Download the Concert Programme

Total Page:16

File Type:pdf, Size:1020Kb

Download the Concert Programme THE MASSED VOICES OF INSPIRATION AND ROYAL NORTHERN SINFONIA PRESENT THE MASSED VOICES OF INSPIRATION SEIZE THE DAY AND THE ORCHESTRA OF OPERA NORTH PRESENT Featuring the magical music of Alan Menken including songs from Newsies, Tangled, Little Shop Of Horrors, The Little Mermaid, Pocahontas and Beauty And The Beast SUNDAY 3 APRIL 2016, 4PM LEEDS TOWN HALL JOY TO THE WORLD MUSIC DIRECTOR: GARY GRIFFITHS 19 DECEMBER 2015 BOX OFFICE: 0113 224 3801 LEEDS TOWN HALL BOOK ONLINE: WWW.LEEDSTOWNHALL.CO.UK MUSIC DIRECTOR: GARY GRIFFITHS NARRATOR: LIZ GREEN IN THE CHRISTMAS SPIRIT… There’s something about the Christmas concert that always brings out the best in everyone. There’s just enough familiarity in the music and the lyrics to make it feel very secure, though our arrangements are always somewhat out of the ordinary, which makes discovering them in rehearsals very interesting. Whatever it is, the singers always have a ball rehearsing the Christmas concert and I hope you enjoy the experience as well. There are some surprises in this one too, not least three different setting of the same lyrics. You might think you Originally known as know ‘Hark! The Herald Angels Sing’, but you haven’t ‘Carol Of The Drum’, ‘The heard Inspiration give it the full treatment… three times Little Drummer Boy’ was over. We also have some familiar lyrics to unfamiliar written by the American tunes, with an insanely catchy version of ‘O Little Town composer and teacher Of Bethlehem’ among others. Katherine Kennicott Davis in 1941. The first popular Our trees have been up since September and the recording was in 1955 by sprouts have been on since Bonfire Night – I hope this the Trapp Family Singers. concert puts you in the full Christmas spirit. Let’s bring some ‘Joy To The World’. Gary Griffiths, Inspiration Music Director and Founder About Gary… I have been singing for as long as I can remember. Wolverhampton Grammar School was my major musical influence – School Choir, Choral Society, Musical Theatre Group, Jazz Band – alongside the Youth Orchestra and the Concert Band. When it came to University it had to be music, and so to York. Three wonderful years of music making also included being Chorus Master for York Light Opera and MD for Pickering Musical Society. I then became a tenor in the Choir of York Minster with all that entails; daily services as well as many world tours, concerts and recordings. After 18 years , I left and became part of the creative team behind the formation of SingLive. Now, with Inspiration as my sole focus, I really do have my dream job. Weekly rehearsals and trips around the country and abroad are a joy. Win16 Inspiration Prog A5 ad v1 AW.indd 1 18/11/2015 10:19 First Violins Bassoon Orchestra Director THE ORCHESTRA David Greed (Leader)* Sebastian New Phil Boughton OF OPERA Peter Maslin (Co-Leader)* David Baker Orchestra Manager NORTH Andrew Long Michael Ardron* Horns Helen Wilson Brian Reilly Robert Ashworth* Library Manager Tamsin Symons Max Garrard Susannah Simmons Andrew Fairley* Belinda Hammond Trumpets Murray Greig* Librarian Second Violins Michael Woodhead* Victoria Bellis Katherine New David Hooper Pit Supervisor Ian Bone Jim Bulger Christopher Ladds Maria Vericonte* Catherine Baker* Trombones Orchestra Attendant Alison Dixon Blair Sinclair John Boulton Cristina Ocaña Rosado Beth Calderbank Music Secretary Violas Bass Trombone Helen Stephens* Anne Trygstad Christian Jones The Orchestra of Opera North, Classic FM’s Orchestra in Elizabeth Wyly* * Opera North Company member Yorkshire, is the only ensemble in the country to have a Tuba Vivienne Campbell* for 25 years or more year-round dual role in the opera house and concert hall. Joanna Wesling Brian Kingsley* It has important relationships with Leeds International Timpani Concert Season and the region’s choral societies, and Cellos Paul Philbert is the resident Orchestra for the Leeds Conductors Jessica Burroughs Competition, the National New Composers Forum and Andrew Fairley* Percussion the orchestral concert seasons in Kirklees. Zöe Long Christopher Bradley* Sally Ladds The Orchestra has a strong commitment to education Will Renwick work and many of the players are outstanding teachers Basses with several holding professorships at the Royal Northern Harp Genna Spinks College of Music and at Universities within the region. Anna Christensen Claire Sadler It has received international recognition for its Piano recordings, with releases on Chandos, Collins Classics, Flutes Philip Voldman ‘The First Noel’ is thought Deutsche Grammophon, EMI, Hyperion and Naxos, Kevin Gowland David Moseley* to have originated in and has toured abroad both with the whole Company Bass Guitar France during the fifteenth and independently to many European countries and Oboe Harrison Wood century. In the 1800s it regularly