaum, Toni 829 Grenon, Ariane and Seince, Frangoise from U.S., Europe, and Japan who focus on the "Bizarre Bijoux: Surrealism in Jewelry" "Salons: Salon du meuble; Lumiere 97; Maison et glass surface to communicate their ideas. The Journal of Decorative and Propaganda Arts, Objet; Salviati Christofle" no. 20, 1994, pp. 196-207, ill. Le Courrier des Metiers d'Art, no. 160, March 1997, pp. 17-22, ill. 800 The Glass Skin New furniture, lighting, tableware, etc., by Carte [S.I.: s.n., 1997], packet of 24 post cards, ill. 815 Greenburg, Cara Blanche, Catherine Zoritchak, Pierre Casenove, Postcards of work by artists in the exhibition. "II dolce vetro" and others. Art & Auction, v. 19, no. 9, April 1997, pp. 100- 801 Glassworks Korea, 3rd 105, ill. 830 Griffith, Kate A. Seoul: Hanglas, 1995, [20] pp., ill. In Korean and 1950s-1960s Italian and Scandinavian glass. "Molding a Dream: Creating Coming's First Edu­ English. cational Glass Studio" 816 Greene, Freda Crossroads: A Homegrown Account of the North- 802 Glassworks Korea, 5th (Text: Dong Kwang "Salviati's Salvation" central Pennsylvania Region (Mansfield Univer­ Jang) Tableware International, v. 27, no. 7, Aug. 1997, sity, Mansfield, PA), 1996, pp. 24-27, ill. Seoul: Hanglas, 1997, [27] pp., ill. In Korean and pp. 24-25, ill. Hands-on Glass, artist Rodi Rovner's studio. English. New designs. Korean studio glass. 831 Gritsch, Rudi, Werkstatte fur kunstlerische 817 Greffe, Pierre Gestaltung 803 Gleizes, Serge "Contrefagon de la bague Rene Lalique" Rudi Gritsch Ofengeformtes Glas = Works in "Galerie Differences, remise en question" Offrir International, no. 342, April 1997, p. 84, ill. Kilnformed Glass Table et Cadeau, nos. 376/377, Dec. 1996/Jan. Imitations of Lalique rings designed in 1931. Kramsach, Austria: the artist; [S.I]: Edition Pro 1997, pp. 138-139, ill. English summary. Libris, 1997, 35 pp., ill. Paris gallery changes direction; includes glass 818 Gregg, Dianne designed by Lino Tagliapietra, Nicolas Morin. "Glass Animals by Marcolin" 832 Grote, Andrea Glass Collector's Digest, v. 10, no. 3, Oct./Nov. "Weif3e Zylindervase contra Keramikrohre" 804 Glowen, Ron 1996, pp. 91-95, ill. Sammler Journal, no. 12, Dec. 1996, pp. 2006- "Reviews: Josiah McElheny" Josef and Benito Marcolin from Murano operated 2010, ill. Artweek, v. 28, no. 2, Feb. 1997, p. 28, ill. a glassworks in Ronneby, Sweden, from 1954 to Contemporary industrial design exhibit in Berlin Seattle exhibit. 1991. includes glass.

805 "Reviews: Rick Mills at Friesen Gallery" 819 Gregory, Jacqueline 833 Grotsch, Marianne Artweek, v. 28, no. 9, Sept. 1997, p. 28, ill. "Blackheath Blowout" "Alois Sailer - Vom Glasmacherlehrling zum In- Cast glass and other work in Seattle exhibit. Craft Arts International, no. 39, 1997, p. 110, ill. dustriemeister Glas" 1996 hot-glass workshops held at Keith Rowe's Nachtmann Glashuttenpost, no. 26, May 1997, 806 Goldman, Stu studio in Blackheath, Australia; guest artist pp. 8-9, ill. "Recognizing and Rendering Period Styles. Part 1" Hiroshi Yamano. Glassmaker at Nachtmann. Glass Craftsman, no. 140, Feb./March 1997, pp. 6-11, ill. Part 2: no. 141, April/May 1997, pp. 22- 820 "Glass Succumbs to Inquiring Minds" 834 Grubb, Randall 23+, ill. Craft Arts International, no. 38, 1996-1997, "The Evolution of Reflections: A New Type of Suggestions for historically correct designing. p. 105, ill. Paperweight" Annual Bulletin of the Paperweight Collectors 849 Hanning, Tony relations includes an exhibition of glass works by Association, 1996, pp. 50-54, ill. "Heart of Glass: Angina" Alvar Aalto and Tapio Wirkkala. Journal of the Australian Association of Glass Art­ 835 Guinness, Elizabeth ists (issue title: Heart of Glass: Ausglass 95), post- 864 "Yokohama Museum of Art Glass Exhibi­ "Exhibitions: Venezia Aperto Vetro - Impressions" conference edition, 1995, pp. 13-16. tion" The Glass Society of Ireland Newsletter, no. 13, Faber, no. 64, May 1995, p. 5, ill. In Japanese. Dec. 1996, pp. 6-7. 850 Harcuba, Jiff "The Dominik Bimann Society for Glass Engravers" 865 Hatakeyama, Kozo and Okuno, Kenichi 836 Gulian, Thierry GAS News, Spring 1997, p. 6. "Looking for the Possibilities of Contemporary "Mets ta morphose:" Jean-Paul van Lith, 1991 Glass Arts in Japanese Culture" [Chatres, France]: Birdyland Editions, 1991, 78 851 Harde, Ulla and Jonson, Lotta Glass and Art (Tokyo), no. 2, June 1993, pp. 36- PP., HI. "Form: Noterat" 42, ill. In Japanese. Form, v. 92, no. 4 (706), 1996, p. 30, ill. General discussion about Japanese glass art 837 Gura, Judith B. News of new glass and lighting designs movement. "The Danish Design Revival" by Ingegerd Raman, Borek Sipek, and others. Echoes, v. 6, no. 2, Fall 1997, pp. 46-49, ill. 866 Hawley, Henry H. Includes drinking glasses of 1940s. 852 Harlingten, Chae Glass Today: American Studio Glass from Cleve­ "The Sixth Annual Canadian Glass Show" land Collections 838 Gustafsson, Johan Glass Gazette, Winter 1997, pp. 15-16, ill. Cleveland, OH: The Cleveland Museum of Art, "Mote med Kyohei Fujita" Edmonton exhibit. 1997, 119 pp., ill. Kulturspridaren (Smalands Museum, Vaxjo), no. 3, 1997, p. 4, ill. 853 Harries, Mags; Lipski, Donald; Smith, Kiki; 867 Hawthorne, Christopher Meeting with Fujita regarding "Koge" (Catching and Winters, Robin "Arts Walk: Benicia by the Bay" Light) exhibition at the museum. "Artists Who Also Use Glass" American Style, v. 3, no. 4, Summer 1997, pp. The Glass Art Society Journal, 1996, pp. 85-91, ill. 22-23, ill. Panel discussion at the conference. 839 Hadge, Evelyn Benicia, California, glass studios: Smyers, Nou- "Creation: William Velasquez, un monde pour rot, and Zellique. rever" 854 Hart, Hugh Le Courrier des Metiers d'Art, no. 162, May 1997, "Breaking the Mold: Frances and Michael Higgins" 868 Heartney, Eleanor pp. 15-16, ill. Chicago Tribune, Home, Dec. 8, 1996, section "Dark Laughter" Exhibition at Sars-Poteries. 15, p. 1+, ill. Art in America, v. 85, no. 4, April 1997, pp. 102- 105, ill. 840 Hadge, Evelyn 855 Haslam, Malcolm Dennis Oppenheim's sculptures and installations "Exhibitions. The Camberwell Collection: Object "De verre et de lumiere" include fiberglass. Le Courrier des Metiers d'Art, no. 163, June 1997, Lesson" Crafts (U.K.), no. 144, Jan./Feb. 1997, pp. 55-56, ill. pp. 15-16, ill. 869 "Report from Japan. Art: Live and in Includes 1950s-1960s glass in a collection orig­ Exhibition with work by six artists (Guillot, Marion, Public" J.-P. Seurat, Keller, Lubtchansky, Mailleux) at inally made for teaching good design principles in Art in America, v. 85, no. 3, March 1997, pp. 50- Musee de Saint-Cloud. British schools. 57, ill. Public art projects include sculpture with glass by 856 Hatakeyama, Kozo 841 Haijima, Yohji Giuseppe Penone. "Akane Matsuura's Vessels" "Glass Art and Contemporary Flower Arranging" Glass and Art (Tokyo), no. 1, 1993, p. 127, ill. In Glass and Art (Tokyo), no. 5, March 1994, pp. 89 870 Helkama, Iris Japanese. and 91, ill. In Japanese. "Dogs, Bottles and Life Itself" Japanese glass artist Akane Matsuura. Glass Vessels used for flower arrangements. Form Function Finland, no. 65 (1), 1997, pp. 50- 51, ill. 857 "English Contemporary Glass" Markku Salo's glass. 842 Hajdamach, Charles Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 20- "Casting in Caithness" 21, ill. In Japanese. 871 "Nanny Still - Finnish and European" Crafts (U.K.), no. 144, Jan./Feb. 1997, p. 62, ill. Includes work by Steven Newell. First international hot-glass workshop and confer­ Form Function Finland, no. 62 (2), Feb. 1996, pp. ence, Sept. 1996. 50-51, ill. 858 "Glass Now 15th" Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 40- 872 "Profile: My World" 843 "Exhibitions: International New Glass - 43, ill. In Japanese. Form Function Finland, no. 64 (4), April 1996, pp. Venezia Aperto Vetro" Illustrated work by Erwin Eisch, Colin Reid, Bo- 10-13, ill. Crafts (U.K.), no. 145, March/April 1997, p. 51, ill. humil Elias, Lance Friedman, Jan Zoritchak, and Glass artist and designer Kerttu Nurminen. Review of the event and work on display. others.

844 Halkovova, Ludmila 859 "Glass Now 16th" 873 Hellgren, Ingrid "Czech Art Glass: Corps Diplomatic" Glass and Art (Tokyo), no. 6, June 1994, pp. 37- "Anna Ornberg presenterar sitt vilda hjarta" New Glass Review (Czech), v. 41, no. 5, 1996, 39, ill. In Japanese. Glas och Porslin, v. 66, no. 2, 1997, p. 6, ill. pp. 22-24, ill. In English and German. Exhibit of work by Brian Hirst, Stephen D. Edwards. Glass by Anna Ornberg in Stockholm exhibit. 1995 exhibition at the glass museum, Rheinbach, with work by 13 Czech artists. 860 "Glass Review: Masters of Light and Color 874 Henry, Gerrit - Joel Philip Meyers and David Huchthausen" "Reviews: Howard Ben Tre" 845 "Hsinchu Is Not Far from Hamburg" Glass and Art (Tokyo), no. 9, May 1995, pp. 52- ARTnews, v. 96, no. 3, March 1997, p. 110, ill. New Glass Review (Czech), v. 52, nos. 7/8, 53, ill. In Japanese. 1997, pp. 30-33, ill. In German and English. 875 Hewett, Heather Czech glass at a Taiwan exhibition. 861 "The Japanese Glass Art Association Held "Reviews: Eunice Kambara" Its Conference in Hokkaido" Art Papers, v. 21, no. 5, Sept./Oct. 1997, p. 75, ill. 846 Hall, Peter Glass (Tokyo), no. 36, Nov. 1994, pp. 24-26, ill. In Installation includes fish bowls. "Steve Tolleson" Japanese. I.D. (International Design Magazine), v. 44, no. 1, The Association visits Hokkaido Modern Museum 876 Heyd, Eva Jan./Feb. 1997, p. 88, ill. of Arts and a glass studio. "Dve americka zastaveni" Perfume bottle by California designer Tolleson. Atelier, no. 5, Feb. 29, 1996, p. 9, ill. 862 "The Meaning of Technique in Contempo­ Dana Zamecnikova's work on display in the U.S. 847 Hampson, Ferdinand rary Glass Modeling" "David R. Huchthausen" Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 21- 877 "Videni jako herci na jevisti soucasnosti" Art and Crafts (Seoul), June 1993, pp. 52-53, ill. 24, ill. In Japanese. Atelier, no. 3, Feb. 2, 1995, p. 12, ill. English In Korean. Sand-cast technique by Bertil Vallien, and summary. Laminating technique. Chihuly's work. Installation by Dana Zamecnikova at Corning In­ corporated headquarters building. 848 Handler, Audrey 863 "Natural Phrenology: The Characterics of "Honorary Life Membership Award Presentation Finnish Art" 878 Higuchi, Kimiake and Higuchi, Shinichi to David Jacobs" Faber, no. 60, Jan. 1995, pp. 4-5, ill. In Japanese. Pate de verre: Kimiake Higuchi and Shinichi The Glass Art Society Journal, 1996, pp. 21-22, ill. 75th anniversary of Japanese-Finnish diplomatic Higuchi, Selected Works = Pato do veru: Kimiake Higuchi an Shinichi Higuchi Sakuhinshu Tokyo: 29, ill. man and English. Kyurudo Art Publishing, 1997,120 pp., ill. Lamps and lighting by Rebecca Donaldson, Lind­ Exhibition at the Gorcums Museum in Gorinchem, say Bloxam. the Netherlands. 879 Hill, Judy "Speakeasy: Judy Hill" 894 "Glittering Prizes" 908 Hula, Pripravil Jin New Art Examiner, v. 23, no. 8, April 1996, p. 13, ill. Crafts (U.K.), no. 144, Jan./Feb. 1997, p. 9, ill. "Jaro peklo podzim Martin zima Velisek" Glass trophies designed by David Taylor. Atelier, no. 26, Dec. 19, 1996, p. 6, ill. English 880 Hirata, Sachiko summary. "Perfume Bottle: Phenomenological Perfume" 895 "Glittering Prospects" Interview with Martin Velisek; his recent exhibit Glass and Art (Tokyo), no. 7, Oct. 1994, p. 106, ill. Crafts (U.K.), no. 148, Sept./Oct. 1997, pp. 38- and book. In Japanese. 41, ill. Illustrations of perfume bottles by Montana, Issey Gold and silver glass mosaics by Rebecca 909 llse-Neuman, Ursula Miyake, and Gaultier. Newnham. "Glass America 1997" The Glass Club Bulletin, no. 180, Spring/Summer 881 Hirota, Isumi 896 Holkers, Marta 1997, pp. 28-30, ill. "A Brief on the Symposium 'Forecasting the Fu­ "Japansk host i Vaxjo" Review of New York's Heller Gallery exhibition ture of the Contemporary Glass Art'" Kulturspridaren (Smalands Museum, Vaxjo), no. with work by 40 artists. Glass (Tokyo), no. 38, Dec. 1995, pp. 33-35. In 3, 1997, p. 5, ill. Japanese. The Japanese glass exhibit "Koge" (Catching 910 Instituto Nacional de Bellas Artes, Depar- Panel discussion with Harvey Littleton, Stanislav Light) comes to Vaxjo. tamento de Arquitectura Libensky, and Jaroslava Brychtova. El Arte en la vida Diaria: Exposicion de objetos 897 Homeland of the Imagination: The de buen diseho hechos en Mexico 882 Hlavacek, Josef Southern Presence in 20th Century Art (Text: Mexico, D.F.: the institute, 1952, 117 pp., ill. " zavojem kazne" Donald Kuspit, curated by Barkin-Leeds Ltd.) Includes glassware in exhibition "El Arte en la Atelier, no. 20, Oct. 5, 1995, p. 12, ill. English Atlanta, GA: NationsBank Plaza, 1996, 64 pp., ill. vida Diaria." summary. Includes glass and vitreograph by Harvey Little­ Exhibition "Space-Light-Glass" at Prague Castle: ton, neon by Keith Sonnier. 911 International Design Yearbook 12, 1997 Cigler, Libensky/Brychtova, Kopecky, Karel, (Philippe Starck, ed.) Zamecnikova. 898 Hopper, David New York; London & Paris: Abbeville Press, "Glass Gray Matters/Past and Future" 1997, 240 pp., ill. 883 Hodge, Su Journal of the Australian Association of Glass Includes lighting, tableware, furniture. "Explorations in Glass" Artists (issue title: Heart of Glass: Ausglass 95), Craft Arts International, no. 39,1997, pp. 59-62, ill. post-conference edition, 1995, p. 25. 912 loannou, Noris Setsuko Ogishi, Japanese artist now living in "Australian Contemporary Glass: An Overview" Australia. 899 Horacek, Radek Glass and Art (Tokyo), no. 15, Nov. 1996, pp. 20- "Meditace skryta v geometrii" 23, ill. In Japanese. 884 Hoffmann, Ute Atelier, no. 19, Sept. 12, 1996, p. 1, ill. English Includes work by Australian artists: Robert Knot- "Art for the Night" summary. tenbelt, Warren Langley, and others. Schott Information, no.75, Sept.1995, pp. 20-21, ill. Drawings and sculptures by Stanislav Libensky Neon glass artist Martin Birzle. and Jaroslava Brychtova in Brno exhibit. 913 "Inner Being: The Way of Glass" Journal of the Australian Association of Glass 885 "Improving on Perfection" 900 Horhammer, Arja Artists (issue title: Heart of Glass: Ausglass 95), Schott Information, no. 79, Jan. 1997, pp. 20-21, ill. "Exhibitions: Art from Crushed Glass" post-conference edition, 1995, pp. 11-12. German designer Ingo Klocker creates sculp­ Form Function Finland, no. 2 (66), 1997, p. 46, ill. tures with optical and other glass materials. Pate de verre by Paivi Kekalainen. 914 "Sculptural Furniture" Craft Arts International, no. 40,1997, pp. 54-58, ill. 886 "Looking to the Sky" 901 "Exhibitions: Fritt Fram - Full Speed Gray Hawk sculptural furniture includes blown or Schott Information, no. 74, May 1995, pp. 20-21, ill. Ahead" kiln-cast glass. Czech artist Jan Adam. Form Function Finland, no. 64 (4), April 1996, pp. 46-47, ill. 887 "Modern Mystique" Helsinki exhibition with glass by Lars Hellsten. 915 Ippolito, Jon Schott Information, no. 78, Aug. 1996, pp. 18-20, ill. "Where Has All the Uncertainty Gone?" Flash Art, v. 29, no. 189, Summer 1996, pp. 83- Light sculptures by Winfried Muhlum-Pyrapheros. 902 Horigome, Kenichi "Glass Art Street Along the Sumida" 87, ill. Exhibit of work by Mel Bochner included a glass 888 "A Momentous Milestone" Glass and Art {Tokyo), no. 3, Aug. 1993, pp. 19- slag installation. Schott Information, no. 80, Feb. 1997, p. 13, ill. 23, ill. In Japanese. Glass and stone sculpture by Lisa Mohr present­ Includes a visit to Takinami Glass Factory. ed by Schott Glaswerke to the Carl Zeiss com­ 916 Irace, Fulvio pany upon its 150th anniversary. 903 Horimoto, Taeko "A = D: Architect-Designers = Designer-Architects" "When Flowers and Glass Meet" Abitare, no. 328, April 1994, pp. 155-175, ill. In 889 "Personal Mark" Glass and Art (Tokyo), no. 1, 1993, pp. 90-91, ill. Italian and English. Schott Information, no. 80, Feb. 1997, pp. 20-21, ill. In Japanese. Eight projects by architects who also design Katja Schetting's glass objects. Includes flower arrangement using a William glass (Pesce, the Scarpas, Starck, Sottsass, Morris piece. Mendini, Arad, Sipek). 890 "Playing with Structures" Schott Information, no. 77, March 1996, pp. 20- 904 Horova, Andela 917 "L'isola museo di Groningen" 21, ill. "Veronika Bromova: Na hrane obzoru" Abitare, no. 334, Nov. 1994, pp. 155-163, ill. In Lampworked sculptures by Karin Nenz. Atelier, no. 7, April 3, 1997, p. 1, ill. English sum­ Italian and English. mary. Museum at Groningen, the Netherlands, includes 891 Hofmann, Wolfgang Work by Czech artist includes light installations. neon ceiling lights by Frangois Morellet. "Nachrichten: Vom Feuer-zum Licht" GFF - Zeitschrift fur Glas, Fenster, Fassade, no. 905 Horova, Andela and Cihakova-Noshiro, 918 Irace, Fulvio and Casciani, Stefano 14, July 2, 1997, p. 770, ill. Vlasta "Joe e Gianni Colombo: Designer & artisti" Glassmaking workshop at Limburg/Lahn with "Mario Merz - Bloudeni bez hledani ci'le" Abitare, no. 339, April 1995, pp. 206-213, ill. In Willi Pistor and Josef Welzel. Atelier, no. 25, Dec. 14, 1995, p. 16, ill. English Italian and English. summary. 892 Hofmann, Wolfgang and Schoffl, Stefan Installations with glass in Prague exhibition. 919 Itoh, Makoto "20 Gesellinnen, Gesellen und 13 staatlich ge- "Contemporary Glass Art: Art Pieces with a prufte Glas- und Fenster-Bautechniker" 906 Howard, Peter Wren Sense of Humor" Glaswelt, v. 49, no. 11, Nov. 1996, p. 56+, ill. "Studio Glassmaking in the UK" Glass and Art (Tokyo), no. 1, 1993, pp. 36-37, ill. Recent graduates and their projects at the Staat- Glass, Monthly Journal of the European Glass In­ In Japanese. liche Glasfachschule Hadamar. dustry, v. 73, no. 10, Oct. 1996, pp. 440-441, ill. A Bertil Vallien piece and work by the author.

893 Hoggard, Liz 907 Huisman, Geertje and Woudenberg, Bert 920 Itoi, Kay "Bright Lights" "Contrasten in Glas" "A Forest of Public Art" Crafts (U.K.), no. 145, March/April 1997, pp. 26- Neues Glas, no. 2, 1997, pp. 12-25, ill. In Ger­ Sculpture, v. 15, no. 4, April 1996, pp. 26-30, ill. Glass and fiberglass used in sculptures in Tokyo Great Britain), no. 2, June 1997, p. 1+, ill. Venice exhibit of glass and mixed media by Jo­ suburb. Bernard Dejonghe's glass sculpture at a Dunkirk sette Rispal. museum. 921 Iwami, Hajime and Kugasawa, Kazue 948 Kalabisova, Zdena "My Favorite Crystal" 934 Jenkins, Cindy "Tavene plastiky M. Nievaldove" Glass and Art (Tokyo), no. 1,1993, pp. 57-65, ill. Making Glass Beads Atelier, nos. 17/18, Aug. 28, 1996, p. 7, ill. In Japanese. Asheville, NC: Lark Books, 1997, 112 pp., ill. Glass by Miloslava Nievaldova in Prague exhibit. Various collectors choose Baccarat, Lalique, At­ Illustrated with beads by contemporary glass art­ lantis, and . ists. 949 Kalina, Richard "Review of Exhibitions: Christopher Wilmarth" 922 Jackson, Lesley 935 Jenzen, Igor A. Art in America, v. 85, no. 10, Oct. 1997, pp. 117- "Automated Table Glass Production in Britain "Mikrokosmen fur die Hand" 118, ill. since World War II" Kunsthandwerk & Design, no. 5, Sept./Oct. 1997, New York exhibit, especially Wilmarth's work of The Journal of the Glass Association, v. 5,1997, pp. 4-7, ill. 1960s and 1980s. pp. 68-80, ill. Enameled rock crystal and pate de verre rings by Donna Brennan of Australia. 950 Kamenicky Senov. Sklarske Muzeum 923 "Geoffrey Baxter and Whitefriars Glass" 1. Mezinarodni Sympozium Ryteho Skla = 1st In­ 936 Jirackova, Blanka Glass Circle News, no. 65, Nov. 1995, p. 3, ill. ternational Symposium of Engraved Glass [exhi­ "Expanded Glass" British glass designer at Whitefriars, 1954-1980. bition catalog] (Kamenicky Senov, Sept. 23-29, Atelier, no. 20, Oct. 5, 1995, p. 8, ill. In Czech; 1996) 924 Jacob, Wendy English summary. Kamenicky Senov, Czech Republic: the museum, Exhibition at Yokohama, Japan, with work by "Montreal's Luminous Lady" 1997, 48 pp., ill. In Czech and English. Ontario Craft, v. 22, no. 1, Spring 1997, pp. 8-10, ill. Elias, Hlava, Libensky/Brychtova, Eisch, Vallien, Work by 36 engravers. Elena Lee, glass gallery owner. Littleton, Zuber, Fujita.

937 Jirackova, Blanka and others 951 1st Mezinarodni Sympozium Ryteho Skla 925 Jaeung, Yu Kyung = 1st International Symposium of Engraved "The First Generation of Korean Glass Artists" "Fungus" Atelier, no. 19, Sept. 15, 1994, pp. 8-9, ill. Eng­ Glass (Kamenicky Senov, Sept. 23-29, 1996) Art and Crafts (Seoul), June 1993, pp. 29-31, ill. [Kamenicky Senov, Czech Republic: the museum, In Korean. lish summary. Symposium and exhibit at Plasy included work by 1997], 63 pp. Glass works using pate de verre and sandblasting Summaries of the presentations given by con­ techniques. Jan Ambruz. temporary engravers. 926 James, Curtia 938 Jirasek, Ivana "Review: Laurel Quarberg" "Australia - A Special Section: An Overview" 952 Kamomura. Koganezaki Glass Museum Art Papers, v. 121, no. 2, March/April 1997, Glass (UrbanGlass), no. 68, Fall 1997, pp. 44- Contemporary Glass Collection (Text: Atsushi Takeda) p. 78, ill. 49, ill. [Kamomura, Shizuoke-ken, Japan]: Koganezaki Virginia exhibition with installation of milk and Glass by many Australian artists. Crystal Park, 1997, 102 pp., ill. In Japanese and champagne glasses. 939 "RFC Glass Prize, 1996" English. Collection of international contemporary glass. 927 James, Jessa Craft Arts International, no. 39, 1997, pp. 103- "The Air of Inspiration" 104, ill. Glass Art, v. 12, no. 6, Sept./Oct. 1997, pp. 70- Winner Susan Hill's piece and work by many 953 Kaneko, Kenji 73, ill. other entrants. "The Eve of the Studio Glass Movement: Inter­ Glass studios and jewelry business in Bellingham, view with Harvey Littleton" Washington, owned by Brian Kerkvliet and 940 Johnson, Donald-Brian Glass and Art (Tokyo), no. 11, Nov. 1995, pp. 58- Alexandra King. "Frances and Michael Higgins: 'Modern Miracles 63, ill. In Japanese. with Everyday Glass'" 928 James, Rosemary The Daze, v. 26, no. 3, May, 1, 1997, p. 39, ill. 954 "A Stratified View for Modern Japanese "Glass Act: The Artisans at the New Orleans Crafts and Glass" School of GlassWorks" 941 "Frances and Michael Higgins: Fused Tal­ Glass (Tokyo), no. 36, Nov. 1994, pp. 4-7. In Ja­ Southern Accents, v. 19, no. 6, Nov./Dec. 1996, ent, Enduring Appeal" panese. u.p., ill. Glass Collector's Digest, v. 11, no. 1, June/July 1997, pp. 38-47, ill. 955 "The Turning Point of the Studio Glass 929 Janak, Frantisek Movement" "Japonsko zblizka a intimne. Ocima ceskeho 942 "The Higgins Touch: Artistry in Modern Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 25- sklare" Glass" 26, ill. In Japanese. Umeni a Remesla, no. 4, 1996, pp. 68-74, ill. Echoes, v. 6, no. 2, Fall 1997, pp. 34-37, ill. Brief history of Studio Glass Movement. Part 3: no. 1, 1997, pp. 66-71, ill. English sum­ Michael and Frances Higgins. mary. 956 Kangas, Matthew Personal impressions of Japan by Czech artist 943 Johnson, Donald-Brian and Pina, Leslie "Marvin Lipofsky: Concealing the Void" and visiting professor at the Toyama Institute of Higgins: Adventures in Glass Glass (UrbanGlass), no. 68, Fall 1997, pp. 28- Glass Art. Atglen, PA: Schiffer Publishing, 1997, 261 pp., ill. 35, ill. Frances and Michael Higgins. 930 Janousek, Ivo 957 "Oslo: From the Heroic to the Intimate" "Pohyb ve svetle" 944 Johnson, Miles and others Sculpture, v. 16, no. 2, Feb. 1997, pp. 10-11, ill. Atelier, no. 24, Nov. 30, 1995, p. 5, ill. English "Conference Activities" Includes glass sculpture by Karen Klim. summary. Journal of the Australian Association of Glass Light installations by Jaroslava Severova. Artists (issue title: Heart of Glass: Ausglass 95), post-conference edition, 1995, pp. 36-37. 958 "The Rematerialization of the Art Object" Sculpture, v. 15, no. 6, July/Aug. 1996, pp. 24- 931 "Promenlive jistoty" Hot-glass demonstration, trade show, studio vis­ 27, ill. Atelier, no. 2, Jan. 27, 1994, pp. 4-5, ill. English its, and Ausglass auction. Includes a work by Ginny Ruffner. summary. Light and neon sculpture by Jaroslava Severova. 945 Jonson, Lotta "Form noterat: Vid skiljevagen" 959 "Review of Exhibitions: Doris Chase at 932 Jantunen, Paivi Form, v. 91, no. 6 (702), Swedish Design Annual, Friesen" "A Storm of Glass: Vittorio Ferro of Murano Visits 1995, p. 86, ill. Art in America, v. 85, no. 7, July 1997, p. 101, ill. Nuutajarvi" Mask piece by Bertil Vallien. Glass and steel sculptures by the video artist and Form Function Finland, no. 63 (3), March 1996, sculptor. pp. 56-57, ill. 946 "Hantverkare och konstnar: Agneta Linton" International workshops held at littala's Nuuta­ Form, v. 92, no. 4 (706), 1996, p. 68, ill. English 960 "Reviews: Ginny Ruffner" jarvi glassworks; work by Markku Salo, Anna- summary. Glass (UrbanGlass), no. 66, Spring 1997, p. 52, ill. Leena Hakatie. Glass sculptures by Linton. Seattle exhibit.

