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13-Mar-21 SHOW NAME HOST NAME CRTC TIME START TIME FINISH ARTIST/PSA SONG ALBUM CANCON Revolution Rock Dave Konstantino CODE & Adam Peltier 12 19:00 19:07 Talking 21 Patti Smith Piss Factory Land (1975-2002) 21 Patti Smith Break It Up Horses 21 Patti Smith Group Pumping (My Heart) Radio Ethiopia 21 Patti Smith Group High On Rebellion Easter 12 19:22 19:29 Talking 21 Essential Logic Aerosol Burns Fanfare In The Garden 21 Essential Logic Music Is A Better Noise Fanfare In The Garden 21 Red Krayola Born In Flames Fanfare In The Garden 21 Pylon Stop It Gyrate 12 19:43 19:47 Talking 21 The Weather Station The Robber Ignorance yes 21 J.R. PAL J.R. EP yes 21 Julien Baker Heatwave Little Oblivions yes 21 Honshu Wolves AHA Cosmic Creature Capture 12 20:00 20:04 Talking 21 Lie Good Boy You Want It Real yes 21 Energy Slime It's Cold It's Cold yes 21 Peach Kelli Pop Cut Me Off Lucky Star 21 Necking Big Mouth Cut Your Teeth yes 21 Maow Sucker The Unforgiving Sounds of yes 21 Lungbutter Solar Honey yes 21 Switches Stole All My Stuff I just Wanna yes 21 Cub Everything's Geometry Come Out Come Out yes 21 The Shiverettes Dark Cycle Lemonade Stand Vol 1 yes 21 Moe Tucker Fired Up (Single Version) I Feel So Far Away Anthology 12 20:30 20:38 Talking 21 Patti Smith Group Frederick Wave 21 Patti Smith People Have The Power Dream Of Life 21 Patti Smith Beneath The Southern Cross Gone Again 12 20:50 20:56 Talking 21 Patti Smith Banga Banga 21 Patti Smith Group 5-4-3-2-1 (Live) Wave CAN CON Total = 37% (*** If you do use this program please let me know that you are using it via email at [email protected] ***) .

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Syntactic Structure in Memory
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2021 There and Gone Again: Syntactic Structure In Memory Caroline Andrews University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Psycholinguistics and Neurolinguistics Commons Recommended Citation Andrews, Caroline, "There and Gone Again: Syntactic Structure In Memory" (2021). Doctoral Dissertations. 2090. https://doi.org/10.7275/19826911 https://scholarworks.umass.edu/dissertations_2/2090 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses There and Gone Again: Syntactic Structure In Memory Caroline Andrews Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Psycholinguistics and Neurolinguistics Commons THERE AND GONE AGAIN: SYNTACTIC STRUCTURE IN MEMORY A Dissertation Presented by CAROLINE ANDREWS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulﬁllment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2021 Linguistics c Copyright by Caroline Andrews 2021 All Rights Reserved THERE AND GONE AGAIN: SYNTACTIC STRUCTURE IN MEMORY A Dissertation Presented by CAROLINE ANDREWS Approved as to style and content by: Brian Dillon, Chair John Kingston, Member Adrian Staub, Member Joe Pater, Department Chair Linguistics To my parents and my brother, who have taught me so many things, not the least of which were courage and curiosity.
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PATTI SMITH Eighteen Stations MARCH 3 – APRIL 16, 2016
/robertmillergallery For immediate release: [email protected] @RMillerGallery 212.366.4774 /robertmillergallery PATTI SMITH Eighteen Stations MARCH 3 – APRIL 16, 2016 New York, NY – February 17, 2016. Robert Miller Gallery is pleased to announce Eighteen Stations, a special project by Patti Smith. Eighteen Stations revolves around the world of M Train, Smith’s bestselling book released in 2015. M Train chronicles, as Smith describes, “a roadmap to my life,” as told from the seats of the cafés and dwellings she has worked from globally. Reflecting the themes and sensibility of the book, Eighteen Stations is a meditation on the act of artistic creation. It features the artist’s illustrative photographs that accompany the book’s pages, along with works by Smith that speak to art and literature’s potential to offer hope and consolation. The artist will be reading from M Train at the Gallery throughout the run of the exhibition. Patti Smith (b. 1946) has been represented by Robert Miller Gallery since her joint debut with Robert Mapplethorpe, Film and Stills, opened at its 724 Fifth Avenue location in 1978. Recent solo exhibitions at the Gallery include Veil (2009) and A Pythagorean Traveler (2006). In 2014 Rockaway Artist Alliance and MoMA PS1 mounted Patti Smith: Resilience of the Dreamer at Fort Tilden, as part of a special project recognizing the ongoing recovery of the Rockaway Peninsula, where the artist has a home. Smith's work has been the subject of solo exhibitions at institutions worldwide including the Art Gallery of Ontario, Toronto (2013); Detroit Institute of Arts (2012); Wadsworth Atheneum Museum of Art, Hartford (2011); Fondation Cartier pour l’Art Contemporaine, Paris (2008); Haus der Kunst, Munich (2003); and The Andy Warhol Museum (2002).
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The Impact of Allen Ginsberg's Howl on American Counterculture
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl.
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