Judas Priest Vs Iron Maiden (Enc 2018)

Total Page：16

File Type：pdf, Size：1020Kb

Judas Priest vs Iron Maiden Backup Vox Song Drums Bass Guitar 1 Guitar 2 Guitar 3 Keys 1 Keys 2 Lead Vox (Full) Other (Full) Other (Full) Other (Minor) 1 The Ripper BRANDON RAIMO CONOR HOLMAN DANE MANSFIELD GAVIN JONES JACK ODIORNE EMILY BORTREE notes on song part 1 Sinner BRADY CUTLER BODHI HECHT JIMMY BORTREE RUTH TAM ERYN KARGMAN JACK DODSON notes on song part 2 Hell Bent For Leather BRADY CUTLER CONOR HOLMAN SHANE DUPPER JACK DODSON RUTH TAM JOHN-PAUL HAUNERT RUTH TAM notes on song part 2 Breaking The Law JOHN LYNCH GAVIN JONES GRANT CAMPBELL DANE MANSFIELD JACK ODIORNE ERYN KARGMAN JOHN-PAUL HAUNERT SHANE DUPPER JACK DODSON notes on song part Siren Broken glass sound 3 Exciter BRADY CUTLER BODHI HECHT RUTH TAM JACK ODIORNE GAVIN JONES JOHN-PAUL HAUNERT EMILY BORTREE notes on song part 3 Iron Maiden BRANDON RAIMO CONOR HOLMAN JIMMY BORTREE SHANE DUPPER GRANT CAMPBELL JACK DODSON ERYN KARGMAN notes on song part 4 Wrathchild JOHN LYNCH BODHI HECHT JACK ODIORNE GRANT CAMPBELL JOHN-PAUL HAUNERT notes on song part 4 The Trooper JOHN LYNCH CONOR HOLMAN RUTH TAM JACK DODSON SHANE DUPPER ERYN KARGMAN notes on song part 5 Hallowed be Thy Name BRANDON RAIMO BODHI HECHT DANE MANSFIELD JIMMY BORTREE ERYN KARGMAN notes on song part 5 Aces High BRADY CUTLER BODHI HECHT JIMMY BORTREE GAVIN JONES GRANT CAMPBELL EMILY BORTREE JOHN-PAUL HAUNERT notes on song part 6 Invaders JOHN LYNCH CONOR HOLMAN SHANE DUPPER GAVIN JONES EMILY BORTREE notes on song part 6 Rapid fire BRANDON RAIMO BODHI HECHT RUTH TAM DANE MANSFIELD GRANT CAMPBELL JOHN-PAUL HAUNERT notes on song part 7 Hell Patrol JOHN LYNCH CONOR HOLMAN SHANE DUPPER JIMMY BORTREE GRANT CAMPBELL JOHN-PAUL HAUNERT notes on song part 7 Freewheel Burning BRANDON RAIMO GAVIN JONES DANE MANSFIELD JACK ODIORNE RUTH TAM ERYN KARGMAN notes on song part 8 Wasted Years JOHN LYNCH CONOR HOLMAN RUTH TAM GRANT CAMPBELL JACK DODSON EMILY BORTREE notes on song part 8 The Clairvoyant BRADY CUTLER BODHI HECHT DANE MANSFIELD JIMMY BORTREE SHANE DUPPER JOHN LYNCH JACK DODSON notes on song part 9 Back In The Village BRADY CUTLER BODHI HECHT JIMMY BORTREE RUTH TAM SHANE DUPPER EMILY BORTREE notes on song part 9 Heading Out To The Highway JOHN LYNCH CONOR HOLMAN DANE MANSFIELD GAVIN JONES JACK DODSON ERYN KARGMAN notes on song part 10 Song 19 notes on song part 10 Song 20 notes on song part 11 Song 21 notes on song part 11 Song 22 notes on song part 12 Song 23 notes on song part 12 Song 24 notes on song part Judas Priest vs Iron Maiden Backup Vox Song Drums Bass Guitar 1 Guitar 2 Guitar 3 Keys 1 Keys 2 Lead Vox (Full) Other (Full) Other (Full) Other (Minor) 13 Song 25 notes on song part 13 Song 26 notes on song part.