933 Jaquard, Max 947 Josette de Paris a Venise: '75/'95 (Text: 961 "Reviews: Jack Wax" "Fusions at Dunkirk - Experiencing Dejonghe" Paolo Rizzi) Sculpture, v. 15, no. 6, July/Aug. 1996, p. 61, ill. Glass Network (Contemporary Glass Society, [S.I.: s.n., 1995], 50 pp., ill. Seattle exhibit. 962 "Reviews: Mark Calderon" Craft Arts International, no. 40, 1997, pp. 108- Arts (The Institute of Arts), March Sculpture, v. 16, no. 1, Jan. 1997, pp. 67-68, ill. 109, ill. 1997, pp. 2-3, ill. Seattle exhibit. Exhibition at the Institute. 979 King, Glenda 963 "Reviews: Ramon Orlina" "Penny Smith: New Works in Glass" 992 Koplos, Janet Glass (UrbanGlass), no. 67, Summer 1997, Craft Arts International, no. 38, 1996-1997, pp. "Review of Exhibitions: Barbara Schwartz" p. 52, ill. 100-101, ill. Art in America, v. 85, no. 1, Jan. 1997, pp. 92- Seattle exhibit. Australian ceramist works at littala Glass Co. in 93, ill. Finland. Cast glass and aluminum sculptures. 964 "Reviews: Richard Craig Meitner" Glass (UrbanGlass), no. 65, Winter 1996, p. 49, ill. 980 King, Ruth 993 Korach, Alice Seattle exhibit. "Ruth King: Philosophy of Work and Education" "Bullfrog Beads: The Amazing Artistry of James Journal of the Australian Association of Glass Jones" 965 "Reviews: Rick Mills" Artists (issue title: Heart of Glass: Ausglass 95), Bead & , no. 19, June 1997, pp. 29-33, ill. Glass (UrbanGlass), no. 68, Fall 1997, p. 60, ill. post-conference edition, 1995, p. 13. Seattle exhibit. 994 Kos, Mateja 981 Kingsley, April "Zbirka stekla oblikovalke Janje Lap" 966 "The Roots of the Studio Glass Move­ "Preview: Warm Is Hot" Argo (Journal of the Slovene Museums, Ljubl­ ment: American Glass since 1945" Glass (UrbanGlass), no. 66, Spring 1997, pp. jana), v. 40, no. 1, 1997, pp. 38-40, ill. In Slov­ Glass and Art (Tokyo), no. 11, Nov. 1995, pp. 44- 28-33, ill. ene; English summary. 48, ill. In Japanese; English summary. Tucson exhibition "Calido!: Contemporary designed by Janja Lap now in the National Glass." Museum. 967 ": Installing Spaces" Glass (UrbanGlass), no. 65, Winter 1996, pp. 982 Kinoshita, Yoshio 995 Kraft-Phenix Cheese Corporation 28-35, ill. "Abstracts of Papers of the 5th Congress The Jar-filling Machine, Kraft Mayonnaise [Association for Glass Art Studies, Japan]: Glass Kitchen, A Century of Progress, Chicago Arts and Crafts in Sweden" 968 Kastner, Jeffrey [S.I.]: the company, 1933, postcard, ill. Glass (Tokyo), no. 41, Aug. 1997, pp. 30-32, ill. In "The '' Boat" Japanese. ARTnews, v. 96, no. 4, April 1997, p. 36, ill. 996 Krantz, Karl Johan Visit to various glass studios in Sweden, includ­ Sculpture of glass feet by Rob Wynne, one of "Glaskonstnaren Hiroshi Yamano" ing Bertil Vallien's. many art works on a cruise ship. Kulturspridaren (Smalands Museum, Vaxjo), no. 3, 1997, pp. 8-9, ill. 983 Klasova, Milena 969 Kawamatsu, Yasuhito Yamano is one of the artists represented in "Dum sklaru" "A Glass Tour to South Shinshu" "Koge" (Catching Light) exhibition at the Sma­ Bydleni (Prague), no. 9, 1996, pp. 8-11, ill. Glass (Tokyo), no. 41, Aug. 1997, pp. 22-24, ill. In lands Museum. Home and studio of Stanislav Libensky and Jaro- Japanese. slava Brychtova. 997 Krbuskova, A. "Sklo Milana Kunce" 970 Kennesaw. Kennesaw State College, The 984 Klein, Dan Library Gallery Pro Vas Stul, v. 4, no. 3, 1996, pp. 10-11, ill. "Future Perfect" Ancient Memories: The Glass Sculpture of Wil­ Glass sculpture by Milan Kunc. Crafts (U.K.), no. 145, March/April 1997, pp. 38- liam Morris (Text: Gary Blonston) 41, ill. Kennesaw, GA: the college, 1996, [18] pp., ill. "Reviews the short history and the brilliant future 998 Kren, Ivo of British glass." ' "Sklenene plastiky" 971 Kenton, Mary Jean Atelier, no. 23, Nov. 16, 1995, p. 12, ill. English summary. "Reviews: Carol Kumata and Laurie Palmer" 985 "The Inaugural Guild Spring Lecture Held Glass artist Jaroslav Matous in Pardubice exhibit. Sculpture, v. 16, no. 8, Oct. 1997, pp. 63-64, ill. at the Victoria & Albert Museum: 20th Century Pittsburgh exhibit included work with glass by Czech Glass Engraving" Kumata and Palmer. The Guild of Glass Engravers Newsletter, Spring 999 "Velke divadlo Bohumila Eliase" 1997, pp. 6-21, ill. Atelier, no. 10, May 15, 1997, p. 12, ill. English 972 "Reviews: John Latham" Complete text of author's lecture. summary. Sculpture, v. 15, no. 9, Nov. 1996, pp. 61-62, ill. Exhibits of work by Bohumil Elias at Pardubice Glass-based installations at Pittsburgh gallery. 986 Kleinert, Sylvia and Jicin. "The Ruby Palace at Bondi Point" 973 Kerkvliet, Brian Journal of the Australian Association of Glass 1000 Kresge, Kim "Murrini Madness" Artists (issue title: Heart of Glass: Ausglass 95), "Hand-Blown Memories" Glass Art, v. 12, no. 4, May/June 1997, pp. 40- post-conference edition, 1995, pp. 6-10. Figurines & Collectibles, Feb. 1997, pp. 24-26, ill. 45, ill. Ornaments by Christopher Radko. Murrine: history, definitions, methods, optic 987 Klivar, Miroslav molds, etc. "Aktuality: 125. vyroci sklarske skoly" 1001 Krizova, Alena Atelier, nos. 14/15, July 7, 1995, p. 3, ill. "Sedesata leta v uzitem umeni" 974 Kim, Kira 125 years of the glass school at Novy Bor. Atelier, no. 5, March 6, 1997, p. 12, ill. English "Studio Glass Movement in Korea" summary. Journal of the Australian Association of Glass 988 Klotz, Uta M. Exhibition at Brno of applied arts of the 1960s; in­ Artists (issue title: Heart of Glass: Ausglass 95), "Glass and Architecture, The Netherlands" cludes glass by Jaroslav Brychta. post-conference edition, 1995, pp. 12-13. Neues Glas, no. 1, 1997, pp. 20-27, ill. In Ger­ man and English. 1002 Krizova, Jana 975 King, Bonnie Sculptures by Zora and Stepan Pala, Vaclav "Rozhovor se Semem Schanzerem v Praze aneb "Karen Willenbrink: A Garden of Inspiration" Cigler, Vladimir Kopecky, and Dale Chihuly. Povidani dvou vytvarniku" Glass Gazette, Spring 1997, p. 11. Atelier, no. 22, Oct. 27, 1993, p. 9, ill. English 989 "To Be or Not to Be On Line" summary. 976 King, Carol Soucek Neues Glas, no. 3, 1997, pp. 42-47, ill. In Ger­ An interview with Sam Schanzer, member of the Designing with Glass: The Creative Touch man and English. Belgian group L'Anverre, during an exhibition of Glen Cove, NY: PBC International, 1996, 184 pp., How the glass scene is using the World Wide the group's work in Prague. ill. Web. Glass for living spaces. 1003 Kuckuk, Alexander 990 Klotz, Uta M.; Yajima, Miyuki; Lee, Eun "Ambiente '95: Novitaten aus Porzellan und Glas" 977 King, Gerry Kyu; and Chambers, Karen S. ArtAurea, no. 2, 1995, p. 26+, ill. "An Exhibition of Glass Art by 16 Artists from "World News: Thirteen Glass Artists' Personal Includes glass vase by Gae Aulenti for Venini, Australia in Ebeltoft, Denmark" Selections" sculptural works by Bertil Vallien for Kosta Boda, Journal of the Australian Association of Glass Glass and Art (Tokyo), no. 9, May 1995, pp. 82- and Orrefors collection by Helen Krantz. Artists (issue title: Heart of Glass: Ausglass 95), 89, ill. In Japanese. post-conference edition, 1995, p. 34. Works by James Watkins and others. 1004 Kuma, Kengo "In Search of the New Existence of People, Ar­ 978 "The Glass Eye of the Beholder: A View of 991 Komar, Jennifer chitecture and City Space, and Art Kaihourou" the Ausglass Student Exhibition" "Chihuly's Glass Menagerie" Glass and Art (Tokyo), no. 15, Nov. 1996, pp. 105-107, ill. In Japanese. 1997, 31 pp., ill. 1033 Lindberg, Ted Glass installation in Shizuoka prefecture. 10 international artists are highlighted. "The Glass People" Reflex (Seattle, WA), v. 9, no. 8, Sept. 1995, pp. 1005 Kurz, Sabine 1019 Lawrence, Lee 4-5, ill. "Collectors Guide: Der Dandy des Mode- "From Generation to Generation" Seattle's glass scene. schmucks - Kenneth J. Lane" American Style, v. 3, no. 4, Summer 1997, pp. Schmuck Magazin, no. 3, June/July 1997, pp. 26-32, ill. 1034 Link, Melody R. 110-111, ill. Joyce Scott, Dante and Paul Marioni. "Ornaments: They're Not Just for Christmas Any­ Kenneth Lane jewelry with imitation precious more" stones. 1020 "Glassart: Christian Thirion" Antique Trader Weekly, v. 41, no. 45, Nov. 5, Niche, v. 8, no. 3, Summer 1996, p. 109, ill. 1997, pp. 86-88, ill. 1006 "Empfehlungen fur Sammler; Kurz notiert" Radko, Polonaise, and other ornament compa­ nies. Schmuck Magazin, no. 1, Feb./March 1997, pp. 1021 Layton, Peter 106-109, ill. "British Studio Glass" 1035 Linn, Charles Collecting recommendations, including 1940s- The Glass Circle Journal, v. 8,1996, pp. 88-104, ill. "Cesar Pelli's New Passenger Terminal at Nation­ 1950s costume jewelry, by dealers and the author. Paper read to the Circle in 1993. al Airport in Washington, D.C." 1007 "Maryse Blanchard: Modeschmuck fur die Architectural Record, v. 185, no. 10, Oct. 1997, pp. 1022 Glass Art Haute Couture" 88-95, ill. London: A & C Black; Seattle, WA: University of Schmuck Magazin, no. 1, Feb./March 1997, pp. Panels by Kent Bloomer and Al Held; floor me­ Washington Press, 1996, 216 pp., ill. 102-105, ill. dallion by Joyce Scott. Reviewed by Jennifer Opie in Crafts (U.K.), no. Collecting Blanchard costume jewelry of the 146, May/June 1997, p. 61+, and by David C. 1950s-1960s. 1036 Liotta, Christine Watts in Glass Circle News, no. 70, Jan. 1997, p. 8. "Breaking Barriers: Recent American Craft" 1008 Kuspit, Donald Sculpture, v. 15, no. 10, Dec. 1996, p. 56, ill. 1023 Le Sage, Claire Chihuly Review of the exhibition includes Ginny Ruffner, "Cristal et design. Seminaire en Toscane" Seattle: Portland Press, 1997, 343 pp., ill. Chihuly, Joyce Scott. La Revue de la Ceramique et du Verre, no. 92, Jan./Feb. 1997, pp. 44-46, ill. 1009 "Reviews: Howard Ben Tre" 1037 "Reviews: 'Form-Light-Glass'; 'Czech Artforum, v. 35, no. 7, March 1997, p. 91, ill. Glass in Architecture'; 'Sacral Places'" New York exhibit. 1024 Lebow, Edward Sculpture, v. 15, no. 6, July/Aug. 1996, pp. 58-59, ill. "Calido! Some Like It Warm" Three New York exhibitions featuring glass by American Craft, v. 57, no. 5, Oct./Nov. 1997, pp. Libensky/Brychtova, Vaclav Cigler, Vladimir 1010 Langhamer, Antonin 62-67+, ill. Kopecky, Dana Zamecnikova, Marian Karel. "Glass and Light 1996" Exhibition of glass formed beyond the blowpipe New Glass Re view (Czech), v. 51, nos. 11/12, and glory hole, organized by the Tucson Museum 1038 Littman, Brett 1996, pp. 9-13, ill. In English and German. of Art. "Reviews: Christopher Wilmarth - Sculpture and Work by students, teachers, graduates of the Painting from 1960s and 1980s" glass school at Kamenicky Senov. 1025 Lee, David Glass (UrbanGlass), no. 67, Summer 1997, "In Profile: Richard Wilson" p. 50, ill. 1011 "Jitka Forejtova 1923-1996" Art Review (U.K.), v. 48, July/Aug. 1996, pp. 12- New York exhibit. New Glass Re view (Czech), v. 51, nos. 11/12, 17, ill. 1996, pp. 18-20, ill. In English and German. British installation artist includes flat glass in proj­ 1039 "Reviews: Michael Glancy" Obituary. ects. Glass (UrbanGlass), no. 68, Fall 1997, p. 58, ill. New York exhibit. 1012 'JNejstarsi evropska sklarska skola v 1026 Leidel, Karl Heinz Kamenickem Senove" 1040 Liu, Robert K. Umeni a Remesla, no. 4, 1996, pp. 9-12, ill. Eng­ "Miniaturen aus Glas" Glaswelt, v. 50, no. 4, April 1997, p. 69, ill. "Bead Arts - Ellen Benson" lish summary. Ornament, v. 21, no. 1, Autumn 1997, pp. 80-81, ill. History and recent work at the 140-year-old glass Lampworked figures of Gerhard Niggemann, especially animals. Pendants and necklaces of beads and metal school at Kamenicky Senov. components.

1013 "Pavel Hlava, artista e designer" 1027 LeLievre, Judy "The Heartbeat" 1041 "Loren Stump" Alte Vitrie, v. 8, no. 1, 1996, pp. 3-5, ill. English Ornament, v. 20, no. 3, Spring 1997, pp. 52-57, ill. summary. Journal of the Australian Association of Glass Artists (issue title: Heart of Glass: Ausglass 95), California lampwork artist. post-conference edition, 1995, pp. 19-20. 1014 "Sklarska skola oslavovala" 1042 "Nicole Zumkeller and Eric Seydoux" Atelier, no. 24, Nov. 21, 1996, p. 12, ill. English Ornament, v. 20, no. 4, Summer 1997, pp. 80-81, ill. 1028 Lemanczyk, Iris summary. Beadmaking couple from Bulle, Switzerland. Exhibition and 75th-year celebration at Zelezny "Auf Prinzen ist kein VerlaR . . Brod glass school. Die Schaulade, v. 72, no. 5, May 1997, pp. 70-71, ill. Swabian firm, Oertel, follows traditional ways. 1043 Livio Seguso: "Vegetazione" (Compiled by Francesca De Vito) 1015 "Sklo a svetlo '96" Venice: Francesca De Vito, [1995?], [7] leaves, ill. Atelier, no. 20, Sept. 26, 1996, p. 12, ill. English 1029 Lembeck, Harriet In English. summary. "Minutes of the Meeting of MCGG March 23,1997" Seguso's glass installation in the Venetian lagoon. Exhibition of work by faculty and students of the Metropolitan Contemporary Glass Group, Minutes, May 1997, pp. 3-4. school at Kamenicky Senov. 1044 [Livio Seguso]: Rassegna Stampa Review of a talk by Oregon lampworker Jeff (Selezione) - Artelaguna '95 (Collection of Spencer. 1016 Laudani, Marta articles about Seguso compiled by Francesca De "Gaetano Pesce - Sei tecniche per il vetro, Vito) 1989-92" 1030 Lentz, Paul [Venice: Francesca De Vito, 1995?], [33] leaves, Domus, no. 748, April 1993, pp. 96-103, ill. In "Underwater, Underground" ill. In Italian. Italian and English. Metropolis, v. 16, no. 8, April 1997, p. 48, ill. Articles relating to Seguso's exhibitions of his Experimental glass works made at CIRVA over Glass block lighted mural for Manhattan subway work and installations in the Venetian lagoon. four years by Pesce. platform by Gerald Marks. 1045 Lockwood, Howard J. 1017 Launert, Frederika 1031 Liedel, Karl Heinz "Ercole Barovier: Non-Murrine Work of the Later "The Survival of Traditional Design in Post-War "Ein Zeichen magisch-technischer Erlebniswelt" Years" Stourbridge Glass" Glaswelt, v. 48, no. 7, July 1995, p. 34+, ill. Vetri: Italian Glass News, v. 3, no. 2, April 1997, p. The Journal of the Glass Association, v. 5, 1997, Art that includes neon by Martin Birzle. 1+, ill. pp. 61-67, ill. Post - World War II Barovier glass. Also in 1032 Liefkes, Reino Echoes, v. 6, no. 1, Summer 1997, pp. 24-26+, ill. 1018 Lauscha. Museum fur Glaskunst Lauscha "Master of Pure Form: Andries Copier" V. Internationales Glassymposium Lauscha (July Dutch Heights, Arts and Culture in the Nether­ 1046 "Ercole Barovier: The Fused Glass 1950- 23-27, 1997. Helena Horn, ed.) lands (Amsterdam), no. 1, Winter 1986/1987, pp. 1972" Lauscha (im Thuringer Wald): the museum, 38-41, ill. Vetri: Italian Glass News, v. 3, no. 3, July 1997, p. 1+, ill. Also in Echoes, v. 6, no. 2, Fall 1997, pp. The process of collaborating to make weights, Glass Gazette, Summer 1997, p. 15. 26-28, ill. and examples by some contemporary artists. Vancouver exhibit.

1047 Loftin, Nikki 1060 Lynn, Martha Drexler 1074 Massoni, Francesco "Good Medicine Beads" Masters of Contemporary Glass: Selections from "La sfida orientale all'ltalian Style" Jewelry Crafts, Oct. 1996, pp. 29-32, ill. the Glick Collection Casastile, v. 23, no. 232, Jan. 1996, pp. 92-93, ill. Texas beadmaker Rae Friedman. Indianapolis, IN: Indianapolis Museum of Art, Includes goblet designs by Italian designer An- 1997, 160 pp., ill. gelo Mangiarotti. 1048 London. The Studio Glass Gallery Auction of Contemporary Czech & Slovak Glass 1061 Macadam, Barbara A. 1075 Masterworks: Italian Design, 1960-1994 Sculptures (Dec. 12, 1996) "Art Talk: Large Glass, Tall Order" (Text: R. Craig Miller) London: the gallery, 1996, 60 pp., ill. ARTnews, v. 96, no. 1, Jan. 1997, p. 24, ill. Denver: Denver Art Museum; New York: American Work by 38 artists. Replica of Duchamp's Large Glass sculpture on Federation of Arts, 1996, [27] pp., ill. display at the Whitney Museum of American Art. Includes glass. 1049 B. Bias [London: the gallery, 1997], [6 pp., 24 leaves in a 1062 Machacek, Julius 1076 Masui, Minako folder], ill. In English and Czech. "Pristav ceskeho skla" "Swedish Contemporary Glass" Exhibition of glass, paintings, and sculpture by Bydleni (Prague), no. 9, 1996, pp. 28-29, ill. Glass and Art (Tokyo), no. 4, Dec. 1993, p. 41, ill. Bohumil Elias. The glass gallery at Hamburg (Eliska Stolting). In Japanese. Work by Anna Ehrner, Kjell Engman, Gunnar 1050 Longo, Linda 1063 Macintosh, Alastair Cyren. "Lighting Up the Imagination at the Electric "Head in the Clouds" Electric Gallery" Reflections (Caithness Paperweights), no. 10, 1077 "Ulrica Hydman-Vallien" Home Lighting & Accessories, v. 79, no. 12, Dec. 1995, p. 3, ill. Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 33- 1996, p. 140+, ill. Author's paperweight design. 37, ill. In Japanese. Atlanta gallery features lighting and lighted sculp­ tures. 1064 Mahoney, Colin; Mahoney, Debby; 1078 McCarther, Roshan McClanahan, Gary; and McClanahan, Marge "Dressed to Thrill" 1051 "The Marvels of Milan" The Complete Guide to Perthshire Paperweights Swarovski, July 1997, pp. 18-20, ill. Home Lighting & Accessories, v. 79, no. 10, Oct. Santa Cruz, CA: Paperweight Press, 1997, 184 people using rhinestones, glass 1996, p. 82+, ill. pp., ill. mesh, beaded outfits, etc. Lamps and lighting by Italian (and other) firms at Euroluce exposition. 1065 Malone, Harper Chaney 1079 McCash, Doug "Art & Auction: Pilchuck Auctions Go Online" "Gene Koss: Big Glass in the Big Easy" American Style, v. 3, no. 3, Spring 1997, p. 59, ill. Glass (UrbanGlass), no. 67, Summer 1997, pp. 1052 Losch, Reiner and Losch, Uschi 1996 glass auction, Seattle. 26-35, ill. "Forato's - The Unknown Treasures of Bianconi?" Vetri: Italian Glass News, v. 3, no. 2, April 1997, pp. 10-11, ill. 1066 Manfredi, Elisabetta 1080 McDaniel, Lynda 1951-1962 line by Bianconi. "La mano deH'uomo" "Blue Ridge Mountain High" Alte Vitrie, v. 8, no. 2, 1996, pp. 6-8, ill. English American Style, v. 3, no. 4, Summer 1997, pp. summary. 33-39, ill. 1053 Lovell, Eric Exhibition on a theme of the hand, held during Home includes glass by Gary Beecham. "Artist Focus: Liz Mapelli" hand surgery conference in Spotorno, included Glass Studios, no. 6, Fall 1992, p. 3, ill. glass. 1081 McEvilley, Thomas "The Millennial Body: The Art of the Figure at the 1054 Lovell, Lorna 1067 Mann, Audrey End of Humanity" "Studio Focus: Newy Fagan - The Manipulated Recent Glass Sculpture: A Union of Ideas Sculpture, v. 16, no. 8, Oct. 1997, pp. 24-29, ill. Horse Series. How It Started" Milwaukee, Wl: Milwaukee Art Museum, 1997, 39 Kiki Smith sculpture. Uroboros Glass Studios, no. 13, Spring 1997, p. pp., in. 4, ill. 1082 McGreevy, Linda 1068 Mann, Denis "Reviews: Laurel Quarberg" 1055 "Studio Focus: Newy Fagan - The Manip­ "International Hot Glass Workshop, Lybster, Sculpture, v. 16, no. 1, Jan. 1997, p. 67, ill. ulated Horse Series" Caithness" Installation with glass. Uroboros Glass Studios, no. 13, Spring 1997, p. The Guild of Glass Engravers Newsletter, 4, ill. Autumn 1996/Winter 1997, pp. 15-16. 1083 Medkova, Jirina Review of the September 1996 event. "Pozor sklo" 1056 Lubbock. FOVA Galleries, Texas Tech Atelier, no. 1, Jan. 5, 1995, p. 12, ill. English University 1069 Manno, Connie summary. Four in Glass: Carl Hasse, Masami Koda, Asa "The Art Institute of Chicago Hosts Perthshire Brno exhibit of glass by Jiff Suhajek, head de­ Sandlund, Preston Singletary (Text: Matthew Paperweights Annual Sale" signer of Bohemia Art Glass. Kangas) Antiques & Collecting, v. 102, no. 5, July 1997, pp. Lubbock: the galleries, 1997, 48 pp., ill. 20-22, ill. 1084 Merker, Gemot H. Perthshire directors attend the museum shop's "Glasmalerei: Farben spielen mit dem klaren 1057 L'ubomir Ferko: Tak Rozpravali Proroci = event. Grund" Thus Spake the Prophets = Ce que racontaient Glaswelt, v. 50, no. 3, March 1997, p. 62+, ill. les prophets (Text: Simon Wintermans, Jan Pau- 1070 Marando, Carol Exhibition "Painted Glass from Studio and liny and Jan Dekan) "Carol Marando" Workshop" at Schloss Theuern; work by Charles [Bratislava, Slovakia]: Slovenske Narodne Mu- Craft Arts International, no. 38, 1996-1997, Bray, Andrzey Kucharski, Ursula Merker, and zeum; Muzeum Zidovskej Kultury; Spolok Vyt- p. 114, ill. others. varnikov Slovenska, 1997, 72 pp., ill. In Czech, Lampworked beads and jewelry design. French, English. 1085 Mermell, Dean Glass by the Slovak artist L'ubomir Ferko. 1071 Marcoulesco, lleana "Reviews: Hank Murta Adams, Pike Powers, "Reviews: Neil Harshfield" James Watkins" 1058 Ludwig, Karen Sculpture, v. 15, no. 9, Nov. 1996, pp. 63-64, ill. Glass (UrbanGlass), no. 65, Winter 1996, pp. "Shattering Perceptions: Art and Craft Coalesce Houston exhibition with glass. 48-49, ill. in Studio Glass" San Francisco exhibit. Museum Store (Denver, CO), v. 25, no. 2, Sum­ 1072 Marseille. Centre International de mer 1997, pp. 52-55, ill. Recherche sur le Verre et les Arts Plastiques 1086 "Reviews: Therman Statom - Myths, Old glassmaking techniques are used to create (CIRVA) Science, and Nature" modern sculptures. : Glass. 9/93-6/96 CIRVA Mar­ Glass (UrbanGlass), no. 67, Summer 1997, seille (Text: Frangoise Guichon and Betty Wood­ p. 51, ill. 1059 Lundberg, Steven man) San Francisco exhibit. "Paperweight Collaborations: A Celebration of Marseille: the center, 1996, 1 vol., ill. Glass Artistry" 1087 Mestek, Pavel Annual Bulletin of the Paperweight Collectors As­ 1073 Mason, Phyllis "Budiz svetlo" sociation, 1996, pp. 37-45, ill. "Review: Gary Bolt - Space Nerd" Atelier, no. 13, June 26, 1997, p. 9, ill. English summary. 1102 "Reviews: Daniel Clayman" 66-67, ill. Dan Flavin light installation at a technology cen­ Glass (UrbanGlass), no. 66, Spring 1997, p. 53, ill. Installation with glass bottles and halogen ter for solar research in Gelsenkirchen, Germany. Exhibit at Pontiac, Michigan. lighting.

1088 Mestek, Pavel 1103 "Reviews: Flo Perkins" 1117 Moro, Ginger "Prumyslova pamatka - Landschaftspark Duis- Glass (UrbanGlass), no. 68, Fall 1997, p. 61, ill. "Viva! Coppola e Toppo 'Made in Italy'" burg-Nord" Michigan exhibition. Echoes, v. 6, no. 1, Summer 1997, pp. 48-51+, ill. Atelier, no. 6, March 20, 1997, p. 9, ill. English Postwar costume jewelry by Lyda Coppola, utiliz­ summary. 1104 "The Word on Collecting? Specialize" ing beads and in new shapes and Industrial park in Duisburg has light installations American Style, v. 3, no. 2 (7), Winter 1996, colors. by Jonathan Park. pp. 26-27, ill. Ferdinand Hampson's ideas on collecting glass. 1118 Morris, Roderick Conway 1089 Metcalf, Bruce "Chihuly over Venice" "Sandra Sherman" 1105 Mitsufuji, Toshio ARTnews, v. 96, no. 1, Jan. 1997, p. 63, ill. Metalsmith, v. 17, no. 1, Winter 1997, pp. 20-29, ill. "Glass Furniture" Jewelry made with glass chandelier pendants. Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 94- 95, ill. In Japanese. 1119 Moser Brief general article. Moser Studio & Daniel Pesta (Text: Bohumir 1090 Mickelsen, Robert A. Mraz) "At the Lamp" Karlovy Vary, Czech Republic: Moser, 1997, [20] 1106 Mizuta, Junko Glass Line, v. 11, no. 2, Aug./Sept. 1997, p. 1+. pp., ill. "Hokkaido Museum of Modern Art's Problem: Its Interview with Susanne K. Frantz and comments Exhibit with Moser glass and paintings by Pesta. on need for artistic knowledge by flameworkers. Support and Representation of Japanese Glass Responses and continuing discussion in v. 11, Art" 1120 Moss, Kathlyn no. 3, Oct./Nov. 1997, pp. 9-10+. Glass and Art (Tokyo), no. 6, June 1994, pp. 26- 29, ill. In Japanese. "David Chatt - This Bead Artist Covers All the Angles" 1091 "At the Lamp: A Conversation with Jeffrey 1107 "Let's Go See the Exhibition! - The 5th Bead & Button, Dec. 1997, pp. 44-49, ill. Spencer" International Contemporary Glass Exhibition" Beaded sculptures and glass vessels covered Common Ground: Glass, Winter 1996, pp. 4-13, ill. Glass and Art {Tokyo), no. 6, June 1994, pp. 30- with beading by Chatt. Interview with lampworker. 33, ill. In Japanese. Includes exhibitions of Erwin Eisch, Riki Yamada, 1121 Mraz, Jaroslav 1092 "At the Lamp: Interview with Paul Traut- and Isgard Moje-Wohlgemuth. "Dva jubilanti" man" Atelier, nos. 15/16, July 18, 1996, p. 3, ill. Glass Line, v. 10, no. 5, Feb./March 1997, p. 1+. 1108 "Trends in Swedish Contemporary Glass" Prague exhibit with work by Jan Kotek. Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 28- 1093 "At the Lamp: GAS - Tucson - April 1997" 30, ill. In Japanese. 1122 Mual, Makiri Glass Line, v. 11, no. 1, June/July 1997, pp. 8-10. Includes history of Swedish glass and work by "Australie: Glas maken in een lange hete zomer" Also in Common Ground: Glass, Summer 1997, Bertil Vallien. Glas en Keramiek, v. 10, no. 3,1997, pp. 34-37, ill. pp. 3-4, ill. Glass by many Australian artists. 1109 Mizuta, Yoriko 1094 "A Conversation with Elsie Burton" "GAS in Japan 1998: A Brief Cultural History of 1123 Mumford, Steve Glass Line, v. 10, no. 2, Aug./Sept. 1996, p. 16+, ill. Glass in Japan" "Reviews: James Lee Byars" Widow of John Burton, lampworker. GAS News, Summer 1997, pp. 1-2. Glass (UrbanGlass), no. 65, Winter 1996, p. 46, ill.