performs at venues throughout the UK. Richard Hewitt* was brought across the Kit Catherine Lowe* channel to Cornwall by Matt Dabbs wandering troubadours Clarinets and transformed into the Colin Honour* carol we recognise today. Andrew Mason Philip Voldman trained at the National Opera Studio, Liz Green is a multi-award winning journalist and PHILIP VOLDMAN London supported by the Leonard Hancock Memorial LIZ GREEN broadcaster. She currently presents the Breakfast INSPIRATION Trust Bursary. Born in New York, Philip went to the NARRATOR Show on BBC Radio Leeds. LaGuardia High School of Music & Art and Performing ACCOMPANIST Liz is just back from New York where her radio Arts in New York (otherwise known as ‘The Fame School’). documentary ‘Moon and Star, the journey to He moved to the UK following graduation in 2003 and gained a BMus (Hons) from the Royal College of Music in Auschwitz’ won an award at the New York London. During this time he met the tenor Dennis O’Neill, International Radio Festival. who appointed him repetiteur at the Cardiff International A proud Yorkshire woman, Liz is looking forward Academy of Voice (now Wales International Academy of to celebrating Christmas with Inspiration and The Voice). While at CIAV, he has played for such artists as Orchestra of Opera North. Richard Bonynge, Kiri Te Kanawa, Nuccia Focile, Ileana Cotrubas, Della Jones and Rebecca Evans. Since then he Liz says, “I know it is Christmas when the lights go has been in demand as an opera and recital accompanist. down, the orchestra strikes up and that glorious wave In the last few years, he has assisted Pavilion Opera on of sound which is the combined voices of Inspiration the 2009 production of Tosca and with New Devon lifts the roof off Leeds Town Hall. I can guarantee I Opera, productions of La bohème and La traviata. Philip shall cry, smile and want to get up and dance ! I am has also been Music Director and Pianist for Scarlet You can follow Liz on honoured to narrate this very special concert. Have For more information and Opera’s production of Gluck’s Orfeo ed Euridice, the Twitter @lizgreenlive a wonderful Christmas and Happy New Year!” upcoming events, please visit Musical Theatre Project with the Royal Welsh College You can hear Liz 6am – 9am weekdays on BBC www.philipvoldman.co.uk of Music and Drama and with Scottish Opera’s Essential Radio Leeds. Scottish Opera Tour. In July 2010, Philip completed the Opera Repetiteur MMus course with distinction at the Guildhall School of Music and Drama where he was assistant conductor to Clive Timms on Massenet’s Chérubin and Britten’s Albert Herring. Following this he was appointed Repetiteur Fellow at the Guildhall School of Music Would you like and Drama and has since worked with Chelsea Opera Group on Belisario conducted by Richard Bonynge, Das to perform with Liebesverbot with Anthony Negus, Stiffelio with Brad Cohen and Le roi de Lahore with Renato Balsadonna. Inspiration or Echo? Engagements in the last few years include Il Tabarro, Pelleas et Melisande and Werther with the Grimeborn We believe that singing in a large group is life-affirming Festival directed by Aylin Bozok, Suor Angelica with and fulfilling in a way that few other activities can be. Our Talent Unlimited Hansel and Gretel, Orfeo ed Euridice ethos is simple – anyone can sing. We have no auditions and Macbeth with English Pocket Opera Company, to join, you don’t even have to read music, you just simply ‘God Rest Ye Merry, Die Zauberflöte with The Complete Singer directed by have to enjoy it. Rehearsals are great fun, with a very Gentlemen’ is referred to in Jenny Miller, Der Ring des Nibelungen at Longborough friendly atmosphere, but we do work hard. Dickens’ A Christmas Carol... Festival Opera conducted by Anthony Negus and Turn Recruitment for our spring concerts is now in progress “at the first sound of ‘God of the Screw with Opera Holland Park. with rehearsals starting in January. We are particularly bless you, merry gentlemen! Recent engagements include Samson et Dalila at interested in hearing from singers in the tenor and May nothing you dismay!’, Grange Park Opera and The Rake’s Progress at Teatro bass voice ranges. Scrooge seized the ruler Municipal de Santiago de Chile. with such energy of action, For more information or to download a registration Philip is currently Music Director of Clapham Opera Festival form, please visit www.inspirationuk.com that the singer fled in terror”. and from October 2015 to May 2016, Scottish Opera Emerging Artist - Repetiteur and Assistant Conductor. JOY TO THE WORLD JOY TO THE WORLD ACT ONE ACT TWO Shout For Joy Joy To The World Ricketts Mason and Watts Listen out for… pure energy. The horns have a strong leaping Listen out for… the special effect from the ladies of the choir. figure that cuts through the fanfare-like singing from the choir. The tintinnabulation of the ‘Joy, Joy, Joy, Joy’ is pure Disney.
