Unlve.Noil'r of GREENWICH This Mphil Thesis Is Submitted in Partial
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From Victorian to Modernist
Title From Victorian to Modernist: the changing perceptions of Japanese architecture encapsulated in Wells Coates' Japonisme dovetailing East and West Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/15643/ Dat e 2 0 0 7 Citation Basham, Anna Elizabeth (2007) From Victorian to Modernist: the changing perceptions of Japanese architecture encapsulated in Wells Coates' Japonisme dovetailing East and West. PhD thesis, University of the Arts London. Cr e a to rs Basham, Anna Elizabeth Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author From Victorian to Modernist: the changing perceptions of Japanese architecture encapsulated in Wells Coates' Japonisme dovetailing East and West Anna Elizabeth Basham Submitted as a partial requirement for the degree of doctor of philosophy, awarded by the University of the Arts London. Research Centre for Transnational Art, Identity and Nation (TrAIN) Chelsea College of Art and Design University of the Arts London April 2007 Volume 2 - appendices IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl,uk VOLUME 2 Appendix 1 ., '0 'J I<:'1'J ES, I N. 'TIT ')'LOi\fH, &c., 1'lCi't/'f (It I ,Jo I{ WAit'lL .\1. llli I'HO (; EELI1)i~ ;S ,'llId tilt Vol/IIII/' (!( 'l'1:AXSA rj(J~s IIf till' HO!/flt II} /"'t/ l., 11 . 1I'l l/ it l(' f .~. 1.0N"1J X . Sl 'o'n,"\ ~ I). -
Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990. -
Urban Design Group URBAN Annual Conference DESIGN a Vision for London? QUARTERLY Issue 31 June 1989 £3.00 CONTENTS Issue 31 June 1989
Proceedings of the 1988 Urban Design Group URBAN Annual Conference DESIGN A Vision for London? QUARTERLY Issue 31 June 1989 £3.00 CONTENTS Issue 31 June 1989 The Proceedings of the Urban Design Group Annual Conference held on 12th and 13th December 1988 at The Building Centre London MATERIAL FOR PUBLICATION OR REVIEW SHOULD BE ADDRESSED TO: Foreword 2 Introduction 2 by Kathy Stansfield The Editor A Vision of Chaos URBAN DESIGN QUARTERLY by Bob Jarvis 26 Park Road The Journey to Docklands 4 Abingdon by Barry Shaw OXON 0X14 IDS A Review of the Past 7 by Ted Hollamby Tel: Work 0908 692 692 The County of London Vision 11 Home 0235 26094 by Arthur Ling The First Real Move to a Planning of London 17 GENERAL ENQUIRIES TO: by Hermione Hobhouse THE URBAN DESIGN GROUP The Urban Imagination of the Attlee Years 22 by John Gold c/o Arnold Linden A Review of the Present 26 Chairman by Geoff Holland 17 Hatton Street The City of London World Financial Centre 30 London by Peter Wynne Rees NW8 8PL Planning Prospects 32 by Robin Clement Tel: 01 723 7772 Design Prospects 35 by Nigel Coates ALL MEMBERSHIP ENQUIRIES AND Workshop on Aesthetics 37 NOTIFICATION OF CHANGE OF ADDRESS TO: Summarised by Lawrence Revill Ruth Schamroth Contributions by Richard MacCormac and Peter Low Workshop on Employment 37 1 Harley Road Summarised by Ian Bentley London Contributions by Sidney Sporle and John Worthington NW3 3BX Workshop on Development 38 Summarised by Arnold Linden TREASURER Contribution by David Gosling An Overview 40 Ann Dunton by Francis Tibbalds 13 Garthorne Road Post Script 45 Forest Hill 1988 Kevin Lynch Memorial Lecture given by London Sir Roy Strong. -
Proceedings and Transactions of the British Entomological and Natural History Society
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Architecture of Edwin Maxwell Fry and Jane Drew Ashgate Studies in Architecture Series
THE ARCHITECTURE OF EDWIN MAXWELL FRY AND JANE DREW Ashgate Studies in Architecture Series SERIES EDITOR: EAMONN CANNIFFE, MANCHESTER SCHOOL OF ARCHITECTURE, MANCHESTER METROPOLITAN UNIVERSITY, UK The discipline of Architecture is undergoing subtle transformation as design awareness permeates our visually dominated culture. Technological change, the search for sustainability and debates around the value of place and meaning of the architectural gesture are aspects which will affect the cities we inhabit. This series seeks to address such topics, both theoretically and in practice, through the publication of high quality original research, written and visual. Other titles in this series The Architectural Capriccio Memory, Fantasy and Invention Lucien Steil ISBN 978 1 4094 3191 6 The Architecture of Pleasure British Amusement Parks 1900–1939 Josephine Kane ISBN 978 1 4094 1074 4 No Matter: