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An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895) Dissertation submitted for the degree of Doctor of Philosophy Benedict Keble Schofield Department of Germanic Studies University of Sheffield June 2009 Contents Abstract v Acknowledgements vi 1 Introduction 1 1.1 Literature and Tendenz in the mid-19th Century 1 1.2 Gustav Freytag: a Literary-Political Life 2 1.2.1 Freytag's Life and Works 2 1.2.2 Critical Responses to Freytag 4 1.3 Conceptual Frameworks and Core Terminology 10 1.4 Editions and Sources 1 1 1.4.1 The Gesammelte Werke 1 1 1.4.2 The Erinnerungen aus meinem Leben 12 1.4.3 Letters, Manuscripts and Archival Material 13 1.5 Structure of the Thesis 14 2 Political and Aesthetic Trends in Gustav Freytag's Vormiirz Poetry 17 2.1 Introduction: the Path to Poetry 17 2.2 In Breslau (1845) 18 2.2.1 In Breslau: Context, Composition and Theme 18 2.2.2 Politically Responsive Poetry 24 2.2.3 Domestic and Narrative Poetry 34 2.2.4 Poetic Imagination and Political Engagement 40 2.3 Conclusion: Early Concerns and Future Patterns 44 3 Gustav Freytag's Theatrical Practice in the 1840s: the Vormiirz Dramas 46 3.1 Introduction: from Poetry to Drama 46 3.2 Die Brautfahrt, oder Kunz von der Rosen (1841) 48 3.2.1 Die Brautfahrt: Context, Composition and Theme 48 3.2.2 The Hoftheater Competition of 1841: Die Brautfahrt as Comedy 50 3.2.3 Manipulating the Past: the Historical Background to Die Brautfahrt 53 3.2.4 The Question of Dramatic Hero: the Function ofKunz 57 3.2.5 Sub-Conclusion: Die -
The Changing Depiction of Prussia in the GDR
The Changing Depiction of Prussia in the GDR: From Rejection to Selective Commemoration Corinna Munn Department of History Columbia University April 9, 2014 Acknowledgments I would like to thank my advisor, Volker Berghahn, for his support and guidance in this project. I also thank my second reader, Hana Worthen, for her careful reading and constructive advice. This paper has also benefited from the work I did under Wolfgang Neugebauer at the Humboldt University of Berlin in the summer semester of 2013, and from the advice of Bärbel Holtz, also of Humboldt University. Table of Contents 1. Introduction……………………………………………………………………….1 2. Chronology and Context………………………………………………………….4 3. The Geschichtsbild in the GDR…………………………………………………..8 3.1 What is a Geschichtsbild?..............................................................................8 3.2 The Function of the Geschichtsbild in the GDR……………………………9 4. Prussia’s Changing Role in the Geschichtsbild of the GDR…………………….11 4.1 1945-1951: The Post-War Period………………………………………….11 4.1.1 Historiography and Publications……………………………………11 4.1.2 Public Symbols and Events: The fate of the Berliner Stadtschloss…14 4.1.3 Film: Die blauen Schwerter………………………………………...19 4.2 1951-1973: Building a Socialist Society…………………………………...22 4.2.1 Historiography and Publications……………………………………22 4.2.2 Public Symbols and Events: The Neue Wache and the demolition of Potsdam’s Garnisonkirche…………………………………………..30 4.2.3 Film: Die gestohlene Schlacht………………………………………34 4.3 1973-1989: The Rediscovery of Prussia…………………………………...39 4.3.1 Historiography and Publications……………………………………39 4.3.2 Public Symbols and Events: The restoration of the Lindenforum and the exhibit at Sans Souci……………………………………………42 4.3.3 Film: Sachsens Glanz und Preußens Gloria………………………..45 5. -
Neue Wache (1818-1993) Since 1993 in the Federal Republic of Germany the Berlin Neue Wache Has Served As a Central Memorial Comm
PRZEGLĄD ZACHODNI 2011, No 1 ZbIGNIEw MAZuR Poznań NEUE WACHE (1818-1993) Since 1993 in the Federal Republic of Germany the berlin Neue wache has served as a central memorial commemorating the victims of war and tyranny, that is to say it represents in a synthetic gist the binding German canon of collective memo- ry in the most sensitive area concerning the infamous history of the Third Reich. The interior decor of Neue wache, the sculpture placed inside and the commemorative plaques speak a lot about the official historical policy of the German government. Also the symbolism of the place itself is of significance, and a plaque positioned to the left of the entrance contains information about its history. Indeed, the history of Neue wache was extraordinary, starting as a utility building, though equipped with readable symbolic features, and ending up as a place for a national memorial which has been redesigned three times. Consequently, the process itself created a symbolic palimpsest with some layers completely obliterated and others remaining visible to the eye, and with new layers added which still retain a scent of freshness. The first layer is very strongly connected with the victorious war of “liberation” against Na- poleonic France, which played the role of a myth that laid the foundations for the great power of Prussia and then of the later German Empire. The second layer was a reflection of the glorifying worship of the fallen soldiers which developed after world war I in European countries and also in Germany. The third one was an ex- pression of the historical policy of the communist-run German Democratic Republic which emphasized the victims of class struggle with “militarism” and “fascism”. -