Recommended publications
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • Download PDF Booklet
    THE CALL INTRODUCING THE NEXT GENERATION OF CLASSICAL SINGERS Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau piano our future, now Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick THE CALL Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau THE CALL FRANZ SCHUBERT (1797-1828) 1 Fischerweise (Franz von Schlechta) f 2’53 2 Im Frühling (Ernst Schulze) a 4’32 ROBERT SCHUMANN (1810-1856) 3 Mein schöner Stern (Friedrich Rückert) d 2’39 JOHANNES BRAHMS (1833-1897) 4 An eine Äolsharfe (Eduard Mörike) f 3’52 ROBERT SCHUMANN 5 Aufträge (Christian L’Egru) b 2’30 GABRIEL FAURÉ (1845-1924) 6 Le papillon et la fleur (Victor Marie Hugo) e 2’08 CLAUDE ACHILLE DEBUSSY (1862-1918) 7 La flûte de Pan (Pierre-Félix Louis) b 2’45 REYNALDO HAHN (1874-1947) 8 L’heure exquise (Paul Verlaine) c 2’27 CLAUDE ACHILLE DEBUSSY 9 C’est l’extase (Paul Verlaine) a 2’54 FRANCIS POULENC (1899-1963) Deux poèmes de Louis Aragon (Louis Aragon) d 10 i C 2’44 11 ii Fêtes galantes 0’57 GABRIEL FAURÉ 12 Notre amour (Armand Silvestre) e 1’58 MEIRION WILLIAMS (1901-1976) 13 Gwynfyd (Crwys) c 3’25 HERBERT HOWELLS (1892-1983) 14 King David (Walter de la Mare) b 4’51 RALPH VAUGHAN WILLIAMS (1872-1958) 15 The Call (George Herbert) f 2’12 16 Silent Noon (Dante Gabriel Rossetti) c 4’03 BENJAMIN BRITTEN (1913-1976) 17 The Choirmaster’s Burial (Thomas Hardy) d 4’08 IVOR GURNEY (1890-1937) 18 Sleep (John Fletcher) e 2’55 BENJAMIN
    [Show full text]
  • Christopher Diffey – TENOR Repertoire List
    Christopher Diffey – TENOR Repertoire List Leonard Bernstein Candide Role: Candide Volkstheater Rostock: Director Johanna Schall, Conductor Manfred Lehner 2016 A Quiet Place Role: François Theater Lübeck: Director Effi Méndez, Conductor Manfred Lehner 2019 Ludwig van Beethoven Fidelio Role: Jaquino Nationaltheater Mannheim 2017: Director Roger Vontoble, Conductor Alexander Soddy Georges Bizet Carmen Role: Don José (English) Garden Opera: Director Saffron van Zwanenberg 2013/2014 OperaUpClose: Director Rodula Gaitanou, April-May 2012 Role: El Remendado Scottish Opera: Conductor David Parry, 2015 (cover) Melbourne City Opera: Director Blair Edgar, Conductor Erich Fackert May 2004 Role: Dancaïro Nationaltheater Mannheim: Director Jonah Kim, Conductor Mark Rohde, 2019/20 Le Docteur Miracle Role: Sylvio/Pasquin/Dr Miracle Pop-Up Opera: March/April 2014 Benjamin Britten Peter Grimes Role: Peter Grimes (cover) Nationaltheater Mannheim: Conductor Alexander Soddy, Director Markus Dietz 2019/20 A