PAT HOFFIE: Skatebowl in a Gallery, Ipswich Essay by Julianne Schultz
PAT HOFFIE: Skatebowl in a Gallery, Ipswich essay by Julianne Schultz MONA – the Museum of Old and New Art – is a glamorous curiosity box on the banks of the Derwent River at Glenorchy in working class Hobart. In just a few years it has been the catalyst of and economic and social transformation – crystallising the cultural essence of early twenty-first century Tasmania, and changing notions of productive work. In the process it has put the state on the global tourism agenda, providing opportunities for artists, craftspeople, performers and thinkers to find like minded souls and develop new businesses and to stretch the horizons and possibilities for countless others. Similar interventions are occurring around the world, as artists, entrepreneurs, local administrators and communities stretch the boundaries of engagement, creativity and art. Skatebowl in a Gallery, Ipswich is the most recent move into this space by the important Brisbane artist, Pat Hoffie. That this work, titled Immaterial Labour: Skatebowl Prounspace has found a home at the Ipswich Art Gallery is itself important – it is the juxtapostion of works like this in unexpected places, and with people who may not routinely visit a gallery, that adds to their power and impact. MONA is a great example. It is itself arguably as much a work of art – of genius – as some of the works assembled in its subterranean galleries and inspiring spaces. It is a product of vision and skill of one man, David Walsh, executed with unstinting precision using the proceeds of a form of work (gambling), which is more often thought of as play.
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