Architecture for the Poor Hasan Fathy
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Advancements in Arch Analysis and Design During the Age of Enlightenment
ADVANCEMENTS IN ARCH ANALYSIS AND DESIGN DURING THE AGE OF ENLIGHTENMENT by EMILY GARRISON B.S., Kansas State University, 2016 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Architectural Engineering and Construction Science and Management College of Engineering KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Approved by: Major Professor Kimberly Waggle Kramer, PE, SE Copyright Emily Garrison 2016. Abstract Prior to the Age of Enlightenment, arches were designed by empirical rules based off of previous successes or failures. The Age of Enlightenment brought about the emergence of statics and mechanics, which scholars promptly applied to masonry arch analysis and design. Masonry was assumed to be infinitely strong, so the scholars concerned themselves mainly with arch stability. Early Age of Enlightenment scholars defined the path of the compression force in the arch, or the shape of the true arch, as a catenary, while most scholars studying arches used statics with some mechanics to idealize the behavior of arches. These scholars can be broken into two categories, those who neglected friction and those who included it. The scholars of the first half of the 18th century understood the presence of friction, but it was not able to be quantified until the second half of the century. The advancements made during the Age of Enlightenment were the foundation for structural engineering as it is known today. The statics and mechanics used by the 17th and 18th century scholars are the same used by structural engineers today with changes only in the assumptions made in order to idealize an arch. -
Today in the Tdn in Tdn Europe
SUNDAY, MAY 5, 2019 T O D A Y I N T H E T D N FINLEY: STEWARDS WERE RIGHT, BUT THE SYSTEM IS WRONG BRICKS AND MORTAR KEEPS STREAK GOING IN TURF CLASSIC MIA MISCHIEF GETS HER GI IN HUMANA DISTAFF MITOLE CONTINUES HIS ASCENT AT CHURCHILL DOWNS DIGITAL AGE CAPS BIG DAY FOR INVINCIBLE SPIRIT MR MONEY GETS THE CASH IN PAT DAY MILE I N T D N E U R O P E GUINEAS GLORY FOR MAGNA GRECIA SCAT DADDY DOUBLY REPRESENTED IN 1000 DE SOUSA SHINES ON COMMUNIQUE Click or tap here to go straight to TDN Europe/International PUBLISHER & CEO Sue Morris Finley @suefinley [email protected] V.P., INTERNATIONAL OPERATIONS Gary King @garykingTDN [email protected] EDITORIAL [email protected] Editor-in-Chief Jessica Martini @JessMartiniTDN Managing Editor Sunday, May 5, 2019 Alan Carasso @EquinealTDN Senior Editor Steve Sherack @SteveSherackTDN Racing Editor Brian DiDonato @BDiDonatoTDN News and Features Editor Ben Massam @BMassamTDN Associate Editors Christie DeBernardis @CDeBernardisTDN Joe Bianca @JBiancaTDN ADVERTISING [email protected] Director of Advertising Alycia Borer Advertising Manager Lia Best Advertising Designer Amanda Crelin Advertising Assistants Alexa Reisfield Amie Morosco Advertising Assistant/Dir. Of Distribution Rachel McCaffrey Photographer/Photo Editor Sarah K. Andrew @SarahKAndrew [email protected] Country House (Lookin At Lucky) walks during a lengthy objection following Saturday’s Social Media Strategist GI Kentucky Derby. | Horsephotos Justina Severni Director of Customer Service NICODEMUS TAKES THE WESTCHESTER 21 Vicki Forbes Nicodemus became the newest graded winner for his top sire [email protected] Candy Ride (Arg) with a win in Belmont’s GIII Westchester S. -
The Story of Architecture