1095 "An Interview with Suellen Fowler" 1110 Mizuta, Yoriko; Frantz, Susanne K.; and Glass Line, v. 10, no. 4, Dec. 1996/Jan. 1997, pp. Ricke, Helmut 1124 Mzykova, Alice 10-16, ill. Also in Common Ground: Glass, "The Glass Skin: 20 Glass Artists in the New "O sklu" Atelier, nos. 14/15, July 7, 1995, p. 7, ill. English Spring 1997, pp. 8-12, ill. Century of Glass - Summary and Prospects" Glass and Art (Tokyo), no. 19, Nov. 1997, summary. Prague exhibit of glass by Pavel Trnka. 1096 Mid Atlantic Arts Foundation pp. 18-30, ill. In Japanese. Painting, Works on Paper, Sculpture, Photogra­ Illustrated with works that are in the exhibition phy, Crafts: Regional Visual Arts Fellowships "The Glass Skin." 1125 Nagoya, as a Place: Contemporary Art 1994 & 1995 Exhibition [7 Who Came to Nagoya] = Nagoyani Baltimore, MD: the foundation, 1995,111 pp., ill. 1111 Montgomery, Eric Allen yatte-kita shichinin no atisto Includes glass by Eve Andree Laramee and "Far from the Last Laugh: Artist Jeff Burnette" [Nagoya, Japan: Exhibition Executive Committee], David Lewin. Glass Gazette, Spring 1997, pp. 15-16, ill. 1996, 36 pp., ill. Includes glass by Michael Rogers. 1097 Miller, Bonnie J. 1112 Montreal. Galerie Elena Lee "Glasshouse Art Glass Turns 25" Galerie Elena Lee: 20 ans = 20 Years (Text: 1126 Nancy. Espace 54, La Galerie d'Art Verre American Craft, v. 57, no. 1, Feb./March 1997, Elena Lee, Rosalyn Morrison, Alan Elder and Contemporain Laura Donefer) pp. 12-13, ill. Galaxies Zoritchak (Text: Daniel Guidat) Glassblowing studio and shop in Seattle, Montreal: the gallery, 1996, 64 pp., ill. In French Nancy, France: the gallery, 1997, [16] pp., ill. founded by Eric Brakken. and English. Exhibit of sculptures by Yan Zoritchak. Features 14 Canadian glass artists. 1127 Nasatir, Judith, ed. 1098 "Is Glass Art Able to Exist as Corporate 1113 Moody, Christie Art?" "Achille's Heel" " of a Dance" Interior Design, v. 68, no. 14, Nov. 1997, p. 31, ill. Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 54- The Firing Line (Orton Firing Institute, Wester- 55, ill. In Japanese. Exhibit of Achille Castiglioni's designs at the Mu­ ville, OH), Fall/Winter 1994, cover and p. 2, ill. seum of Modern Art, New York. Includes Seattle glass installations by Dale Award-winning fused piece by the author. Chihuly and William Morris. 1114 Moody, Tom 1128 "Chihuly over Venice (Italy)" 1099 Miller, Julie "Seminal Sculpture of the School of London: Don Interior Design, v. 65, no. 12, Oct. 1996, p. 22, ill. "Artist Focus: Nancy Shott" Bonham, Walter Redinger, Ed Zelenack" Chandelier project. Uroboros Glass Studios, no. 4, Fall 1991, p. 5, ill. Sculpture, v. 16, no. 1, Jan. 1997, p. 64, ill. Fiberglass sculptures. 1129 Neil Wilkin Solo (Text: Dan Klein) 1100 Millville. Museum of American Glass, Leerdam, The Netherlands: Uitgeverij Glaswerk, Wheaton Village 1115 Moore, Susan 1997, 48 pp., ill. In Dutch and English. Contemporary Flameworked Glass (Text: Paul "Modern Glass at Stair & Company" Exhibition in Leerdam by the British artist. Stankard and Gay LeCleire Taylor) Art & Auction, v. 19, no. 9, April 1997, p. 56, ill. Millville, NJ: the museum, 1997, 25 pp., ill. Exhibit includes work by David Peace, the Whis­ 1130 New Design in Glass (Text: Wolfgang tlers, Peter Dreiser, Tracey Sheppard, and others. Schepers and Patrizia Scarzella) 1101 Miro, Marsha Dusseldorf: Kunstmuseum Dusseldorf, 1996, 136 "Public Glass: Tom Patti in Toledo" 1116 Morgan, Cynthia pp., ill. In German, English essay. Glass (UrbanGlass), no. 67, Summer 1997, pp. "Reviews: Michele Brody" Exhibition of contemporary glass design, mostly 40-43, ill. New Art Examiner, v. 25, no. 1, Sept. 1997, pp. by Italian designers. 1131 New Glass Review 18 1145 Noda, Yumiko 1157 ODC Enterprises. [Ohio Designer Crafts­ Corning, NY: The Corning Museum of Glass, "Niijima Glass Art Center: Studio Glass Activities men] 1997, 72 pp., ill. In German and English. Integrated with Local Government and Commu­ The National Lifestyle Crafts Buyers' Guide & Di­ nity" rectory, July 1997 (plus the 1997-1998 Kentucky 1132 New York Experimental Glass Workshop Journal of the Australian Association of Glass Crafted Directory) New York Experimental Glass Workshop: Project Artists (issue title: Heart of Glass: Ausglass 95), Columbus, OH: the enterprises, 1997, 64 pp., ill. Analysis and Marketing Recommendations (Re­ post-conference edition, 1995, pp. 16-17. port by Chouinard & Company, New York, April 1158 Ohio Designer Craftsmen Enterprises 19, 1993) 1146 Nordin, Anna The National Lifestyle Crafts Buyers' Guide & Di­ New York: the workshop [now called UrbanGlass], "Konsthantverk: Ljusjuveler" rectory, Jan. 1997 1993, 97 pp. Form, v. 93, no. 3 (711), 1997, p. 7, ill. Columbus, OH: ODC Enterprises, 1997, 64 pp., ill. Overview of operations, publications, facilities Glass by Arne Branzell. usage, rental, classes, etc. 1159 Oki Izumi: Trasparenze 1147 "Nyavarldar" Milano: Progetto Volpini Editore, 1995, 46 pp., ill. 1133 New York. Whitney Museum of American Form, v. 93, no. 2 (710), 1997, p. 5, ill. In Italian, English, Japanese. Art New Gunnel Sahlin series. Joseph Cornell: Cosmic Travels (Text: Beth Venn, 1160 Okuno, Ken-ichi Charles A. Whitney, Angela Kramer Murphy) 1148 Nordstrom, Olof "The Creator's Logic and the Viewer's Logic - New York: the museum, 1995, [12] pp., ill. "1970-1990 en dramatisk period i den svenska Where, Exactly, Is Contemporary Glass Creation Constructions, . glastillverkningens historia" At? Part 1" Glasteknisk Tidskrift, v. 50, no. 1, 1995, pp. 30- Glass and Art (Tokyo), no. 19, Nov. 1997, pp. 34- 1134 New York. Barry Friedman Ltd. 38, ill. English summary. 35, ill. In Japanese and English. Beyond Vessels: Recent Glass Works by Michael 1970-1990, a dramatic period for Swedish glass Glancy history. 1161 "Glass Today: Deepening the Theory of New York: the gallery, 1997, 40 pp., ill. Glass Molding" 1149 Notre Dame. University of Notre Dame Glass and Art (Tokyo), no. 14, Aug. 1996, pp. 12- 1135 New York. The Metropolitan Museum of University of Notre Dame Public Sculpture Proj­ 13, ill. In Japanese and English. Art ect, August 1995-July 1997 (Text: Edward A. Studio Glass in The Metropolitan Museum of Art Malloy and Dean A. Porter) 1162 "International Contemporary Glass Art (Text: Jane Adlin) Notre Dame, IN: the university, 1997, 1 vol., Exhibit" New York: the museum, 1996, 32 pp., ill. 1 CD-Rom, ill. Glass and Art (Tokyo), no. 9, May 1995, pp. 57- Exhibition catalog. 33 contemporary works for temporary exhibit on 59, ill. In Japanese. campus; mixed media with glass by Glenn Glass exhibition held in Taiwan includes 1136 New York. The Museum of Modern Art Dasher, Alison Helm, Glenn Zweygardt. Stanislav Libensky. Achille Castiglioni: Design! (Text: Paola Antonelli) New York: the museum, 1997, 9 pp., ill. 1150 Nova Spolecnost Skla = New Glass So­ 1163 "Passing Point of Studio Glass Movement" Includes glass by the designer. ciety Glass and Art (Tokyo), no. 5, March 1994, pp. 48- Sklo v Trdji 95 (Sympokzium Sklenene Tyce, 49, ill. In Japanese. 1137 New York. Sidney Janis Gallery Trojsky Zamek, July 1-18, 1995. Text: Jiri Demonstration of studio glassmaking by Christopher Wilmarth: Sculpture and Painting Machalicky) Matsushima during Niijima International Glass Art from the 1960s and 1980s (Text: Mark Rosenthal) [S.I.: the society, 1995], [22] pp., ill. In Czech and Festival. New York: the gallery, 1997, [15] pp., ill. English. Exhibition of sculptural works made from glass 1164 Okuno, Ken-ichi, ed. 1138 Nick, Didier rod, held at Troja Castle; sponsored by Czech New Glass Society. "Dante Marioni, Seattle's Standard Bearer" "Au sud: L'Art et la matiere" Glass and Art {Tokyo), no. 16, Winter 1997, pp. Le Courrierdes Metiers d'Art, no. 164, 14-43, ill. In Japanese. July/Aug. 1997, pp. 20-21, ill. 1151 Novakova, Katerina Interview with Marioni and his participation in the Exhibitions at Aubais, Claret, etc., with glass by "Sperk Smrzovka '95" Suwa Glass Village workshop in Japan. Steve Linn, Claire de Rougemont, Maria Tamayo, Atelier, no. 22, Nov. 2, 1995, p. 12, ill. English and others. summary. Symposium and exhibit on jewelry making at 1165 Oldenburg, Ann "Vital Signs" 1139 "Barbara Couffini: Hommage a Walter" Smrzovka; bracelet of metal and glass. Preservation, v. 49, no. 2, March/April 1997, La Revue de la Ceramique et du Verre, no. 94, p. 19, ill. May/June 1997, pp. 40-41, ill. 1152 O'Connor, D. Thomas Museum for neon established in Las Vegas. Exhibition of glass sculptures. "Jory Glass Studio: In 's Foot­ steps" 1166 Oldknow, Tina 1140 Nicola, Karl-Gunter Glass Collector's Digest, v. 10, no. 5, Feb./March Chihuly Persians "Schone neue Welt: Internationale Handwerks- 1997, pp. 10-15, ill. Seattle, WA: Portland Press, 1996, 103 pp., ill. messe Munchen" Cire perdue pieces by Jim Jory of Albuquerque. Kunsthandwerk & Design, no. 3, May/June 1997, pp. 4-9, ill. 1153 "Reflections by the Editor: Art Glass and 1167 Pilchuck: A Glass School New eyeglass designs displayed at Munich fair. Glass Art - The Best of Both Worlds" Seattle: University of Washington Press and Glass Collector's Digest, v. 11, no. 2, Aug./Sept. Pilchuck School, 1996, 293 pp., ill. 1141 Nishimura, Junko 1997, pp. 6-8+, ill. Reviewed by Todd Gitlin in American Craft, "Isola Murano" Visit to 25th Annual Glass Invitational at Habatat v. 57, no. 3, June/July 1997, p. 26+. Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 84- Galleries. 86, ill. In Japanese. 1168 "Pilchuck: Year One. Mud & Glory" Visiting glass factories in Murano. 1154 O'Donnell, Kate Glass (UrbanGlass), no. 65, Winter 1996, "Mix and Mesh" pp. 40-43, ill. 1142 Nishimura, Kimio, ed. Swarovski, April 1997, pp. 38-39, ill. Gendai Nihonno Garasu Ato = Contemporary Beaded couturier . 1169 "The State of G.A.S.: 'Critical Mass' in Glass Art in Japan Boston" Osaka: Glass Art ART-SHA, 1997, 270 pp., ill. In 1155 Oakville. Sheridan College. School of The Glass Art Society Journal, 1996, pp. 8-14, ill. Japanese. Crafts and Design Interviews with Bonnie Biggs, Robert Carlson, Feel This: Student Catalogue 1997 Alan Klein, Linda Ross at the annual conference. 1143 Noda, Osamu Oakville, Canada: the college, 1997, 55 pp., ill. "Niijima Glass Art Center" Exhibit and catalog of work by graduating stu­ 1170 "27th Annual Glass Art Society Confe­ Glass and Art (Tokyo), no. 3, Aug. 1993, p. 16, ill. dents; glass, pp. 12-25. rence: 'Global Glass' in Review" In Japanese. Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 8-9, ill. 1156 Oba, Shogyo 1144 "Pilchuck Glass School's 25th Anniversary" "The Commemorial Lectures at First Congress of 1171 Olivie, Jean-Luc Glass and Art (Tokyo), no. 11, Nov. 1995, p. 34, ill. the Japanese Association for Glass Art Studies - "Acquisitions: Centre du Verre" In Japanese. Glass Flower Vase Decorated by Makie" Revue du Louvre, no. 1, Feb. 1995, p. 91, ill. Gathering of American glass artists William Morris, Glass (Tokyo), no. 34, Dec. 1993, pp. 4-5. In Ja­ Chateau Fort, a sculpture designed by Emile Dante Marioni, and Dale Chihuly. panese. Gilioli and made by Baccarat. 1172 "Acquisitions: Centre du Verre" summary. Review of the exhibit at Perth. Also in Glass Line, Revue du Louvre, no. 1, Feb. 1997, p. 104, ill. Jewelry that includes glass by Komnacky and v. 11, no. 2, Aug./Sept. 1997, p. 10+. Tapio Wirkkala's incalmo bottle series, done in Vogel. collaboration with Venini (1966). 1202 "A Winner at Last" 1187 Pagano, Penny Glass Line, v. 10, no. 6, April/May 1997, pp. 16- 1173 "L'Aventure Ernsting: Dix-huit ans de "A Visual Odyssey" 17, ill. verre contemporain" American Style, v. 3, no. 3, Spring 1997, pp. 44- Author's piece for the British Society of Scientific La Revue de la Ceramique et du Verre, no. 91, 50, ill. Glassblowers' competition. Nov./Dec. 1996, pp. 27-31, ill. Contemporary glass collectors Paul and Elmerina Ernsting Foundation of contemporary glass in Parkman. 1203 Pecinkova, Pavla Coesfeld-Lette, Germany. "Made in UMPRUM No. 1 in Italia" 1188 Palata, Old rich Atelier, no. 26, Dec. 19, 1996, p. 12, ill. In Czech. 1174 Oilman, Leah "Sklarska skola v Zeleznem Brode" Czech glass in Italy; glass sculpture by Alena "Report from San Diego" Umeni a Remesla, no. 4, 1996, pp. 33-37, ill. Matejkova. Art in America, v. 85, no. 7, July 1997, pp. 34-43, ill. English summary. Includes Liza Lou's beaded glass installation at a The glass school at Zelezny Brod, and recent 1204 Perreault, John La Jolla gallery. work by students and faculty. "New York Glass Roundup" Glass (UrbanGlass), no. 67, Summer 1997, pp. 1175 Olson, Kristina 1189 Palata, Oldrich and Bajcurova, Katarina 54-55, ill. "Reviews: Alison Helm" "The Pulse of Czech and Slovak Contemporary Exhibitions with glass by llan Averbuch, Nancy Sculpture, v. 15, no. 6, July/Aug. 1996, pp. 61-62, ill. Glass Art" Bowen, Jean-Marc Bustamante, Sheryl Ruben- Sculptures with glass in West Virginia exhibit. Glass and Art (Tokyo), no. 12, Winter 1996, pp. stein, Keith Sonnier, and Ann Sperry. 35-56, ill. In Japanese. 1176 Opie, Jennifer Interviews with Czech glass artists. 1205 "New York Subway: Public Glass" "Review: Finnish Post-War Glass 1945-1996" Glass (UrbanGlass), no. 66, Spring 1997, Crafts (U.K.), no. 143, Nov./Dec. 1996, pp. 56-57, ill. 1190 . La Galena Arteconsult pp. 40-45, ill. Exhibition at the Reg Vardy Gallery, University of Isabel De Obaldfa: "Obras Recientes," Oleos y Public art installations: Robert Hickman, Patsy Sunderland. dibujos Norvell, Faith Ringgold, Romare Bearden. Panama: the gallery, 1997, [11] pp., ill. 1177 Orrefors Sweden Exhibit of paintings by the glass artist. 1206 "On the Border: Jamex and Einar de la Orrefors Sweden 1898-1998: Hundred Years of Torre" Innovation [calendar] 1191 Panenkova, Duna Glass (UrbanGlass), no. 66, Spring 1997, pp. [S.I.]: the company, 1997, [26] pp., ill. In Swedish "Secondary School of Glass in Zelezny Brod" 20-27, ill. and English. New Glass Review (Czech), v. 41, no. 5, 1996, Glass by Orrefors designers. pp. 9-13, ill. In English and German. 1207 "Public Glass: Arlan Huang in Brooklyn" Glass (UrbanGlass), no. 67, Summer 1997, pp. 1178 Oujezdsky, Karel 1192 Pankova, Lenka 48-49, ill. "Skleneny svet Rene Roubicka" "Moser jubilujfcf: Sympozium brouseneho skla" Atelier, no. 4, Feb. 20, 1997, p. 3. Umeni a Remesla, no. 3, 1997, pp. 63-65, ill. 1208 "Public Glass: Costas Varotsos in Italy" Interview with Rene Roubicek on occasion of English summary. Glass (UrbanGlass), no. 67, Summer 1997, pp. 75th-birthday exhibition in Prague. Symposium on cut glass held in Karlovy Vary to 46-47, ill. / mark 140th anniversary of Moser glassworks. 1179 Paatero, Kristiina 1209 Perry, Alan "Kaj Franck Revolutionised Concepts of Design" 1193 Pappenheimer, Will "Contemporary Hatpins" Design in Finland, 1992, pp. 26-27, ill. "New England Artists" Heart of America Carnival Glass Association Bul­ Glassware designs by Franck. The Glass Art Society Journal, 1996, pp. 32-39, ill. letin, Dec. 1997, p. 27, ill. Iridescent glass hatpins made in Czech Republic 1180 Pachmanova, Martina and Germany. 1194 Parker, Barry "Craggovy intervence do materialniho sveta" "Sculpture in the New Central Europe: Hungary" Atelier, no. 9, April 27, 1995, p. 1, ill. English Sculpture, v. 15, no. 10, Dec. 1996, pp. 24-27, ill. 1210 Peters, Sharon summary. Zoltan Bohus, Maria Lugossy, Gyorgy Buczko. "International Window: 1997 Ausglass Confer­ Prague exhibition of Tony Cragg's work, including ence" glass "Bromide Figures." GAS News, Spring 1997, p. 5. 1195 Parker, Wendy Review of the conference. "Valerie Aked" 1181 "Hazardni hra geometrie Mariana Karla" Craft Arts International, no. 40,1997, pp. 63-65, ill. Atelier, no. 21, Oct. 13, 1994, p. 4, ill. English 1211 Petri, Gunilla Jewelry of silver or gold and plique-a-jour enam­ summary. "Frackt och egensinnigt" eling. Prague exhibit of work by Marian Karel. Form, v. 92, no. 4 (706), 1996, p. 26, ill. Glass by Per Sundberg. 1182 "Slasti a strasti rajske nesvobody" 1196 Parkman, Elmerina and Parkman, Paul "Chihuly over Venice: Report from Serenissima" Atelier, no. 5, March 6, 1997, p. 8, ill. English 1212 Petrova, Sylva Glass Art, v. 12, no. 3, March/April 1997, pp. 10- summary. "Harmonicka disharmonie skla Alese Vasicka" 11,ill. Installation Paradise Cage with tiny glass sculp­ Atelier, no. 21, Oct. 14, 1993, p. 4, ill. English tures by Kiki Smith and Wolf Prix at Museum of summary. Contemporary Art, Los Angeles. 1197 Patton, Philippa Prague exhibit of glass by Ales Vasicek. "Sheer Magic" 1183 "Telo, poznani a Louise Bourgeois" Swarovski, Jan. 1997, pp. 38-40, ill. 1213 "Leibovitzovy variace variaci" Atelier, no. 9, April 27, 1995, p. 8, ill. English Designer dresses made with knit Swarovski beads. Atelier, no. 23, Nov. 10, 1994, p. 8, ill. English summary. summary. Prague exhibit of work by Bourgeois. 1198 Pearlman, Chee Belgian artist Edward Leibowitz in Prague exhibit. ": Achille Castiglioni" 1184 "Virtualni cestovatelstvi Federica Diaze" I.D. (International Design Magazine), v. 44, no. 6, 1214 "Tschechische Glaskunst vor den Toren Atelier, nos. 17/18, Aug. 28, 1997, p. 16, ill. Sept./Oct. 1997, p. 36, ill. Hamburgs" English summary. Nord Magazin (Hamburg), v. 2, no. 2, March/April Light installations by Federico Diaz. 1199 Pearson, Ian 1990, pp. 20-27, ill. "Profile of British Lampworker Fred Morse" Czech^glass by Milan Handl, Jan Fisar, llja Bilek, 1185 Paci, Anna Glass Line, v. 10, no. 4, Dec. 1996/Jan. 1997, pp. Ivana Solcova-Sramkova. "Nuovo design finlandese" 1-6, ill. Ottagono, v. 30, no. 117, Dec. 1995-Feb. 1996, 1215 "Venezia Aperto Vetro" pp. 98-103, ill. In Italian and English. 1200 "The Scottish Glass Society" Atelier, no. 26, Dec. 19, 1996, p. 12, ill. English Includes Sarpaneva vases and lamps, and Glass Line, v. 10, no. 2, Aug./Sept. 1996, p. 13. summary. lighting by other Finnish designers. Review of the event in Venice. 1201 "The Scottish Glass Society 1997 Exhibi­ 1186 Pafkova, Hana tion" 1216 "Vystavy zaku profesora Kopeckeho" "Vladimir Komnacky a Petr Vogel - sperky" British Society of Scientific Glassblowers Journal, Atelier, no. 18, Sept. 7, 1995, p. 5, ill. English Atelier, no. 10, May 11, 1995, p. 7, ill. English v. 35, no. 3, July 1997, pp. 111-113. summary. Exhibition of work by students of Vladimir Pontiac, Ml; Aspen, CO; Boca Raton, FL: the gal­ summary. Kopecky. leries, 1996, 16 pp., ill. International glassmakers' symposium in Zlatno, 1993. 1217 "Zprava o sympoziu v Glavunionu" 1230 Popper, Frank Atelier, no. 26, Dec. 22, 1993, p. 9, ill. English Art of the Electronic Age 1244 Radeschi, Loretta summary. New York: Thames & Hudson, 1993,192 pp., ill. "Paperweights" Glavunion symposium in Teplice. Includes light sculptures and installations, kinetic Glass Craftsman, no. 142, June/July 1997, pp. neon, holograms, video art. 10-15, ill. 1218 Petrova, Sylva and others Contemporary paperweights by many artists. "From Bohemian Glass to Contemporary Glass 1231 Porges, Maria Art" "Jay Musler's Metaphor Expression" 1245 "The Sweet Lure of Scent Bottles" Glass and Art (Tokyo), no. 12, Winter 1996, pp. Glass and Art (Tokyo), no. 9, May 1995, pp. 44- American Style, v. 3, no. 2 (7), Winter 1996, pp. 9-34, ill. In Japanese. 49, ill. In Japanese. 48-50, ill. Interview with Czech glass artists Stanislav Interview with Musler and illustrations of his work. Bottles by Michael Trimpol, Maytum Glass, Cor- Libensky, Jaroslava Brychtova, and Vladimir reia Art Glass, Matthew Buechner, and others. Klein, and history of Czech and Slovak glass 1232 "Reviews: San Francisco, 'Swell'" after 1930. Sculpture, v. 15, no. 6, July/Aug. 1996, pp. 51-52, 1246 Rae, Janet ill. "Commissions: Gallery of Modern Art, Glasgow" 1219 Philippe Fa vier Exhibit includes Megan Wilson's six-foot towers Crafts (U.K.), no. 143, Nov./Dec. 1996, pp. 16- Geneve: Musee d'Art et d'Histoire; Paris: Galerie of glass jars. 19, ill. National du Jeu de Paume; Saint-Etienne: Musee Glass mosaic by Niki de Saint Phalle, benches by d'Art Moderne, 1995, 171 pp., ill. 1233 "Reviews: Tom Farbanish" Danny Lane, molded glass chairs by Mary Little. Enamels, painting, and on glass. Glass (UrbanGlass), no. 68, Fall 1997, p. 59, ill. Seattle exhibit. 1247 Raggi, Franco 1220 Phillips, Patricia C. "Vetro e design" "UrbanGlass" 1234 Potuckova, Alena Barovier& Toso Informa, no. 7, Sept. 1994, p. 1. Sculpture, v. 16, no. 8, Oct. 1997, pp. 40-42, ill. "Ticha radost" The Brooklyn glassmaking facility and school. Atelier, no. 25, Dec. 8, 1994, p. 1, ill. English 1248 Raimanova, Ivona summary. "Kiki Smith" Prague exhibit of Umelecka beseda artists in­ 1221 Piacenza. Fattidarte Atelier, nos. 16/17, Aug. 24, 1995, p. 16, ill. cludes work by Libensky/Brychtova. Egidio Costantini e i suoi Artisti = Egidio Costan- English summary. tini and his Artists. Sculture in vetro del la Fucina Review of Prague exhibition. degli Angeli (da Picasso a Fontana) 1954-1996 = 1235 Prague. Galerie Centrum Keramika, Sklo, Fotografie: Jirf Mares, Dalibor Sculptures in Glass from the Fucina degli Angeli 1249 "Sculpture in the New Central Europe: Tichy, Miroslav Vojtechovsky (from Picasso to Fontana) 1954-1996 Czech Republic" Prague: the gallery, 1984, 3 leaves (4 pp. each) in Piacenza, Italy: Edizione Fattidarte, 1996,128 pp., Sculpture, v. 15, no. 10, Dec. 1996, pp. 34-38, ill. folder, ill. ill. In Italian and English. Mentions Marian Karel. Glass by Tichy. 1222 Picchi, Francesca 1236 Prague. Narodni Technicke Museum 1250 Raiter, Ota "Milanese Design Maestro Achille Castiglioni Dis­ "Competition in Glass " cusses His Career as MoMA Mounts the First Ivana Sramkova: Sochy (Text: Ludvik Hlavacek) Prague: the museum, 1997, [24] pp., ill. In Czech New Glass Re view (Czech), v. 41, no. 5, 1996, U.S. Retrospective of His Work" pp. 26-27, ill. In English and German. Architectural Record, v. 185, no. 9, Sept. 1997, pp. and English. Exhibition catalog. Czech glass apprentices compete in glass ma­ 90-95, ill. king and cutting. Includes lamps and lighting by Castiglioni. 1237 Preijde-Meijer, Mieke 1251 Rathanova, Tereza 1223 Pierce, Barbara "Braggiotti Gallery: Pleitbezorger van modern Nederlands glas bestaat tien jaar" "Caesar Crystal - Artistic Glass" "Artist Profile: Norman Faulkner - Artist and Edu­ Glas en Keramiek, v. 10, no. 3,1997, pp. 17-19, ill. New Glass Review (Czech), no. 4, 1997, pp. 7- cator" 10th anniversary of the Amsterdam gallery; work 13, ill. In German and English. Glass Gazette, Spring 1997, cover and pp. 3-4, ill. by Jens Pfeiffer, Edme Delsol, and others illustra­ ted. 1252 "Glass Which Represents" 1224 Pietsch, Hans New Glass Re view (Czech), v. 51, nos. 11/12, "Rastloser Allesfresser" 1238 Princenthal, Nancy 1996, pp. 14-15, ill. In English and German. Art (Das Kunstmagazin), no. 3, March 1997, p. "Steve Tobin: Taking Refuge" Caesar Crystal in Josefodol; Jan Exnar, designer. 87, ill. Glass (UrbanGlass), no. 65, Winter 1996, pp. Exhibition of the work of Tony Cragg at White- 14-21, ill. 1253 Raymer, Linda chapel Art Gallery, London. "Glass Patterns Quarterly Feature: Beadmaking 1239 Procter, Stephen 1997" 1225 Pina, Leslie "The Canberra School of Art Workshops and Stu­ Glass Patterns Quarterly, v. 13, no. 3, Fall 1997, Circa Fifties Glass from Europe & America dios" pp. 80-83, ill. Atglen, PA: Schiffer Publishing, 1997, 224 pp., ill. Hot Gas (Scientific Glassblowers Association of Beads by Kristina Logan, Loren Stump, Patricia Australia), v. 3, no. 3, August 1996, pp. 4-5, ill. Frantz, Brian Kerkvliet, and others. 1226 Pittsburgh. The Society for Contemporary Crafts 1240 "Glass Engraving at the Mutitjulu Com­ 1254 Reggiani Light Gallery Twenty Five at Twenty Five: Twenty-fifth Anniver­ munity, Uluru, Central Australia" A Dialogue with Light: An Exhibit Featuring the sary Exhibition (Text: Ellen S. Wilson and John The Guild of Glass Engravers Newsletter, Spring Works of Venetian Artist Toni Zuccheri Perreault) 1997, pp. 4-5. Milano: Reggiani Editore, 1990, 34 pp., ill. In Pittsburgh: the society, 1996, 64 pp., ill. Clare Henshaw introduces glass engraving to Italian and English. Includes glass artists Chihuly, Fero, Hirst, Mar­ Aboriginal community. Italian artist works in several media, including quis, Salerno, Tagliapietra, Zamecmkova. glass. 1241 Procykova, Jana 1227 Plzen. Univerzitni Galerii "The Most Successful Designers of 1996" 1255 Reid, Robert Jaromir Rybak 1996/1997 (Text: Susanne Frantz New Glass Review (Czech), v. 52, no. 5, 1997, "The Glass-Architecture Project: 12 Collaborative and Kristian Suda) pp. 6-7, ill. In German and English. Installations" Plzen, Czech Republic: the gallery, 1997, 32 pp., ill. Jana Valkova and others. Fusion Magazine (Ontario Clay and Glass Asso­ In Czech and English. ciation), v. 21, no.1, Winter 1997, pp. 10-11, ill. 1242 Racekova, Jarmila Exhibit at the Canadian Clay & Glass Gallery, 1228 Point of Purchase Design Annual 4: The "International Glass Symposium Lednicke Rovne Waterloo. 38th Merchandising Awards 1996" New York: Retail Reporting, 1996, 191 pp., ill. New Glass Review (Czech), v. 51, nos. 11/12, 1256 Reissner, Martin Commercial displays for products, using neon, 1996, pp. 31-33, ill. In English and German. "Schodiste Evy M. Jiricne" etc. Beverage and perfume bottles, spectacles. Atelier, no. 23, Nov. 16, 1995, p. 9, ill. English 1243 "Medzinarodne sklarske sympozium summary. 1229 Pontiac. Habatat Galleries Zlatno 93" Brno exhibit with glass staircase by Czech-born Heinrich Wang, Interpretations: The Glass Vessel Atelier, no. 23, Oct. 27, 1993, p. 5, ill. English London architect Eva M. Jiricna. 1257 Resource Finance Corporation Ltd. 1270 Rogalski, Leslie Atelier, no. 19, Sept. 11, 1997, p. 4, ill. English RFC Glass Prize 1997 (Sponsored by Resource "Sculpture to Wear" summary. Finance Corporation Ltd. and Glass Artists' Gal­ American Style, v. 4, no. 1, Fall 1997, pp. 50-53, ill. Stone and glass installations in Prague exhibition. lery, Glebe, NSW) Includes beaded jewelry by Tina Fung Holder, Sydney, Australia: RFC, [1997?], 36 pp., ill. Jacqueline Lillie; silver and glass by Karen Gilbert. 1285 "Introitus: Vstoupit a nahlednout" Glass artists from Australia and New Zealand. Atelier, no. 20, Oct. 5, 1995, p. 5, ill. English 1271 Rogers, Michael summary. 1258 Restany, Pierre "1998 GAS Conference in Japan, May 28-31" Light installations by Daniel Hanzik and Pavel "Maurizio Nannucci: II Sigillo di Salomone fra il GAS News, Spring 1997, pp. 1-2, ill. Mrkus. Blu Klein e il Rosa Fontana" Plans for tours and other events. Domus, no. 771, May 1995, pp. 70-73, ill. In 1286 Rowe, Keith Italian and English. 1272 Rohland, Pamela "Ausglass and Australian Glass Now" Neon by Nannucci in Viennese exhibit. "Old World Christmas" Glass and Art {Tokyo), no. 15, Nov. 1996, pp. 12- Figurines & Collectibles, v. 3, no. 2, May/June 19 and 24-25, ill. In Japanese. 1259 Rettaroli, Tiziana and Congedo, Angela 1997, pp. 66-69, ill. History and activities of Ausglass, founded in "Venezia Aperto Vetro; Venise s'ouvre au verre Ornaments made at Inge-Glas, Germany. 1978; Stephen Skillitzi. contemporain" 1273 Romanelli, Marco La Revue de la Ceramique et du Verre, no. 91, 1287 Rowlands, Penelope "Design ceco: Appunti di viaggio" Nov./Dec. 1996, pp. 50-51, ill. "Afloat above the Bay - Light and Glass Bathe a Abitare, no. 363, June 1997, pp. 205-215, ill. In Loft in San Francisco" Italian and English. 1260 Rhem, James Architectural Digest, v. 54, no. 7, July 1997, pp. Czech design, including Czech glass (1910- "A Dance with Time" 152-157, ill. 1982), and contemporary glass by designers On Wisconsin (University of Wisconsin-Madison, Apartment includes Venetian chandeliers and Katerina Dousova, Barbora Skorpilova, Olgoj Madison, Wl), Jan./Feb. 1997, pp. 24-29, ill. other Venetian glass. Harvey Littleton. Chorchoj, Gabriela Nahlikova. 1288 Rubinstein, Eric 1261 Riccardo Licata: Antologica (Enrico Cris- 1274 "Piccolo e bello: Le Meduse; Artel II" Abitare, no. 339, April 1995, pp. 110-111, ill. In "Glassnotes: Australian Glass Conference" polti, ed.) Glass (UrbanGlass), no. 68, Fall 1997, pp. 62-63, Belluno, Italy: Edizioni Proposte d'Arte Colophon, Italian and English. Meduse line of lamps and lighting, and fruit bowl ill. 1996, 95 pp., ill. Review of the Ausglass event. Mosaics and sculpture in glass by Licata. by Artel II. 1275 Romare, Kristian 1289 Rudge, Geraldine 1262 Richardson, David E. "Glass for the Art of Tomorrow" "Exhibitions: New York Gift Fair" "The Recycling World of Rexroad and Rock" Kontur, Swedish Design Annual, no. 12, 1963/ Crafts (U.K.), no. 144, Jan./Feb. 1997, p. 49, ill. Glass Collector's Digest, v. 10, no. 6, April/May 1964, pp. 42-47, ill. New Orleans firms, Lighthouse Glass and Studio 1997, pp. 63-69, ill. Sculptural pieces and architectural panels by Inferno, show collections made from recycled Willow Creek Glass in West Virginia. Edvin Ohrstrom and Eric Olson. glass.

