PATTI SMITH Patti Smith a Parma: Laurea Ad Honorem, Concerto E Mostra
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Impact of Allen Ginsberg's Howl on American Counterculture
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
Patti DP.Indd
patti smith dream of life a film by steven sebring THIRTEEN/WNET NEW YORK AND CLEAN SOCKS PRESENT PATTI SMITH AND THE BAND: LENNY KAYE OLIVER RAY TONY SHANAHAN JAY DEE DAUGHERTY AND JACKSON SMITH JESSE SMITH DIRECTORS OF TOM VERLAINE SAM SHEPARD PHILIP GLASS BENJAMIN SMOKE FLEA DIRECTOR STEVEN SEBRING PRODUCERS STEVEN SEBRING MARGARET SMILOW SCOTT VOGEL PHOTOGRAPHY PHILLIP HUNT EXECUTIVE CREATIVE STEVEN SEBRING EDITORS ANGELO CORRAO, A.C.E, LIN POLITO PRODUCERS STEVEN SEBRING MARGARET SMILOW CONSULTANT SHOSHANA SEBRING LINE PRODUCER SONOKO AOYAGI LEOPOLD SUPERVISING INTERNATIONAL PRODUCERS JUNKO TSUNASHIMA KRISTIN LOVEJOY DISTRIBUTION BY CELLULOID DREAMS Thirteen / WNET New York and Clean Socks present Independent Film Competition: Documentary patti smith dream of life a film by steven sebring USA - 2008 - Color/B&W - 109 min - 1:66 - Dolby SRD - English www.dreamoflifethemovie.com WORLD SALES INTERNATIONAL PRESS CELLULOID DREAMS INTERNATIONAL HOUSE OF PUBLICITY 2 rue Turgot Sundance office located at the Festival Headquarters 75009 Paris, France Marriott Sidewinder Dr. T : + 33 (0) 1 4970 0370 F : + 33 (0) 1 4970 0371 Jeff Hill – cell: 917-575-8808 [email protected] E: [email protected] www.celluloid-dreams.com Michelle Moretta – cell: 917-749-5578 E: [email protected] synopsis Dream of Life is a plunge into the philosophy and artistry of cult rocker Patti Smith. This portrait of the legendary singer, artist and poet explores themes of spirituality, history and self expression. Known as the godmother of punk, she emerged in the 1970’s, galvanizing the music scene with her unique style of poetic rage, music and trademark swagger. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
The Optic and the Semiotic in the Novels of Amit Chaudhuri
THE OPTIC AND THE SEMIOTIC IN THE NOVELS OF AMIT CHAUDHURI SUMANA ROY THESIS SUBMITTED FOR Ph.D DEGREE UNDER THE SUPERVISION OF PROFESSOR G. N. RAY AT THE DEPARTMENT OF ENGLISH OF THE UNIVERSITY OF NORTH BENGAL, 2007 g23-033 •3< ggg'O 20582O 2 6 MAY li^Oti Contents Acknowledgements 1 Preface 2 Introduction 6 Chapter 1 The Text as Rhizome: Amit Chaudhuri's Theory of Fiction 16 Chapter 2 Whose Space is it anyway? The Politics of Translation on the Printed Page 26 Chapter 3 The Metonymised Body: Exploring the Semiotic of the Body 44 Chapter 4 Salt, Sugar, Spice: The Food Dis(h)-course 62 Chapter 5 This is Not Fusion: Then what is? 84 Chapter 6 'Eh Stupid!' 'Saala!': The 'Impolite' in Chaudhuri's Fiction 97 Chapter 7 Under Cover: The Cover Illustrations of the Books of Amit Chaudhuri 121 Chapter 8 "I send you this poem": The optic and the codes of exchange in Chaudhuri's Poems 128 Bibliography 148 Appendix Aalap: In Conversation with Amit Chaudhuri 154 Novelist on Narratives 178 Published Chapters 184 Acknowledgements Every PhD student begins by acknowledging her gratitude and debt to her supervisor and I will continue with the tradition; only, in my case, my gratitude would extend to subjects beyond the scope of this dissertation. Among all the generous gifts that I have received from Professor G. N. Ray, I must mention one that I value over others - his patience with a moody doctoral student like me. I would also like to acknowledge my gratitude to two of my professors. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
Origins of Rock the Seventies
from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7 -