Architecture in Berlin. a Walk Through History Instructor
Course title: Architecture in Berlin. A Walk through History Instructor: Dr. Gernot Weckherlin Email address: [email protected] Track: A-Track Language of instruction: English Contact hours: 48 (6 per day) ECTS-Credits: 5 Prerequisites: Students should be able to speak and read English at the upper intermediate level (B2) or higher. Course description This course gives a wide overview of the development of public and private architecture in Berlin during the 19th, 20th and 21st centuries. Following an introduction to the urban development and architectural history of the Modern era, the Neo-Classical period will be surveyed with special reference to the works of Schinkel. This will be followed by classes on architecture of the German Reich after 1871, which was characterized by both modern and conservative tendencies and the manifold activities during the time of the Weimar Republic in the 1920s such as the Housing Revolution. The architecture of the Nazi period will be examined, followed by the developments in East and West Berlin after the Second World War. The course concludes with a detailed review of the city’s more recent and current architectural profiles, including an analysis of the conflicts concerning the re-design of Berlin after the Cold War and the German reunification. Seven walking tours to historically significant buildings and sites are included (Unter den Linden, Gendarmenmarkt, New Housing Estates, Chancellory, Potsdamer Platz, Holocaust Memorial etc.). The course aims to offer a deeper understanding of the interdependence of Berlin’s architecture and the city’s social and political structures. It considers Berlin as a model for the highways and by-ways of a European capital in modern times. -
Draft Itinerary: Subject to Change INSIDE JEWISH POLAND
Draft Itinerary: Subject to Change INSIDE JEWISH POLAND & BERLIN JDC Entwine Insider Trip in Partnership with Northwestern March 19-26 , 2017 Once the largest Jewish community in Europe, Polish Jewry was nearly extinguished by the Nazis during World War II. Those Jews who remained after the war suffered further repression under communist rule. The country’s Jewish community numbered a mere 6,000—primarily aging Holocaust survivors—in the early 1980s. Since then, many Polish Jews have reconnected to Judaism and the Jewish community and population estimates now range from 12,000 to as high as 25,000 Jews. The 1990s ushered in a new economy that has since become one of the strongest in Eastern Europe. Yet Poland is still challenged by unemployment, an aging and inadequate infrastructure, and extreme disparities in income, social services, and community development. Poland’s Jewish community has doubled in the last 30 years, creating an increased need for critical social services and Jewish life programming. At the same time, meeting the needs of the nation’s aging Holocaust survivors and other elderly Jews remains a primary concern for JDC. JDC works with Polish Jewish organizations to provide critical basic needs and care to the elderly and to vulnerable families. It also is investing in a vibrant Jewish future through youth clubs, camps, student organizations, and leadership training. Day One: Sunday, March 19: Travel to Warsaw Afternoon Depart Chicago for Warsaw Day Two: Monday, March 20: Arrive in Warsaw Warsaw is the sprawling capital of Poland. Its widely varied architecture reflects the city's long, turbulent history, from Gothic churches and neoclassical palaces to Soviet-era blocks and modern skyscrapers. -
Art and Economics in the City