1263 Ricke, Helmut 1276 Rose-Shapiro, Annette 1290 Sabedra, Randy and Luchaco, David G. "Jutta Cuny-Franz Memorial Award 1997" "American Contemporary Glass Art: UrbanGlass "Eyeful Tower" Neues Glas, no. 1, 1997, pp. 38-43, ill. In Ger­ - New York Contemporary Glass Center Activities" Lighting Design + Application, v. 27, no. 7, July man and English. Glass and Art (Tokyo), no. 9, May 1995, pp. 22- 1997, pp. 26-29, ill. Award/to Claudia von Funcke; supporting prizes 23, ill. In Japanese. The Glass Block Tower in Miami, programmed for and honorable mentions to eight others. Includes Deborah Czeresko's works at Urban- a continuously changing light design. Glass. 1264 "New Glass in Japan" 1291 Sage Glass and Art (Tokyo), no. 5, March 1994, pp. 1277 "Venice Glass Biennial" "Bodacious Beadmaker: Tom Holland" 42-46, ill. In Japanese. Glass (UrbanGlass), no. 65, Winter 1996, pp. 44- Bead & Button, no. 16, Dec. 1996, pp. 24-27, ill. Exhibition with work by Japanese artists, includ­ 45, ill. ing Kuramoto, Itoh, and Ikemoto in Dusseldorf. 1292 Sahl-Madsen, Charlotte and Klotz, Uta M. 1278 Rosen, Wendy "Young Glass Prize" 1265 Ricke, Helmut; Frantz, Susanne K.; and Cash for Your Crafts Neues Glas, no. 2, 1997, pp. 26-33, ill. In Ger­ Mizuta, Yoriko Baltimore, MD: The Rosen Group, 1997, 94 pp., ill. man and English. "Glass That Speaks - Its Character and the Na­ Competition at the Glass Museum, Ebeltoft. ture of Its Challenge. From the Exhibition 'The 1279 Rosenbaum, Joshua Glass Skin'" "Fire and Ice: Bertil Vallien" 1293 Samphire, Lisa Glass and Art (Tokyo), no. 19, Nov. 1997, The Glass Club Bulletin, no. 180, Spring/Summer "Artist Profile: Robert Held" pp. 8-17, ill. In Japanese, English summary. 1997, pp. 8-17, ill. Exhibition of 20 glass artists at Hokkaido Glass Gazette, Winter 1997, pp. 3-4, ill. Museum of Art. 1280 Rosenblum, Robert "Name in Lights: Dan Flavin" 1294 Sands, Ellen 1266 Riihimaki. Suomen Lasimuseo Artforum, v. 35, no. 7, March 1997, pp. 11-12, ill. "Memorial Uses Glass and Light to Honor Emmanuel Saulnier Obituary of the artist. Women in the Military" [Riihimaki: the museum, 1997], [19] pp., ill. Architectural Record, v. 185, no. 11, Nov. 1997, p. 41, ill. In Finnish and French. 1281 Rossit, Cesare Toffolo Arlington, Virginia, memorial by Weiss-Manfredi Exhibition at the Finnish Glass Museum. Cesare Toffolo Rossit Architects. Murano-Venezia: the company, Lavorazione Arti- 1267 Roberts, Ann gianale Vetro/Soffiato, [n.d.], [16] pp., ill. In Italian "The Canadian Clay and Glass Gallery: and English. 1295 Sano, Takako A Time of Reflection and Renewal" Line of blown glasses by Rossit. "American Contemporary Glass Art: The World of Glass Gazette, Winter 1997, p. 18. American Glass Art" Waterloo gallery now four years old. 1282 Roth, Charlene Glass and Art {Tokyo), no. 9, May 1995, pp. 24- "Reviews: Turning the Tables/Domestic Inver­ 25, ill. In Japanese. 1268 Robinson, Ann sions' at Angels Gate Cultural Center" Includes William Morris, Brian Hurst, and a brief "Ann and Emma in the Big Old USA" Artweek, v. 28, no. 8, Aug. 1997, pp. 27-28, ill. history of Studio Glass Movement in America. New Zealand Society of Artists in Glass News­ Installation with bottles by Shane Hassett. letter, Oct. 1996, pp. 7-11, ill. 1296 Sanske, Mary Anne Ann Robinson and Emma Camden teach a 1283 Rouen. Complement d'Objet "Magische Kunst in Feuer und Glas" workshop at Pilchuck School. Outside In, Inside Out: U. Zembok (Catalog: ArtAurea, no. 4, Dec. 1995/Jan. 1996, pp. 30-35, Denis Goudenhooft and Udo Zembok) ill. 1269 Rodwell, Trevor Rouen: Editions Medianes, 1997, [11] pp., ill. Lino Tagliapietra. "Student Exhibition" Udo Zembok exhibit. Journal of the Australian Association of Glass 1297 Sarasota. Ringling Museum of Art Artists (issue title: Heart of Glass: Ausglass 95), 1284 Rous, Jan Thomas Stearns: Constructions post-conference edition, 1995, pp. 33-34. "Alena Matejkova - Cesta" Sarasota, FL: the museum, 1968, [8] pp., ill. 1298 Sato, Madoka 9, 5 pp., ill. 1327 Seince, Frangoise "Isola Murano - EOS, Glassmaker" Thesis on microfilm. "Barbara Nanning, de I'idee a la forme" Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 87- Le Courrier des Metiers d'Art, no. 157, Nov. 1996, 89, ill. In Japanese. 1313 Schoeser, Mary p. 15, ill. Visit to EOS glass company in Murano, and Lino "Bags of Talent" Paris exhibition. Tagliapietra's work. Crafts (U.K.), no. 146, May/June 1997, pp. 22-25, ill. Beaded bags by Judit Karpati-Racz. 1328 "Bruno Romanelli" 1299 "Luigi Serafini" Le Courrier des Metiers d'Art, no. 158, Dec. 1996, Glass and Art (Tokyo), no. 2, June 1993, pp. 80- 1314 "Reviews. 'Breaking Barriers: Recent p. 8, ill. 83, ill. In Japanese. American Craft'" Exhibit in Paris. Crafts (U.K.), no. 143, Nov./Dec. 1996, p. 50, ill. 1300 Save, Colette Review of exhibit at the American Craft Museum, 1329 "Garouste et Bonetti en toute liberte" "Louis Meriaux: L'Homme de verre" New York. Le Courrier des Metiers d'Art, no. 164, July/Aug. Revue de la Ceramique et du Verre, no. 96, 1997, pp. 16-17, ill. Sept./Oct. 1997, pp. 44-47, ill. 1315 Schoffl, Stefan Includes a candelabrum for Daum, 1989. Louis Meriaux and his establishment of the "Glasfachschule Hadamar stellt zwei Bundes- Musee-Atelier du Verre at Sars-Poteries. sieger" 1330 "A Saint-Gobain, le verre renaTt avec GFF - Zeitschrift fur Glas, Fenster, Fassade, no. Hyalos et Cie" 1301 Save, Colette and Beaumont, Thierry de 6, March 2, 1997, p. 295, ill. Le Courrier des Metiers d'Art, no. 161, April 1997, "Mieke Groot et Richard Meitner, I'ecole hollan- Two students from Hadamar, Katja Neumann and pp. 28-29, ill. daise" Manfred Krummenacher, win awards. Closed Saint-Gobain flat glass firm now occupied Verre (Institut du Verre, Versailles), v. 3, no. 2, by glass artists Veronique Lutgen and Jean- April 1997, pp. 43-47, ill. Pierre Umdenstock. 1316 Schonemann, Herbert 1302 "Renato Santarossa, I'homme de verre" "Glas aus dem Thuringer Wald: Hartmut Bech- mann" 1331 "Salon: Les Artisanales de Chartres" Verre (Institut du Verre, Versailles), v. 2, no. 6, Le Courrier des Metiers d'Art, no. 158, Dec. 1996, Nov./Dec. 1996, p. 68, ill. Glas (Freunde der Glaskunst Richard Sussmuth e.V., Immenhausen), no. 20, 1997, pp. 1-16, ill. p. 12, ill. Installations by Santarossa at "Glass Technology Sculpture by Patrick Lepage. Live," Glastec '96. Glass by Bechmann, both lampworked and fur- nace-formed. 1332 "Salon: Matiere et maniere" 1303 "Venise: Le Verre contemporain dans la Le Courrier des Metiers d'Art, no. 158, Dec. 1996, lagune" 1317 Schumacher, Donna Leigh "Reviews: " p. 6, ill. Verre (Institut du Verre, Versailles), v. 2, no. 6, Glass by studio. Nov./Dec. 1996, pp. 43-45, ill. Sculpture, v. 16, no. 1, Jan. 1997, p. 60, ill. Exhibitions at "Venezia Aperto Vetro." Installation with numerous light bulbs. 1333 Sekora, Ondrej J. "Bratislavska setkani. Setkani VII" 1304 "Le Verre souffle sur le design" 1318 Schwartz, Bonnie "Fiber-Optical Illusion?" Umeni a Remesla, no. 1, 1996, p. 48, ill. Verre (Institut du Verre, Versailles), v. 3, no. 3, Bratislava glass artist Askold Zacko. May/June 1997, pp. 72-74, ill. Metropolis, v. 16, no. 8, April 1997, pp. 53-54+, ill. Small glass producers in Paris and Saint-Gobain. Fiber-optic lighting design. 1334 "Miluse a Rene Roubickovi - Sklo" Atelier, no. 4, Feb. 20, 1997, p. 4, ill. English 1305 Scevola, Annamaria 1319 Schwendenwien, Jude summary. "Fulvio Bianconi: II desegno come " "Reviews: Christopher Wilmarth" Joint exhibition in Prague of Miluse and Rene Abitare, no. 317, April 1993, pp. 204-215, ill. Sculpture, v. 15, no. 6, July/Aug. 1996, pp. 59-60, Roubicek on occasion of their 75th birthdays. In Italian and English. ill. Bianconi's work, expecially since World War II. New York exhibit. 1335 "S Roubickem za Roubickem" Umeni a Remesla, no. 4, 1996, pp. 26-32, ill. 1306 "Progetti contemporanei. British Design 1320 Scialla, Vittorio English summary. Research" "La trasparenza del tempo" Ottagono, v. 30, no. 117, Dec. 1995-Feb. 1996, Architectural work, lighting, and sculpture by Alte Vitrie, v. 8, no. 2, 1996, pp. 11-13, ill. English Czech glass designer Rene Roubicek. pp. 130-133, ill. In Italian and English. summary. Chandelier made of blue bottles by Sophie Clock with mechanism made entirely of glass. Chandler; vases by Katy Holford. 1336 Self, Dana "The Spectacle of Beauty. An American 1321 Sciama, Sabrina Premiere: Chihuly over Venice" 1307 Schamroth, Helen "Schede illuminazione" "Glass with Attitude" Glass Craftsman, no. 141, April/May 1997, Domus, no. 783, June 1996, u.p., ill. In Italian pp. 6-11+, ill. Craft Arts International, no. 38, 1996-1997, pp. and English. 24-26, ill. Lamps and lighting by Italian and German firms. New Zealand glass artist Emma Camden. 1337 Selman, Lawrence H. "Drew Ebelhare: A New Heir to the 1322 Searle, Jack 1308 Scheiner, Michael Throne" "Member Profile: Alison Geissler" "Artist's Presentation: Michael Scheiner" Annual Bulletin of the Paperweight Collectors Scottish Glass Society Newsletter, no. 57, Feb. The Glass Art Society Journal, 1996, pp. 82-84, ill. Association, 1997, pp. 85-89, ill. 1997, pp. 2-4, ill. Glass engraver. 1309 Schmidt, Barbara 1338 Shepstone, Maureen "Mart: The Sahba Story" "A Kind of Genius" Smarts (Canberra, Australia), no. 1, Feb. 1995, 1323 Seeling, Maarit Swarovski, Oct. 1996, pp. 12-15, ill. pp. 18-19+, ill. "Brita Flander: The Spirit of Glass" Borek Sipek's designs for Swarovski. Kiln-cast tableware collection. Form Function Finland, no. 2 (66), 1997, pp. 14- 17, ill. 1339 Shibasaki, Shintaro 1310 Schmitt, Eva "Twenty-two Years of the Japan Glass Arts Asso­ "Franz X. Holler: Borderline Experiences" 1324 "On Top Again: Marimekko Celebrates Its ciation" Neues Glas, no. 3, 1997, pp. 22-29, ill. In German 45th Anniversary" Glass (Tokyo), no. 37, June 1995, pp. 21-22. In and English. Form Function Finland, no. 63 (3), March 1996, Japanese. pp. 30-32, ill. Brief history of Japan Glass Arts Association, 1311 Schnetzer, Jenny Includes glass vases of 1994. founded in 1972. "Signs of Vanishing Times" Signs of the Times, v. 219, no. 6, May 1997, pp. 1325 Seevetal. Glasgalerie Hittfeld 1340 Shinotoh, Yuri 24-27, ill. [Exhibitions] "Glasstation OVA" 1940s-1950s neon signs. Seevetal, Hittfeld near Hamburg, Germany: the Glass and Art (Tokyo), no. 1,1993, pp. 100-103, ill. gallery, 1997, 10 pp. In Japanese. 1312 Schoener, Huldie Ruth List of exhibitions by date, primarily Czech glass. Exhibitions and installation by various Japanese The Elements of Design as Demonstrated with glass artists at a Tokyo gallery. New Techniques in Glass and Mirror Sculpture 1326 Sefton, Barbara Wylan (Thesis, M.A., University of California, 1968) "Emily Brock" 1341 Shiro, Shinkiko Berkeley, CA: University of California, 1969, American Style, v. 4, no. 1, Fall 1997, p. 27, ill. "Colin Reid" Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 23- 1355 Sottsass, Ettore 1370 Stonor, Bernard 25, ill. In Japanese. "Una mostra dedicata a Shiro Kuramata" "Bernard Stonor" Domus, no. 788, Dec. 1996, pp. 53-56, ill. Ornament, v. 20, no. 3, Spring 1997, pp.76-77, ill. 1342 Sign Design Gallery 2: Award Winning In Italian and English. South Australian beadmaker. Designs from the Editors of "Signs of the Times" Tokyo exhibit (designed by the author) of furni­ Rockport, MA: Rockport Publishers, 1995,160 pp., ture and interiors by Kuramata; includes glass 1371 Stredni Umeleckoprumyslova Skola ill. chairs. Sklarska Includes neon. Stredni Umeleckoprumyslova Skola Sklarska v 1356 Stara, Eva Kamenickem Senove 1856-1996 (Text: Antonin "Glass Is Their Life: On an Important Jubilee for 1343 Sign Gallery: From the Editors of "Signs Langhamer)^ the Roubicek Couple" of the Times" Magazine Kamenicky Senov, Czech Republic: the school, Cincinnati, OH: ST Publications, 1997,172 pp., ill. New Glass Review (Czech), v. 52, nos. 7/8, 1996, 47 pp., ill. 1997, pp. 18-21, ill. In German and English. Includes neon. 140th anniversary of the glass school; work by Glass by Miluse Roubickova and Rene students in the 1990s. Roubicek. 1344 Silhanova, Jana 1372 Studer, Robert "Karel Becvar a jeho navraty" 1357 Stavis, Amy Atelier, no. 23, Nov. 10, 1994, p. 7, ill. English "Poolside in Florida, Pondering Success" "Crystal Blue Persuasion" Glass, British Columbia Glass Arts Association summary. Tableware Today, v. 2, no. 5, Oct./Nov. 1997, pp. Sculptures of metal and glass by Becvar. Newsletter, v. 8, no. 3, May/June 1996, pp. 1-2, ill. 88-91+, ill. Review of the BCGAA biennial exhibition. Varga Art Crystal, Palm Beach, Florida. 1345 Sims, Donna 1373 Stuhr, Joanne "The Delightfully Whimsical Creations of Ellie 1358 "Dary Rees" "Reviews: Massicio (from Solid Molten Glass). A Burke" Tableware Today, Dec. 1996/Jan. 1997, pp. 22- Tribute to Loredano Rosin" Perfume Bottle Quarterly, v. 9, no. 3, Spring 1997, 23+, ill. Glass (UrbanGlass), no. 65, Winter 1996, p. 47, ill. pp. 9-11, ill. by home furnishings designer Rees. Lampworked perfume bottles by Burke. 1374 Stuhr, Joanne, ed. 1359 "Hello Dartington!" Calido!: Contemporary Warm Glass (Text: 1346 "Zellique Art Glass Studio" China, Glass and Tableware, v. 111, no. 6, June Susanne Frantz, Ron Glowen, Tom Philabaum, Perfume Bottle Quarterly, v. 8, no. 4, Summer 1993, pp. 16-19, ill. and Joanne Stuhr) 1996, p. 20, ill. Dartington Crystal products. Tucson, AZ: Tucson Museum of Art, 1997, 116 PP., IN. 1347 Skillitzi, Stephen 1360 "Salviati" Catalog for exhibition at Tucson, held during the "Ausglass Members' Exhibition and Book Launch" Tableware Today, v. 2, no. 2, April/May 1997, pp. Glass Art Society conference of 1997. Journal of the Australian Association of Glass 65-67, ill. Artists (issue title: Heart of Glass: Ausglass 95), 1375 St. Louis. PJ Galleries post-conference edition, 1995, p. 33. 1361 Steenberg, Elisa The 1996 Glass Collection "Swedish Glass" St. Louis, MO: the galleries, 1995, 33 pp., ill. 1348 "Experimental Art Foundation 'Clear?' Kontur, Swedish Design Annual, no. 3, 1953, pp. Sales catalog for a firm formed by Tom Phila­ Installations" 32-43, ill. baum and David Jaworski; work by many glass Journal of the Australian Association of Glass General article with examples by Vicke Lind- artists. Artists (issue title: Heart of Glass: Ausglass 95), strand, Edward Hald, Hugo Gehlin, Ingeborg Lundin, Monica Bratt. post-cqnference edition, 1995, p. 33. 1376 Suardi, Silvia Exhibit on the idea of transparency. "Lampade minime" 1362 Stenros, Anne Domus, no. 790, Feb. 1997, pp. 82-85, ill. In "Finnish Design on Line" 1349 Smaalders, Karen Italian and English. Form Function Finland, no. 2 (66), 1997, pp. 64- "Blue Flame : Paperweights and Realis- Minimal lamps by Michele De Lucchi. tics" 65, ill. Includes Netscape page on Kaj Franck. Bead & Button, no. 16, Dec. 1996, pp. 16-17, ill. 1377 Swarovski, Daniel, Corporation Button and beadmakers William Stokes and Julie Daniel Swarovski Corporation Clinton. 1363 Stensman, Mailis "Glasgodis" [Feldmeilen, Switzerland: the company, n.d.], [22] Form, v. 93, no. 1 (709), 1997, pp. 36-39, ill. PP., HI. 1350 Smallenburg, Sandra Dale Chihuly. Overview of the Austrian company and its prod­ "Contrasten in glas" ucts. Glas en Keramiek, no. 2, 1997, pp. 10-13, ill. 1364 "Internationellt svenskt glas" English insert. Form, v. 93, no. 1 (709), 1997, p. 7, ill. 1378 Sweeney, Noreene Exhibition of 40 glass artists of The Netherlands Brief article on Swedish glass at Venice biennial, "The Sweet Sound of Success" at Gorcums Museum. 1996. Figurines & Collectibles, Nov./Dec. 1997, pp. 58- 61, ill. 1351 Smith, Greg 1365 Stershic, K. Kurt Adler Inc. markets ornaments made at Ko- "Pacific Light: Blow Out on the West Coast, "Artist Profile: Charles Karadimos Kaleidoscopes" mozja firm in Poland. South Island" Mirrors & Light {Pa\o Alto, CA), v. 1, no. 2, Winter New Zealand Society of Artists in Glass News­ 1994, p. 7, ill. 1379 Tager, Alisa letter, June 1997, pp. 7-8. "Report from Las Vegas: Art on the Strip" Plans for Australian and New Zealand hot-glass 1366 "Artist Profile: Peggy Burnside, Steve Kit- Art in America, v. 85, no. 2, Feb. 1997, pp. 42-47, artists to work collaboratively during 1998 New telson Kaleidoscopes" ill. Zealand conference. Mirrors & Light (Palo Alto, CA), v. 1, no. 2, Winter John Torreano aluminum and glass sculptures at 1994, pp. 2-3, ill. the airport. 1352 Smith, Kiki "Jury Statement" 1367 Steuben 1380 Tahkokallio, Paivi New Glass Review, no. 18, 1997, p. 9. Structure Revealed: Glass Designs by David "Light in Sight" Dowler Design in Finland, 1992, pp. 52-53, ill. 1353 Societe des Artistes Decorateurs New York: the company, 1997, 32 pp., ill. Lamps by Brita Flander and others. Espace et lumiere (46th Salon de la Societe des Artistes Decorateurs) 1368 Stieffenhofer, Katharina; Nickel, Grace; 1381 [Taira, Mikiko] Paris: the society, 1969, 159, [18] pp., ill. and Nixon, Jayne "Uniqueness and Familiarity - Australian Glass Includes French 1960s glass, pate de verre. "Getting Warmer: Explorations of Cast Glass" Exhibit" Glass Gazette, Winter 1997, pp. 10-11, ill. Glass and Art {Tokyo), no. 6, June 1994, pp. 90- 1354 Solomon, Deborah Winnipeg exhibition with cast glass by six 91, ill. In Japanese. Utopia Parkway: The Life and Work of Joseph Manitoban artists. Work by Brian Hirst. Cornell New York: Farrar, Straus & Giroux, 1997, 426 pp., 1369 Stock, Marie Lena 1382 Takeda, Atsushi ill. "Design and Style Shape Recycled Glass for '94" "Glass Talk: A Journey to Bohemia" Reviewed by James R. Mellow in the New York Gifts and Decorative Accessories, v. 95, no. 9, Glass and Art (Tokyo), no. 4, Dec. 1993, p. 56, ill. Times Book Review, March 23,1997, pp. 11-12, ill. Sept. 1994, p. 50+, ill. In Japanese. Work by Stanislav Libensky at Crystal Trade Reflections (Caithness Paperweights), no. 8, 1411 Tomita, Yasuko, ed. Center in Prague. 1993, pp. 4-7, ill. "Japanese Glass - From Modern Birth to Con­ Caithness designers discuss ideas on paper­ temporary Bloom. Two Lives with Glass: Iwata 1383 "Japanese Studio Glass Development" weight design. Toshichi and Kagami Kozo" Tanko (special edition), no. 14, May 1995, pp. Glass and Art (Tokyo), no. 17, Spring 1997, pp. 70-71, ill. In Japanese. 1398 The Venerable Beadle 14-51, ill. In Japanese; English summary. " on the Mountain Top - An Inter­ Two pioneering Japanese glass artists, Toshichi 1384 "The New Glass Museums in Japan" view with Phyllis Clarke" Iwata (1893-1980) and Kozo Kagami (1896- Neues Glas, no. 2, 1997, pp. 40-45, ill. In Ger­ Glass Line, v. 11, no. 1, June/July 1997, p. 11+, ill. 1985), and their place in the development of man and English. modern Japanese glass. 1399 Thompson, Sharon Elaine 1385 "Pavel Hlava: 'My Success Is Also a Suc­ "Hitting the Mark" 1412 Toumani, Meline cess for Architects'" Lapidary Journal, v. 50, no. 7, Oct. 1996, "Liza's Lawn Party" Glass and Art (Tokyo), no. 18, Aug. 1997, pp. pp. 46-49, ill. Art & Antiques, v. 20, no. 8, Sept. 1997, p. 18, ill. 50-54, ill. In Japanese. Bullseye Glass Company of Portland, Oregon, Liza Lou's beaded Back Yard installation at Santa Interview with Czech glass artist Pavel Hlava. and work by bead artists using their glass. Monica Museum of Art.