Horses”—Patti Smith (1975) Added to the National Registry: 2009 Essay by Kimbrew Mcleod (Guest Post)*
“Horses”—Patti Smith (1975) Added to the National Registry: 2009 Essay by Kimbrew McLeod (guest post)* Original album Original label John Cale “Jesus died for somebody’s sins / but not mine,” Patti Smith growled during the opening lines of “Horses,” the first album to emerge from New York City’s punk scene. Released at the end of 1975, it can best be understood by surveying the panorama of influences that shaped its creation: first and foremost, the overlapping underground arts scenes in downtown New York City during the 1960s and 1970s. While “Horses” seemed to emerge fully formed from the mind of a brilliant lyricist and musician, it was also very much the product of an environment that enabled Smith to find her voice. Growing up in a dreamworld filled with poetry and rock ’n’ roll, Smith first fell for Little Richard while living in New Jersey, which introduced her to the idea of androgyny. At age 16, she came across a copy of “Illuminations” by 19th-century French poet Arthur Rimbaud, which expanded her aesthetic horizons. By spring 1967, she graduated from high school and was doing temp work at a textbook factory in Philadelphia, which inspired her early poem-turned-song “Piss Factory,” about having her face shoved into a toilet bowl by bullying coworkers. Smith plotted her escape to New York City, where she landed a much more rewarding job at Brentano’s bookshop and also met Robert Mapplethorpe, who eventually photographed the iconic “Horses” album cover. She and Mapplethorpe became lovers and moved into the Chelsea Hotel, where Smith cultivated social connections that led her to become a performer in underground theater productions around town. -
Le Hurlement Du Papillon Performance Poétique
performance poétique un projet du collectif de création Piment, Langue d’oiseau le hurlement du papillon performance poétique Le hurlement du papillon est une exploration poétique et musicale de l’univers de Patti Smith. Une comédienne, une musicienne et un musicien se proposent de faire découvrir à travers ce spectacle, une des facettes moins connue public francophone de Patti Smith : sa poésie. Le parcours retrace une œuvre littéraire de 1970 à aujourd’hui, dans la pure inspiration de la poésie happening américaine, mouvement initié dans les années soixante par des personnalités telles que John Giorno, William Burroughs, Alan Ginsberg, Brion Gysin... Photo Robert Mappelthorpe (1974) Comme elle a souvent l’habitude de le faire lors de ses récitals poétiques, ses poèmes, ici dits en français, seront accompagnés d’univers sonores et musicaux originaux, joués en direct par les musiciens. Le hurlement du papillon est aussi un voyage survolant sa carrière musicale par la reprise d’une chanson de chacun de ses albums de « Horses » (1975) à « Trampin’ » (2004). Le parti pris de sobriété de sa forme en fait un spectacle s’adaptant aussi bien aux théâtres ou aux festivals de rue, ainsi qu’aux petits lieux insolites. Photo Annie Leibowitz (1995) Poète, auteur, compositeur, photographe, peintre, Patti Smith, née en 1946 est une artiste, un esprit libre qui fascine par la multiplicité de ses moyens d’expression, par la pureté de son parcours artistique sans concession. Ainsi traverse t’elle les courants, les modes et donc le temps. Les poèmes interprétés dont « le hurlement du papillon » seront choisis dans les deux recueils parus aux éditions Tristram : « La mer de corail » & « Corps de plane » qui regroupent des textes parus entre 1970 & 1979 ; ouvrages édités en France en 1996 & 1998. -