Midsummer Night’s Dream Role: Lysander (cover) Garsington Opera: Conductor Steauart Bedford, Director Daniel Slater June-July 2010 Francesco Cavalli La Calisto Role: Pane Royal Academy Opera: Dir. John Ramster, Cond. Anthony Legge, May 2008 Gaetano Donizetti Don Pasquale Role: Ernesto (English) English Touring Opera: Director William Oldroyd, Conductor Dominic Wheeler 2010 Lucia di Lammermoor Role: Normanno Nationaltheater Mannheim 2016 Jonathan Dove Swanhunter Role: Soppy Hat/Death’s Son Opera North: Director Hannah Mulder, Conductor Justin Doyle April
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • Verdi (1813-1901) La Voix Humaine
    BIOGRAPHIES SIMON CALLAGHAN CONWAY Steinway Artist Simon Callaghan has performed throughout the UK, Japan, Malaysia, Thailand, South Korea, Austria, France and Belgium and has broadcast on BBC TV and radio. Engagements have included Wigmore Hall, Fairfield HALL Hall, Birmingham Symphony Hall, St David’s Hall Cardiff and Liverpool Philharmonic Hall. In chamber music he has SUNDAY performed with the Maggini, Sacconi and Carducci Quartets, Tim Hugh, Raphael Wallfisch, Jack Liebeck and the actors Samuel and Timothy West and Prunella Scales. Other highlights include a gala concert with ENO principals, CONCERTS a residency at the Banff Centre (Canada) a highly acclaimed recording of English piano music and the first UK performance since 1946 of Medtner’s Third Piano Concerto. Recent recordings include a two-disc recording of Delius orchestral works in arrangements for two pianos, a two-volume set of Brahms and a highly-acclaimed world premiere recording of music by Roger Sacheverell Coke (on SOMM). Simon is Head of Piano at the Ingenium Summer Academy (Winchester) and Artistic Director of the renowned Conway Hall Sunday Concerts, the longest-running Patrons - Stephen Hough, Laura Ponsonby AGSM, Prunella Scales chamber music series in Europe. CBE, Roderick Swanston, Hiro Takenouchi and Timothy West CBE Artistic Director - Simon Callaghan Sunday February 14th 2016, 6:30pm VALENTINE’S OPERA GALA NEXT AT CONWAY HALL Sunday February 21st 2016, 6.30pm FABIEN THOUAND (OBOE) with members of the London Symphony Orchestra SOPRANO ILONA DOMNICH MARIO SOFRONIOU Laurent Quenelle - Violin TENOR Malcolm Johnston - Viola BARITONE SIMON WALLFISCH Eve-Maria Caravassilis - Cello PIANO SIMON CALLAGHAN Mozart Oboe Quartet in F K370 Fiala Oboe Quartet in F Britten Phantasy in F minor Moeran Fantasy Quartet Françaix Quartet (for Cor Anglais and String Trio) Please follow us on Facebook and Twitter to stay updated about concerts and news.