Caterina Benincasa, Gianfranco Neri, Michele Trimarchi (eds.) Art and Economics in the City Urban Studies Caterina Benincasa, art historian, is founder of Polyhedra (a nonprofit organi- zation focused on the relationship between art and science) and of the Innovate Heritage project aimed at a wide exchange of ideas and experience among scho- lars, artists and pratictioners. She lives in Berlin. Gianfranco Neri, architect, teaches Architectural and Urban Composition at Reggio Calabria “Mediterranea” University, where he directs the Department of Art and Territory. He extensively publishes books and articles on issues related to architectural projects. In 2005 he has been awarded the first prize in the international competition for a nursery in Rome. Michele Trimarchi (PhD), economist, teaches Public Economics (Catanzaro) and Cultural Economics (Bologna). He coordinates the Lateral Thinking Lab (IED Rome), is member of the editoral board of Creative Industries Journal and of the international council of the Creative Industries Federation. Caterina Benincasa, Gianfranco Neri, Michele Trimarchi (eds.) Art and Economics in the City New Cultural Maps An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-4214-2. More information about the initiative and links to the Open Access version can be found at www.know- ledgeunlatched.org. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author. -
Stunde Null: the End and the Beginning Fifty Years Ago." Their Contributions Are Presented in This Booklet
STUNDE NULL: The End and the Beginning Fifty Years Ago Occasional Paper No. 20 Edited by Geoffrey J. Giles GERMAN HISTORICAL INSTITUTE WASHINGTON, D.C. STUNDE NULL The End and the Beginning Fifty Years Ago Edited by Geoffrey J. Giles Occasional Paper No. 20 Series editors: Detlef Junker Petra Marquardt-Bigman Janine S. Micunek © 1997. All rights reserved. GERMAN HISTORICAL INSTITUTE 1607 New Hampshire Ave., NW Washington, DC 20009 Tel. (202) 387–3355 Contents Introduction 5 Geoffrey J. Giles 1945 and the Continuities of German History: 9 Reflections on Memory, Historiography, and Politics Konrad H. Jarausch Stunde Null in German Politics? 25 Confessional Culture, Realpolitik, and the Organization of Christian Democracy Maria D. Mitchell American Sociology and German 39 Re-education after World War II Uta Gerhardt German Literature, Year Zero: 59 Writers and Politics, 1945–1953 Stephen Brockmann Stunde Null der Frauen? 75 Renegotiating Women‘s Place in Postwar Germany Maria Höhn The New City: German Urban 89 Planning and the Zero Hour Jeffry M. Diefendorf Stunde Null at the Ground Level: 105 1945 as a Social and Political Ausgangspunkt in Three Cities in the U.S. Zone of Occupation Rebecca Boehling Introduction Half a century after the collapse of National Socialism, many historians are now taking stock of the difficult transition that faced Germans in 1945. The Friends of the German Historical Institute in Washington chose that momentous year as the focus of their 1995 annual symposium, assembling a number of scholars to discuss the topic "Stunde Null: The End and the Beginning Fifty Years Ago." Their contributions are presented in this booklet. -
Das "TACHELES" in Berlin. Vom Passage-Kaufhaus Zum Kunsthaus
Das „TACHELES“ in Berlin Vom Passage-Kaufhaus zum Kunsthaus Der Nutzungswandel einer Bautypologie im Kontext soziokultureller Stadtentwicklung Die approbierte gedruckte Originalversion dieser Diplomarbeit ist an der TU Wien Bibliothek verfügbar. The approved original version of this thesis is available in print at TU Wien Bibliothek. Diplomarbeit Das „TACHELES“ in Berlin Vom Passage-Kaufhaus zum Kunsthaus Der Nutzungswandel einer Bautypologie im Kontext soziokultureller Stadtentwicklung ausgeführt zum Zwecke der Erlangung des akademischen Grades einer Diplom-Ingenieurin unter der Leitung von Univ. Prof. Dr. Ing. Marina Döring-Williams M.A. E251-01 Institut für Kunstgeschichte, Bauforschung und Denkmalpflege eingereicht an der Technischen Universität Wien Fakultät für Architektur und Raumplanung von Insa Luise Höhne, Bsc Die approbierte gedruckte Originalversion dieser Diplomarbeit ist an der TU Wien Bibliothek verfügbar. The approved original version of this thesis is available in print at TU Wien Bibliothek. 01429162. (E066 443) Wien, im November 2019 Insa Luise Höhne Die approbierte gedruckte Originalversion dieser Diplomarbeit ist an der TU Wien Bibliothek verfügbar. The approved original version of this thesis is available in print at TU Wien Bibliothek. KURZFASSUNG In meiner Masterarbeit mit dem Titel „Das „TACHELES“ Vom Passage-Kaufhaus zum Kunsthaus. Der Nutzungswandel einer Bautypologie im Kontext soziokultureller Stadtentwicklung“ zeige ich die Verbindung von Architektur, und soziokulturellen sowie städtebaulichen Entwicklungen auf. Anhand des Forschungsobjektes „Tacheles“ in Berlin und dessen Nutzungswandel setze ich diese Themenbereiche in Kontext zueinander. Die Betreuung dieser Arbeit übernahm Frau Univ. Prof. Döring-Williams. Im Speziellen befasse ich mich im ersten Themenbereich meiner Arbeit zunächst ausführlich mit der baugeschichtlichen Analyse der Bautypologie „Passage“. Diese liegt dem Forschungsobjekt zugrunde. -
Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected]