Theories and Practices of the Ephemeral in Architecture Anastasia Karandinou ISBN 978 1 4094 6628 4 The Challenge of Emulation in Art and Architecture Between Imitation and Invention David Mayernik ISBN 978 1 4094 5767 1 Building Transatlantic Italy Architectural Dialogues with Postwar America Paolo Scrivano ISBN 978 1 4724 1483 0 Forthcoming titles in this series The Architecture of Edwin Maxwell Fry and Jane Drew Twentieth Century Architecture, Pioneer Modernism and the Tropics Iain Jackson and Jessica Holland ISBN 978 1 4094 5198 3 The Architecture of Edwin Maxwell Fry and Jane Drew Twentieth Century Architecture, Pioneer Modernism and the Tropics Iain Jackson Liverpool School of Architecture, University of Liverpool Jessica Holland Liverpool School of Architecture, University of Liverpool © Iain Jackson and Jessica Holland 2014 All rights reserved. -
Masculinities, Planning Knowledge and Domestic Space in Britain, C
Masculinities, Planning Knowledge and Domestic Space in Britain, c. 1941-1961. Kevin Guyan UCL This thesis is submitted for the degree of PhD. I, Kevin Guyan, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This thesis examines the significance of masculinities in debates about planning the home in mid-twentieth century Britain, the dissemination of domestic ideals in planning publications and at housing exhibitions, and men’s experiences of these ideals in reality. Emboldened by a historically specific set of challenges that followed the 1941 Blitz and demobilisation after the Second World War, planning experienced a ‘golden age’ in the 1940s. As the borders of expert knowledge expanded, and quotidian practices became a topic of national significance, planners promoted men’s presence within the home as part of Britain’s postwar reconstruction. The first chapter analyses planning publications and films to reveal the proliferation of technocratic, rational and omniscient planning identities and their effect on how experts studied and conceptualised the home. Focus then moves to explore the methods used to disseminate ideal representations of the home and men’s domestic actions at major exhibitions such as Britain Can Make It (1946), the Festival of Britain (1951) and the model Lansbury Estate in East London. The final chapter uses oral histories and observational studies to discern how men used their homes to perform masculine identities and assesses whether these lived experiences aligned with planners’ domestic ideals. Historians have overlooked the relationship between the men who planned homes and the men who lived in them, and thus failed to properly attribute agency to all actors in the planning process. -
Chapter 6 the South Bank Site
CHAPTER 6 THE SOUTH BANK SITE TAE ORIGINS OF MODERNISM On the South Bank on 4 May 1951, the Combined Exhibition was opened to the general public by the King and Queen. On the following day their Majesties and the public were greeted by, an urban environment of an elegance and gaiety unknown in contemporary Britain..... The plan of the site is a masterpiece of picturesque grouping. Deceptively casual, the irregular building forms leave paths that move into a central concourse. Enchantment is gained, not with conceptual grandeur but by a myriad of detail that entranced as it changes. Strolling across the fountained plaza, sipping tea above the slowly moving barges of the River Thames, or arguing over the ubiquitous works of art, the visitor found himself in ' a world worth having fought for. This inspired piece of brilliance was due to a group of young British architects (most of them were under the age of forty) led by Hugh Casson, who were given an opportunity to introduce the British public to their conception of modern layout design and architecture within the centre-piece of the Festival. The architects and designers exposed the public to a plethora of new exterior and interior designs and materials; nowhere on the site were there any solid structures of heavy stone, instead, pavilions were composed of glass and reinforced concrete supported on pilotis of steel. The use of these materials, together with the layout of the site, created an aura of airy illuminated cheeriness which pervaded the South Bank Site. (See Fig. 1) To most of the British public this was- of course both novel and exciting, but to pretend, however, that the architects and designers conception was new, original, or even completely true to 1.