1386 "Representatives of Glass" 1400 Thomson, Margot 1413 Toyama. Toyama City Institute of Glass Art Tanko (special edition), no. 14, May 1995, "Thomson and Son" Graduation Exhibition 1997 pp. 58-69, ill. In Japanese. Reflections (Caithness Paperweights), no. 10, Toyama, Japan: the institute, 1997, 28 pp., ill. Work by Rury Iwata, Shinji Yonehara, and Kat- 1995, p. 5, ill. suya Ogita. Designs by author. 1414 Traub, David "Vision for Wanganui" 1387 "Toshichi Iwata and Modern Glass Art in 1401 Ticha, Jana New Zealand Society of Artists in Glass News­ Japan" "Umelecka beseda v Manesu" letter, April 1996, p. 19. Glass (Tokyo), no. 37, June 1995, pp. 4-8. In Ja­ Atelier, no. 24, Nov. 30, 1995, p. 12, ill. English Polytechnic glass program at Wanganui. panese. summary. Japanese glass artist Toshichi Iwata, born in 1893. Prague exhibit of work by artists' association 1415 Turner, Ralph Umelecka beseda; includes glass by Rene "Exhibitions: Internationale Handwerksmesse, 1388 Takeda, Ko Roubicek, Vladimir Kopecky. Munich. Talente '97 and Schmuck '97" "Glass & Art Information: Searching for the Ori­ Crafts (U.K.), no. 147, July/Aug. 1997, p. 52, ill. gins of Art" 1402 Tichy, Jiff Glass awards to Sylvie Vandenhoucke and Glass and Art (Tokyo), no. 9, May 1995, pp. 112— "Arco '95" Masato Ota. 113, ill. In Japanese. Atelier, no. 11, May 25, 1995, p. 9, ill. English Exhibit of works by various glass artists, including summary. 1416 Turner, Tran Libensky, at Yokohama Museum of Art. Glass objects by Pavel Tmka in Madrid art fair. "Reconsidering Dominick Labino" 1389 Takikawa, Yoshiko Echoes, v. 6, no. 1, Summer 1997, pp. 56-58, ill. 1403 "Sest v Jablonci nad Nisou" "Cogitative Creation" Atelier, no. 19, Sept. 15, 1994, p. 4, ill. English Glass (Tokyo), no. 40, Dec. 1996, cover and pp. summary. 1417 Uber Schmuck und Stein = On Jewelry 2-6, ill. In Japanese. Mixed-media exhibit at Jablonec included work and Gems: Zeitgendssische Schmuck- u. Objekt- Author's work. by Petr Vlcek. gestaltung im Fachbereich Edelstein- und Schmuckdesign der Fachhochschule in Idar- 1390 Tanaka, Keiichi Oberstein (Text: Udo Ackermann and Ingeburg 1404 "Sklo jako jazzova energie" "Hsinchu International Glass Art Festival" Bornhofen; Fachhochschule Rheinland-Pfalz) Atelier, no. 19, Sept. 15, 1994, p. 4, ill. English Glass and Art (Tokyo), no. 19, Nov. 1997, p. 99, Stuttgart: Arnoldsche, 1996, 168 pp., ill. In Ger­ summary. ill. In Japanese. man and English. Glass by Ivo Rozsypal in Prague exhibit. Glass exhibition in Taiwan. Exhibit of jewelry and gems from the jewelry de­ partment of the Fachhochschule Idar-Oberstein. 1391 Tanguy, Sarah 1405 "Studenti v dome vzdelanosti" Atelier, no. 12, June 16, 1994, p. 1, ill. English "Focus: Barry Sautner" 1418 Unno, Hiroshi summary. American Craft, v. 57, no. 4, Aug./Sept. 1997, p. "Visiting Venetian Glass" Exhibition of objects, installations, and painted 74, ill. Glass and Art (Tokyo), no. 1, 1993, pp. 74-79, ill. In glass by students of Vladimir Kopecky. Bethesda exhibition. Japanese. Includes Murano glass shops. 1392 "Reviews: Osami Tanaka and Costas 1406 Tirkkonen, Marja-Liisa Varotsos" "Franck Exchange Gives Class to Glass" Design in Finland, 1995, p. 13, ill. 1419 Untracht, Oppi Sculpture, v. 16, no. 7, Sept. 1997, pp. 77-78, ill. Traditional Jewelry of India Steel and glass sculptures by Varotsos. Tapered glasses designed by Kaj Franck in the 1950s are being reissued. New York: Harry N. Abrams, 1997, 432 pp., ill. Glass beads, bangles, enameling, etc. 1393 Tatehata, Akira "Art Container, Container Art" 1407 Tomana, Makoto 1420 Valenta, Jiri Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 66- "World Contemporary Glass Exhibit Ends" "Woman Artist Janecka in the Premier League" 69, ill. In Japanese. Glass and Art (Tokyo), no. 9, May 1995, pp. 54- New Glass Review (Czech), v. 51, nos. 11/12, Exhibition of work by Japanese glass artists. 56, ill. In Japanese. Exhibit held to mark Hokkaido Museum of 1996, p. 21, ill. In English and German. Modern Art's 50th anniversary includes work by Gold-painted cup with view of Harrods presented 1394 Taylor, Gay Lecleire to the London store. "A Major New Collection" Brian Hurst and William Carlson. The Journal, A Newsletter for Friends of Whea- ton Village, v. 8, no. 1, 1985, p. 1, ill. 1408 Tomchin, Edward A. 1421 Van den Bergh, Jos Contemporary pieces from a Connecticut collec­ "The New York New York Casino, Part 3: The In­ "Reviews: Angel Vergara" tion. stallation" Artforum, v. 35, no. 7, March 1997, p. 102, ill. Signs of the Times, v. 219, no. 7, June 1997, pp. Chandelier of empty liqueur bottles in Antwerp 1395 Terris, Colin 126-129, ill. gallery. "Paperweights and Other Glass Curiosities" Neon signs at hotel and casino in Las Vegas. Reflections (Caithness Paperweights), no. 10, 1422 van der Burght, Angela 1995, pp. 14-15, ill. 1409 "Vegas Sign Museum: Part Deux" "Meditaties in Glas: Galerie Mariska Dirkx" Signs of the Times, v. 219, no. 3, Feb. 1997, p. Glashelder, no. 11, Aug. 1997, pp. 1-64, ill. 1396 "Twenty-five Year Silver Jubilee" 27, ill. 30 Flemish and Dutch artists show glass in a Reflections (Caithness Paperweights), no. 9, cloister in Roermond; exhibition catalog. 1994, pp. 1-27, ill. 1410 Tomita, Yasuko Review of 25 years of Caithness production. "The Pleasures of Integrating and Expanding - A 1423 Vanca, Jaroslav Dale Chihuly Glass Installation, 'Chihuly over "Design jako lie i rub: Volne tvorby Petra Vlcka" 1397 Terris, Colin; Thomson, Margot; Mac­ Venice'" Umeni a Remesla, no. 4, 1996, pp. 42-44, ill. intosh, Alastair; and MacDonald, Helen Glass and Art (Tokyo), no. 18, Aug. 1997, English summary. "Weights on Their Minds" pp. 14-17, ill. In Japanese. Glass by Petr Vlcek. 1424 Vanlatum, Anne 1438 "Claritas: The Evolution of Art Glass" 1456 Wasserstein, Henry P. "Koen Vanderstukken: Le Verre issu du sable" Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 4-7, ill. "Minutes of the Meeting of MCGG, Dec. 8,1996" La Revue de la Ceramique et du Verre, no. 95, California company uses high-tech tools and Metropolitan Contemporary Glass Group, July/Aug. 1997, pp. 26-28, ill. computerized systems to produce art glass. Minutes, Jan. 1997, pp. 1-3. Review of a talk by glass artist John Lewis. 1425 Vaxjo. Smalands Glasmuseum 1439 "The Color of Beauty: Stephen Powell's Koge. Catching Light: Contemporary Studio Glass Glass Vessels" 1457 "Minutes of the Meeting of MCGG, from Japan (Text: Yoriko Mizuta and Hans Frode) Glass Art, v. 12, no. 4, May/June 1997, pp. 4-10, ill. July 13, 1997" Vaxjo, Sweden: the museum, 1997, 53 pp., ill. Metropolitan Contemporary Glass Group, 1440 "Hidden Treasures: Cathy Claycomb's Minutes, July 1997, pp. 2-3. Multi-dimensional Glasswork" 1426 Tidens form: Visioner i Svenskt glas Review of a lecture by Eric Hilton. Glass Art, v. 12, no. 2, Jan./Feb. 1997, pp. 10-12+, Vaxjo: the museum, 1996, 78 pp., ill. ill. Exhibition of glass by many designers at Swedish 1458 Watts, David C. firms. "Craft or Art? Getting to Grips with Contemporary 1441 "The Natural Form of Glass: Marvin Glass" Lipofsky" Glass Circle News, no. 70, Jan. 1997, p. 2. 1427 Unikt glas i centrum Glass Art, v. 12, no. 4, May/June 1997, pp. 54- The British studio glass movement and its future. Vaxjo: Kulturspridaren Forlag, [1996?], 23 pp., ill. 59, ill. Exhibition of work by 10 Swedish glass artists at Orrefors and Kosta Boda. 1459 "Is Our Art Glass Too Academic for Its 1442 "Nature Revealed: A Conversation with Own Good?" Paul Stankard" Glass Network (Contemporary Glass Society, 1428 Vedrenne, Elisabeth Glass Art, v. 12, no. 3, March/April 1997, pp. 4-9,ill. Great Britain), no. 1, April 1997, p. 1+. "Penone a vif" L'Oeil, no. 487, July/Aug. 1997, pp. 36-43, ill. 1443 "Shawn Athari's Artifacts in Glass" Nimes exhibit of sculpture and installations by Glass Art, v. 12, no. 6, Sept./Oct. 1997, pp. 4-7, ill. 1460 Webber, Dave Giuseppe Penone. Fused glass pieces. "The Other Side of Whitefriars" Annual Bulletin of the Paperweight Collectors Association, 1997, pp. 90-97, ill. 1429 Venice. Galleria Marina Barovier 1444 Wallerius, Inga Cristiano Bianchin: Nidi (Enzo Biffi Gentili) "Form: Noterat. Eva Almeberg" 1461 Weibull, Nina Venezia: the gallery, 1997, [39] pp., ill. In Italian Form, v. 93, no. 1 (709), 1997, p. 7, ill. "Glass Dancing" and English. 1445 "Form: Noterat. New York T & R" Form, v. 92, no. 6 (708), 1996, pp. 26-33, ill. Form, v. 93, no. 1 (709), 1997, p. 5, ill. English summary. 1430 Verrieres-le-Buisson. Denis Martin du Glass by Reino Bjork. Glass designer Per Sundberg's vessels and neon Nord - Olivier de Bouvet sculpture. Verre contemporain (Thursday, May 31, 1990) 1446 "Lars Hellsten" Verrieres-le-Buisson: the gallery, 1990, 32 pp., ill. 1462 Weinstein, Jeff Auction catalog of 162 glass items. Form, v. 91, no. 6 (702), Swedish Design Annual, 1995, p. 88, ill. "Art in Residence" Brief article about exhibit at Goteborg. Artforum, v. 35, no. 7, March 1997, pp. 60-67, ill. 1431 Via Lucis. Presences Slovaques: Le verre Includes home interior installations with beads by contemporain slovaque (Text: Katarina Bajcurova 1447 "Naturkansla" Thomas Lanigan-Schmidt and Lucas Samaras. and Eva Trojanova) Form, v. 93, no. 2 (710), 1997, p. 8, ill. Bratislava: Slovenska Narodna Galeria, 1996, 96 Monica Backstrom. 1463 Wendin, Margitta pp., ill. "Nya glas for vin & vatten" Glass by 20 Czech artists in exhibit in Boulogne- 1448 Warff, Goran Skona Hem, no. 9, Sept. 1997, pp. 30-31, ill. sur-Mer. "Varregn - under traden en back av glas" Drinking glasses. Kulturspridaren (Smalands Museum, Vaxjo), no. 1432 Virgo, Hilary 3, 1997, pp. 10-11, ill. 1464 Wernicke, Kerstin "Refractions: Anglo-American Expressions in A 17th-c. haiku by Basho illustrated on glass in "Focus: Comeback des Essigs - Christoph Beys- Glass & Paint" 1955. ser" The Guild of Glass Engravers Newsletter, Spring Schmuck Magazin, no. 3, June/July 1997, p. 96, 1997, pp. 23-24. 1449 Warmus, William ill. English summary. Exhibition of English and American engraved and "Castings: Hank Murta Adams" Vinegar flasks and other designs. blown glass at London dealers, Stair & Co. Glass (UrbanGlass), no. 66, Spring 1997, pp. 34- 39, ill. 1465 Whiteley, Richard 1433 Vlasakova, Alena "Forces of Change in Glass Art Practice" "Marian Volrab, Eliska Rozatova" 1450 Warnia, Pierre Craft Arts International, no. 40, 1997, p. 101, ill. Atelier, no. 21, Oct. 13, 1994, p. 4, ill. English "Dossier verre & cristal: Cristallerie et verrerie, Review of 1997 Ausglass conference. summary. symboles prestigieux du savoir-faire . . ." Offrir International, no. 343, May 1997, pp. 44- Two glass artists in exhibit at Cesky Krumlov. 1466 Whiting, David 55, ill. "Reviews, Exhibitions: Simon Moore - Glass" Glassmaking techniques, some history of French 1434 Vokacova, Vera Crafts (U.K.), no. 147, July/Aug. 1997, pp. 54-55, firms, and contemporary examples from Baccarat, "Sperky fantazie" ill. Cristal de Sevres, and others. Atelier, no. 1, Jan. 5, 1995, p. 12, ill. English Exhibit at the Crafts Council Shop at The Victoria summary. and Albert Museum. Swarovski company organizes Prague exhibition 1451 Warwick, Nigel of 20th-c. jewelry. "The Castle Lures Art Pilgrims at -20°" Flash Art, v. 29, no. 189, Summer 1996, pp. 68- 1467 Wichert, Geoffrey 69, ill. "Conversation: Ann Robinson, Living with Glass" 1435 Volfova, Jana Warsaw castle exhibition included glass by Matt Glass (UrbanGlass), no. 65, Winter 1996, "Exhibition of Jin Suhajek" Mullican. pp. 36-39, ill. New Glass Review (Czech), no. 4, 1997, pp. 26- 28, ill. In German and English. 1452 Washington, DC. Maurine Littleton 1468 "Preview: A Marquis Milestone" Prague exhibit. Gallery Glass (UrbanGlass), no. 68, Fall 1997, pp. 36- Dale Chihuly 43, ill. 1436 Vomacka, Jiff and Tichy, Jin Washington, DC: the gallery, 1997, [11] pp., ill. Seattle Art Museum retrospective. "Institut Vytvarne Kultury" Atelier, no. 19, Sept. 15, 1994, 4-p. insert, ill. 1453 Ginny Ruffner 1469 "Public Glass: Ann Gardner's Seattle Contemporary design and furnishings at a crea­ Washington, DC: the gallery, 1997, [7] pp., ill. Mural" tive art institute in Ustf Nad Labem. Includes July exhibition at the gallery. Glass (UrbanGlass), no. 67, Summer 1997, pp. glass by Anna Polanska and others. 44-45, ill. 1454 Therman Statom 1437 Waggoner, Shawn Washington, DC: the gallery, 1996, [11] pp., ill. 1470 "Reveries" "Cappy Thompson: Narrative, Mythopoesis and Neues Glas, no. 3, 1997, pp. 14-21, ill. In Ger­ the Vessel Form" 1455 William Morris man and English. Glass Art, v. 12, no. 2, Jan./Feb. 1997, pp. 4-9, ill. Washington, DC: the gallery, 1997, [18] pp., ill. Sculpture by Judy Hill. 1471 "Reviews: Breaking the Mold: Women 1487 Wuohela, Lisa 1501 Yotsuda, Carol Kouchi Casting Glass" "Glass and Architecture, Canada" "Glass Is Alive and Well on Kaua'i" Glass (UrbanGlass), no. 65, Winter 1996, p. 51, ill. Neues Glas, no. 1, 1997, pp. 28-37, ill. In German Arts (Garden Island Arts Council, Lihu'e, HI), v. Portland, Oregon, exhibit. and English. 11, no. 1, Winter 1996/1997, p. 1, ill. 12 Canadian glass artists team up with 12 archi­ Workshops by glass artist Judy Jensen. 1472 "Reviews: Cast Glass" tects in developing projects. Glass (UrbanGlass), no. 65, Winter 1996, p. 50, ill. 1502 Yuki, Eiji Portland, Oregon, exhibit with work by 10 artists. 1488 Yajima, Miyuki "Glass Lighting" "Glass of Siena, a Beautiful Town: 'Mestieri d'au- Glass and Art (Tokyo), no. 3, Aug. 1993, pp. 96- 1473 "Together: Stephen Paul Day and Sibylle tore' Exhibition" 99, ill. In Japanese. Peretti" Glass and Art (Tokyo), no. 5, March 1994, Chandeliers. Glass (UrbanGlass), no. 66, Spring 1997, pp. 46- pp. 102-103, ill. In Japanese. 51, ill. Exhibition of glass works by Alberto Meda and Regina Ganbatesa in Italy. 1503 "Glass Lighting - Modern Italian Design 1474 Wickman, Kerstin and Interiors" "Arkitektur, Glas - Om och av Cyren" 1489 Yamashita, Mike M. Glass and Art (Tokyo), no. 2, June 1993, pp. 102- Form, v. 92, no. 6 (708), 1996, p. 92, ill. "Future of Neon Art" 105, ill. In Japanese. Gunnar Cyren work at Gavle, Sweden. Glass and Art {Tokyo), no. 6, June 1994, pp. 85- 88, ill. In Japanese. 1475 "Design: Sinnligt kvinnligt. Brita Flander Neon works by Lili Lakich, William Shipman, and 1504 Yung, Marilyn examinerades" David Svenson. "Artist Profile: Wes Hunting" Form, v. 93, no. 1 (709), 1997, p. 73, ill. Niche, v. 9, no. 2, Spring 1997, p. 77, ill. 1490 Yano, Motoko 1476 "Form noterat: Kontrollerat" "Danny Lane" Form, v. 91, no. 6 (702), Swedish Design Annual, 1505 "Home Is Where the (Glass) Art Is" Glass and Art {Tokyo), no. 4, Dec. 1993, pp. 26- Niche, v. 8, no. 3, Summer 1996, pp. 48-57, ill. 1995, p. 86, ill. 29, ill. In Japanese. Stockholm gallery shows work by Steven Newell. Furnishing the home with glass: stained glass Lane's work using metal and glass. screens, lamps, sculptural pieces, paperweights, 1477 Widman, Dag etc., by many studios and artists. 1491 "Glass & Art Interview: Dale Chihuly" "Grace and Shimmer in Glass" Glass and Art (Tokyo), no. 18, Aug. 1997, Kontur, Swedish Design Annual, no. 12, 1963/ pp. 18-32, ill. In Japanese. 1506 "Martha Wolf" 1964, pp. 38-41, ill. American Style, v. 3, no. 2 (7), Winter 1996, Unique pieces made at Orrefors by Gunnar Cyren, p. 25, ill. Ingeborg Lundin. 1492 "Glass Show in Great Britain" Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 18- Fused glass animals. 1478 "A Swedish Design Cavalcade" 19, ill. In Japanese. Kontur (The Swedish Society of Industrial De­ Work by Steven Newell, David Reekie, Pauline 1507 "Scott and Cindy O'Dell" sign), no. 8, 1959, pp. 8-55, ill. Solven, and others. Niche, v. 9, no. 1, Winter 1997, p. 137, ill. Includes glass by Sven Palmqvist, Vicke Lind- Glass by California firm, O'Dell Designs. strand, Erik Hoglund. 1493 "The Newest Art Galleries in England" Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 15- 1479 Wilbur, Bob and Wilbur, Terry 17, ill. In Japanese. 1508 Zajdela, Louis-Bernard and Loughran, "Mark R. Matthews" Two London galleries. Patrick The "Marble Connection" Newsletter, v. 5, no. 2, "Balade a New York: UrbanGlass" April 1996, pp. 1-4, ill. 1494 "Today's Artists" Revue de la Ceramique et du Verre, no. 96, Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 71- Sept./Oct. 1997, p. 37, ill. 1480 Willis, Holly 73, ill. In Japanese. Authors' visit to New York includes the Brooklyn "A Conversation with Nancy Barton, Photogra­ Includes Japanese women glass artists Tsuji site. pher and Installation Artist" Kazumi and Yumiko Yoshimoto. Artweek, v. 28, no. 4, April 1997, pp. 17-18, ill. 1509 Zauner, Phyllis 1495 Yano, Motoko and Turner, Tran "National Neon Institute: A 'Class' Act in Glass" 1481 Winnepenninckx, Annemie "The Birth of the Studio Glass Movement: Sign Builder Illustrated, no. 44, March/April 1997, "De vele facetten van I'Anverre" Dominick Labino" pp. 84-90, ill. Kwintessens, v. 6, no. 2, April/May/June 1997, pp. Glass and Art (Tokyo), no. 11, Nov. 1995, Lee Champagne and his institute at Benecia, 18-20, ill. English summary. pp. 51-57, ill. In Japanese; English summary. California. Five-member glass group, Anverre, of Antwerp. 1496 Yashima, Miyuki 1482 Winters, Laurie G. "Glass Designs from Murano" 1510 Zemanek, Jin "Genesis and the Vitreous Singularity" Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 32- "Carodejuv ucen Peter Sedgley" Craft Arts International, no. 39,1997, pp. 24-27, ill. 35, ill. In Japanese. Atelier, no. 13, June 26, 1997, p. 16, ill. English Stephen Rolfe Powell. Works by Luigi Serafini, Nanda Vigo, William summary. Sawaya, David Palterer, Laura de Santillana. Exhibition of English "pioneer of op-art and 1483 Womer, Kelly lumino-kinetic art" of the 1960s-1990s at the "Glass Ornaments Shine with Holiday Tradition" Czech Museum of Visual Arts. 1497 Yasumoto, Masaaki; Lee, Eun Kyu; Dailey, Collectors News, v. 38, no. 7, Nov. 1997, pp. 32- Dan; and Rowe, Keith 33, ill. "The Latest Glass News from around the World" Ornaments by Radko, Adler, and other firms. 1511 Zerboni, Monica Glass and Art (Tokyo), no. 14, Aug. 1996, pp. 76- "50 bicchieri per il latte" 80, ill. Abitare, no. 316, March 1993, p. 88, ill. In Italian 1484 Woods, Rebecca News from Spain, Korea, Australia and the U.S.A. "Scratching the Surface": Liz Lowe, Glass Artist and English. Thesis, B.A., University of Central England, Ritzenhoff collection of milk glasses by 50 de­ Three Dimensional Design, Birmingham, 1997, 1498 Yood, James signers. 26 pp., [35] plates, [19] pp., ill. "Reviews: John Torreano" Artforum, v. 35, no. 7, March 1997, pp. 97-98, ill. Chicago exhibit of constructions with glass gems. 1512 Zimmer, Jenny 1485 Worth, Alexi "Hearts and Minds: Concepts of the Picturesque, "Reviews: Christopher Wilmarth" the Sublime and the Beautiful as They Might Be 1499 "The Secret World of Paul Stankard" ARTnews, v. 96, no. 3, March 1997, p. 109, ill. Usefully Employed in Glass Critique" Annual Bulletin of the Paperweight Collectors Journal of the Australian Association of Glass Association, 1997, pp. 78-81, ill. 1486 Wroc+aw. Akademia Sztuk Pi§knych Artists (issue title: Heart of Glass: Ausglass 95), Szklane Nieznane: Wzornictwo szkia w zbiorach post-conference edition, 1995, pp. 25-27. Muzeum i Katedry Szkia, Akademii Sztuk 1500 Yoshihiko, Takahashi Piqknych we Wrociawiu 1946-1996 "Column from the World: Korean Glass Art" Wroc+aw: the academy, 1996, 53 pp., ill. In Polish Glass and Art (Tokyo), no. 18, Aug. 1997, p. 80, ill. 1513 3 X Glas 3 X Anders (Text: Jan Walgrave) and English. In Japanese. Antwerp: Mercator & Noordstar, 1997, [24] pp., ill. Exhibition catalog of glassware made at the Exhibition of work by Korean glass artists in Antwerp exhibition with work by Pierre DeClerck, Academy of Visual Arts, Wroc+aw, 1946-1996. Seoul. Sandra DeClerck, and Klara Jiraskova. FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass FLACHGLAS (nach 1945), einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

1514 Anonymous 1527 "Buntes Glas fur alle" Tables, stained glass, sculptures, etc., at the "The Actual Location of Stained Glass" Art (Das Kunstmagazin), no. 4, April 1997, pp. 10- Staatliche Fachschule fur Glasbautechnik "Glas- Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 79- 11, ill. spektrum." 81, ill. In Japanese. Brian Clarke wall at spa in Bari, Italy. Collaboration between Studio 'Pal' and ISM 1540 "In Memoriam: Gabriel Loire, 1904-1996" Glassworks; how stained glass is made. 1528 "Cesar Pelli, the New National Airport and Stained Glass, v. 92, no. 2, Summer 1997, p. 90, the Artists: Preview" ill. 1515 "Actualite: Le Jardin de fleurs d'un verrier" Night & Day (The Corcoran Gallery of Art), v. 4, Le Courrierdes Metiers d'Art, no. 165, Sept./Oct. no. 5, July/Aug. 1997, p. 13. 1541 "In Memoriam: Herman Blondeel (1956- 1997, p. 4, ill. Glass friezes by Jennifer Bartlett and Al Held for 1997)" Stained glass screens and tables by Antoine National Airport. Glas en Keramiek, no. 2, 1997, p. 15, ill. BenoTt. 1529 "Challenging Tradition: New Work in 1542 "In Memoriam: Viggo F. E. Rambusch, 1516 "Albrecht Peister from Germany" Stained Glass" 1900-1996" Art and Crafts (Seoul), June 1993, p. 51, ill. In Glass Art, v. 12, no. 2, Jan./Feb. 1997, pp. 26-27,ill. Stained Glass, v. 92, no. 2, Summer 1997, Korean. Exhibition at Worcester Center for Crafts, Massa­ p. 152, ill. chusetts.

