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Melbourne Symphony Orchestra Richard Gill CONCERT PROGRAM Ears Wide Open Haydn’s Drumroll Symphony Tuesday 12 July at 6:30pm Melbourne Recital Centre ARTISTS JOSEPH HAYDN (1732–1809) Symphony No.103 in E flat, Hob.I:103, Drumroll Joseph Haydn composed his final 12 symphonies for performances in Melbourne London during two journeys; one in 1791–1792 and another in 1794-1795. The penultimate symphony is a marvel of the so-called classical style that Haydn helped to develop. The work is written for the standard classical Symphony orchestra with 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. The first movement is preceded by a slow and sombre introduction with the Orchestra drumroll that gave the Symphony its name. A very unusual feature of this movement is the repeat of this introduction just before the coda. Two years after the Drumroll Symphony was composed, Beethoven would give his audience a similar surprise in the first movement of the Sonata Pathétique. Richard Gill The slow movement is – typical of Haydn – a set of variations on two themes: one in C minor and one in C major. This is followed by the Minuet. Surprisingly, the Finale starts not with the main theme, but with 2 horns playing the accompaniment to the main theme, which is supposedly based conductor on a Croatian folk song. Haydn’s Drumroll Symphony was immediately popular with the English REPERTOIRE audience. After the premiere the Morning Chronicle wrote: ‘Another new Overture [i.e., symphony], by the fertile and enchanting Haydn, was performed; which, as usual, had continual strokes of genius, both in air and harmony. The Introduction excited deepest attention, the Allegro charmed, Haydn the Andante was encored, the Minuets, especially the trio, were playful and sweet, and the last movement was equal, if not superior to the preceding.’ Symphony © Ronald Vermeulen 2016 RICHARD GILL No.103 CONDUCTOR Richard Gill, OAM, is one of Australia’s preeminent conductors and an internationally respected music educator. He is Founding Music Director and Conductor Emeritus of Victorian Opera, Music Director of the Sydney Drumroll Chamber Choir, and Artistic Advisor for the Musica Viva Education programs. He has been Artistic Director of the Education Program for the Sydney Symphony Orchestra, Artistic Director of OzOpera, Artistic Director and Chief Conductor of the Canberra Symphony Orchestra, Director of Chorus at Opera Australia (then The Australian Opera), and Adviser for the Musica Viva In Schools program. He has conducted all of the major Australian symphony orchestras and youth orchestras, including conducting the Sydney Symphony Orchestra’s Meet the Music and Family concerts and was previously the Dean of the West Australian Conservatorium of Music. ORCHESTRA * Guest Musician First Violins Violas Flutes Horns Dale Barltrop Christopher Moore Prudence Davis Geoff Lierse Concertmaster Principal Principal Flute Chair - Anonymous Associate Principal Eoin Andersen Fiona Sargeant Wendy Clarke Saul Lewis Concertmaster Associate Principal Associate Principal Principal Third Sophie Rowell Lauren Brigden Sarah Beggs Jenna Breen The Ullmer Family Foundation Katharine Brockman Abbey Edlin Associate Concertmaster Chair Christopher Cartlidge Piccolo Trinette McClimont Peter Edwards Gabrielle Halloran Andrew Macleod Robert Shirley* Assistant Principal Trevor Jones Principal Cindy Watkin Trumpets Kirsty Bremner Caleb Wright Oboes Geoffrey Payne Sarah Curro Ceridwen Davies* Jeffrey Crellin Principal Peter Fellin Principal Deborah Goodall Cellos Shane Hooton Lorraine Hook Thomas Hutchinson Associate Principal David Berlin Kirstin Kenny Associate Principal William Evans MS Newman Family Ji Won Kim Ann Blackburn Julie Payne Principal Cello Chair Eleanor Mancini Rachel Curkpatrick* Mark Mogilevski Rachael Tobin Trombones Michelle Ruffolo Associate Principal Cor Anglais Brett Kelly Kathryn Taylor Nicholas Bochner Michael Pisani Principal Robert John* Assistant Principal Principal Iain Faragher* Miranda Brockman Clarinets Bass Trombone Second Violins Rohan de Korte Matthew Tomkins Keith Johnson David Thomas Mike Szabo The Gross Foundation Sarah Morse Principal Principal Principal Second Violin Chair Angela Sargeant Philip Arkinstall Tuba Robert Macindoe Michelle Wood Associate Principal Associate Principal Craig Hill Timothy Buzbee Double Basses Principal Monica Curro Steve Reeves Bass Clarinet Assistant Principal Timpani Principal Jon Craven Mary Allison Andrew Moon Principal Christine Turpin Isin Cakmakcioglu Associate Principal Principal Freya Franzen Bassoons Cong Gu Sylvia Hosking Percussion Jack Schiller Andrew Hall Assistant Principal Principal Robert Clarke Francesca Hiew Damien Eckersley Principal Rachel Homburg Benjamin Hanlon Elise Millman Isy Wasserman Suzanne Lee Associate Principal John Arcaro Philippa West Stephen Newton Natasha Thomas Robert Cossom Patrick Wong Harp Roger Young Contrabassoon Brock Imison Yinuo Mu Principal Principal SUPPORTERS Thanks to our wonderful MSO supporters Share your concert experience Ticket sales account for only 33% of the Melbourne Symphony Orchestra’s Like us on Facebook revenue. The Orchestra is deeply appreciative of the support it receives facebook.com/MelbourneSymphony from Federal, State and Local government funders, corporate partners, individual donors and trusts and foundations. For a full list of supporters Follow us on Twitter and for ways to support your MSO, please visit mso.com.au/support. @MelbSymphony View our photos on Instagram @MelbourneSymphonyOrchestra Watch us on YouTube youtube.com/TheMSOrchestra.
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