Scanned Using Book Scancenter 5131

Total Page:16

File Type:pdf, Size:1020Kb

Scanned Using Book Scancenter 5131 Jonathan Morgan___________________ A Midnight Ride on Paul’s Derriere Listen, my children, and you shall hear Suffice it to say they slunk back to their lair Of that fine tradition all Johnnies revere And Peterson echoed with their cries of despair: A Poetry Contest, in your nomenclature “How now shall we manage, O Divine Mercy, Erotic in name, and though small in stature to express our deep love for all things unseemly? Healthy and bulging with tumescent pride For sodomy, incest, and good Lady Chatterley, And like many bulges, too prominent to hide. For onanists, frotteurists, and bestiality?!? A rude, hairy Tourney of frustrated gripes Freud says that what isn’t expressed will fester! Which yet managed beauty, as Pan from his pipes. What we hold in now will be worse next semester! A contest that Johnnies created, in trust. And though we are craven and burning with lust, As a repository for their various lusts. Most average Johnnies are homier than us!” On one fine spring morning, in 2004, The editors anguished long into the night. The Dean paid a call on the Moon editors. But had they a plan, by first morning light. He asked them, with feigned nonchalance, to accompany Although it would gall them, they must take a chance, Him back to his office, and they complied readily. A crash-course in administrative song-and-dance: Then, barring his door tightly behind their backs They’d barter, cajole, beseech, threaten and stall. And tuning upon them, as if to attack, said And try to appease the Gods of Weigle Hall. “this contest up with which I will not put! And lo, they prevailed, and they made their case heard The poems themselves are but licentious smut! These gallant defenders of the four-letter word. And those pictures of co-ed! Nude photography! And so there remains, at St. John’s, an arena How will this look to our good BVG?!?” For all of your vile and sick erotica. The editors nodded, and shuffled their feet— Where you, my dear readers, you base rogues and liars, To tell what they thought then would be indiscreet; Can dress up your fantasies, deck out your desires. I shall not relate what they wanted to say In iambic meter, and cheap rhyme—and hope As one of them would like to graduate in May. That elaborate trappings will hide tired tropes. If you use pretty words—who knows?—maybe we’ll think That your flowery language covers the stink. Where else but here, friends, can you if you’re smart Turn even a dmnk One Night Stand into “art”? Adam Willson So welcome back, oh my frustrated lovers. HOW TO JUDGE AN EROTIC POETRY CONTEST You impotent, pent-up and sore little buggers Welcome, all you sadomasochistic freaks. To think: how many ways there are to hammer in­ To the contest we call Le Poesie Erotique. to a soft and fleshy, womby mind that by every stretch of tongue there is behind, a sodomy of thought - the mind’s fornication. Through a mist of love acidic, we chance do spy our hollow bones, sick and syphilitic - an anal-ytic occupation left us dry and our sturdy skiff has shrunk to nullibitic. I too saw her top undone, but underneath not a pleasure-dome to which I’d come no sweet cream did her breast bequeath unto mine eye, when all was done and done. The fist does light upon my Jovan Rex for a thousand droughts lie on my sex. THE MOON Features The 2005 Erotic Poetry Contest Bad Johnnies...Johnnies p. 16 Redefine the Enemy: Ben Mann p. 8 Six Nonspecifics for Cynical Living, pt. 2 Africa; Sarah Davis-Goff p. 10 Zingela and the Weak Woman Beyond Reason 4: Felicitas Steinhoff p. 12 Latus Rectum The Ring Cathy Jo McCue p, 13 News and Opinion Peace Query Adam Braus p. 6 Defenders of the Faith Gideon Culman p, 7 Some Thoughts on St, John’s Security Mark Morcos p. 15 Calliope's Corner Blowout Jeffrey Dharma p. 22 "It Could Come at Any Time” Zacc Coker-Dukowitz p. 26 Part 2: Luo Comics Sigfried Lucas Smith Canto XXVI Blake Hindley p. 31 Moon Don’t like what we’re doing with the Jonathan Morgan Unrung, Unsung and...well Moon? Adam Willson The Horror...The Horror. Assistant Curmudgeon The editorial staff of the Moon is constantly being bombarded with Chris Harris questions, comments, and threats about the content of this or that Layout Editor Moon issue. Our stock response is to gently suggest that the individ­ ual accosting us write a letter to the editor. Almost universally, this Nyssa Travis suggestion has the effect of causing him to stammer, avert his eyes, Layout Assistant and shuffle away, often while muttering angrily under his