Copy Link

Recommended publications

100% Rock Vol. II
100% Rock Vol. II Interpret Titel CD1 1 EUROPE The Final Countdown 2 RAM JAM Black Betty 3 MEAT LOAF You Took The Words 4 JUDAS PRIEST Living After Midnight 5 KANSAS Carry On Wayward Son 6 HOOTERS Satelite 7 ALICE COOPER Poison 8 SPIN DOCTORS Two Princes 9 OUTFIELD Your Love 10 LOVERBOY Turn me loose 11 JOURNEY Don't stop believin 12 UFO Boogie 13 ASIA Don't Cry (re-recording) 14 TOTO Stop Loving You 15 STATUS QUO Mean Girl 16 FIREHOUSE Don't treat me bad 17 URIAH HEEP Free Me CD2 1 EMERSON LAKE & PALMER Fanfare For The Common Man 2 EDDIE MONEY Take Me Home Tonight 3 TOTO Rosanna 4 BOSTON More Than A Feeling 5 JUDAS PRIEST Turbo Lover 6 MEAT LOAF Heaven Can Wait 7 REO SPEEDWAGON Can't Fight This Feeling 8 MOTÖRHEAD Ace Of Spades 9 BIRTHCONTROL Gammaray 10 ALICE COOPER Hey Stoopid 11 EUROPE Heart Of Stone 12 BONNIE TYLER Holding Out For A Hero 13 NAZARETH This Flight tonight 14 SANTANA Black Magic Woman How Am I Supposed To Life Without 15 MICHAEL BOLTON You 16 PROCUL HARUM A Whiter Shade Of Pale 17 MOTHERS FINEST Baby Love CD3 1 URIAH HEEP Easy Livin 2 BLACK SABBATH Paranoid 3 MAGNUM Kingdom Of Madness 4 UFO Too Hot To Handle 5 BLUE ÖYSTER CULT Don't Fear The Reaper (re-rec) 6 MOTÖRHEAD Stay Clean 7 COCK ROBIN Just Around The Corner 8 DON JOHNSON Heartbeat 9 TOTO Africa 10 CHEAP TRICK The Flame 11 HOOTERS All You Zombies JACKSONS FEAT MICK 12 JAGGER State Of Shock 13 MEAT LOAF Bat out of hell 14 TED NUGENT Stranglehold 15 JOHNNY WINTER Jumpin' Jack Flash 16 ALICE COOPER Spark In The Dark 17 REO SPEEDWAGON Keep Pushin' CD4 1 LIQUIDO Narcotic
[Show full text]
DEFENDER of the FAITH: the Life of J. Gresham Machen Part 2: the Battle for the Presbyterian Church
IIIM Magazine Online, Volume 3, Number 15, April 9 to April 15, 2001 DEFENDER OF THE FAITH: The Life of J. Gresham Machen Part 2: The Battle for the Presbyterian Church By Rev. Randy Oliver THE BATTLE FOR THE PRESBYTERIAN CHURCH “The author is convinced that liberalism on the one hand and the religion of the historic church on the other are not two varieties of the same religion, but two distinct religions proceeding from altogether separate roots.” – J. Gresham Machen On Sunday May 21, 1922, Henry Emerson Fosdick, supply pastor at First Presbyterian Church in New York City (although he was a Baptist), preached a sermon entitled “Shall the Fundamentalists Win?” The preaching of this now famous sermon “was the signal for a new and public outbreak of the conflict between the forces of historic Christianity and modern liberalism within the Presbyterian Church in the USA.”1 In the sermon, Fosdick pled for tolerance of differing views on the inspiration of Scriptures, the virgin birth, the atonement, and the Second Advent of Christ. It soon became clear that, despite his protestations to the contrary, Fosdick “advocated modernism as the religion for this day and generation.”2 Fosdick’s sermon reflected the growing influence of progressivism, ecumenism, and liberal theology in the Presbyterian Church. These tendencies caused the Presbyterian Church, in its General Assemblies of 1910 and 1916, to rule “that biblical inerrancy, the virgin birth, the substitutionary atonement, the resurrection, and miracles were essential doctrines.”3 The Presbytery of Philadelphia overtured the General Assembly to “take such action as will require the preaching and teaching in the First Presbyterian Church of New York City to conform to the 1 Rian, Edwin H, The Presbyterian Conflict (Philadelphia: The Committee of the Historian for the Orthodox Presbyterian Church, 1940, 1992), 17.