    [Show full text]
  • Operaharmony
    #OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
    [Show full text]
  • PRESSQUOTES Katie Grosset
    PRESSQUOTES Katie Grosset MEZZO SOPRANO Mother Vixen / Fox-tot! / Scottish Opera / 2019 Dir. Roxana Haines "Both Grosset and Keating-Roberts are wonderful performers – you've got to take your hat off to anyone who can do their job with such focus and brilliance..." (The List / Lucy Ribchester) "Mezzo-soprano Katie Grosset and countertenor Daniel Keating-Roberts sang superbly, signed their words, and thoroughly enjoyed themselves as they encouraged as many tinies as were willing to interact with them." (SG Fringe / Mary Woodward) “…performed with charm and energy by Keating-Roberts and (Katie) Grosset.” (The Stage / Eleanor Turney) Nightingale / The Nightingale and the Rose / Pegasus Opera / 2019 Cond. Philip Hagemann / Dir. Louise Bakker "Appropriately for a creature that dies to further human aspirations, Katie Grosset brings a dramatic vocal edge to the Nightingale’s effusions." (The Stage / Yehuda Shapiro) “Katie Grosset’s beautiful portrayal of the Nightingale brought elegance and grace to the rarely seen bird. With her captivating voice matching the smooth rhythms of dance representing the soft movement of the Nightingales wings.” (LondonTheatre1 / Elaine Chapman) Cousin Hebe / HMS Pinafore / National Gilbert & Sullivan Opera Company / 2017 Cond. Andrew Nicklin / Dir. Donald Maxwell “Katie Grosset’s lively Hebe” (Opera / Martin Dreyer) Katie Grosset as Cousin Hebe gave a brilliantly comedic performance and drew my attention throughout.” (Break A Leg) Giovanna / Rigoletto / Regents Opera / 2017 Cond. Ben Woodward / Dir. Nicholas Heath “…repressed, fearful and well-sung Giovanna” (Operissima / Charlotte Valori) Steven Swales Artist Management Tel: +44 (0)1753 882 378 46 Twinwood Road, Clapham, Bedford, MK41 6HL Email: [email protected] www.stevenswalesartists.com Romeo / I Capuleti e i Montecchi / Pop-Up Opera / 2016 Cond.
    [Show full text]
  • Radio 3 Listings for 25 – 31 August 2012 Page 1
    Radio 3 Listings for 25 – 31 August 2012 Page 1 of 22 SATURDAY 25 AUGUST 2012 Verdi, Giuseppe (1813-1901) Giovanna D'Arco - Sinfonia SAT 01:00 Through the Night (b01m18ys) Canadian Opera Company Orchestra, Richard Bradshaw Jonathan Swain presents a performance of Brahms' mighty (conductor) German Requiem given by the Orchestre des Champs-Elysées and conductor Philippe Herreweghe recorded in Warsaw in 4:38 AM 2011. Scarlatti, Domenico (1685-1757) Sonata (Kk.133) in C major 1:01 AM Andreas Staier (harpsichord) Brahms, Johannes [1833-1897] Ein Deutsches requiem Op.45 4:42 AM Ilse Eerens (soprano), Andrew Foster-Williams (baritone), Granados, Enrique (1867-1916) Collegium Vocale, Ghent, Orchestre des Champs-Elysées, 4 Tonadillas from 'Colección de tonadillas escritas en estilo Philippe Herreweghe (conductor) antiguo' Isabel Bayrakdarian (soprano), James Parker (piano) 2:03 AM Spohr, Ludwig (1784-1859) 4:51 AM Sechs deutsche lieder for soprano, clarinet and piano (Op.103) Beethoven, Ludwig van [1770 -1827] Jean Stilwell (mezzo-soprano), Amici Chamber Ensemble: Egmont, incidental music: Overture (Op.84) Joaquín Valdepeñas (clarinet), Patricia Parr (piano) BBC Symphony Orchestra, Jiri Belohlávek (conductor) 2:25 AM 5:01 AM Pezel, Johann Christoph (1639-1694) Bella, Ján Levoslav (1843-1936) German Dance Suite Overture to Hermania in Venus' cave Canadian Brass Slovak Radio Symphony Orchestra, Bratislava, Stefan Róbl (conductor) 2:33 AM Schubert, Franz (1797-1828), orchestrated. Anton Webern 5:09 AM (1883-1945) Beethoven, Ludwig van (1770-1827)
    [Show full text]
  • Mujeres Y Música. Obstáculos Vencidos Y Caminos Por Recorrer
    MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora.
    [Show full text]
  • Come On, Join Us and Help Make It Happen
    www.brassnecktheatre.com Little Women 11-15 November 2014! Get your tickets now! Box Office: 0113 250 5011 Issue 17 BrassNeck Theatre is not only about Acting, Singing and Dancing BrassNeck has a small band of back stage crew who take great pride in the staging of our productions. We design, construct and erect our stage sets, so there's always plenty to do. If you have a passion, interest or desire to “Make Theatre” then why not join us.? Avenue Q Interested, then email [email protected] A couple of comments from others:- Finally got to drive to Melton Mowbray yesterday to collect your "Our House" set, and again a magnificent set Chris Streater Day8productions Fiddler On The Roof You might like this... your set described as "West-End worthy" in the York Press review of "Avenue Q"… David Pumfrey York Light Opera Company Limited The Wedding Singer Come on, join us and help make it happen. Our House For all productions, you can contact the BrassNeck Theatre box office at www.brassnecktheatre.com/box-office www.brassnecktheatre.com BrassNeck Theatre supports the Race for Life Tickled Pink’, a three person team, Janet Wilson, Barbara Catton and five year old William Simpson completed the race at Temple Newsam in Leeds. This was William’s second year entering the Race for Life and by the time this goes to print, he will have joined his Mum for another bite of the cherry where they will walk/run the Ilkley race. What was the best moment for me, said Barbara? As William ran to the finish line he stopped then ran back and took Janet and myself by the hands so we could all cross together- one very proud and emotional Grandma.