A/ft CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY CORNELL UNIVERSITY LIBRARY 924 062 545 193 Production Note Cornell University Library pro- duced this volume to replace the irreparably deteriorated original. It was scanned using Xerox soft- ware and equipment at 600 dots per inch resolution and com- pressed prior to storage using CCITT Group 4 compression. The digital data were used to create Cornell's replacement volume on paper that meets the ANSI Stand- ard Z39. 48-1984. The production of this volume was supported in part by the Commission on Pres- ervation and Access and the Xerox Corporation. Digital file copy- right by Cornell University Library 1992. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924062545193 o o I I < y 5 o < A. O u < 3 w s H > ua: S O Q J H HE STORY OF ARCHITECTURE: AN OUTLINE OF THE STYLES IN T ALL COUNTRIES • « « * BY CHARLES THOMPSON MATHEWS, M. A. FELLOW OF THE AMERICAN INSTITUTE OF ARCHITECTS AUTHOR OF THE RENAISSANCE UNDER THE VALOIS NEW YORK D. APPLETON AND COMPANY 1896 Copyright, 1896, By D. APPLETON AND COMPANY. INTRODUCTORY. Architecture, like philosophy, dates from the morning of the mind's history. Primitive man found Nature beautiful to look at, wet and uncomfortable to live in; a shelter became the first desideratum; and hence arose " the most useful of the fine arts, and the finest of the useful arts." Its history, however, does not begin until the thought of beauty had insinuated itself into the mind of the builder. -
To Consignors Hip Color & No
Index to Consignors Hip Color & No. Sex Name, Year Foaled Sire Dam Barn 29 Consigned by Amende Place (Lee McMillin), Agent I Broodmare 3895 dk. b./br. m. Salt Loch, 1996 Salt Lake Jolie Scot Barn 29 Consigned by Amende Place (Lee McMillin), Agent II Weanling 4074 ch. c. unnamed, 2005 Van Nistelrooy Don't Answer That Barn 29 Consigned by Amende Place (Lee McMillin), Agent V Broodmare 3807 dk. b./br. m. Magic in the Music, 1995 Dixieland Band Shared Magic Barn 29 Consigned by Amende Place (Lee McMillin), Agent VI Broodmare 3874 b. m. Queen's Castle, 1995 Pleasant Tap Castle Eight Barn 29 Consigned by Amende Place (Lee McMillin), Agent VII Weanling 3934 b. c. unnamed, 2005 Include Sweet Elyse Barn 41 Consigned by Anderson Farms, Agent Stallion prospect 4327 gr/ro. c. Third Sacker, 2001 Maria's Mon De La Cat Barn 41 Consigned by Anderson Farms, Agent for Ellie Boje Farm Broodmare 4256 b. m. Rahy's Hope, 1996 Rahy Roberto's Hope Barn 41 Consigned by Anderson Farms, Agent for Kuehne Racing Broodmare 4249 dk. b./br. m. Princess Pamela, 1999 Binalong Constant Talk Barn 41 Consigned by Anderson Farms, Agent for Sam-Son Farm Broodmare 4416 ch. m. Dixieland Briar, 1999 Dixieland Band Roman Briar Barn 46 Consigned by William Anderson, Agent Broodmare 4317 dk. b./br. m. Superdor, 1993 Cawdor Allerton Barn 48 Consigned by Aspendell, Agent Broodmares 4279 ch. m. Scram, 1990 Stalwart Flaxen 4303 ch. m. Spritz, 1994 Relaunch Supplier Weanlings 4280 b. c. unnamed, 2005 Ride the Rails Scram 4389 ch. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Hana Taragan HISTORICAL REFERENCE in MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS's BUILDINGS in PALESTINE
the israeli academic center in cairo ¯È‰˜· Èχ¯˘È‰ ÈÓ„˜‡‰ ÊίӉ Hana Taragan HISTORICAL REFERENCE IN MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS’S BUILDINGS IN PALESTINE Hana Taragan is a lecturer in Islamic art at Tel Aviv University, where she received her Ph.D. in 1992. Her current research concerns Umayyad and Mamluk architecture in Eretz Israel in the medieval period. She is the author of Art and Patronage in the Umayyad Palace in Jericho (in Hebrew) and of numerous articles in the field of Islamic art. In the year 1274, al-Malik al-Zahir also changed a structure’s function Baybars, the first Mamluk ruler of from church to mosque, as he did Palestine (1260–1277), ordered the in Qaqun.5 addition of a riwaq (porch) to the Baybars’s choice of Yavne may tomb of Abu Hurayra in Yavne.1 be explained by the ruin of the The riwaq, featuring a tripartite coastal towns, or by Yavne’s loca- portal and six tiny domes, had two tion on the main road from Cairo arches decorated with cushion to Damascus. However, it seems to voussoirs and one with a zigzag me that above and beyond any frieze (Figure 1). Baybars also strategic and administrative con- installed a dedicatory inscription siderations, Baybars focused on naming himself as builder of the this site in an attempt to exploit riwaq.2 The addition of a portal to Abu Hurayra’s tomb as a means of the existing tomb structure typifies institutionalizing the power of the Baybars’s building policy in Pales- Mamluk dynasty in general and tine. -