[Show full text]
JUDAS PRIEST the Broadmoor World Arena Wednesday, June 5, 2019
FOR IMMEDIATE RELEASE JUDAS PRIEST with special guest Uriah Heep The Broadmoor World Arena Wednesday, June 5, 2019 – 7:30pm Colorado Springs (December 3, 2018) -- AEG Presents and The Broadmoor World Arena are excited to announce JUDAS PRIEST Firepower 2019 Tour with URIAH HEEP at The Broadmoor World Arena on Wednesday, June 5, 2019. With Judas Priest’s latest studio album, Firepower, confirmed as one of the most successful of the band’s entire career - landing in the "Top 5" of 17 countries (including their highest chart placement ever in the U.S., at #5) - demand to see the legendary metal band in concert is higher than ever. Colorado Springs “head-bangers” will get their chance to experience the legendary band when KILO presents Judas Priest Firepower 2019 Tour at The Broadmoor World Arena – one of their 32 tour dates next summer - on Wednesday, June 5 with the classic metal band Uriah Heep. “Metal maniacs - Judas Priest is roaring back to the USA for one more blast of Firepower! Firepower 2019 charges forth with new first-time performances born out of Firepower, as well as fresh classic cuts across the decades from the Priest world metalsphere. Our visual stage set and light show will be scorching a unique, hot, fresh vibe - mixing in headline festivals, as well as the in-your-face venue close ups. We can’t wait to reunite and reignite our maniacs...THE PRIEST IS BACK!” said Judas Priest. Tickets will go on sale Friday, December 7 at 10 a.m., and will range in price from $49.50 to $69.50, plus applicable fees.
[Show full text]
AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion
[Show full text]
On Elite Rule of Law and Deterrence
Penn State Journal of Law & International Affairs Volume 4 Issue 2 Violence Against Women Symposium and Collected Works September 2016 Caught in the Act but not Punished: on Elite Rule of Law and Deterrence Francesca Jensenius Abby Wood Follow this and additional works at: https://elibrary.law.psu.edu/jlia Part of the Diplomatic History Commons, History of Science, Technology, and Medicine Commons, International and Area Studies Commons, International Law Commons, International Trade Law Commons, Law and Politics Commons, Political Science Commons, Public Affairs, Public Policy and Public Administration Commons, Rule of Law Commons, Social History Commons, and the Transnational Law Commons ISSN: 2168-7951 Recommended Citation Francesca Jensenius and Abby Wood, Caught in the Act but not Punished: on Elite Rule of Law and Deterrence, 4 PENN. ST. J.L. & INT'L AFF. 686 (2016). Available at: https://elibrary.law.psu.edu/jlia/vol4/iss2/13 The Penn State Journal of Law & International Affairs is a joint publication of Penn State’s School of Law and School of International Affairs. Penn State Journal of Law & International Affairs 2016 VOLUME 4 NO. 2 CAUGHT IN THE ACT BUT NOT PUNISHED: ON ELITE RULE OF LAW AND DETERRENCE Francesca R. Jensenius and Abby K. Wood Most literature on criminal deterrence in law, economics, and criminology assumes that people who are caught for a crime will be punished. The literature focuses on how the size of sanctions and probability of being caught affect criminal behavior. However, in many countries entire groups of people are “above the law” in the sense that they are able to evade punishment even if caught violating the law.