Fordham University Masthead Logo DigitalResearch@Fordham Modern Languages and Literatures Student Modern Languages and Literatures Department Publications Spring 2012 Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected] Annie Buckel Fordham University James Hollingsworth Fordham University Caroline Inzucchi Fordham University Matthew Kasper Fordham University See next page for additional authors Follow this and additional works at: https://fordham.bepress.com/modlang_studentpubs Part of the German Language and Literature Commons, Modern Languages Commons, and the Modern Literature Commons Recommended Citation Ebner, Maria, ed. Kiez Kieken: Observations of Berlin. Vol. 1, Spring 2012. Bronx, NY: Modern Languages and Literatures Department, Fordham University. Web. This Book is brought to you for free and open access by the Modern Languages and Literatures Department at DigitalResearch@Fordham. It has been accepted for inclusion in Modern Languages and Literatures Student Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Authors Maria Ebner, Annie Buckel, James Hollingsworth, Caroline Inzucchi, Matthew Kasper, Kingsley Lasbrey, Alexander MacLeod, Sean Maguire, Leila Nabizadeh, Kathryn Reddy, Peter Scherer, and Kelsey Taormina This book is available at DigitalResearch@Fordham: https://fordham.bepress.com/modlang_studentpubs/1 ii k i k i zz nn KKK Observations of Berlin k Martyrs & Memories: Seeing Grün: -
A Culture of Appropriation: Strategiesof Temporaryreuse in Eastgermany by Michaelaheinemann Diplom-Ingenieurarchitektur Technicaluniversity of Berlin
A Culture of Appropriation: Strategies of Temporary Reuse in East Germany by Michaela Heinemann Diplom-Ingenieur Architektur Technical University of Berlin 2002 CA'HUSE INS OF T ECHNOLOI~V Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies LIBRARIES at the Massachusetts Institute of Technology June, 2005 ROTCH) Signature of Author Michaela Heinemann, Department of Architecture, May 19, 2005 Certified by Professor Mark JartornbekWs,6ciate Professor of History and Architecture, Thesis Supervisor Accepted by - Professor Julia< inart, Professor &FAkhitecture, Chair, Committee on Graduate Students Copyright 2005 Michaela Heinemann. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. S,0jlMML Reader Caroline Jones Associate Professor of the History of Art History, Theory and Criticism Department of Architecture 3 A Culture of Appropriation: Strategies of Temporary Reuse in East Germany by Michaela Heinemann Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract This thesis examines the possibilities of creative appropriation of existing spaces. It defines interstitial practices as both critical and imaginative forces that actively participate in the production of social space. Temporary interventions assert their topicality by inserting themselves into specific urban discourses in which they have the potential to act as cultural catalysts. Two recent festivals, Volkspalast (2004) in Berlin and Hotel Neustadt (2003) in Halle (Saxony-Anhalt), serve as case studies that exemplify different strategies of the temporary. -
Landscapes of Glory and Grief: Representations of the Italian Front and Its Topography in the Art of Stephanie Hollenstein and A
Landscapes of Glory and Grief: Representations of the Italian Front and its Topography in the Art of Stephanie Hollenstein and Albin Egger-Lienz, and the Poetry of Gustav Heinse By Francesca Roe A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of MPhil in the Faculty of Arts, School of Modern Languages (German), August 2014. Supervised by Professor Robert Vilain and Doctor Steffan Davies Student Number: 1346104 25,000 Words 1. Historicist Idealism and Regional Identities: The Outbreak of War in Austria- Hungary In August 1914, the Berlin dramatist and critic Julius Bab and the Prague Germanist Adolf von Hauffen conducted independent analyses of German-language newspapers, magazines and pamphlets, and both concluded that an astonishing 50,000 pro-war poems were published daily in that month alone.1 Although it is difficult to state with certainty whether the researchers included Austro-Hungarian publications in their estimations (it would have been unusual for the conservative von Hauffen to have ignored the material published in his homeland), a brief survey of the poetry produced in the Dual Monarchy2 confirms that its German-speaking population experienced a ‘Kriegsbegeisterung’ just as profound as that of their German counterparts, a vociferous enthusiasm for war that affected individuals from all classes, generations and professions, and led to a remarkable outpouring of propagandist art and literature across the Habsburg Empire. 1 Klaus Zelewitz, ‘Deutschböhmische Dichter und der Erste Weltkrieg’, in Österreich und der Große Krieg 1914-1918. Die andere Seite der Geschichte, ed. by Klaus Amann and Hubert Lengauer (Vienna: C.