    [Show full text]
  • Tearing up the Rules
    Jewish RENAISSANCE A FRESH PERSPECTIVE ON JEWISH CULTURE SPONSORED BY DANGOOR EDUCATION JULY 2018 £7.25 TEARING UP THE RULES VIENNA’S CULTURE REVOLUTION IS THERE LIFE AFTER ROTH? AMOS OZ MOROCCO MEETS VENEZUELA The future of Jewish fiction Peace is still possible The restaurant that’s defying the crisis JR Pass on your love of Jewish culture for future generations Make a legacy to Jewish Renaissance ADD A LEGACY TO JR TO YOUR WILL WITH THIS SIMPLE FORM WWW.JEWISHRENAISSANCE.ORG.UK/CODICIL GO TO: WWW.JEWISHRENAISSANCE.ORG.UK/DONATIONS FOR INFORMATION ON ALL WAYS TO SUPPORT JR CHARITY NUMBER 1152871 JULY 2018 CONTENTS WWW.JEWISHRENAISSANCE.ORG.UK JR YOUR SAY… Reader’s rants, raves 4 and views on the April issue of JR. WHAT’S NEW We announce the 6 winner of JR’s new arts award; Mike Witcombe asks: is there life after Roth? FEATURE Amos Oz on Israel at 10 70, the future of peace, and Trump’s controversial embassy move. FEATURE An art installation in 12 French Alsace is breathing new life into an old synagogue. NATALIA BRAND NATALIA © PASSPORT Vienna: The writers, 14 artists, musicians and thinkers who shaped modernism. Plus: we speak to the contemporary arts activists working in Vienna today. MUSIC Composer Na’ama Zisser tells Danielle Goldstein about her 30 CONTENTS opera, Mamzer Bastard. ART A new show explores the 1938 32 exhibition that brought the art the Nazis had banned to London. FILM Masha Shpolberg meets 14 34 the director of a 1968 film, which followed a group of Polish exiles as they found haven on a boat in Copenhagen.
    [Show full text]
  • Royal Opera House Website
    OPERA and MUSIC | SUMMER 2018 THE ROYAL OPERA REPERTORY PAGE JOYCE DIDONATO AND ANTONIO PAPPANO 2 RECITAL LOHENGRIN 3 MAMZER BASTARD 7 LA BOHÈME 10 CAVE 17 DON GIOVANNI 20 FALSTAFF 23 JETTE PARKER YOUNG ARTISTS SUMMER 27 PERFORMANCE 2018 L’ANGE DE NISIDA IN CONCERT 31 OTHER EVENTS 34 THE ROYAL OPERA PRESENTS: JOYCE DIDONATO AND ANTONIO PAPPANO RECITAL 4 June 2018 at 8pm American mezzo-soprano Joyce DiDonato appears in recital on the Royal Opera House main stage, accompanied on the piano by The Royal Opera’s Music Director Antonio Pappano. The duo previously performed together in a recital at the opening of Wigmore Hall’s 2014/15 Season, the recording of which – Joyce and Tony: Live at Wigmore Hall – was named Best Classical Solo Vocal Album at the 2016 Grammy Awards. Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen). She has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda, Charlotte (Werther) and in Plácido Domingo’s 2012 Operalia concert. This Season she has sung Semiramide for the Company. Antonio Pappano is Music Director of The Royal Opera, a position he has held since 2002. During his tenure he has conducted an extensive repertory, including works by Mozart, Verdi, Wagner, Puccini, Richard Strauss, Ravel, Berg, Shostakovich and Britten, as well as the world premieres of Birtwistle’s The Minotaur (2008) and Turnage’s Anna Nicole (2011), and works for The Royal Ballet.
    [Show full text]