1517 "Architektur, die versammelt. Die sehr 1543 "Industry News: Florida County Center In­ 1530 "La Chiesa del Sacro Cuore" einfache Kirche zu Obersalbach" stalls Glass Sculpture" Abitare, no. 347, Jan. 1996, pp. 98-101, ill. In Das Munster, v. 50, no. 1, 1997, pp. 59-61, ill. U.S. Glass, v. 32, no. 9, Sept. 1997, pp. 29-30, ill. Italian and English. Church window by Brian Clarke. Dichroic glass work by Kenneth vonRoenn. New church with abstract stained glass windows in Valtellina foothills. 1544 "Informations: Un Peintre verrier nomme 1518 "Art Glass on a Grand Scale" MaTtre d'art 1996" Glass, Monthly Journal of the European Glass 1531 "Danmarks storste glaskunstvaerk" La Revue de la Ceramique et du Verre, no. 93, Industry, v. 74, no. 6, June 1997, p. 209, ill. Glas Magasinet, no. 3, Aug. 1997, p. 16, ill. March/April 1997, p. 62. Oversized lamps of fused, sculpted panels cre­ Large (painted?) glass panel for swimming pool Michel Petit named a Maitre d'art by French ated for Harrods Egyptian Hall by Maria McClaf- designed by Per Steen Hebsgaard and Niels Ministry of Culture. ferty. Winkels. 1545 "Judith Schaechter" 1519 "Artist Focus: Alberta & Merle Jones" 1532 "Echos des professions: Vitrail en fusion" Art and Crafts (Seoul), June 1993, pp. 49-50, ill. Uroboros Glass Studios, v. 1, no. 2, Jan. 1991, Verre Actualites, no. 151, June/July 1997, p. 30, ill. In Korean. p. 3, ill. Chartres exhibition of fused glass by Frangoise Stained glass. Clarion, Herve Debitus, Thierry Gilhodez, Herve 1520 "Artist Focus: Brian McNally" Loire. 1546 "Kinosale im Kristall" Uroboros Glass Studios, no. 8, Winter 1993, p. 5, Art (Das Kunstmagazin), no. 5, May 1997, pp. 8- ill. 1533 "Entrances: Juried Members Show of 9, ill. / New Works" Dresden movie theater with unusual glass facade. 1521 "Artist Focus: Steven Stelz" Artists in Stained Glass Flat Glass Journal, Uroboros Glass Studios, v. 1, no. 1, Sept. 1990, Spring 1997, pp. 4-14, ill. 1547 "Kunst im Alltag" p. 3, ill. Projects for entryways by 10 Canadian artists. Glaswelt, v. 50, no. 1, Jan. 1997, pp. 66-67, ill. Awards presented to flat glass artists at Glastec 1534 "Eternal Light" '96. 1522 "Baroque Studio" Stained Glass, v. 92, no. 3, Fall 1997, p. 188, ill. Glass and Art (Tokyo), no. 4, Dec. 1993, Saara Gallin's hanging light for a Jerusalem mu­ pp. 46-47, ill. In Japanese. 1548 "Light as a Feather" seum. Work by stained glass studio "Baroque." Crafts (U.K.), no. 146, May/June 1997, p. 11, ill. Wall of sandblasted glass and neon by Andy 1535 "L'Ex Ambasciata Russa" Hazell. 1523 "Benedictus Awards: Tokyo International Abitare, no. 330, June 1994, pp. 142-146, ill. In Forum, Tokyo; Water/Glass Villa, Atami; Byzan­ Italian and English. 1549 "Millennium Window" tine Fresco Chapel Museum, Houston; Terrasson Large stained glass depicting a Kremlin tower in Art Review (U.K.), v. 49, June 1997, p. 10, ill. Greenhouse, Terrasson" the reconstructed (1950) Russian Embassy in Joseph Nuttgens window for Durham Cathedral. Glass Digest, v. 76, no. 8, Aug. 15, 1997, pp. 85- Berlin. 92, ill. 1550 "Mythos und moderne Technik" Innovative use of glass in two Japanese buildings 1536 "Focusing on Specialty Market Boosts by Rafael Vinoly Architects, and other projects. Glaswelt, v. 49, no.12, Dec. 1996, p. 52, ill. Success for Moss Glass" Fused panels by Horst Rellecke. Glass Digest, v. 76, no. 9, Sept. 15, 1997, pp. 62- 1524 "Bert Glauner: The Morelia Glass Design 63, ill. 1551 "New Associates" Center" Stained and etched glass by Indiana firm. Stained Glass, the Magazine of the British So­ Glass Craftsman, no. 141, April/May 1997, pp. 51- ciety of Master Glass Painters, Autumn 1995, pp. 53, ill. 1537 "'Glass in Design '92' Prize Winner" 7-9, ill. Mexican studio. Firing Line (Orton Firing Institute, Westerville, Susan Ashworth, Graham Bevan, Bob Budd, OH), Spring 1993, p. 21, ill. Nicola Kantorowicz, Ann Sotheran. 1525 "Brian Clarke's 'Stamford Cone'" Fused and slumped glass door by Jos Gomolka. Common Ground: Glass, Summer 1997, p. 2. 1552 "New Fellows" 50-foot stained glass structure by Clarke to be 1538 "Glass Sculpture Installed in County Stained Glass, the Magazine of the British So­ erected in Stamford, Connecticut. Center" ciety of Master Glass Painters, Autumn 1995, pp. The Crafts Report, v. 23, no. 255, Aug. 1997, 3-6, ill. 1526 "The British Society of Master Glass- p. 6, ill. Caroline Benyon, Mike Davis, Geoffrey Robinson, Painters Exhibition" Dichroic glass sculpture by Kenneth vonRoenn Jr. Paul San Casciani, and others. Journal of the British Society of Master Glass- in Tampa, Florida. Painters, v. 15, no. 2, 1973-1974, pp. 67-68, ill. 1553 "New Work: Jane Campbell, Rosalind 1974 exhibit held at the Royal Institute of British 1539 "Hierher blickt die Glaser-Fachwelt heute" Grimshaw, Meg Lawrence" Architects. Glaswelt, v. 48, no. 6, June 1995, p. 50+, ill. Stained Glass, the Magazine of the British So- ciety of Master Glass Painters, Autumn 1995, pp. 1568 "TCF Tower Commission" Stained glass installations in public places, in­ 10-11, ill. Stained Glass, v. 92, no. 3, Fall 1997, p. 186, ill. cluding Yokohama International Conference Hall Minneapolis wall of glass by Larry Zgoda. entrance lobby. 1554 "News from , North Wales School of Art & Design" 1569 " Glows Green" 1582 Andreani, Carole Crefft Newsletter (Cardiff), no. 79, June 1996, p. 4. Art & Antiques, v. 20, no. 3, March 1997, p. 96, ill. "Gabriel Loire: Une Longue Vie consacree a la Winner of Steven's Competition and other news. Triptych landscape window, made for Minneapo­ dalle de verre" lis home, acquired by Houston museum. La Revue de la Ceramique et du Verre, no. 93, March/April 1997, pp. 44-45, ill. 1555 "News: 1996 Benedictus Award" Abitare, no. 354, Sept. 1996, p. 72, ill. In Italian 1570 "A Touch of Guadalajara: Glass Art by and English. Cristina Ferrer" 1583 "Les Vitraux expressifs et savants de Award-winning laminated glass projects. Stained Glass, v. 92, no. 3, Fall 1997, pp. 205- Talant" 209, ill. La Revue de la Ceramique et du Verre, no. 94, Mexican stained glass artist. May/June 1997, pp. 32-35, ill. 1556 "Nicht nur Dekoration" Stained glass by Gerard Garouste and Parot stu­ Glaswelt, v. 50, no. 8, Aug. 1997, p. 58, ill. 1571 "Un 'Quai-vitrail' de 300 metres carres dio in Talant (Bourgogne). Glass staircase by BGT Bischoff. dans la (nouvelle) station de metro Valmy a Lyon" Verre Actualites, no.149, March 1997, pp. 20-23, ill. 1584 Andrieux, Ph. 1557 "Profile: John Best" Sandblasted dalles in platform of metro station, "Vitrail: Les Echos de la Chambre Syndicale Na­ Glass Craftsman, no. 139, Dec. 1996/Jan. 1997, Lyon. tional du Vitrail" pp. 50-53, ill. Verre (Institut du Verre, Versailles), v. 3, no. 2, Glass boxes. 1572 "Une Realisation recente de verre resine April 1997, pp. 51-52, ill. chez Solyver: Le Vitrail de la chapelle de Bora News from the stained glass Chambre Syndicale. 1558 "Recent & Current Work by Members" Bora (Polynesie)" Journal of the British Society of Master Glass- Verre Actualites, no.149, March 1997, pp. 16-18, ill. 1585 Ardon, Mordecai Painters, v. 15, no. 2, 1973-1974, pp. 59-64. Chapel windows in Bora Bora by Mathieu Chauvin. "The Ardon Windows: A Monument on the Givat Ram Campus" 1559 "Recent & Current Work by Members" 1573 "Update: New Shows" Stained Glass, v. 92, no. 3, Fall 1997, pp. 168- Journal of the British Society of Master Glass- Art Review (U.K.), v. 49, July/Aug. 1997, p. 20, ill. 171, ill. Painters, v. 15, no. 3, 1974-1975, pp. 61-69, ill. Stained glass by Mark Banks in London gallery. 1980s installation by author at the Hebrew Uni­ versity, Jerusalem. 1574 "Vetri d'Arte: Annamaria y Palacios" 1560 "Record News: Du Pont Honors Creative Alte Vitrie, v. 8, no. 2, 1996, p. 28, ill. 1586 Arenas, Fernandez A. Use of Glass" Panel by Genoa artist. Architectural Record, v. 185, no. 7, July 1997, p. "Die Ausstattung der neuen Kirchen in Spanien" 28, ill. Das Munster, v. 17, nos. 7/8, July/Aug. 1964, Benedictus Award to Tokyo firm for a glass villa 1575 '"A Villa Built on a Floor of Water'" pp. 260-274, ill. Glass Magazine (National Glass Association), v. in Shizuoka, Japan. Includes stained glass windows by Carlos Munoz 47, no. 9, Sept. 1997, pp. 33-35, ill. de Pablos. Benedictus Award winners for two buildings in 1561 "Renaissance Stained Glass Studio" Japan using laminated glass. Glass Craftsman, no. 140, Feb./March 1997, pp. 1587 Association of Stained Glass Lamp Artists Lamps for All Seasons 1998 [calendar] 58-61, ill. 1576 "Le Vitrail" Peter Green's studio in Westport, Connecticut. Gig Harbor, WA: the association, 1997, [25] pp., ill. Metiers d'Art (issue title: Le Limousin), nos. 60/61, Work by the association's members. Dec. 1996, pp. 115-116, ill. German and English 1562 "Some Came Early, Some Came Late: summary. 1588 Bauland, Dorothee St. Joseph's Catholic Church, Grand Junction, Stained glass traditions in Limousin continue with "Lehrstuck: Kunst und Kleinserien fur den Erfolg" Colorado" both restoration work and new work. Glaswelt, v. 50, no. 7, July 1997, pp. 50-51, ill. Glass Craftsman, no. 144, Oct./Nov. 1997, pp. 50- Architectural glass firm, Atelier van Tetterode. 52, ill. 1577 "Vitrail: Vitrail et architecture contempo- Volunteers help designer Bill Anderies construct raine au Canada" 47 windows for a Colorado church. Verre (Institut du Verre, Versailles), v. 3, no. 2, 1589 "Eine runde Sache: Biegearbeiten fur an- April 1997, pp. 49-50, ill. spruchsvolle Mobelhandler" Exhibition of work by six Canadian artists at Glaswelt, v. 50, no. 8, Aug. 1997, pp. 72-73, ill. 1563 "Stained Glass" Glass furniture by the firm Finiglas Veredlungs. Glass and Art (Tokyo), no. 2, June 1993, pp. 68- Chartres, France. 69, ill. In Japanese. Designing and making stained glass. 1578 "Werkstatten fur Glasmalerei und Kunst- 1590 Beeh, Suzanne verglasung - Franz Binsfeld & Co. K.G. / "L'Essor du vitrail frangais contemporain" Mosel" La Revue de la Ceramique et du Verre, no. 91, 1564 "Stained Glass Associates of Raleigh, Nov./Dec. 1996, pp. 44-45, ill. North Carolina" Das Munster, v. 16, nos. 1/2, Jan./Feb. 1963, pp. 41-43, ill. Contemporary French stained glass exhibition at Stained Glass, v. 92, no. 3, Fall 1997, pp. 199— Centre International du Vitrail, Chartres. 203, ill. Stained glass firm in Trier. Robert Wysocki and his studio. 1579 "Werkstatten fur Mosaik und Glasmalerei 1591 Bell, Ian and others und Betonglasfenster Gustav van Treeck "Domes, Skylights and Overhead Work from 1565 "Stained Glass Now" Munchen" around the World" Glass and Art {Tokyo), no. 15, Nov. 1996, Das Munster, v. 16, nos. 1/2, Jan./Feb. 1963, p. Stained Glass, v. 92, no. 1, Spring 1997, pp. 30- pp. 84-91, ill. In Japanese. 47, ill. 56, ill. Stained glass studios and schools in Japan. Gustav van Treeck stained glass firm, Munich. Work from 13 countries, including Savoy Studios in the U.S. 1566 "Stained Glass of the New Church in 1580 "Zum Weiterlernen ist der Wille unge- Brezina" brochen" 1592 Blaha, Ottokar New Glass Review (Czech), v. 51, nos. 11/12, Glaswelt, v. 48, no. 8, Aug. 1995, pp. 33-35, ill. "Zum Zehnjahrigen Schaffen von Lydia Roppolt" 1996, pp. 28-29, ill. In English and German. Work by graduates of an architectural glass Das Munster, v. 17, nos. 9/10, Sept./Oct. 1964, Designed by Karel Rechlik. program. pp. 335-342, ill. Windows in Linz by Roppolt. 1567 "Stained Glass on Show" 1581 Akanuma, Kunikatsu Glass, Monthly Journal of the European Glass "Stained Glass in Contemporary Architectural 1593 Bowe, Nicola Gordon Industry, v. 74, no. 1, Jan. 1997, p. 35, ill. Space" "Review: Maud Cotter" Stained glass by Sue Woolhouse in Sunderland Glass and Art {Tokyo), no. 11, Nov. 1995, pp. 94- Stained Glass, the Magazine of the British So­ exhibition. 99, ill. In Japanese. ciety of Master Glass Painters, Spring 1991, p. 13, ill. 1606 Convent of Mercy, Albany 15+, ill. Review of Dublin exhibition. Chapel of Our Lady of Mercy Toronto exhibit. Albany, NY: the convent, 1950, [31] pp., ill. 1594 Boydell, John Windows by Henry Willet of Philadelphia. 1619 Franke-Maack, M. "Glazing the Landscape" "Neue Glasfenster in Tubingen" Craft Arts International, no. 39,1997, pp. 65-66, ill. 1607 Corrin, Adelle Das Munster, v. 17, nos. 9/10, Sept./Oct. 1964, Richard Apel's stained glass in Australia. "The Stevens Competition 1995" pp. 333-334, ill. Stained Glass, the Magazine of the British So­ Postwar windows by Ida Kerkovius in Tubingen. ciety of Master Glass Painters, Autumn 1995, pp. 1595 Boydell, Mary 18-19, ill. "The Dance of Light: An Exhibition of Stained 1620 Frommel, Melchior Glass" "Margarethe Bilger" The Glass Society of Ireland Newsletter, no. 15, 1608 Corrin, Adelle and others Das Munster, v. 16, nos. 1/2, Jan./Feb. 1963, pp. Sept. 1997, p. 3. "News from the Colleges" 48-49, ill. Work by 24 Irish artists. Stained Glass, the Magazine of the British So­ Stained glass by Austrian artist. ciety of Master Glass Painters, Autumn 1995, pp. 14-17, ill. 1596 Braun, Astrid 1621 Fuhr, Christine Recent stained glass from art and design col­ "Fusing in the Furnace" "Kanadische Kirchenfenster" leges in Great Britain. Glaswelt, v. 50, no. 6, June 1997, pp. 112-113, ill. Schott Information, no. 75, Sept. 1995, pp. 3-6, ill. Canadian stained glass exhibit at Chartres. Fused glass for architectural panels; artist Detlef 1609 Creunier, Alain Tanz. "La Demarche d'un maitre-verrier" 1597 Brown, Gerard Verre (Institut du Verre, Versailles), v. 3, no. 3, 1622 Fujimori, [Shoshin] "Judy in the Sky with Diamonds" May/June 1997, pp. 78-79, ill. "Osaka City Central Meeting Hall" Welcomat (Philadelphia, PA), Feb. 1,1995, u.p., ill. Contemporary stained glass. Judith Schaechter. Glass and Art {Tokyo), no. 8, Feb. 1995, pp. 76- 79, ill. In Japanese. 1610 Cronau, Sabine Includes the building's stained glass. 1598 Brown, Sarah "William Morris: DerTraum vom schlichten Gluck" "Albinas Elskus - An American Master" Art {Das Kunstmagazin), no. 2, Feb. 1997, 1623 "Oyama Jinja Jimon" The Journal of Stained Glass (The Journal of the pp. 70-75, ill. Glass and Art (Tokyo), no. 7, Oct. 1994, pp. 82- British Society of Master Glass Painters), v. 20, Includes stained glass. 85, ill. In Japanese. no. 1, 1996, pp. 57-67, ill. Stained glass for Oyama Shrine in Kanazawa. 1611 De Vogelaere, Fons "In Memoriam: Herman Blondeel 1956-1997" 1599 Buchanan, William 1624 Gehr, Christa La Revue de la Ceramique et du Verre, no. 95, "The Terrible Crystal: The Work of Sadie McLel- "Licht von Raum zu Raum" July/Aug. 1997, p. 59, ill. lan, Stained Glass Artist" Glaswelt, v. 49, no. 10, Oct. 1996, pp. 36-39, ill. The Scottish Art Review, v. 14, no. 2, n.d., pp. 22- Sandblasted and painted doors by the firm 29, ill. 1612 DiCara, Laurie Schneider & Fichtel. Scottish artist, active 1950s-1970s. "A Fitting Memorial in Glass" Stained Glass, v. 92, no. 2, Summer 1997, 1625 Geran, Monica 1600 Bussel, Abby pp. 126-129, ill. Three panels designed by Robert Pinart and "Optical Allusion" "Glass Plus" Interior Design, v. 68, no. 10, Aug. 1997, pp. 118— Interior Design, v. 68, no. 7, May 1997, pp. 212- fabricated by Wilmark Studios for Bridgewater, New Jersey, temple. 123, ill. 215, ill^ The "Water and Glass" house by Kengo Kuma in Residential lobby in Soho, New York City, uses Atami City. steel and glass assemblages inspired by Christo­ 1613 Duval, Jean Jacques pher Wilmarth's work. Working with Stained Glass: Fundamental Tech­ niques and Applications 1626 Gerhards, Albert New York: Funk & Wagnalls, 1972, 1975 prtg., '"Wasserzeichen der Erlosung.' Zum Wandelbild 1601 Calio Del Vescovo, Salvatore 132 pp., ill. von Egbert Verbeek in der Kapelle des Priester- "Entrance to Fantasy - The Window" seminars Paderborn" Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 86- Das Munster, no. 1, 1997, pp. 56-58, ill. 1614 Eaton, Connie Clough 87, ill. In Japanese. Panels by Verbeek in Paderborn chapel. Windows seen in Spain, Kyoto, and Venice. Tiffany-style Stained Glass Lampshades New York: Dover Publications, 1993, 1, 30 pp., ill. 1627 Giffen, Scotty 1602 Casciani, Stefano "A Community Project at Lord Roberts School, 1615 Engerer, Alfred and Wuohela, Lisa "Mosaici del 1995 D.C." London, Ontario" "Curators' Statement: The Glass/Architecture Abitare, no. 343, Sept. 1995, pp. 116-123, ill. In Artists in Stained Glass Flat Glass Journal, Project: Parting the Veil" Italian and English. Winter 1997, p. 5, ill. Glass Gazette, Winter 1997, p. 19, ill. Mosaic designs for Bisazza showroom by Exhibit of collaborative projects between Alessandro Mendini of Milan. Canadian architects and glass artists. 1628 Gradidge, Roderick "Commissions: St. Barnabas Church, Dulwich" 1603 Chambers, Karen S. 1616 Femenella, Arthur J. Crafts (U.K.), no. 145, March/April 1997, pp. 16- "Albinas Elskus: An Inspired Artist" "Beginnings" 19, ill. Glass Craftsman, no. 142, June/July 1997, pp. 6- Glass Art, v. 12, no. 3, March/April 1997, Stained glass panels by Caroline Swash. 9+, ill. pp. 24-30, ill. How others got started in learning the craft of 1629 Grenon, Ariane 1604 Chartres. Centre International du Vitrail stained glass. "Gabriel Loire, Maitre-verrier, un precurseur" Six Voices = Six voix: Vitrail et architecture con- Le Courrier des Metiers d'Art, no. 158, Dec. 1996, temporaine au Canada. Balabanoff/Brath- 1617 Flanigan, Avril p. 14, ill. waite/Carther/Gellman/Pearl/Reid (Essay: Adele "The Stained Glass of Christopher Wallis FMGP" Exhibit at Chartres. Freedman) The Journal of Stained Glass (The Journal of the Chartres: the center, 1997, 35 pp., ill. In French British Society of Master Glass Painters), v. 20, 1630 "Henri Guerin, peintre verrier" and English. no. 1, 1996, pp. 41-56, ill. Le Courrier des Metiers d'Art, no. 159, Jan./Feb. British-born Canadian stained glass artist, 1957- 1997, pp. 3-5, ill. 1605 Chatham, Walter F. and others 1995. "1997 AIA Religious Art Award" 1631 "Retrospective Gabriel Loire" Faith and Form (Journal on Religion, Art and 1618 Force, Silkie France Catholique, no. 2580, Jan. 17, 1997, pp. Architecture), v. 30, no. 1, 1997, p. 21, ill. "Recollections: A Review of an Exhibition of 22-23, ill. Window wall and stained glass windows for Stained Glass Works by Sarah Hall" Exhibition at Centre International du Vitrail, Minnesota synagogue by Ellen Mandelbaum. Glass Art, v. 12, no. 6, Sept./Oct. 1997, pp. 14- Chartres. 1632 Gruber, Jean-Jacques and Barrie, Roger Common Ground: Glass, Summer 1997, cover 1657 Lampton, Patrice "Une Vue nouvelle sur le vitrail breton: L'Ex- and pp. 7-8, ill. "How to Use It: Ripple and Drapery Textures" perience d'un restaurateur" [in] Includes Lutz Haufschild's glass panels at the Uroboros Glass Studios, no. 9, Summer 1994, p. Arts de I'Ouest: Etudes et documents (issue title: Bata Shoe Museum, Toronto. 3, ill. Le Vitrail breton), no. 3 (1?), Rennes: Universite de Haute Bretagne, Nov. 1977, pp. 8-16. 1645 Heine, Steve 1658 "How to Use It: Uroboros Textured Glass, Interview with Gruber, a stained glass restorer in "Order Arising from Chaos: The Work of Kenneth Part 1" Brittany. vonRoenn" Uroboros Glass Studios, no. 13, Spring 1997, p. Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 42-47,ill. 3, ill. 1633 Gstettner, Hans "Franz Mayer'sche Hofkunstanstalt in Munchen. 1646 Ingersoll, Richard 1659 Leymarie, Jean Werkstatten fur Glasmalerei, Betonglasfenster, "Light Boxes" The Jerusalem Windows: (2nd ed.) Glasschliff, und Mosaik" Architecture, v. 86, no. 10, Oct. 1997, pp. 90-101, ill. New York: George Braziller, 1975, xix, 95 pp., ill. Das Munster, v. 16, nos. 1/2, Jan./Feb. 1963, pp. Art museum in Bregenz, Austria, is wrapped in 1-16, ill. translucent glass panels by architect Peter Zum- 1660 Lichtman, Linda Panels by Stockhausen and other designers, . "The Burning Brush: Stained Glass as a Painter's executed by the glass workshops of Franz May­ Medium" er'sche, Munich. 1647 Ingolfsson, Adalsteinn Journal of the Australian Association of Glass Art­ "Icelandic Stained Glass" ists (issue title: Heart of Glass: Ausglass 95), post- 1634 Guerin, Henri conference edition, 1995, pp. 10-11. "Apprivoiser la lumiere au service de I'Eglise" Craft Arts International, no. 40,1997, pp. 29-34, ill. France Catholique, no. 2580, Jan. 17, 1997, pp. Panels and windows by Leifur Breidfjord. 1661 Liehr, Uli 18-21, ill. "Futuristic and Functional" Stained glass by the author for a cathedral in 1648 Irwin, Kathryn Schott Information, no. 80, Feb. 1997, pp. 10-12, ill. Bertoua, Cameroon. "Designing with Fused Glass" Berlin arcade with a glass pyramid roof. Artists in Stained Glass Flat Glass Journal, Sum­ 1635 Hachida mer 1997, pp. 7-8. "Stained Glass Artists: Hachida & MASAS" Use of fused glass in author's commissioned 1662 Lovell, Eric Glass and Art {Tokyo), no. 5, March 1994, work. "Artist Focus: Savoy Studios" pp. 96-100, ill. In Japanese. Uroboros Glass Studios, no.7, Spring 1993, p. 3, ill. Using glass as architectural material, including 1649 Ishida, Junichiro stained glass. "Glass and Space" 1663 Lovell, Lorna Tanko (special edition), no. 14, May 1995, pp. 94- "Artist Focus: Roger Thomas" 1636 Hale, Diana 97, ill. In Japanese. Uroboros Glass Studios, no. 10, Fall 1995, p. 4, ill. "Exhibition Reviews: Amber Hiscott" Shinjuku NS Building in Tokyo, Crystal Tower in Stained Glass, the Magazine of the British So­ Osaka, and Nakagawa Auto Gallery in Kyoto. 1664 Mandelbaum, Ellen ciety of Master Glass Painters, Autumn 1995, p. "Master's Class: Ellen Mandelbaum" Glass Craftsman, no. 139, Dec. 1996/Jan. 1997, 12, ill. 1650 Johannes, Ralph; Poensgen, Jochem; pp. 34-35+, ill. and Dohmen, Heinz 1637 Hall, Sarah "Architektur ist, wenn es stimmt" "Wind's Eye Gallery" Das Munster, v. 50, no. 1, 1997, pp. 71-74, ill. 1665 Millard, Dick Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 14-15, ill. Discussion regarding replacement of window "In Search of Inspiration" Stained glass panels by Anita Rist-Geiger. walls in St. Andrew church, Essen-Ruttenscheid, Stained Glass, v. 92, no. 2, Summer 1997, pp. built by Rudolf Schwarz, 1954-1957. 92-93+, ill. 1638 Hall, Sarah and Kraegel, Jeffrey Author's circular window in style of Ervin Bos- sanyi. "In Depth/In Perspective" 1651 Journal of the British Society of Master Glass Art, v. 12, no. 3, March/April 1997, pp. 54- Glass-Painters, v. 14, no. 3, 1967; v. 14, no. 4, 59, ill. 1968-69; v. 15, no. 2, 1973-74; v. 15, no. 3, 1666 "Sylvia Nicolas" Stained glass by Sarah Hall. 1974-75. Glass Craftsman, no. 142, June/July 1997, pp. 58-61, ill. 1639 "Lighten Up!" Work by artist who is the fourth generation of 1652 Kahsnitz, Rainer Glass Art, v. 12, no. 4, May/June 1997, pp. 46- Nicolas family of stained glass artists. "Hans Gottfried von Stockhausen" 47+, ill. Anzeiger des Germanischen Nationalmuseums, Examples of old and new stained glass with ele­ 1667 "Thoughts on ... The Pursuit of Quality" 1994, pp. 210-212, ill. ments of fantasy and playfulness. Glass Craftsman, no. 141, April/May 1997, pp. 40- Three stained glass panels. 41, ill. 1640 "Making It" Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 10-12, ill. 1653 Kay, Larry 1668 Miller, Bonnie J. Artist Sarah Hall discusses skills needed to run a "Judith Schaechter" "Glass Art Becomes Corporate Art?" stained glass business. Carbon 14 (Philadelphia, PA?), no. 3, Spring 1995, Glass and Art (Tokyo), no. 5, March 1994, pp. 80- pp. 18-19, ill. 81, ill. In Japanese. Interview with Schaechter. 1641 '"Of Clear Glass, without Color or Cross'" Glass art in places of business, including Seattle- Glass Art, v. 12, no. 2, Jan./Feb. 1997, pp. 38-44,ill. Tacoma International Airport. Grisaille windows, and examples by many artists 1654 Kicera, Kimberly today. "Dick Millard" 1669 Miller, Julie Stained Glass, v. 91, no. 4, Winter 1996, pp. 266- "Artist Focus: Roger Hogan Studios" 1642 Hammacher, A. M. 271, ill. Uroboros Glass Studios, no. 3, Spring 1991, "Drie Beschouwingen over R. N. Roland Hoist" p. 3, ill. Wendingen, nos. 6-7,11th series, 1930, pp 1-34, ill. 1655 Kisky, Hans Stained glass by Hoist. "In Memoriam Wilhelm Rupprecht" 1670 Mitsufuji, Toshio Das Munster, v. 17, nos. 1/2, Jan./Feb. 1964, pp. "Japanese Stained Glass" 1643 Haufschild, Lutz 28-37, ill. Glass and Art (Tokyo), no. 2, June 1993, pp. 14- "The Great Wave Wall" 1950s-1960s windows designed by Rupprecht 21, ill. In Japanese. Artists in Stained Glass Flat Glass Journal, and fabricated by Oidtmann. Stained glass installations at private and public Winter 1997, p. 8, ill. places. Laminated glass wall by Lutz Haufschild at Van­ 1656 Kuno, Katsuki couver airport. "7th Stained Glass Art Exhibit: Prize-Winning 1671 Miura, Keiko Works" "Architectural Stained Glass by Keiko Miura" 1644 "The True Medium of Glass Artists: Some Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 80- Stained Glass, v. 92, no. 2, Summer 1997, Thoughts about Light" 82, ill. In Japanese. pp. 113-119, ill. 1672 "God and Guidance, Light and Shade" Glass Craftsman, no. 139, Dec. 1996/Jan. 1997, 1697 Schaechter, Judith Glass and Art (Tokyo), no. 6, June 1994, pp. 56- pp. 16-19, ill. "Sanctuary!" 61, ill. In Japanese. Art? Alternatives (New York, NY), v. 1, no. 2, Oct. Stained glass works by Keiko Miura at various 1685 Pratt, Charles W. and Pratt, Joan C. 1992, pp. 76-81, ill. public places. Gabriel Loire: Les vitraux = Stained Glass Chartres: Centre Internationale du Vitrail, 1996, 1698 Schianchi, Francesco 1673 Moor, Andrew 235 pp., ill. In French and English. "II mosaico oggi" "New Stained Glass in " Biography and complete inventory of works by Ottagono, v. 31, no. 119, June-Aug. 1996, pp. Glass Craftsman, no. 139, Dec. 1996/Jan. 1997, Loire. 100-103, ill. In Italian and English. pp. 12-15, ill. Old and new mosaics. Two 30-ft. windows in Poets' Corner by Graham 1686 Ramsey, David Jones. "Gabriel Loire" 1699 Schnell, Hugo Archives of Modern Christian Art Newsletter, v. 8, "Zwei Malerinnen abseits der GroBstadt - Agnes 1674 Muck, Herbert no. 2, Winter/Spring 1997, pp. 1-2, ill. Mann und Ursula Koschinsky" "Neue Werke der Kirchenkunst in Osterreich - Das Munster, v. 16, nos. 9/10, Sept./Oct. 1963, Architektur und Innenausstattung. Neue Farb- 1687 Reid, Neil pp. 328-342, ill. fenster" "Peter Young, Stained Glass Artist" Stained glass panels and mosaics by Mann and Das Munster, v. 17, nos. 7/8, July/Aug. 1964, pp. The Glass Society of Ireland Newsletter, no. 12, Koschinsky. 242-247, ill. Sept. 1996, p. 5. Early 1960s stained glass in Austrian churches. 1700 Sciama, Sabrina 1688 Renaud-Chamska, Isabelle "Arte Musiva - Mosaici" 1675 Mzykova, Alice "Notre-Dame de Talant" Domus, no. 758, March 1994, u.p., ill. In Italian "Svate veci" Chroniques d'Art Sacre (Chambray-les-Tours), and English. Atelier, no. 3, Feb. 10, 1994, p. 5, ill. English sum­ no. 48, Winter 1996, pp. 26-27, ill. Italian firm produces mosaics in variety of materi­ mary. Stained glass by Gerard Garouste in church in als, including glass. Stained glass by Josef Holecek. Talant. 1701 Seince, Frangoise 1676 Nickens, Eddie 1689 Rich, Chris; Mitchell, Martha; and Ward, "Patrimoine: Michel Petit, maitre verrier" "On a Canvas of Glass . . Rachel Le Courrier des Metiers d'Art, no. 162, May 1997, AARP Bulletin, v. 38, no. 11, Dec. 1997, pp. 15-16, Stained Glass Basics: Techniques, Tools, Projects pp. 22-23, ill. ill. New York: Sterling Publishing, 1996,144 pp., ill. Stained glass artist and restorer. Rowan LeCompte and his windows in the Nation­ al Cathedral, Washington, DC. 1690 Richards, Larry W. 1702 Sheets, Hilarie M. "The Glass Architecture Project" "The Matisse Chapel on a Sunday" 1677 Nuss, Franz Josef Ontario Craft, v. 22, no. 1, Spring 1997, p. 23, ill. ARTnews, v. 96, no. 4, April 1997, pp. 112-113, ill. "Josef Menke/Goch am Niederrhein - Werkstat- Review of exhibition at the Canadian Clay and 1951 windows in the Chapel of the Rosary, ten fur Glasmalerei und Mosaik" Glass Gallery, Waterloo. Vence, France. Das Munster, v. 16, nos. 1/2, Jan./Feb. 1963, pp. 44-46, ill. 1691 Rieble, Egon 1703 Sherry, Beverley Menke stained glass firm in Goch am Nieder­ "Werkstatten fur Glasmalerei, Mosaik, Betonglas- "The Social Meaning of Stained Glass" rhein. fenster-Wilhelm Derix in Rottweil/N. und Wies­ Journal of the Australian Association of Glass baden" Artists (issue title: Heart of Glass: Ausglass 95), 1678 Osborne, June Das Munster, v. 16, nos. 1/2, Jan./Feb. 1963, pp. post-conference edition, 1995, pp. 23-25. John Piper and Stained Glass 17-40, ill. Phoenix Mill, UK: Sutton Publishing, 1997, 196 Panels by Johannes Schreiter and others execut­ 1704 Shibata, [Choshun] pp., ill. ed by Derix workshops in Rottweil. "Stained Glass - Light and Color" Glass and Art (Tokyo), no. 4, Dec. 1993, pp 44- 1679 Parmann, Oistein 1692 Roccella, Carlo 45, ill. In Japanese. "Contemporary Norwegian Stained Glass" "A la casse" Stained glass works by Shibata. Journal of the British Society of Master Glass- La Revue de la Ceramique et du Verre, no. 94, Painters, v. 15, no. 2, 1973-1974, pp. 4-10, ill. May/June 1997, p. 52, ill. 1705 Shida, [Seijin] Stained glass by author in Montpellier hospital. "Changes of Technique and Expression in 1680 Pavey, Ruth Stained Glass" "Commissions: Braintree Library" 1693 Rotelli, Marco Nereo Glass and Art (Tokyo), no. 8, Feb. 1995, pp. 31- Crafts (U.K.), no. 148, Sept./Oct. 1997, pp. 18-21, Luoghi della poesia 36, ill. In Japanese. ill. Ravenna: Danilo Montanari, 1996, 77 pp., ill. Etched glass windows by Radford & Ball. Stained glass made by Grassi studio, Milan. 1706 Siemsen, Burkhard "Die Glasmalereien in der Kapelle des St. Josefs- 1681 Pitt, Sue 1694 Rudhof, Bettina hauses in Dusseldorf und ihre Genesis" "Rosemary Rutherford, 1912-1972" "Not All the Good Things Have Disappeared" Das Munster, no. 4, 1996, pp. 322-323, ill. The Journal of Stained Glass (The Journal of the Glasforum, v. 46, no. 4, 1996, pp. 42-44, ill. Author's windows in Dusseldorf chapel. British Society of Master Glass Painters), v. 20, In German. no. 1, 1996, pp. 31-40, ill. Review of historical use of many-windowed (cur­ 1707 Skeat, Francis W. Windows, some dalle de verre, made by English tain wall) buildings, including a 1992 Frankfurt "The Stained Glass Work of Janos Hajnal" artist from 1950 to 1972. high-rise building. Journal of the British Society of Master Glass- Painters, v. 15, no. 3, 1974-1975, pp. 49-50, ill. 1682 Porcelli, Joe 1695 St. Nicholas, Moreton: The Engraved Windows by Hajnal, mostly in Italy, designed in "The Berkeley Ferry Restoration" Windows the 1950s-1970s. Glass Craftsman, no. 142, June/July 1997, pp. 16- Woodbridge, Suffolk: Baron Publishing; Cupid 20, ill. Press, [1985?], [26] pp., ill. 1708 Smith, Jeff G. Restoring the stained glass windows in a late Excerpt from Scenes and Signs on Glass, pub­ "The Mirror-Lit Ceiling of St. Michael Chapel" 19th-c. California ferry. lished in 1985; windows engraved by Laurence Stained Glass, v. 92, no. 3, Fall 1997, pp. 212- Whistler. 215, ill. 1683 "Connections/Divisions: Recent Works of Texarkana, Texas, project by the author. Ellen Miret-Jayson" 1696 Save, Colette and Beaumont, Thierry de Glass Craftsman, no. 143, Aug./Sept. 1997, "Gabriel Loire, le maitre-verrier des cinq conti­ 1709 Smith, Virginia pp. 6-11+, ill. nents" "Canadian Clay and Glass Gallery: The Glass/ Verre (Institut du Verre, Versailles), v. 3, no. 1, Architecture Project" 1684 "Restoring the Great Seal of Ohio. Resto­ Jan./Feb. 1997, pp. 46-47, ill. Artists in Stained Glass Flat Glass Journal, ration by Studio Arts and Glass, Inc." Obituary of the stained glass artist. Winter 1997, pp. 6-7. Review of a collaborative project and the result­ 1718 Van der Burght, Angela Former stained glass designer develops patterned ing installations. "Stained Glass of the Lowlands" glass tiles for use in architectural settings. Artists in Stained Glass Flat Glass Journal, Winter 1997, pp. 2-4, ill. 1710 Steinke, Darcey 1727 Wilbourn, Colin Architectural glass in Flanders (Martens, van "Tales from the Dark Side" "The Artist's Eye" Zijst, Leibovitz, Blondeel, Verweatermeulen) and Spin, no. 3, 1995, u.p., ill. Art Review (U.K.), v. 49, July/Aug. 1997, pp. 36- Judith Schaechter. the Netherlands (van de Weyer, Diepens). 37, ill. Public sculpture with stained glass by the author 1719 Van Jole, Marcel and Bruyninckx, Robert recently unveiled in Sunderland. 1711 Stephany, Erich Armand Calders: Glasramen = Vitraux = Stained "Ludwig Schaffrath: Einige Arbeiten der letzten Glass = Glasfenster 1728 Wilde, David Jah re" [S.I.: s.n.], 1985, 44 pp., ill. In four languages. "Sylvie Gaudin as Microcosm for Contemporary Das Munster, v. 16, nos. 11/12, Nov./Dec. 1963, Work of Belgian stained glass artist. French Glass" pp. 417-428, ill. Artists in Stained Glass Flat Glass Journal, Sum­ Schaffrath's windows in Aachen and other sites. 1720 Vanden Bemden, Y. mer 1997, pp. 6-7. "Contemporary Stained Glass in Belgium" 1712 Struktur und Gleichnis 1: Der Grafiker Journal of the British Society of Master Glass- 1729 Williams, Rachel und Glasgestalter Joachim Klos (Text: Waltraud Painters, v. 15, no. 3, 1974-1975, pp. 23-33, ill. "Review: " Hagemann) Stained Glass, the Magazine of the British So­ Monchengladbach: [the artist?], 1993; Monchen- 1721 Les Vitraux de la Fille-Dieu de Brian ciety of Master Glass Painters, Spring 1991, pp. gladbach: Druckerei Spinnen, 48 pp., ill. Clarke = Die Glasgemalde der Fille-Dieu von 14-15, ill. Graphic art and stained glass by Klos. Brian Clarke (L'Abbaye cistercienne de la Fille- London exhibit, Dec. 1990. Dieu a Romont and Le Musee Suisse du Vitrail a 1713 Swash, Caroline Romont, ed.) 1730 Wilson, David, Design "Exhibition Review: Peter Young" Berne, Switzerland: Editions Benteli, 1997, 52 pp., Wilson Stained Glass, the Magazine of the British So­ ill. English summary, pp. 48-49. New York: the company, [1993], [16] pp., ill. ciety of Master Glass Painters, Autumn 1995, pp. Windows designed by Clarke for the restored Stained glass commissions by David Wilson. 12-13, ill. abbey church of La Fille-Dieu, Romont, Switzer­ land. 1731 Wright, Richard Aaron 1714 Thiele, Carmela "Photons: A Designer's Lobby" 1722 Waggoner, Shawn "Glaserne Linsen fur " Lighting Design + Application, v. 27, no. 10, Oct. "Palm Studio's 'Circle of Life' Hospice House Art {Das Kunstmagazin), no. 1, Jan. 1997, p. 76, ill. 1997, p. 17, ill. Light installations by Adolf Luther at Kunst-Mu- Chapel Triptych" Etched and carved laminated glass walls in St. seum Ahlen. Glass Art, v. 12, no. 4, May/June 1997, pp. 18-22, ill. Louis lobby. Windows by Florida studio. 1732 Yamashita, Kari 1715 Thompson, Sandy 1723 "Simple Yet Elegant Bevel Projects by Sutendo Gurasu de Tsukuru = Making Stained "Gordon Huether: Outside the Box" Prism Glass" Glass Glass Art, v. 12, no. 3, March/April 1997, pp. 14- Glass Art, M. 12, no. 4, May/June 1997, pp.14-16, ill. Tokyo: Holp Shuppan, 1997, 95 pp., ill. In Japa­ 22, ill. nese. Architectural projects by Huether. 1724 "Tripping the Light Fantastic: Saara Gallin's Stained Glass" 1733 Yano, Motoko 1716 Trocme, Suzanne Glass Art, y. 12, no. 2, Jan./Feb. 1997, pp. 46-51, ill. "The Newest Art Scene in England and Glass "Painting with Light" Environments" House and Garden (British edition), v. 51, no. 8 1725 Wesselow, Eric Glass and Art (Tokyo), no. 4, Dec. 1993, pp. 8- (541), Aug. 1996, pp. 76-79, ill. "The Art of Craft" 13, ill. In Japanese. Stained glass by Leo Amery. Artists in Stained Glass Flat Glass Journal, Sum­ Includes glass installation at Royal Botanic Gar­ mer 1997, pp. 1-5. dens and stained glass at the Red House. 1717 Trumpler, Stefan, ed. The author's speech given at a Toronto confer­ Brian Clarke/Linda McCartney: Collaborations ence, April 1997. 1734 Zacharias, Alfred (Text: Martin Harrison and Stefan Trumpler) "Karl Knappe 80 Jahre" Berne, Switzerland: Editions Benteli, 1997, 1726 Wichert, Geoffrey Das Munster, v. 17, nos. 11/12, Nov./Dec. 1964, 51 pp., ill. In English, French, German. "The Tile Techniques of Hal Bond" pp. 390-404, ill. Architectural stained glass, printing on stained Stained Glass, v. 91, no. 4, Winter 1996, pp. 290- Glass painting, mosaics, and stained glass by glass, etc. 292, ill. Knappe. TECHNOLOGY (after 1945)/TECHNOLOGIE (nach 1945)

