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El Bilingüismo En El Estado De Nuevo México: Pasado Y Presente
Tesis Doctoral 2013 El Bilingüismo en el estado de Nuevo México: pasado y presente Fernando Martín Pescador Licenciado en Filología Inglesa Universidad de Zaragoza DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜÍSTICAS FACULTAD DE FILOLOGÍA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA Directora: María Luz Arroyo Vázquez DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜÍSTICAS FACULTAD DE FILOLOGÍA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA El Bilingüismo en el estado de Nuevo México: pasado y presente Fernando Martín Pescador Licenciado en Filología Inglesa Universidad de Zaragoza Directora: María Luz Arroyo Vázquez Agradecimientos A mi directora de tesis, María Luz Arroyo Vázquez, por todo el trabajo que ha puesto en esta tesis, por su asesoramiento certero, su disponibilidad e interés mostrados en todo momento. A Nasario García, Mary Jean Habermann, Tony Mares, Adrián Sandoval, Marisa Pérez, Félix Romeo y Ricardo Griego, que tuvieron la amabilidad de leer algunos de los capítulos y hacer comentarios sobre los mismos. Con todos ellos tuve conversaciones sobre mis progresos y todos ellos aportaron grandes dosis de sabiduría. A Mary Jean Habermann, Tony Mares y Lorenzo Sánchez, que, tuvieron, además, la gentileza de realizar una entrevista de vídeo para este trabajo. A Garland Bills, Felipe Ruibal, Joseph Sweeney y Neddy Vigil por reunirse a charlar conmigo sobre sus trabajos dentro del bilingüismo. A David Briseño, Rodolfo Chávez y Paul Martínez por incluirme en su equipo de la New Mexico Association for Bilingual Education, NMABE (Asociación para la educación bilingüe de Nuevo México) y permitirme colaborar en todas sus actividades. Gracias, también, a NMABE por otorgarme en 2012 el Matías L. -
October 1999
,. "You don't just need a computer, you need a solution." Fmal Cut Pro ~= Ultura digital video camcorder canon studied your life, your needs and all 27 bones in your hand. Also available, with many of the fine features of the Ultura: Ultura Features: z_~ Genuine canon Optics 16X Opticai/320X Digital zoom Lens Canon Minii)."T Optical Image Stabilization Mini~" (Canon original technology) Canon Flexizone Auto Focus/Auto Exposure (Canon exclusive) on/y$999 2.5" Color LCD View screen & Color Viewfinder PCM Digital Stereo sound Program Auto Exposure Digital Photo Mode alpha tech COMPUTERS.COM (360) 671-2334 • (800) 438-3216 • (360) 671-8571 Fax 2300 James Street, Bellingham, WA 98225 • www.alphatechcomputers.com Hewlett-Packard Apple Solutions We are fully AdvanceNet certified to maintain, We are fully Apple®certified to maintain, alpha tech computers is a place of solutions service and repair all ~ service and repair all Apple® products. for you, no matter what computer equipment Hewlett-Packard products. l...=:J • . Apple Specialist you hove, or, where you bought it . LOCAL SPOTLIGHT ............................ 5 LOCAL SHOWS ................................ 6-7 LOCAL RECORDINGS ................ 8-1 0 ALL AGE VENUES ................ 12-1 5 MAN ... OR ASTROMAN ? .... 16-18 BILL FRISELL ....................... :20-21 FOLKANDWORLD BEAT .................. 23 THEATER REVIEWS ................................ 24 MOVIE REVIEWS ...................................... 25 DINNER WITH HAMILTON ................ 26 P. IN THE SQUARED CIRCLE .......... 27 -
EL RÍO D O-Your-Own-Exhibition Kit