[Show full text]
JUDAS PRIEST BIOGRAPHY There Are Few Heavy Metal Bands That
JUDAS PRIEST BIOGRAPHY There are few heavy metal bands that have managed to scale the heights that Judas Priest have during their nearly 50-year career. Their presence and influence remains at an all-time high as evidenced by 2014's 'Redeemer of Souls' being the highest charting album of their career, a 2010 Grammy Award win for 'Best Metal Performance', being a 2006 VH1 Rock Honors recipient, a 2017 Rock and Roll Hall of Fame nomination, and they will soon release their 18th studio album, 'Firepower', through Epic Records. Judas Priest originally formed in 1969 in Birmingham, England (an area that many feel birthed heavy metal). Rob Halford, Glenn Tipton, K.K. Downing and Ian Hill would be the nucleus of musicians (along with several different drummers over the years) that would go on to change the face of heavy metal. After a 'feeling out' period of a couple of albums, 1974's 'Rocka Rolla' and 1976's 'Sad Wings of Destiny' this line-up truly hit their stride. The result was a quartet of albums that separated Priest from the rest of the hard rock pack - 1977's 'Sin After Sin', 1978's 'Stained Class' and 'Hell Bent for Leather', and 1979's 'Unleashed in the East', which spawned such metal anthems as 'Sinner', 'Diamonds and Rust', 'Hell Bent for Leather', and 'The Green Manalishi (With the Two-Pronged Crown)'. Also, Priest were one of the first metal bands to exclusively wear leather and studs – a look that began during this era and would eventually be embraced by metal heads throughout the world.
[Show full text]
9781317587255.Pdf
Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK.
[Show full text]
From Epistemic Diversity to Common Knowledge: Rational Rituals and Publicity in Democratic Athens
Princeton/Stanford Working Papers in Classics From epistemic diversity to common knowledge: Rational rituals and publicity in democratic Athens. Version 1.0 July 2006 Josiah Ober Stanford Unversity Abstract: Effective organization of knowledge allows democracies to meet Darwinian challenges, and thus avoid elimination by more hierarchical rivals. Institutional processes capable of aggregating diverse knowledge and coordinating action promote the flourishing of democratic communities in competitive environments. Institutions that increase the credibility of commitments and build common knowledge are key aspects of democratic coordination. “Rational rituals,” through which credible commitments and common knowledge are effectively publicized, were prevalent in democratic Athens. Analysis of parts of Lycurgus’ speech Against Leocrates reveals some key features of the how rational rituals worked to build common knowledge in Athens. This paper, adapted from a book-in-progess, is fortthcoming in the journal Episteme. © [email protected] 1 From epistemic diversity to common knowledge: Rational rituals and publicity in democratic Athens. Word count (with notes and bibliography): 9000 By Josiah Ober. [email protected]. (Adapted from Knowledge in Action in Democratic Athens: Innovation, Learning, and Government by the People. A book-in-progress.) In a famous poetic fragment (Fragment 16 West) Sappho sets up a contest among things that might be considered the “most beautiful”: Some say a host of horsemen is the most beautiful thing on the black earth, some say a host of foot-soldiers, some, a fleet of ships; but I say it is whatever one loves. Sappho contrasts her own claim for “the most beautiful” with the answers offered by several imagined groups of others, who may be taken as representing ordinary Greek (male) opinion: each group proposes as its candidate for “the most beautiful” a different form of organized military formation – that is, in each case, a body of men and equipment whose extraordinary beauty inheres in their coordinated movement.
[Show full text]
Published by DEDICATION
Published by DEDICATION The second edition of this humble effort is dedicated to KENNETH JACQUES, M.D. Devoted servant of the Lord Jesus Christ Distinguished orthopedic surgeon Treasured friend ACKNOWLEDGEMENT No originality whatsoever is claimed for these messages. The author has gleaned freely from many, sources. Special mention should be made of a book entitled ‘‘The Waste of Sin” by W. W. Melton, pub lished by Fleming H. Revell in 1922, now long out of print. Many portions of the material used came from this source, and the author expresses his appre ciation and debt. PREFACE This material was presented in a series of brief messages on the Voice of Calvary radio and television programs. In answer to the many requests for these sermons we have prepared this book which contains the entire series. This eternal story is inexhaustible in its content and remains as fresh and provocative as the day our Lord first told it to His disciples. The lessons are deep and abiding. The unforgettable portrait of the father and the son presents God and the sinner as only our Lord Jesus Christ could paint the picture. It is our prayer that this little book will tell the story once again, and that the loving Father will, as always, be stow the "kiss of God” in the embrace of eternal forgive ness and restoration upon some wandering prodigal who at last finds his way home. TABLE OF CONTENTS I. Riotous Living ..................................................... 1 II. The Famine of Sin ............................................. 14 III. Homesick for God ................................................25 IV. “ I Have Sinned!” ................................................39 V.