1735 Anonymous 1750 "Hot : Testing for Compatibility - Using Determining firing and cooling rates for fusing, "The Aesthetic Impact of Protective Glazing. Part the Reynolds Interface Compatibility Test" annealing, etc. 3" Uroboros Glass Studios, no. 4, Fall 1991, p. 4, ill. Stained Glass, v. 92, no. 1, Spring 1997, pp. 57- 1766 "Verre et architecture: Des architectures 63+, ill. 1751 "Hot Tips: Using 96.0 COE Dichroic in avec du verre feuillete" Blown Glass" Verre Actualites, no. 152, Sept. 1997, pp. 24-33, ill. 1736 "Architectural Competition Winners Show Uroboros Glass Studios, no. 11, Spring 1996, p. 1997 Benedictus Awards for architectural glass How to Use Laminated Glass" 5, ill. projects. American Glass Review, v. 118, no. 1, July/Aug. 1997, p. 14, ill. 1752 "Latticino Rod Making" 1767 Anderson, Harriette Two Benedictus Awards for buildings in Japan. Reflections (Caithness Paperweights), no. 11, "Low Fired Glass Projects" 1996, p. 5, ill. Firing Line (Orton Firing Institute, Westerville, 1737 "Architectural Glass in Paris: Jean Nouvel" OH), Fall/Winter 1994, p. 24, ill. Glass and Art (Tokyo), no. 5, March 1994, pp. 17- 1753 "Lead, Arsenic & Chrome Emitted by 21, ill. In Japanese. Glass Furnaces" 1768 "Using Borox on Glass" Interview with Jean Nouvel, and his glass instal­ ACTS Facts (Arts, Crafts and Theater Safety), v. Firing Line (Orton Firing Institute, Westerville, lations. 11, no. 6, June 1997, p. 4. OH), no. 97-1, Winter/Spring 1997, p. 21, ill.

1738 "Architecture Symposium: Glass & 1754 "Lead Rules Tighten on Mugs and Glasses" 1769 Barreneche, Raul A. Architecture in the New Millennium" ACTS Facts (Arts, Crafts and Theater Safety), v. "Shedding Light on Fiber Optics" Glass Magazine (National Glass Association), v. 11, no. 6, June 1997, p. 1. Architecture, v. 86, no. 4, April 1997, pp. 162- 47, no. 7, July 1997, pp. 10-11, ill. 167, ill. Review of symposium at the National Glass As­ 1755 "Making a Glass Workshop" sociation Show '97, Atlanta; included presenta­ Glass and Art (Tokyo), no. 9, May 1995, p. 96, ill. 1770 Birkhill, Frederick; Fero, Shane; and tion by James Carpenter. In Japanese. Sheafor, Alison The Art of Flameworking 1739 "Conservation Issues of Protective Glaz­ 1756 "Making Austin Thin Film's DichroMagic [S.I.: the authors, n.d.], 37 leaves, ill. ing of a Series on Inspired Partnerships' Study of Dichroic Glass" Protective Glazing. Part 5" Glass Craftsman, no. 140, Feb./March 1997, p. 1771 Bistagnino, Luigi; Petrillo, Antonio; and Stained Glass, v. 92, no. 3, Fall 1997, pp. 217-228. 16+, ill. Soardo, Paolo "Luce 'prismatica'" 1740 "The Creation of Covenant" 1757 "Notizie/News: Vetrocemento per un llluminatecnica, nos. 421/422, Jan./Feb. 1996, Reflections (Caithness Paperweights), no. 10, maggior comfort" pp. 176-179, ill. In Italian and English. 1995, pp. 10-13, ill. Domus, no. 772, June 1995, u.p., ill. In Italian and New prismatic light technology and applications. Process of making a Caithness paperweight. English. New type of glass brick. 1772 Bone, Eugenia 1741 "Crimps & Formers" "Building in Transparency" Reflections (Caithness Paperweights), no. 11, 1758 "The Office of the Future for a Glass Metropolis, v. 16, no. 8, April 1997, pp. 64-67, ill. 1996, pp. 8-9, ill. Company" Architectural designing with laminated glass; Will Paperweight techniques. American Glass Review, v. 118, no. 1, July/Aug. Bruder, James Carpenter, and others. 1997, pp.15-16, ill. 1742 "Enameling Terminology" Fiberglass work by Tom Patti at Owens Corning 1773 Braun, Astrid Firing Line (Orton Firing Institute, Westerville, headquarters building in Toledo. "Phantastische Moglichkeiten des Baustoffs Glas" OH), Fall/Winter 1996, p. 17. Glaswelt, v. 50, no. 1, Jan. 1997, pp. 58-60, ill. 1759 "Pate de verre: Shinichi et Kimiake Exhibit of various architectural uses of glass; 1743 "Fuel Sources for Firing" Higuchi" sculptural work by Roberto Santarossa. Firing Line (Orton Firing Institute, Westerville, CERFAV Infos (Plate-Forme Verriere, Vannes-le- OH), v. 3, no. 3, May/June 1992, p. 12, ill. Chatel), no. 18, Sept. 1997, p. 3, ill. 1774 Bray, Charles Dictionary of Glass: Materials and Techniques 1744 "The Glass Centre, St. Lucia Campus, 1760 "Philips halogena" London: A & C Black; Philadelphia: University of University of Queensland" Abitare, no. 338, March 1995, p. 62, ill. In Italian Pennsylvania Press, 1995, 240 pp., ill. Hot Gas (Scientific Glassblowers Association of and English. Australia), v. 3, no. 4, Nov. 1996, pp. 2-3, ill. New halogen bulb, interchangeable with incan­ 1775 Brown, Terry New center for laboratory, industrial, and artistic descent bulbs. "Innovative Small Furnace Design" glassworking. Glass, Monthly Journal of the European Glass 1761 "Radiation Hazards for Ceramic and Industry, v. 73, no. 10, Oct. 1996, p. 439, ill. 1745 "Glass Compatibility Testing at Bullseye Glass Workers" Glass Co." ACTS Facts (Arts, Crafts and Theater Safety), v. 1776 Bryan, Marilyn and Roberts, Shauna S. Firing Line (Orton Firing Institute, Westerville, 11, no. 1, Jan. 1997, pp. 1-2. "Stained Glass Safety" OH), Winter/Spring 1995, pp. 10-14, ill. Firing Line (Orton Firing Institute, Westerville, 1762 "Sablage, la technologie en marche.. OH), v. 3, no. 3, May/June 1992, pp. 9-10, ill. 1746 "Glassteine en vogue" CERFAV Infos (Plate-Forme Verriere, Vannes-le- Glaswelt, v. 50, no. 8, Aug. 1997, pp. 66-67, ill. Chatel), no. 14, Oct. 1996, p. 1+, ill. 1777 Caba, Randall Use of glass bricks in architecture. Sandblasting. "The Chemistry of Neon, 101" Sign Builder Illustrated, no. 45, May/June 1997, p. 1747 "Glassware Decoration Limits" 1763 "Stained Glass Button Covers: Fusing in 28+, ill. Art Hazards News, v. 18, no. 4,1995, p. 7. a Mini-Kiln" Firing Line (Orton Firing Institute, Westerville, 1778 Cadesky, Eric 1748 "Glossary, Words and Pictures" OH), Jan./Feb. 1993, pp. 20-21, ill. "The Glass Orchestra" Reflections (Caithness Paperweights), no. 10, Hot Gas (Scientific Glassblowers Association of 1995, pp. 6-7, ill. 1764 "Stained Glass Now: Studio and Class In­ Australia), v. 3, no. 1, Feb. 1996, pp. 2-3, ill. Paperweight techniques. formation" Canadian-based glass orchestra founded in Glass and Art (Tokyo), no. 16, Winter 1997, pp. 1977. 1749 "Hand-Made from Start to Finish" 98-103, ill. In Japanese. Glass, Monthly Journal of the European Glass 1779 Campbell, Glenda Industry, v. 74, no. 3, March 1997, p. 116, ill. 1765 "Taming the Kiln Monster" "Introduction to and Mold Making" Caesar Crystal Bohemia company in Josefodol, The Fused Art Newsletter (Bradenton, FL), no. 8, Arizona Society of Glass Bead Makers Newsletter, Czech Republic. Fall 1997, p. 1, ill. no. 7, Nov./Dec. 1996, p. 5. 1780 Cohen, Maurizio 1795 Fenton, Dan glass floors, staircases, laminated glass columns, "Ferro e vetro" "Clear Overglazes for Glass" etc. Abitare, no. 359, Feb. 1997, pp. 156-161, ill. In Firing Line (Orton Firing Institute, Westerville, Italian and English. OH), v. 3, no. 4, July/Aug. 1992, pp. 10-13, ill. 1809 Harrison, Dew Glass and iron house in Dworp, Belgium. "Hypermedia as Art System" 1796 "Lusters on Glass" Art Journal, v. 56, no. 3, Fall 1997, pp. 55-59, ill. 1781 Cole, Greg Firing Line, no. 97-2, Summer 1997, pp. 3-6, ill. Author's Internet project using Marcel Duchamp's "The " "The Large Glass." Hot Gas (Scientific Glassblowers Association of 1797 Foti, Renato Australia), v. 3, no. 4, Nov. 1996, p. 12. "Adhesives and Glass: What to Use and Where" 1810 Hay, Don Brief history and construction of the instrument. Glass Gazette, Spring 1997, p. 13. "The Joys of Restoration" Common Ground: Glass, Summer 1997, pp. 11- 1782 Consentino, Frank J. 1798 Gibeau, Mark 12, ill. "To Grind or Not to Grind" "Glass Furnace Construction" Stained glass restoration. Glass Collector's Digest, v. 10, no. 6, April/May Glass Gazette, Winter 1997, p. 12, ill. 1997, pp. 70-75, ill. 1811 Holtmann, Klaus Glass repair. 1799 Giberson, Dudley F. "Glas in der Architektur im Wandel der Zeit" The New. . . Joppa Glassworks Catalog of Fact GFF - Zeitschrift fur Glas, Fenster, Fassade, no. 1783 Copeland, Cousette and Knowledge (June 1996, 8th ed.) 15, Aug. 1, 1997, pp. 794-797, ill. "Setting Up a Studio" Warner, NH: Joppa Glassworks, 1996, 15 pp., ill. Historical overview of glass in architecture in Lapidary Journal, v. 50, no. 7, Oct. 1996, pp. 161— modern times. 163, ill. 1800 Gibney, Aidan "Lecture: A New Form of Latter-Day Engraving 1812 Ikemoto, Kazumi 1784 Cummings, Keith by Donal Morrisey" "Ikemoto Kazumi's Flat Work Made Easy" Techniques of Kiln-formed Glass The Glass Society of Ireland Newsletter, no. 12, Glass and Art (Tokyo), continuing series: no. 14, London: A & C Black; Philadelphia: University of Sept. 1996, p. 5. Aug. 1996 - no. 19, Nov. 1997. In Japanese. Pennsylvania Press, 1997, 176 pp., ill. Clarenbridge Crystal uses sand- and diamond- Kiln temperature, fusing technique, sandblasting, grit resists in high impact. techniques and tools of making stained glass, 1785 Davis, Paul R. etc. "Neon Industry at the Crossroads" 1801 Giovanni, Joseph Sign Builder Illustrated, no. 45, May/June 1997, p. "Fred and Ginger Dance in Prague" 1813 Irvin, Jan 10+, ill. Architecture, v. 86, no. 2, Feb. 1997, pp. 52-62, ill. "Enameling" Paired office blocks by Frank O. Gehry; "Ginger" Firing Line (Orton Firing Institute, Westerville, 1786 Didonato, Donald has two-layer glass membrane covering complex OH), v. 3, no. 3, May/June 1992, pp. 18-22, ill. "To Sandblast, What You Need Is Readily Avail­ curvature. able" 1814 "Evaluating and Using Copper as an Glass Digest, v. 75, no. 3, March 15, 1996, pp. 1802 Glass & Mirror Craft Industries, Inc. Enameling Base Metal" 51-53, ill. Idea Book Firing Line (Orton Firing Institute, Westerville, Walled Lake, Ml and Atlanta, GA: the company, OH), Jan./Feb. 1993, pp. 5-7, ill. 1787 Dierke, Leslie 1996, 10 pp., ill. Making Mosaics: Designs, Techniques and Proj­ Describes and illustrates specialty glass for fur­ 1815 "Metal Enameling" ects niture, sculpture, carved and etched panels, etc. New York: Sterling Publishing, 1997, 144 pp., ill. Firing Line (Orton Firing Institute, Westerville, OH), v. 3, no. 6, Nov./Dec. 1992, pp. 3-5, ill. 1803 Gordon, Alasdair Enameling problems. 1788 Dobbins, Norm "Wheel Engraving" "Both Sides Now" Journal of the Australian Association of Glass Glass Craftsman, no. 141, April/May 1997, pp. 17- Artists (issue title: Heart of Glass: Ausglass 95), 1816 "Metal Enameling - Use of Aluminum, 21, ill. post-conference edition, 1995, pp. 21-22. Gold, Silver" Special effects in glass . History and technique of wheel engraving. Firing Line (Orton Firing Institute, Westerville, OH), Spring 1993, p. 1+, ill. 1789 "Upgrade Your Techniques" 1804 Greenaway, Chris A & E, The Magazine for Awards and Engraving, "'How Do They Do That?' at Dudley Glass Festi­ 1817 Itoh, Makoto v. 10, no. 7, Sept. 1997, p. 34+, ill. val 1997" "Itoh Makoto's Hot Work Made Easy" Cameo (Broadfield House Glass Museum, Kings- Glass and Art (Tokyo), continuing series: no. 14, 1790 Drew-Wilkinson, Kate winford), no. 15, Autumn 1997, p. 3. Aug. 1996 - no. 19, Nov. 1997. In Japanese. "Making Glass Beads - A Secret Shared Is a Glass techniques (including Graal) demonstrated Glassmaking tools and techniques. Technique Improved" at the International Glass Centre, Dudley Col­ Glass Network (U.K.), no. 2, June 1997, p. 4, ill. lege, by Kevin Andrews. 1818 Johnson, Darlene and Lee, Judy "Dazzling Dichroic" 1791 Dundas, Bill 1805 Grisham, Susan Fused Art Newsletter {Bradenton, FL), no. 7, "Neon Safety: Despite Dark Prophecies, Neon "Oxy-Conversion for a Smaller Furnace Yields »Winter 1997, p. 1. Flourishes and Endures" Big Results" Description of dichroic glass, how it is made, etc. Signs of the Times, v. 219, no. 9, Aug. 1997, pp. American Glass Review, v. 117, no. 6, May/June 108-111, ill. 1997, p. 12, ill. 1819 "Fluted Bowl: Using Ceramic Molds for Slumping Glass" 1792 "Nuts and Bolts: Neon Protection" 1806 Gruenig, David Firing Line (Orton Firing Institute, Westerville, Signs of the Times, v. 219, no. 8, July 1997, "Marble Tools: Instructions for Making and Using OH), Fall/Winter 1994, pp. 21-22, ill. p. 32+, ill. Ring Tools" Neon signs and fire hazards. The Independent Glassblower, no. 44, Dec. 1996 1820 Juracek, Judy A. and Jan./Feb. 1997, pp. 2-7, ill. Surfaces: Visual Research for Artists, Architects, 1793 Dunham, Bandhu Scott and Designers Contemporary Lampworking: A Practical Guide to 1807 Haling, Tom New York and London: W. W. Norton, 1996, 336 Shaping Glass in the Flame (2nd ed.) "How Fog-Free Mirrors Work" pp., ill. Prescott, AZ: Salusa Glassworks, 1997, 336 pp., Glass Digest, v. 75, no. 10, Oct. 15, 1996, pp. Glass (glass brick, colored and painted glass, 32 plates, ill. 52-54, ill. molded, cut, etc.): pp. 234-253; mosaics, pp. 1997 edition. 266-267. 1808 Hals, Max 1794 Eberle, Bettina "We Don't Just Do Windows" 1821 Kerkvliet, Brian Creative Glass Techniques: Fusing, Painting, Glass Magazine (National Glass Association), v. "Murrini: The Dip Stuff" Lampwork 47, no. 5, May 1997, pp. 78-80, ill. Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 34-38, ill. Asheville, NC: Lark Books, 1997, 152 pp., ill. Growth in use of specialty glass in architecture: Techniques for making murrine. 1822 "The Mysteries of Dichroic Glass" 1838 "New Glass: 'Soft' Borosilicate" Australia), v. 3, no. 2, May 1996, p. 15. Glass Art, v. 12, no. 2, Jan./Feb. 1997, pp. 18-22, ill. Glass Line, v. 10, no. 2, Aug./Sept. 1996, Toronto glass orchestra records a CD. pp. 6-7+. 1823 Kervin, Jim and Fenton, Dan 1852 Partridge, Stewart Pate de Verre and Kiln Casting of Glass 1839 "'Soft' - An Update; A "Achieving Beauty by Sandblasting" Livermore, CA: GlassWear Studios, 1997, Conversation with Jeffrey Spencer, Lampworker" Kahch (All India Glass Manufacturers' Federa­ 198 pp., ill. Glass Line, v. 10, no. 3, Oct./Nov. 1996, pp. 12-17+. tion), v. 4, no. 2, June/Aug. 1996, pp. 29-32, ill.

1824 Lampton, Patrice 1840 "Stand and Deliver" 1853 Pawley, Martin "How Iridized Glass Is Used" Hot Gas (Scientific Glassblowers Association of Hauer-King House: Future Systems Home Lighting and Accessories, v. 79, no. 8, Australia), v. 3, no. 3, August 1996, pp. 14-15, ill. London: Phaidon Press, 1997, 60 pp., ill. Aug. 1996, p. 120, ill. Using a standing position while lampworking. Glass house in London.

1825 "Iridized Glass: How to Use It" 1841 Miles, Walter 1854 Peltre, Carol Glass Craftsman, no. 140, Feb./March 1997, pp. Designs for Craftsmen: Textiles, Graphics, Ce­ "Journee technique jet d'eau" 12-15, ill. ramics, Wood, Glass, Metal, Leather, and Many CERFAV Infos (Plate-Forme Verriere, Vannes-le- Other Crafts Chatel), no. 16, Feb. 1997, p. 1+, ill. 1826 Leake, Ray Garden City, NY: Doubleday, 1962, 224 pp., ill. Cutting glass by means of a high-pressure water "Glass Silvering Method" Decoration and ornament. jet. Hot Gas (Scientific Glassblowers Association of Australia), Aug. 1994, p. 3. 1842 Miller, Vern and Miller, Phyl 1855 Persico, Jayne Glass Art in Architecture: Leaded Glass and "It's about Glass. It's about Jewelry. It's about 1827 Leponen, Mauri Sandblasted Glass. Making a House a Home Time" "A Look inside the Furnace" (2nd ed.) Glass Craftsman, no. 143, Aug./Sept. 1997, pp. Glass Magazine (National Glass Association), v. El Dorado Hills, CA: GlasDesign Systems, 1993, 33-37, ill. 47, no. 9, Sept. 1997, pp. 24-28, ill. looseleaf notebook, ill. Dichroic glass jewelry. Heat radiation and convection processes. Leaded and sandblasted glass designs created using a computerized design system. 1856 Pfaffinger, Jorg 1828 Liedel, Karl Heinz "Glasinnovative Architektur schaffen" "Hochburg der Labor- und MeRgeratefertigung" 1843 Glass Art in Architecture: Leaded Glass GFF - Zeitschrift fur Glas, Fenster, Fassade, no. Glaswelt, v. 49, no. 11, Nov. 1996, p. 80+, ill. and Sandblasted Glass, Cross Reference Guide 14, July 2, 1997, p. 756+, ill. Ilmenau in Thuringia: History of the city's labora­ (2nd ed.) Munich conference regarding innovative build­ tory glass firms, and current ones in the area. El Dorado Hills, CA: GlasDesign Systems, 1995, ings with glass. [24] pp., ill. 1829 Lovell, Eric Designs and bevels. 1857 Pickard, Bob "How Iridized Glass Is Made" "Chipped Edge Glass Trophies" Home Lighting and Accessories, v. 79, no. 8, 1844 Miller, Vern; Miller, Phyl; and Harmon, A & E, The Magazine for Awards and Engraving, Aug. 1996, pp. 114-118, ill. Randy v. 10, no. 4, June 1997, pp. 76-77, ill. Computerized Art Glass Design: A Primer (2nd ed.) 1830 "How We Make It" El Dorado Hills, CA: GlasDesign Systems, 1995, 1858 "Rotary Tool Etching Stemware Glass" Uroboros Glass Studios, continuing series: no. 2, 36 pp., ill. A & E, The Magazine for Awards and Engraving, Jan. 1991 - no. 13, Spring 1997. Using computerized design for stained glass and v. 10, no. 1, March 1997, pp. 76-79, ill. Types of glasses: textured, ring mottle opales­ sandblasted glass; reviews both software and cent, fractured, 90.0 fusible, iridized, superior vis­ hardware. 1859 Picone, Terrence and Picone, Syd cosity fusible, multi-colored mixes, gold-pinks, etc. Creative Glass Etching 1845 Milliron, Donna Wyckoff, NJ: Eastern Publishing, 1996, 34 pp., ill. 1831 Marchini, Giuseppe "Glass Beads: The Ancient Art of Glass Casting" "Conservation of Stained Glass in Italy" Glass Patterns Quarterly, v. 13, no. 3, Fall 1997, 1860 Placido, L. Journal of the British Society of Master Glass- pp. 73-75, ill. "II vetro: Un nuovo materiale strutturale per Painters, v. 15, no. 2, 1973-1974, pp. 11-15. I'architettura contemporanea" 1846 Neon Manual de Instalacion: Anuncios y Rivista della Stazione Sperimentale del Vetro, v. 1832 Matlack, Jennifer Luces de Neon 27, no. 2, March/April 1997, pp. 73-82, ill. "Materials: Cracking Glass" Richardson, TX: La Asociacion Internacional de Glass as a structural material for contemporary Home Furniture, no. 11, June/July 1997, p. 74+, ill. Inspectores de Electricidad, 1994, [68] pp., ill. architecture. Using plate and tempered glass in furniture. Neon installation manual. 1861 Piatt, Karl P. 1833 McCann, Michael 1847 Nevers, Joseph "Controls and Studio Furnaces. Part 1" "Hazardous Chemical Reactions in Art" "Glazier Corner: Knowing the Score in Glass Cut­ Firing Line (Orton Firing Institute, Westerville, Art Hazard News, v. 19, no. 4, 1996, pp. 2-6. ting" OH), v. 3, no. 2, March/April 1992, pp. 8-11, ill. Includes fuel-fired furnaces and kilns, soldering Glass Magazine (National Glass Association), v. Part 2: v. 3, no. 3, May/June 1992, pp. 4-6, ill. materials used with stained glass, and acid etch­ 47, no. 9, Sept. 1997, pp. 29-32, ill. Part 3: v. 3, no. 4, July/Aug. 1992, pp. 16-19, ill. ing. 1848 Newcott, William R. 1862 "Glass Production. Part 2" 1834 McGrath, Jinks "Time Exposures: The Hubble Telescope Views Firing Line (Orton Firing Institute, Westerville, Encyclopedia of Jewelry-making Techniques the Universe from Space" OH), Jan./Feb. 1993, pp. 9-11, ill. Philadelphia and London: Running Press, 1995, National Geographic, v. 191, no. 4, April 1997, How basic glasses are formed. 176 pp., ill. pp. 2-7, ill. Includes casting, enameling. 1863 "Operation and Maintenance of Electric 1849 Park, Hubert H. Kilns. Part 1" 1835 First Steps in Enameling "Trends in Decorative Mirrors" Firing Line (Orton Firing Institute, Westerville, Edison, NJ: Wellfleet Press, 1994, 96 pp., ill. Glass Digest, v. 75, no. 10, Oct. 15, 1996, pp. OH), no. 97-2, Summer 1997, pp. 10-12, ill. 48-49, ill. 1836 McLeod, Graham and others 1864 Piatt, Karl P. and Schorr, J. Richard "Workshop Reports" 1850 Parrott, Roy "Combustion and Studio Furnaces. Part 3" Journal of the Australian Association of Glass "Diamond and Glass" Firing Line (Orton Firing Institute, Westerville, Artists (issue title: Heart of Glass: Ausglass 95), Hot Gas (Scientific Glassblowers Association of OH), v. 3, no. 1, Jan./Feb. 1992, pp. 5-7, ill. post-conference edition, 1995, pp. 30-32. Australia), v. 2, no. 2, May 1995, p. 5. Workshops by Ruth King and others. Drilling and cutting glass. 1865 Porcelli, Joe "Glass Takes Center Stage: The Work of Steve 1837 Mickelsen, Robert A. 1851 "Review: The of The Glass Mahanay" "At the Lamp: Gas" Orchestra" Glass Craftsman, no. 139, Dec. 1996/Jan. 1997, Glass Line, v. 10, no. 2, Aug./Sept. 1996, pp. 1-4. Hot Gas (Scientific Glassblowers Association of pp. 6-11, ill. Glass, color, and light combine in new technol­ 1879 "Technical Article: Testing a Blowing 1893 Waggoner, Shawn ogy, the "Cyberlight," used as entertainment Glass for Compatibility" "Computer Design for Glass Artists: Part 1" backlighting. GAS News, Winter 1997, p. 8, ill. Glass Art, v. 12, no. 5, July/Aug. 1997, pp. 16-21.