EL RÍO D o-Your-Own-Exhibition Kit © 2003 Center for Folklife and Cultural Heritage Smithsonian Institution, Washington, DC Teacher’s Guide Writers: Olivia Cadaval, Cynthia Vidaurri, and Nilda Villalta Editor: Carla Borden Copy Editor: Arlene Reiniger Education Specialist: Betty Belanus Education Consultants: Jill Bryson,Tehani Collazo, and Sarah Field Intern: Catherine Fitzgerald The “El Río Do-Your-Own-Exhibition” Kit has been produced by the Smithsonian Center for Folklife and Cultural Heritage and supported by funds from the Smithsonian Latino Initiatives Fund, the Smithsonian Special Exhibition Fund, the Rockefeller Foundation, and the Houston Endowment, Inc. Table of Contents Teacher’s Preface to the Teachers Guide Unit 1 Introduction Unit 2 El Río Story Unit 3 Where We Live: People and Geography Unit 4 How and What We Know:Traditional Knowledge Unit 5 Who We Are: Cultural Identity Unit 6 How We Work: Sustainable Development Unit 7 Bringing It All Together Additional El Río Six-part Videotape Materials —Part 1 Ranching:Work —Part 2 Ranching: Crafts and Foodways —Part 3 Shrimping —Part 4 Piñata-making —Part 5 Conjunto Music —Part 6 Fiesta of San Lorenzo in Bernalillo, New Mexico EL RÍO DO-YOUR-OWN-EXHIBITION KIT Exhibition Exhibition Sample 1 El Río Exhibition Floor Plan for Smithsonian Institution Samples List Exhibition Sample 2 El Río Exhibition Introduction Panel Exhibition Sample 3 El Río Exhibition Sample Panel Exhibition Sample 4 Exhibit Objects Exhibition Sample 5 People and Place Introduction Exhibition Sample 6 People and -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
Laurie Anderson & Ensemble
Image: Ebru Yildiz Laurie Anderson & Ensemble Creative team Violinist Violist Taonga pūoro Laurie Anderson (United States) Eyvind Kang (United States & Canada) Horomona Horo (Aotearoa/New Zealand) Bassist Cellist Gamelan Wellington Greg Cohen (United States) Rubin Kodheli (Albania) (Aotearoa/New Zealand) Lou Reed Drones Percussionist The Calling Here Comes the Ocean Stewart Hurwood (United States) Shahzad Ismaily (Pakistan) Megan Collins Megan Collins Jo Hilder Budi Putra Budi Putra Gregory Street Curated by Laurie Anderson The Calling Here Comes the Ocean Wed 4 Mar, 6.30pm Fri 6 Mar, 8pm Lower Hutt Events Centre Michael Fowler Centre Thanks to: Partnered by: Thanks to: A partnership between Wellington City Council, Hutt City Council, Upper Hutt City Council and Porirua City Council. Event programmes supported by: Please make sure your mobile phone is turned off. Latecomers will only be seated during an appropriate break. Taking photographs and using a recording device at any Festival performance are strictly forbidden. Ticket holders consent to be filmed as part of the audience. The information in this programme is correct at the time of publication. The Festival reserves the right to alter, without notice, events, programmes and artists. Tell us what you think of the show @NZFestivaloftheArts #NZFEST festival.nz Biographies Greg Cohen Besides his life as a bass player, Greg Cohen stays busy teaching Laurie Anderson music in Berlin. He is a Professor of Music at the Jazz-Institut- Berlin and also continues to tour and record on a regular basis. Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia Greg has worked as an arranger, producer, musical director presentations, she has cast herself in roles as varied as visual and composer for theatre, film, television and in recording artist, composer, poet, photographer, filmmaker, electronics studios. -
Sarà Il Chitarrista Bill Frisell, Ad Aprire Venerdì 9 Novembre, Ore 21, Alla Fiera Di Cagliari, Una Delle Notti Jazz Che Si P