[Show full text]
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
[Show full text]
Historical Themes in Iron Maiden Songs (Part I): from the Cavemen to the Vikings
Revista Brasileira de Estudos da Canção – ISSN 2238-1198 Natal, n.3, jan-jun 2013. www.rbec.ect.ufrn.br Historical Themes in Iron Maiden Songs (Part I): From the Cavemen to the Vikings Lauro Meller1 [email protected] Abstract: This paper intends to deepen some of the ideas put forward in a previous study of ours, “Historical Characters and Facts in Iron Maiden Songs: a journey from Pre-History to The Second World War” (MELLER, 2005). Our aim is to demonstrate that the lyrics to Maiden’s songs stand out in the Heavy Metal scenario (whose lyrics usually have as subject matters Satanism, sex, drinking, and drug abuse). Avoiding these commonplace topics, Steve Harris, the main songwriter in the group, invests in more elaborate lyrics, either inspired by literary works or about historical themes. In fact, there are so many songs in the band’s discography that deal with historical themes that it is even possible to draw a timeline that stems from Pre-History and reaches The Second World War. While our analytical approach tends to focus on the lyrics, it will not ignore some aspects that are crucial to a better understanding of songs, namely the strictly musical elements (melody, harmony, rhythm, arrangement, etc.), and performance. Keywords: Iron Maiden; Heavy Metal; History; Popular Music Studies. Resumo: Este trabalho pretende verticalizar algumas das ideias apresentadas em um estudo prévio de nossa autoria, “Personagens e Fatos Históricos nas Canções do Iron Maiden: uma jornada da Pré-História à Segunda Guerra Mundial” (MELLER, 2005). Nosso intuito é o de demonstrar que as letras das canções do Maiden se destacam no cenário do Heavy Metal (cujas letras normalmente versam sobre Satanismo, sexo, bebida e consumo de drogas).
[Show full text]
Antigone Vs Creon Tragic Hero Examining the Traits Listed Below, Find Textual Evidence Throughout the Play That Proves This Character’S Status As a Tragic Hero
Antigone vs Creon Tragic Hero Examining the traits listed below, find textual evidence throughout the play that proves this character’s status as a tragic hero. 1. A person of high estate 2. Suffers because of hamartia 3. Experiences strong emotions and comes to a breaking point 4. Faces a horrible truth (catastrophe) 5. Reversal of fortune (paripateia) 6. The fall and the revelation 3rd Period Antigone 1. A person of high estate “You would think we had suffered enough for the curse of Oedipus”* (Prologue) - Get connection to Oedipus (remember, original audience would know the Oedipus myth) - Princess of Thebes 2. Suffers because of hamartia “Ismene, I am going to bury him…Creon is not strong enough to stand in the way”* - Overconfident, does not think Creon can stop her 3. Experiences strong emotions and comes to a breaking point “Then let me go since all of your words are bitter” (scene iv) - See her fearing death, asking for pity (conflicts with what we saw in scene 2) - Chorus offers her no pity; she did it of her own free will “That must be your excuse I suppose because for me I must bury the brother I love” - Initially wants to bury him out of respect, but now that Ismene refuses to do it, it is a mission for her. Her breaking point because now she is even more determined to break the law. “She had made a noose of her fine linen veil and hanged herself” (exodus) - Her death could also be the breaking point because she committed suicide; she took matters into her own hands; didn’t want to suffer.
[Show full text]