Stephen King * the Mist
Stephen King * The Mist I. The Coming of the Storm. This is what happened. On the night that the worst heat wave in northern New England history finally broke-the night of July 19-the entire western Maine region was lashed with the most vicious thunderstorms I have ever seen. We lived on Long Lake, and we saw the first of the storms beating its way across the water toward us just before dark. For an hour before, the air had been utterly still. The American flag that my father put up on our boathouse in 1936 lay limp against its pole. Not even its hem fluttered. The heat was like a solid thing, and it seemed as deep as sullen quarry-water. That afternoon the three of us had gone swimming, but the water was no relief unless you went out deep. Neither Steffy nor I wanted to go deep because Billy couldn't. Billy is five. We ate a cold supper at five-thirty, picking listlessly at ham sandwiches and potato salad out on the deck that faces the lake. Nobody seemed to want anything but Pepsi, which was in a steel bucket of ice cubes. After supper Billy went out back to play on his monkey bars for a while. Steff and I sat without talking much, smoking and looking across the sullen flat mirror of the lake to Harrison on the far side. A few powerboats droned back and forth. The evergreens over there looked dusty and beaten. In the west, great purple thunderheads were slowly building up, massing like an army. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
Graphical and Analytical Quantitative Comparison in the Domes Assessment: the Case of San Francesco Di Paola
applied sciences Article Graphical and Analytical Quantitative Comparison in the Domes Assessment: The Case of San Francesco di Paola Concetta Cusano 1,*,†, Andrea Montanino 2,† , Carlo Olivieri 3,† , Vittorio Paris 4,† and Claudia Cennamo 1,† 1 Department of Architecture and Industrial Design, Universitá degli Studi della Campania “Luigi Vanvitelli”, Abbazia di San Lorenzo in Septimum, 81031 Aversa (CE), Italy; [email protected] 2 Department of Structures for Engineering and Architecture, Università degli Studi di Napoli “Federico II”, Via Claudio 21, 80143 Napoli (NA), Italy; [email protected] 3 Department of Civil Engineering, DICIV, Università degli Studi di Salerno, Via Giovanni Paolo II 132, 84084 Fisciano (SA), Italy; [email protected] 4 Department of Engineering and Applied Sciences, Università degli Studi di Bergamo, Via G. Marconi 5, 24044 Dalmine (BG), Italy; [email protected] * Correspondence: [email protected] † These authors contributed equally to this work. Abstract: (1) Methods for checking the condition of monumental masonry structures can still be considered understudied. Among the different approaches available in the literature, the graphical ones have a special role, due to their simplicity and effectiveness. (2) In this work, a 2D method (Thrust Line Analysis (TLA)), the Modified Thrust Line Method (MTLM), and the 3D Membrane Equilibrium Analysis (MEA) method are compared. All methods have the same starting concept: no tensile strength, no sliding between the stone blocks, infinite compressive strength. (3) The methods are compared in terms of stress distribution (for the same—or similar—thrust line), and in terms Citation: Cusano, C.; Montanino, A.; Olivieri, C.; Paris, V.; Cennamo, C. -
The Structural Development of Masonry Domes in India