36° Festival Internazionale Jazz in Sardegna – European Jazz Expo BILL FRISELL (solo) ENRICO RAVA 5et feat. JOE LOVANO Centro Congressi della Fiera di Cagliari, venerdì 9 novembre (ore 21) Sarà il chitarrista Bill Frisell, ad aprire venerdì 9 novembre, ore 21, alla Fiera di Cagliari, una delle notti jazz che si preannuncia esplosiva per il valore e la fama degli artisti che si esibiranno sul palco. Un unico concerto che vedrà, dopo l’esibizione di Frisell in solo, anche il live di un quintetto d’eccezione, il supergruppo formato dal sassofonista Joe Lovano, il trombettista Enrico Rava il contrabbassista Dezron Douglas, il batterista Gerald Ceaver e il pianista Giovanni Guidi. Bill Frisell, stella indiscussa del panorama musicale mondiale, riconosciuto non solo come uno dei chitarristi più inventivi di sempre ma anche come uno dei più versatili e prolifici, si esibirà in solo sul palco della fiera nella prima parte della serata. Con una carriera trentennale e oltre cento dischi pubblicati alle spalle, Frisell è tra le figure più di spicco nell’ambito jazzistico, con un repertorio che sconfina spesso nei territori del folk, del country, del pop e della musica d’avanguardia. Ha collaborato tra gli altri con Paul Motian, John Zorn, Elvis Costello, Marianne Faithfull, John Scofield, Jan Garbarek, Paul Bley, Bono, Robin Sylvian. Alcuni critici lo hanno paragonato a Miles Davis per il suo stile caratterizzato dalla ricerca del puro suono e dall’antitecnica inconfondibile. I suoi dischi coprono un ampio raggio di generi e influenze musicali: dalle colonne sonore di film di Buster Keaton e dei cartoni animati di Gary Larson (Quartet) alle composizioni originali per grossi ensemble con archi e collaborazioni con il bassista Viktor Krauss e il batterista Jim Keltner. -
Master Uten Bilder
A Transforming Voice in a Changing Genre - Alison Krauss Sigrun Sundet Sandstad Master Thesis in Musicology At the Faculty of Musicology University of Oslo Autumn 2016 i A Transforming Voice in a Changing Genre - Alison Krauss - Acknowledgements… First of all I would like to thank my husband, Torkild. Your patience, your eye for detail, and shared love for bluegrass has been priceless in this process. I am also forever thankful for how you and our children have cheered me on in this process. Thank you dad, for introducing me to bluegrass music. Thank you for daring to play and listen to music you loved, although it was not always mainstream. Thank you Holly and Bart, for providing me with language expertise. Thank you, staff at the Grey Fox Bluegrass Festival 2016 for being so helpful. A huge thanks to Barry Bales, Charles Clements, Mike Compton, Jerry Douglas, Leigh Gibson and Sierra Hull for letting me interview you and for providing me with unique and valuable material. Thank you Stan Hawkins, my supervisor, for challenging me, encouraging me, and believing in me. I could never have done this without your guiding. Thank you, Alison Krauss, for loving and respecting bluegrass. Without your love for bluegrass, I wouldn’t have had mine. Sigrun S. Sandstad Stavern, October 2016 ii A Transforming Voice in a Changing Genre - Alison Krauss - iii A Transforming Voice in a Changing Genre - Alison Krauss - PREFACE If you asked me to guess, I would have said that it happened last week. It was one of those defining moments, which feels like days and at the same time a lifetime ago. -
July 9 - 15, 2021
CALENDAR LISTING GUIDELINES • Submit Pasa Week calendar events via email to [email protected] at least two weeks prior to the event date. • Provide the following: event title, date, time, venue, brief description, ticket prices, contact phone number, and web address. • Inclusion of free listings is dependent on space availability. ARTS AND ENTERTAINMENT CALENDAR CALENDAR COMPILED BY PAMELA BEACH July 9 - 15, 2021 FRIDAY 7/9 SATURDAY 7/10 Gallery Openings Gallery Openings Ellsworth Gallery Encaustic Art Institute 215 E. Palace Ave., 505-989-7900 505-424-6487, eainm.com/2021-global-warming- D1 & D2: Re-Connection, ceramics by Doug Black is-real-exhibit and paintings/sculpture by Doug Coffin; Global Warming is REAL, virtual