1866 "The Mosaic Project, Part 1: Designing 1880 Seki, Uumiko 1894 Walton, Pati for Mosaics" "Architectural Glass in Paris: La Defense" "A Lesson in Lampworking" Glass Craftsman, no. 142, June/July 1997, pp. Glass and Art (Tokyo), no. 5, March 1994, Jewelry Crafts, Nov./Dec. 1996, pp. 8-11, ill. 24-27, ill. Part 2: "Building the Mosaic," no. 143, pp. 6-15, ill. In Japanese. Making glass beads. Aug./Sept. 1997, pp. 20-23, ill. Part 3: "Finishing Up," no. 144, Oct./Nov. 1997, p. 22+, ill. 1881 "Paris: Glass in Construction" 1895 Weiner, Kay Bain Glass and Art (Tokyo), no. 4, Dec. 1993, "Glass Enameling: Creating Enameled Glass­ 1867 Rada, M. and Sasek, L. pp. 102-105, ill. In Japanese. ware by Sifting Dry Enamels onto Glass" "Environmental Concerns Drive Search for Lead- Various glass installations in Paris. Glass Craftsman, no. 142, June/July 1997, pp. Free Crystal" 36-39, ill. Glass, Monthly Journal of the European Glass In­ 1882 Smith, Kent H. dustry, v. 73, no. 12, Dec. 1996, p. 518+. "Gold Leaf Techniques, Addendum" 1896 Wester, Ture The Gilder's Tip, v. 9, no. 2, Summer 1996, pp.7-9. "Den ultimative glaskonstruktion" 1868 Rasmussen, Bill Glas Magasinet, v. 6, no. 2, May 1997, pp. 10-11, "Tools from the Garbanstangle Man" 1883 Strattman, Wayne ill. In Danish. Glass Line, v. 10, no. 3, Oct./Nov. 1996, pp. 1-5, ill. "The Basics of Glass Bending" Contoured domes. Lampworking tools. Signs of the Times, v. 219, no. 9, Aug. 1997, pp. 112-115, ill. 1897 Wieber, Eddie 1869 Reed, Karen "Hand Engraving Tips: Part Seven - Rubber "Using Underglaze Crayons and Pencils on Glass" 1884 "Neon Techniques" Mold Making and Lost Wax Casting" Common Ground: Glass, Spring 1997, pp. 14-15, ill. Signs of the Times, continuing series: v. 218, no. A & E, The Magazine for Awards and Engraving, 12, Nov. 1996 - v. 219, no. 12, Nov. 1997. v. 9, no. 8, Oct. 1996, pp. 78-83, ill. 1870 Reed, Wayne Answers to neon questions, diffusion pumps, va­ "Kiln Basics - Part 3" cuum system basics, manifold leak detection, etc. 1898 Wiederspahn, Markus and Zuniga, Alberto Common Ground: Glass, Winter 1996, pp. 26-27. "Communication Highway" 1885 Strattman, Wayne, ed. Schott Information, no. 79, Jan. 1997, pp. 16-19, ill. 1871 Reiners, Holger Neon Techniques (4th ed.) Spain develops fiber-optic network. Wohnen im Wintergarten: Aktuelle Entwurfe fur Cincinnati, OH: ST Publications, 1997, 233 pp., ill. ein stilvolles Ambiente 1899 Wiggins, R. Douglas Munchen: Callwey, 1995, 159 pp., ill. 1886 Synek, Miroslav "Use of a Drill for Glassblowing" Greenhouses and sunporches for residences. "Development in the Czech Republic" Hot Gas (Scientific Glassblowers Association of Glass, Monthly Journal of the European Glass In­ Australia), v. 3, no. 3, August 1996, pp. 8-9, ill. 1872 Reynolds, Gil dustry, v.73, no. 10, Oct. 1996, pp. 448-450, ill. "Firing Glass" Small- and medium-scale table glass industries 1900 "Use of a Drill for Glasswork" Firing Line (Orton Firing Institute, Westerville, since privatization. Glass Line, v. 10, no. 3, Oct./Nov. 1996, pp. 5-6+, ill. OH), v. 3, no. 6, Nov./Dec. 1992, pp. 20-23, ill. 1887 Topp, Pat Diacca 1873 "Glass for Fusing" "CareFree Luster Decal Sheets" 1901 Wigginton, Michael Firing Line (Orton Firing Institute, Westerville, Glass Craftsman, no. 144, Oct./Nov. 1997, pp. Glass in Architecture OH), v. 3, no. 2, March/April 1992, pp. 18-20, ill. 40-44, ill. London: Phaidon, 1996, 320 pp., ill. Sections on history and architectural context, 1874 Rodgers, Carole 1888 Uematsu, Toshiaki glass technology, materials and performance, etc. "Shades of Beads" "Light on Glass. Part 1" Jewelry Crafts, Nov./Dec. 1996, pp. 56-59+, ill. Glass (Tokyo), no. 35, March 1994, pp. 24-29. In 1902 Wood, Christie A. Etching products allow designers to create ver­ Japanese. "Reinforcing a Copper Foil Panel" sions of one bead type. New glass technologies. Common Ground: Glass, Summer 1997, p. 15.

1875 Rutherford, Nicholas 1889 The Venerable Beadle 1903 "Tips & Techniques: Mosaic Stepping "Sandblasting and Templates" "Marking Your Beads, Part 2" Stones" The Guild of Glass Engravers Newsletter, Spring Glass Line, v. 10, no. 5, Feb./March 1997, pp. 9- Common Ground: Glass, Summer 1997, p. 9, ill. 1997, pp. 28-29, ill. 12, ill. Making stained glass mosaic stepping stones. Making a personal murrine design. 1876 Schwabach, Deborah 1904 Wood, Howard A. "Health and Safety: The Fine Art of Pollution Pre­ 1890 "'The Night Has a Thousand Eyes' but.. "Art of Glass" vention" Glass Line, v. 10, no. 6, April/May 1997, pp. 11-15, Petersen's Photographic, Jan. 1997, pp. 54-55, ill. Firing Line (Orton Firing Institute, Westerville, ill. Photographing close-up patterns created by OH), Fall/Winter 1996, pp. 10-13. Making eye beads. illuminating a glass vase from within.

1877 Schwoerer, Dan 1891 "Photographing Single Beads" 1905 Woolley, Frank "Technical Article: Compatibility" Glass Line, v. 9, no. 4, Dec. 1995/Jan. 1996, pp. Topics in Glass Technology for the Studio . . . GAS News, Summer 1997, p. 6+. 1-14, ill. (Summer 1997) Compatibility of glasses dependent upon both ex­ Corning, NY: The Studio of The Corning Museum pansion and viscosity characteristics. 1892 "Toru Sato" of Glass, 1997, 33 pp., ill. Glass Line, v.10, no. 3, Oct./Nov. 1996, pp. 9-10, ill. Compositions and properties, safety in melting 1878 "Technical Article: Ovens & Kilns" Core-formed vessels by Japanese lampworker glass batches, defects in glass, annealing, com­ GAS News, Summer 1996, p. 7. and how they are made. patibility, etc. FILMS AND VIDEOTAPES/FILME UND VIDEOKASSETTEN

1906 Advanced Lampworking Techniques Betty Freeman, 1989, made from 1973 film Venice & the Glassmaker {1930), and Archimede Al Janelle/Ambeadextrous, 1997 27 min., sound, color. Seguso (1987?), shown at the 1997 Italian glass Part 1 exhibition at The Corning Museum of Glass 104 min., sound, color. 1924 D'une poignee de sable 26 min., sound, black/white and color. Tools and complex ribbon twist. Gerard Charron and La Verrerie d'Art de Soisy- sur-Ecole, 1990 1940 Helios 1907 Part 2 15 min., sound, color. Todd Edwards for Anderson University, n.d. 77 min., sound, color. [1993-1997] Creating a hand from a twist, and making a 1925 Emilio Santini Demonstrations at The 15 min., sound, color. bicone bead. Studio, Aug. 11-22, 1997 Arlon Bayliss sculpture. Jared Finkle, 1997 1908 Part 3 3 tapes, sound, color. 1941 Hittfelder Glassommer: Gedanken zur 77 min., sound, color. Glaskunst Flower cane and leaf, plus the final bouquet. 1926 Estonian Glass 60 Studio Brachtl, 1996 Peeter Brambat/Ad Oculus Film, 1997 15 min., sound, color. 1909 Part 4 33 min., sound, color. Exhibition of Czech and Slovakian glass at the 111 min., sound, color. Glasgalerie Hittfeld. Making a lizard. 1927 Glasmuseum Frauenau Hannelore Kunz-Ott and Nilaus Leuenberger, 1942 Introduction to : Cabochons, 1910 Part5 1994 Beads, Ornaments, Tiles, Plates 86 min., sound, color. 13 min., sound, color. Crystal Myths Inc., 1997 Three-dimensional rabbit. 58 min., sound, color. 1928 Glass 1911 Part 6 Didier Letertre, 1991 1943 Italian Glass Symposium 90 min., sound, color. 14 min., sound, color. The Corning Museum of Glass, 1997 Head and torso of a panda. Tape 1: Napoleone Martinuzzi and the 1929 Glass Art Society 1994 Conference Sources of His Inspiration, by Rosa Barovier 1912 Breaking Chihuly Tape 1: Conference Opening Mentasti KOMO News 4, Seattle, 1997 106 min., sound, color. 54 min., sound, color. 2 min., sound, color. 1930 Tape 2: Dennis Leon, Geoffrey Edwards, 1944 Tape 2: A Glass Love Affair: A Family and 1913 CNN Visions: The Corning Museum of and Makoto Ito a Factory, by Anna Venini Diaz de Santillana Glass and the Italian Glass Exhibition 109 min., sound, color. 51 min., sound, color. CNN America Inc., 1997 30 min., sound, color. 1931 Tape 3: Surface of Glass (Carlo G. Pan- 1945 Tape 3: Collecting Italian Glass - Passion tano); Glass in Architecture (Ed Carpenter, Toni or Investment?, by Marc Heiremans 1914 The Continuous Ribbon Fountain Sikes, and Allan Temko) 51 min., sound, color. Spectrum Glass Company, 1996 119 min., sound, color. 15 min., sound, color. 1946 Tape 4: Thomas Stearns, Pioneering 1932 Tape 4: Goblet Grab; Exhibits; Demon­ American Designer at Venini, by Susanne K. 1915 Corning Museum of Glass Fellows' Lec­ strations (Ruth King and Pino Signoretto) Frantz ture 90 min., sound, color. 59 min., sound, color. Spring 1997: Chihuly over Venice, by Elmerina Parkman 1933 Tape 5: Richard Marquis; Post Consumer 1947 Tape 5: Genuine or Fake? Problems of The Corning Museum of Glass, 1997 Container (Jerry Pethick, Ro Purser, and Don Authenticity in Glass from Murano, by Helmut 30 min., sound, color. McPherson); Bay Area Work in Glass (Robert Ricke Kehlmann and Ben Marks) 66 min., sound, color. 1916 Corning Museum of Glass 1997 Seminar 119 min., sound, color. Tape 3b: The Novecento and the Nuove: Mid- 1948 Tape 6: Round-Table Discussion Century Italian Glass, by Susanne K. Frantz 1934 Tape 6: West Coast Designers (Pam Mor­ 64 min., sound, color. 60 min., sound, color. ris, Jim Jennings, and Cheryl Riley); Panel on Casting (Robert Belluci, John Leighton, Jeremy 1949 Kitengela 1997 1917 Tape 5: The Golden Age of Venetian Popelka, David Ruth, Chris Tedesco, and Clifford Anselm Croze, 1997 Glass, by William Gudenrath Rainey) 29 min., sound, color. 60 min., sound, color. 115 min., sound, color. 1950 Korea Glass Artist Society 1918 Tape 6: Curator's Choice, by Susanne K. 1935 Tape 7: Italian Hour(Pino Signoretto, Samsung Corning, 1996 Frantz Lino Tagliapietra, and Dante Marioni); GAS 1995 9 min., sound, color. 20 min., sound, color. Ashland Overview; Conference Closing 110 min., sound, color. 1951 Maya Lin: A Strong, Clear Vision 1919 Tape 7: The Rakow Commission, by Ann Freida Lee Mock and Terry Sanders/Sanders & Wolff 1936 Tape 8: S.J.S. U. Hot Glass Workshop Mock Productions/American Film Foundation, 30 min., sound, color. Demonstrations (Bonnie Biggs, Laura Donefer, 1994 Ruth King, Flo Perkins, Brian Pike, Pike Powers, 83 min., sound, color. 1920 Cristallisation and Karen Willenbrink) Didier Letertre, 1994 65 min., sound, color. 1952 [Nancy Burke] 9 min., sound, color. Nancy E. Burke and BBS Ontario Inc., CJOH-TV 1937 Tape 9: Benicia Day; Demonstrations Ottawa Productions, 1997 1921 Czech Glass (Lino Tagliapietra, Dante Marioni, and Dick Mar­ 20 min., sound, color. Ceska Televize, 1997 quis); Various Exhibitions 55 min., sound, color. 70 min., sound, color. 1953 Nani Croze: Kitengela Glass TV-ARD, Germany, 1997? 1922 Daniel Swarovski Defile 1938 Glass Buttons . . . Beyond Bead Making 30 min., sound, color. Swarovski, n.d. [1997?] KBA Productions, 1995 14 min., sound, color. 30 min., sound, color. 1954 Natural Progression Colin Gardner and John Quinan, 1996 1923 The Dreamer That Remains: A Portrait of 1939 Glassmaking in Venice 11 min., sound, color. Harry Partch Compilation of 3 films: Vetri di Murano (193-?), Sculpture by Michael Scheiner for Bloomberg LP. 1955 Paperweight Techniques 1959 Space, Light, Glass University of Wolverhampton, n.d. [1997?] Crystal Myths Inc., 1997 Ceska Televize, 1995 25 min., sound, color. 2 tapes: 80, 70 min., sound, color. 10 min., sound, color. Brychtova, Libensky, Cigler, Karel, Kopecky, 1956 Petr Novotny: Czechoslovakian Glass Zamecnikova. 1963 Venini Blower Venini, n.d. [1997?] Andy Hudson, 1996 1960 The Studio 15 min., sound, color. 60 min., sound, color. WENY-TV, Elmira, New York, September 13, 1997 1957 Red Hook Waterfront, Brooklyn 25 min., sound, color. 1964 Verriers Italiens Unknown New York television station, n.d. The Studio of The Corning Museum of Glass. R. Gossman?/CERFAV, 1994 [1996?] 161 min., sound, color. 3 min., sound, color. 1961 Two- Way Mirror Cylinder inside Cube and Lino Tagliapietra and Pino Signoretto. Pier Glass and Flicking Glassworks. a Video Salon: Dan Graham Dia Center for the Arts, 1992 1958 River of Glass: Inside Chihuly over 20 min., sound, color. 1965 Volcano Dream Venice Petrova Giberson for Joppa Glassworks, 1997 Portland Press and Barnard Productions, 1997 1962 University of Wolverhampton: Glass Sub­ 17 min., sound, color. 90 min., sound, color. ject Dudley Giberson. A SELECTIVE INDEX OF PROPER NAMES AND PLACES AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra­ Es handelt sich im folgenden urn ein denen die entsprechenden Personen phy" of New Glass Review 19. The num­ Sachregister zur „Bibliographie" der New oder Orte behandelt werden. bers following the names below are Glass Review 19. Die Zahlen hinter den keyed to the numbers preceding the indi­ Namen entsprechen den Zahlen, die den vidual "Bibliography" entries in which Eintragungen der einzelnen Beitrage der these persons and places are discussed. „Bibliographie" vorangestellt sind, in

Adam, Jan, 31, 402, 886 Cotter, Maud, 1593 Hall, Sarah, 1618, 1637, 1638, 1639, 1640, Adams, Hank Murta, 19, 1085, 1449 Cragg, Tony, 1180, 1224 1641 Antonakos, Stephen, 641, 642, 765 Cyren, Gunnar, 1076, 1474, 1477 Hanning, Tony, 849 Harcuba, Jin, 211, 850 Arad, Ron, 54, 60, 135, 492, 916 Day, Stephen Paul, 10, 279, 1473 Haufschild, Lutz, 1643, 1644 Ayotte, Rick, 45, 1100 de la Torre, Jamex and Einar, 514, 1206 Held, Robert, 1293 Backstrom, Monica, 131, 1427, 1447 Dejonghe, Bernard, 87, 95, 365, 519, 723, Barovier, Ercole, 1045, 1046 825, 933 Hellsten, Lars, 901, 1427, 1446 Bartels, Horst, 33, 109, 264, 463 Dickinson, Anna, 549 Higgins, Michael and Frances, 735, 794, 795, 854, 940, 941, 942, 943 Beecham, Gary, 151, 1080 Dietman, Erik, 122, 123, 228, 748 Higuchi, Kimiake and Shinichi, 878, 1759 Begou, Alain and Marisa, 821 Donefer, Laura, 615, 1112, 1936 Hill, Judy, 879, 1470 Ben Tre, Howard, 185, 509, 639, 641, 874, 1009 Dowler, David, 411, 1367 Hilton, Eric, 62, 1457 Bergstrom, Lena, 26, 446, 447 Ehrner, Anna, 245, 290, 1076 Hirst, Brian, 732, 859, 1226, 1295, 1381, 1407 Bianchin, Cristiano, 296, 299, 328, 329, 341, Eisch, Erwin, 67, 108, 113, 131, 750, 858, Hlava, Pavel, 665, 936, 1013, 1385 347, 790, 1429 936, 1107 Holler, Franz X., 159, 160, 1310 Bianconi, Fulvio, 316, 1052, 1305 Elias, Bohumil, 231, 503, 508, 858, 936, 999, 1049 Huang, Arlan, 497, 641, 1207 Biggs, Bonnie, 572, 1169, 1936 Elliott, Kathy/Edols, Ben, 383, 740 Huchthausen, David, 847, 860 Birkhill, Frederick, 575, 1770 Elskus, Albinas, 1598, 1603 Huth, Ursula, 561, 769 Blondeel, Herman, 1541, 1611, 1718 Engman, Kjell, 154, 1076, 1429 Hutter, Sidney, 658, 678 Blondel, Michele, 651 Farbanish, Tom, 1233 Hydman-Vallien, Ulrica, 41, 1077, 1427 Bohus, Zoltan, 1194 Fenton, Dan, 1795, 1796, 1823 Ikemoto, Kazumi, 67, 99, 179, 181, 1264, 1812 Bokesch-Parsons, Mark, 649 Ferko, L'ubomir, 1057 Iwata, Rury, 1386 Bolt, Gary, 583, 1073 Fero, Shane, 722, 1100, 1226, 1770 Iwata, Toshichi, 1387, 1411 Bourgeois, Louise, 1183 Fisar, Jan, 202, 207, 1214 Jensen, Judy, 218, 1501 Bray, Charles, 1084, 1774 Flander, Brita, 295, 1323, 1380, 1475 Jojola, Tony, 742 Brock, Emily, 1326 Flavin, Dan, 1087, 1280 Jolley, Richard, 610 Byars, James Lee, 1123 Forejtova, Jitka, 1011 Karel, Marian, 665, 882,1037,1181, 1249,1959 Calderon, Mark, 962 Franck, Kaj, 84, 139, 219, 1179, 1362, 1406 Kerkvliet, Brian, 502, 721, 927, 973, 1253, Carlson, Robert, 625, 626, 627, 628, 1169, 1821, 1822 2326 Fujita, Kyohei, 838, 936 King, Ruth, 399, 465, 980, 1836, 1932, 1936 Carlson, William, 469, 639, 660, 1407 Gallin, Saara, 1534, 1724 Kogelnik, Kiki, 230, 424, 633 Carpenter, Ed, 641, 642, 1931 Gardner, Ann, 1469 Kopecky, Vladimir, 508, 882, 988, 1037, 1216, Carpenter, James, 524, 641, 642, 1738, 1772 Giberson, Dudley, 1799, 1965 1401, 1405, 1959 Castiglioni, Achille, 50, 320, 622, 1127, 1136, Glancy, Michael, 19, 1039, 1134 Koss, Gene, 1079 1198, 1222 Glass Art Society, 77, 441, 495, 528, 640, 669, Kreider, Peter, 252 Chardiet, Jose, 657 1093, 1109, 1169, 1170, 1271, 1374, 1929 Kuhn, Jon, 656 Chihuly, Dale, 19, 67, 81, 82, 83, 117, 124, Glick Collection, 251, 646, 676, 1060 182, 209, 274, 278, 352, 386, 416, 421, Gonzalez-Torres, Felix, 534, 739 Labino, Dominick, 726, 752, 1416, 1495 452, 460, 466, 481, 517, 586, 755, 776, Gray, Katherine, 368 Lagerbielke, Erika, 361, 737, 749, 1427 862, 988, 991, 1008, 1036, 1118, 1128, 1144, 1166, 1196, 1226, 1336, 1363, 1410, Gritsch, Rudi, 831 Lahaie, Therese, 372 1452, 1491, 1912, 1915, 1958 Groot, Mieke, 1301 Lam, Izabel, 240 Cigler, Vaclav, 507, 882, 988, 1037, 1959 Guerin, Henri, 1630, 1634 Lane, Danny, 92, 135, 1246, 1490 Clarke, Brian, 1517, 1525, 1527, 1717, 1721 Guernsey, Melanie, 129, 130, 465 Langley, Warren, 820, 912 Clayman, Daniel, 1102 Guggisberg, Monica/Baldwin, Philip, 339, 444, Layton, Peter, 415, 1021, 1022 Cocks, Deb, 668, 671 759 Lechner, Florian, 770 Leperlier, Antoine, 532 Pala, Zora and Stepan, 988 Starck, Philippe, 135, 364, 389, 589, 623, 911, Levenson, Silvia, 700 Patti, Tom, 121, 1101, 1758 916 Libensky, Stanislav/Brychtova, Jaroslava, 116, Pennell, Ronald, 374, 397 Statom, Therman, 967, 1085, 1454 202, 231, 418, 626, 665, 771, 773, 778, 881, Penone, Giuseppe, 587, 869, 1428 Stearns, Thomas, 1297, 1946 882, 899, 936, 983, 1037, 1162, 1218, 1234, Stump, Loren, 1041, 1100, 1253 1382, 1388, 1959 Peretti, Sibylle, 279, 1473 Suhajek, Jin, 1083, 1435 Licata, Riccardo, 1261 Perkins, Flo, 353, 516, 1103, 1936 Sundberg, Per, 26, 1211, 1461 Lipofsky, Marvin, 21, 67, 956, 1441 Pesce, Gaetano, 34, 380, 547, 785, 916, 1016 Tagliapietra, Lino, 301,452,453,457,459,476, Philabaum, Tom, 437, 1374, 1375 Lipski, Donald, 529, 853 528, 543, 546, 803, 1226, 1296, 1298, 1935, Littleton, Harvey, 231, 752, 881, 897, 936, 953, Pilchuck Glass School, 241, 527, 563, 1065, 1937, 1964 1144, 1167, 1168, 1268 1260 Thompson, Cappy, 49, 1437 Pistor, Willi, 486, 891 Livi, Vittorio, 101, 134, 136, 350 Tobin, Steve, 673, 1238 Portnoy, Sallie, 674 Liza Lou, 433, 1174, 1412 Toikka, Oiva, 275, 439 Powell, Stephen Rolfe, 659, 1439, 1482 Loire, Gabriel, 1540, 1582, 1629, 1631, 1685, Torreano, John, 643, 1379, 1498 1686, 1696 Powers, Pike, 1085, 1936 Trnka, Pavel, 1124, 1402 Lowe, Liz, 1484 Powning, Peter, 597, 761 Tudor, Morna, 583, 683 Luebtow, John Gilbert, 63 Raman, Ingegerd, 447, 556, 558, 851 UrbanGlass, 39, 140, 252, 445, 648, 727, 767, Lugossy, Maria, 248, 577, 1194 Raymond, Jean-Paul, 566 1132, 1220, 1276, 1508 Mandelbaum, Ellen, 1605, 1664 Rea, Kirstie, 17, 281, 518 Vachtova, Dana, 505, 778 Mansau, Serge, 593, 812, 824 Reid, Colin, 57, 231, 858, 1341 Valkema, Sybren, 431 Marioni, Dante, 459, 528, 1019, 1144, 1164, Reyntiens, Patrick, 1729 Vallien, Bertil, 41, 42, 140, 362, 452, 529, 569, 1935, 1937 Rhoades, Kait, 280, 813 696, 862, 919, 936, 945, 982, 1003, 1108, Marioni, Paul, 517, 641, 1019 1279, 1427 Riberolles, Pascale, 824, 827 Markovitz, Sherry, 652 van der Burght, Angela, 501, 1422, 1718 Rispal, Josette, 947 Marquis, Richard, 1226, 1468, 1933, 1937 van Lith, Jean-Paul, 836 Robinson, Ann, 383, 1268, 1467 Martinez, Raymond, 127, 567 van Zijst, Jan-Willem, 501, 1718 Romanelli, Bruno, 796, 1328 Martinuzzi, Paolo, 771 Vanderstukken, Koen, 1424 Rosin, Loredano, 1373 Maslach, Steven, 298, 627 Varotsos, Costas, 1208, 1392 Roubicek, Rene, 1178,1334,1335,1356,1401 Matous, Jaroslav, 508, 998 Velasquez, William, 568, 839 Roubickova, Miluse, 1334, 1356 Matthews, Mark, 396, 1479 Velisek, Martin, 908 Rozsypal, Ivo, 202, 351, 1404 McElheny, Josiah, 10, 804, 808 Venezia Aperto Vetro, 16, 274, 451, 452, 777, Rozatova, Eliska, 508, 603, 1433 822, 835, 843, 1215, 1259, 1277, 1303 Meitner, Richard, 964, 1301 Ruffner, Ginny, 21, 140, 958, 960, 1036, 1100, Vlcek, Petr, 1403, 1423 Merz, Mario, 786, 905 1314, 1453 vonRoenn, Kenneth, 221, 1538, 1543, 1645 Meydam, Floris, 760 Rybak, Jaromir, 452, 1227 Walentynowicz, Janusz, 655 Mickelsen, Robert, 150, 1837, 1838, 1839, Sahlin, Gunnel, 428, 447, 807, 1147 1840 Walker, William, 413, 809 Salo, Markku, 16, 120, 481, 756, 870, 932 Mihalisin, Julie, 644 Ward, Mayauel, 512, 513 Samphire, Lisa, 407, 583, 1293 Millard, Dick, 1654, 1665 Watkins, James, 990, 1085 Santarosso, Renato, 110, 1302, 1773 Mills, Rick, 805, 965 Wax, Jack, 961 Santillana, Laura de, 292, 1496 Miret-Jayson, Ellen, 1683 Wilkin, Neil, 1129 Sarpaneva, Timo, 393, 629, 756, 1185 Miura, Keiko, 1671, 1672 Willenbrink, Karen, 975, 1936 Saulnier, Emmanuel, 742, 1266 Moje, Klaus, 223, 602 Wilmarth, Christopher, 949, 1038, 1137, 1319, Sautner, Barry, 1391 1485, 1600 Moore, Simon, 1466 Schaechter, Judy, 1545,1597,1653,1697,1710 Wingfield, Leah, 677 Moretti, Carlo, 284, 300, 306, 716 Scheiner, Michael, 607, 1308, 1954 Wolff, Ann, 14, 116, 361, 387, 808, 1919 Morin, Claude, 146, 803 Schetting, Katja, 754, 889 Yamano, Hiroshi, 819, 996 Morris, William, 470-471, 485, 579, 661, 675, 689, 903, 970, 1098, 1144, 1295, 1455 Scott, Joyce, 262, 352, 1019, 1035, 1036, 1314 Young, Peter, 1687, 1713 Myers, Joel Philip, 212, 231, 409, 596, 625, 860 Seguso, Livio, 1043, 1044 Zamecnikova, Dana, 506, 663, 665, 876, 877, 882, 1037, 1226, 1959 Nanning, Barbara, 688, 1327 Signoretto, Pino, 543, 1932, 1935, 1964 Zembok, Udo, 523, 828, 1283 Nannucci, Maurizio, 1258 Sipek, Borek, 293, 333, 334, 379, 609, 632, 764, 851, 916, 1338 Zimmermann, Jorg E, 217, 231, 419 Nelson, Stephen Rich, 371 Skillitzi, Stephen, 1286, 1347, 1348 Zoritchak, Yan, 126, 712, 858, 1126 Noda, Yumiko, 67, 99, 475, 1145 Smith, Kiki, 222, 606, 643, 654, 708, 853, 1081, Zuber, Czeslaw, 80, 631, 824, 936 Nurminen, Kerttu, 84, 219, 872 1182, 1248, 1352 Zynsky, Toots, 312, 453, 457, 679 Obaldia, Isabel de, 1190 Solcova-Sramkova, Ivana, 665, 1214, 1236 Ogishi, Setsuko, 883 Sottsass, Ettore, 161, 200, 302, 311, 320, 424, Ohrstrom, Edvin, 797, 1275 426, 621, 630, 632, 916, 1355 Orlina, Ramon, 963 Stankard, Paul, 358, 422, 701,1100,1442,1499