Proceedings of the First International Congress on Construction History, Madrid, 20th-24th January 2003, ed. S. Huerta, Madrid: I. Juan de Herrera, SEdHC, ETSAM, A. E. Benvenuto, COAM, F. Dragados, 2003. The structural development of masonry domes in India Stuart Tappin This paper researches the origins, structural which still generally relies on non-mechanised development and construction of masonry domes in methods of building and documented practice in India. It investigates where the structural engineering Europe during the period under study. knowledge of the original builders carne from and how successfully that knowledge was applied. We will also look at the choices that had to be made with ISLAMIC PROTOTYPES materials and methods of construction. The period under review covers Islamic rule over In Syria the classical Roman temples and mausolea northern and central India fram the late 12th century became the model for builders who created churches to the mid 18th century. New types of buildings or memorial s to house the body or relics of Christian and structural forms carne with the new rulers in saints or biblical character, or to mark a particular particular, for this study, the domed tambo How event (Hillenbrand 1984, 254). These were generally Hindu masons, experienced only in trabe ate small in scale and used a variety of plan-forms; construction, responded to these new structural forms square, cruciform, polygonal or circular. The small is a key part the synthesis of sty les that created a size meant that the structura] stability of the dome wholly new and original architecture. could be achieved by copying existing buildings. -
Reflection of Technology on the Inherited Conceptual Design of Mosques
Ain Shams University Faculty of Engineering Department of Architecture REFLECTION OF TECHNOLOGY ON THE INHERITED CONCEPTUAL DESIGN OF MOSQUES A thesis submitted to the Faculty of Engineering - Ain Shams University in partial fulfillment of the requirements for Master of Science Degree in Architecture By Radwa Ahmed Omar Abuel Seoud B.Sc. Architecture-Ain Shams University, 2006 Under the supervision of Prof. Dr. Khaled Dewidar Professor - Department of Architecture Faculty of Engineering - Ain Shams University Prof. Dr. Shaimaa Kamel Professor - Department of Architecture Faculty of Engineering - Ain Shams University Dr. Somaya Bahy Eldin Lecturer - Department of Architecture Faculty of Engineering - Ain Shams University 2013 Statement I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name: Radwa Ahmed Omar Abuel Seoud Signature: Date: Ain Shams University Faculty of Engineering Department of Architecture Submitted by: Radwa Ahmed Omar Abuel Seoud Thesis Title: Reflection of Technology on the Inherited Conceptual Design of Mosques Supervising Committee: Signature Prof. Dr. Khaled Dewidar Professor - Department of Architecture Faculty of Engineering - Ain Shams University Prof. Dr. Shaimaa Kamel Professor - Department of Architecture Faculty of Engineering - Ain Shams University Dr. Somaya Bahy -
EDITED PEDIGREE for ZUMAATY (IRE)
EDITED PEDIGREE for ZUMAATY (IRE) Nayef (USA) Gulch (USA) Sire: (Bay 1998) Height of Fashion (FR) TAMAYUZ (GB) (Chesnut 2005) Al Ishq (FR) Nureyev (USA) ZUMAATY (IRE) (Chesnut 1997) Allez Les Trois (USA) (Bay gelding 2018) Danehill Dancer (IRE) Danehill (USA) Dam: (Bay 1993) Mira Adonde (USA) BLACKANGELHEART (IRE) (Bay 2006) Magical Cliche (USA) Affirmed (USA) (Bay 1994) Talking Picture (USA) 4Sx5D Northern Dancer, 5Sx5D Raise A Native ZUMAATY (IRE), placed twice at 3 years, 2021 and £2,142. 1st Dam BLACKANGELHEART (IRE), unraced; dam of 3 winners: STRAIGHT ASH (IRE) (2015 g. by Zebedee (GB)), won 5 races to 6 years, 2021 and £31,866 and placed 17 times. URLO (IRE) (2014 c. by Equiano (FR)), won 3 races in Italy at 5 years and £12,075 and placed 5 times. FLAMMENSCHLAG (IRE) (2016 c. by Footstepsinthesand (GB)), won 1 race in Russia at 2 years and placed once. Zumaaty (IRE), see above. Octola (IRE) (2019 g. by Free Eagle (IRE)), ran once on the flat at 2 years, 2021. 2nd Dam Magical Cliche (USA), placed 6 times at 3 and 4 years including third in Derrinstown Stud 1000 Guineas Trial, Leopardstown, L.; Own sister to TRUSTED PARTNER (USA), LOW KEY AFFAIR (USA), EASY TO COPY (USA) and EPICURE'S GARDEN (USA); dam of 4 winners: MAGICAL THOMAS (GB), won 1 race at 3 years and placed 6 times; also won 4 races over hurdles from 5 to 7 years and placed 13 times and won 2 races over jumps in Jersey at 7 years. LEGEND HAS IT (IRE), won 3 races at 3 years and placed twice; dam of winners.