group show reception 5-7 p.m. of encaustic-wax works; through Aug. 27. Horndeski Contemporary Santa Fe Opera season opener 703 Canyon Rd., 505-231-3731 or 505-438-0484 The Marriage of Figaro Music Paintings, narrative paintings by Gregory 301 Opera Dr., 800-280-4654, 505-986-5900 Horndeski; through Aug. 28; reception 5-8 p.m. Mozart’s comic opera of intrigue, misunderstand- Manitou Galleries ings, and forgiveness; 8:30 p.m.; $36-$278, simulcast 225-B Canyon Rd., 505-986-0440 $50-$125; santafeopera.org/operas-and-ticketing. Creatures and Critters, works by painter Amy Lay And, Wednesday, July 14. (See stories, Pages 24-32) and sculptor Paul Rhymer; through Aug. 7. Classical Music McLarry Fine Art 225 Canyon Rd., 505-988-1161 Chatter (In) SITE SITE Santa Fe, 1606 Paseo de Peralta, 505-989-1199 The Good Earth, landscapes by Peter Hagen; through July 23; reception 5-7 p.m. -
Lori Goldston Lorigoldston.Com | +1 206.715.4540| [email protected]
Lori Goldston lorigoldston.com | +1 206.715.4540| [email protected] Selected Commissioned Works Death and the Mourning After for Timothy White Eagle Improvised solo acoustic cello score for an livestreamed theater performance, part of La MaMa’s Reflections of Native Voices Festival. 2021 Manzanar, Diverted Composed a score for a feature-length documentary by Ann Kaneko, in collaboration with Steve Fisk, Alexander Mirana, Susie Kozawa and Matt Chamberlain. 2021 What You Can Hear From Here for Art Saves Me Commissioned by One Reel to create new work for an online exhibition. In collaboration with videographer Isaac Hanson. Seattle. 2020 Rivulet, for Nonsequitur Composed and performed an evening-length piece for a small ensemble; with Greg Kelley, Kole Galbraith, Dave Abramson and Haley Freedlund. Chapel Performance Space, Seattle. 2019 Yellowstone, for Jon Jost Recorded an improvised solo amplified cello score for a work-in-progress video installation. Featured as part of Nonsequitur’s “Wayward In Limbo”. Seattle. 2019 Ama (The Woman Diver), for Nalanda West Performed an improvised solo acoustic cello score for Jim Fletcher and Katiana Rangel’s production of a 14th Century Japanese play. Seattle. 2018 Études N°11, for Paris Fashion Week Composed and performed a solo acoustic cello score accompanying the runway show for fashion house Études. Paris, France. 2017 That Sunrise, for the BBC Scottish Symphony Composed and performed a new work for amplified cello and orchestra as part of Glasgow Tectonics Festival. Glasgow. 2017 The Seawall , for the City of Seattle With drummer Dan Sasaki, composed and recorded a response to Seattle’s seawall reconstruction project. -
JOHN COWAN - SIXTY [DELUXE EDITION] Compass 4630 Release Date: 8/26/14
JOHN COWAN - SIXTY [DELUXE EDITION] Compass 4630 Release date: 8/26/14 1. The Things I Haven’t Done (Bruce Coughlan) Bruce Coughlan Music (SESAC) The opening track, by Bruce Coughlan, a talented singer-songwriter from British Columbia with whom I’ve had the privilege of collaborating over the years, captures the theme of Sixty: I’ve been blessed with an amazing life and career. As with most of us, my journey has not been without loss and sacrifice, but by and large, I’ve been able to make a living doing what I love. One of the joys in my life has been to sing on records of people I admire greatly. Singing on Rodney Crowell’s recordings since the landmark “Houston Kid,” has been a source of great pride and satisfaction for me. I was a fan of his long before our lives intersected and we became friends. Having Rod on this song means very much to me. Alison Brown - Banjo | Rodney Crowell - Background Vocal, Lead Vocal on Bridge | Danny Flowers - Harmonica | Jim Pugh - B3 Organ | Ed Toth - Drums | John Cowan - Bass | John McFee - Acoustic 6 and 12-String Guitars, Electric 12-String Guitar, Pedal Steel, Vocals 2. Why Are You Crying (Rick Roberts) Hori Pro Entertainment Group Inc. dba Sixteen Stars Music (BMI)/Reservoir 416 (BMI) After dropping out of my first year of college in Indiana (where I seemingly confused GPA with THC), I moved back to Louisville, Kentucky, to pursue “the dream.” While working in a car wash full time and playing music on the weekends, I met a budding young concert promoter by the name of Rusty Lovell. -