Akik Nekivágtak a Világ Sötét Erdejének a Fikcionalitás Alakzatai Patti Smith Önéletrajzi Prózájában, a Kölykökben
AKIK NEKIVÁGTAK A VILÁG SÖTÉT ERDEJÉNEK A FIKCIONALITÁS ALAKZATAI PATTI SMITH ÖNÉLETRAJZI PRÓZÁJÁBAN, A KÖLYKÖKBEN TASKOVICS VIKTÓRIA „Sok történetet mesélhetnék még Robertről, kettőnkről. De ezt a történetet mondtam el. Ezt kérte tőlem, hogy meséljem el, és megtartottam az ígéretemet. Olyan kísértetekkel, boszorkányokkal és démonokkal találkoztunk, melyekre álmunkban sem gondoltunk volna, és olyan tündöklő pompával, melyben csak titkon reménykedtünk. Senki más nem tudná elmesélni e két fiatal közös napjainak és éjszakáinak igaz történetét. Csak Robert és én. A mi történetünket, ahogy ő nevezte. És mivel ő elment, rám maradt a feladat, hogy elmondjam.” Patti Smith: Kölykök Patti Smith (1946-) amerikai énekes, dalszerző, költő, a National Book Award-dal kitüntetett író. A ’60-as évek végén New Jerseyből New Yorkba költözött, ahol elkezdődött zenei és irodalmi pályafutása. Mestereinek Allen Ginsberget és William Burroughs-t tartja, de nagy hatással volt rá Arthur Rimbaud és Frida Kahlo, vagy Bob Dylan, Jim Morrison művészete is. Kihagyhatatlan szófordulata számos róla szóló írásnak ,,a punk keresztanyjaként” emlegetni Smith-t, mivel az 1975-ben megjelent Horses című debütáló albuma meghatározó szerepet játszott a ’70-es évek new yorki punk szcénájának történetében a Ramones, a Talking Heads, vagy a Blondie mellett, a Horses pedig olyan előadókra gyakorolt jelentős hatást, mint PJ Harvey, Siouxsie and the Banshees, The Slits, The Smiths. Évtizedekkel később, a ’90-es évek kezdetén SZK 22. TASKOVICS VIKTÓRIA 242 Washingtonban alakult Riot grrrrl mozgalom1 meghatározó ikonként tekintett Smith-re. A St. Mark költészeti projekt során kezdett el komolyan foglalkozni a költészettel, előadóként ilyen formában kezdte meg működését, a felolvasások keretein belül ismerkedett meg Lenny Kaye-jel, akivel a későbbiekben zenekart alapítottak. -
Ernst Hofackers 70Er-Playlist | Reclam Verlag
Ernst Hofackers 70er-Playlist 1970/Singer/Songwriter: 1973/Krautrock/BRD Songs: Songs: 1. It’s Too Late - Carole King 1. Yoo Doo Right - Can 2. Ohio - Crosby, Stills, Nash & Young 2. Hallogallo - NEU! 3. Bridge Over Troubled Water - Simon & 3. Autobahn - Kraftwerk Garfunkel 4. Alles klar auf der Andrea Doria - Udo Lin- 4. You’ve Got A Friend - James Taylor denberg 5. Doctor My Eyes - Jackson Browne 5. Der Elektrolurch - Guru Guru Alben: Alben: 1. Tapestry - Carole King 1. Autobahn - Kraftwerk 2. American Pie - Don McLean 2. Tago Mago - Can 3. After The Goldrush - Neil Young 3. Alpha Centauri - Tangerine Dream 4. Blue - Joni Mitchell 4. Ball Pompös - Udo Lindenberg 5. Tumbleweed Connection - Elton John 5. Keine Macht für niemand - Ton Steine Scherben 1971/Rock/Prog/Metal: 1974/Reggae: Songs: 1. Paranoid - Black Sabbath Songs: 2. Black Dog - Led Zeppelin 1. Get Up, Stand Up - Bob Marley & The Wai- 3. Won’t Get Fooled Again – The Who lers 4. Echoes - Pink Floyd 2. Israelites - Desmond Dekker 5. Supper’s Ready - Genesis 3. The Harder They Come - Jimmy Cliff 4. Young, Gifted And Black - Bob & Marcia Alben: 5. Police & Thieves - Junior Murvin 1. Machine Head - Deep Purple 2. IV - Led Zeppelin Alben: 3. Close To The Edge - Yes 1. Catch A Fire - The Wailers 4. Aqualung - Jethro Tull 2. Return Of Django - The Upsetters 5. Master Of Reality - Black Sabbath 3. Sinsemilla - Black Uhuru 4. Legalize It - Peter Tosh 5. Handsworth Revolution - Steel Pulse 1972/Glam Rock: Songs: 1975/Black Music: 1. All The Young Dudes - Mott The Hoople 2. Walk On The Wild Side - Lou Reed Songs: 3.