John Zorn Marathon Royce Triple Threat Featuring Abraxas, Secret Chiefs 3 & Bladerunner & the Hermetic Organ
John Zorn Marathon Royce Triple Threat featuring Abraxas, Secret Chiefs 3 & Bladerunner & The Hermetic Organ Sat, May 2 ROYCE TRIPLE THREAT 8pm – Abraxas: Psychomagia Royce Triple Threat Aram Bajakian Guitar Royce Hall Eyal Maoz Guitar 8pm Kenny Grohowski Drums RUNNING TIME: Shanir Blumenkranz Gimbri Approximately 3 hours; Two intermissions Intermission The Hermetic Organ 9pm – Secret Chiefs 3: Masada Book Two Royce Hall Trey Spruance Guitar Midnight Eyvind Kang Violin Ches Smith Drums RUNNING TIME: Approximately 45 minutes; Jason Schimmel Guitar No intermission Matt Lebofsky Keyboards Toby Driver Bass PRE-SHOW TERRACE EVENT: Round-Robin Duets: Intermission A Musical Improvisation 6:30 pm 10pm – Bladerunner Inspired by John Zorn’s improvisational John Zorn Sax techniques, a group of UCLA student Bill Laswell Bass musicians play a round-robin of s Dave Lombardo Drums pontaneous duets, culminating in a group imrov-jam session. THE HERMETIC ORGAN John Zorn Solo Organ Improvisations CAP UCLA SPONSOR: Supported in part by the Andrew W. Mellon Foundation ABOUT THE PROGRAM Although organ was Zorn’s first instrument (he often credits Lon Chaney MEDIA SPONSOR: in The Phantom of the Opera as a primal influence), in 2011 the saxophone great surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. The music is breathtaking, and distinguished by a spiritual mood that only a huge pipe organ like Royce Hall’s Skinner can create. A perfect outlet for Zorn’s dramatic sense of color and contrast, this performance reveals the composer’s mind at work in all its permutations. -
2013 OEM Catalog.Indd
2013 OEM PRODUCT CATALOG Will Ackerman Alabama Acoustic Alchemy Charlie Adams Aerosmith Tariqh Akoni Allman Brothers Band All-American Rejects Ian Anderson Rodney Atkins Alan Bartram Josh Bertrand Bad Company Sara Bareilles Jim Beavers Dierks Bentley Roy Book Binder Clint Black The Black Crowes James Blunt Bon Jovi Joe Bonamassa Coy Bowles Alison Brown Phil Brown Bob Brozman Jimmy Buffett Luke Bulla Jessica Camp- bell Larry Campbell Neko Case Cindy Cashdollar Cheap Trick Eric Church Bill Cinque Eric Clapton Stanley Clarke Jake Clayton Boot- sy Collins Judy Collins Don Conoscenti Chris Cornell Elvis Costello Counting Crows Paul Crook David Crosby Sheryl Crow Kimberley Dahme Will Dailey Daughtry Def Leppard Kris Delmhorst Ben Demerath Luther Dickinson Ani DiFranco Pat DiNizio Dion Dixie Chicks Pat Donohue Jerry Douglas Stuart Duncan Bob Dylan Steve Earle Marcus Eaton Jonathan Edwards Gene Elders Tommy Emmanuel Enter The Haggis Mordy Ferber Bela Fleck Richard Fortus Reeves Gabrels Jeffery Gaines Gordon Giltrap Good Old War John Gorka David Gray Green Day David Grissom Stefan Grossman Roland Guerin Arlo Guthrie Buddy Guy Reggie Hamilton Jeff Hanna Tommy Hannum Ben Harper David Ryan Harris Emmylou Harris Dhani Harrison Warren Haynes Deborah Henson-Conant Sharief Hobley Nick Hoffman David Holt Gary Hooker Shaun Hopper Steve Howe Greg Howe Sean Hurley Jim Hurst Hutch Hutchinson Pete Huttlinger Dave Immergluck Indigo Girls The Infamous String- dusters Alan Jackson Jim James J’Anna Jacoby Justin James John Jeansonne Jethro Tull Ryan Joseph Joey