breath. Trystan Popish Inevitably, no letter follows. Intern Why oh why are you so silent, campus mine? We want your input! Contributors Are you too meek to voice your opinions in a public forum, too lazy Adam Braus I Felicitas Steinhoff to type up a statement of your grievances, or do you simply have Cathy Jo McCue I Zack Coker-Dukowitz nothing to say? Jeffrey Dharma I Gideon Culman C’mon. We know you’ve got at least 95 Theses in you. Nail ‘em to Lucas Smith I Owen Stark I Ben Mann the door. Blake Hindley I Mark Morcos Jane Murray I Ben Gaddes I Kyle Simmons Send constructive criticisms, destructive witticisms, or threats of Allegra Johns I Michael Lewis death and dismemberment to [email protected] and Steven Pine Cover Photo: Camilo Alba-Navarro \_______________________________________________________ / The Moon is the independent bi-weekly student newspaper for St. John’s College in Santa Fe, New Mexico. As such, all opinions expressed within represent only the views of their respective authors, and do not necessarily represent the views of the cuz who loves ya,"baby ? College, the Faculty, the Administration or the Moon Editors. Issues are available at no charge to all members of, and visitors to the campus, and The Moon Editorial Staff now has the distinction yearly subscriptions can be obtained for $30. of actually having staff members who are not The Moon is composed of student works and all editors. But they are few. So the call is going out contributions are welcome, but the Editorial staff for anyone interested in reporting, critiquing, reserves the right to demand an indefinite amount photography, cartooning, layout, editing, making of revision in order to uphold our strict journalistic standards and to ensure that each issue is relevant, sweet sweet love, living, drinking, being the Dean, informative, and damn fun to read. or self-actualizing. If interested contact Jonathan Morgan X4170 or Adam Willson X4324 STJOHN’S L 2 College ANNAPOLIS . SANTA FE 4 LETTERS TO THE EDITOR To the College Community; No student called Robby Shanker Has a tutor ever answered your frenzied attends or has attended the Graduate late-night call for help on a math prop? Institute. Ever gone out of their way to meet you in the Coffee Shop and Respectfully, read your seminar essay—even though you’re not in any of their Krishnan Venkatesh, classes? Gl Director We want your submissions—stories, anecdotes, or just plain thank yous—to tutors who have gone above and beyond to help you out and show they care. Dear Mr. Morgan, This is a missiv to strongly protest the For the next issue of the Moon we would like to print your tutor appreciation letters. So please sit down, think a minute, and thank continued publishing of lies in your rag. that tutor who went out of his or her way to help you out. The Moon, by one Gideon Culman. In your April 15 edition you published a This is an important way to show that you too care and are willing series of allegations by Culman regarding to go out of your way for them. the alleged disapearance of one Robby Shanker. As an active and sometimes naked member of the EC sangha I can qualitativly state that there has never been a “Robby Shanker” at any time in any of even took up the story! The silence at the courses. the time, in the wake of the burning city Acting on Culmans bloated assertions was deafening, man! All Koolman ever of a cover up at the highest levels, I got was a citation from the mayors office, checked with Sri Venkateswaran on this a simple soft paddling of his soft backside and he not only denied any knowledge and a one way ticket to Penobscot Bay, of the alleged student, but seemed sim­ just about the farthest away from Venice ply surprised that one would take Herr Beach as possible. How he made his way Koolman seriously on anything. Firstly, to Santa Fe is anyones guess... but you and we both agreed on this, Koolman is can bet a quick check with the Bar Harbor a known felon and blackgaurd, prevented Sherrifs Department might reveal it. from ever entering again Los Angeles Look, you print what you want to, politics. During the Rodney King riots of Morgan, or at least print whatever the the 1990’s, he was the man later identi­ Reverend Sun Yung Moon, tells you too, fied as having taken Madonna’s bustier but there is no reason to print lies as fact. from Hendricks of Hollywood. He was If Koolman has proof on Robby Shanker, wearing blackface at the time, thats why goddamit, he’d better show it. Otherwise no one originally knew.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Song and Fingerplay Book
    Yankee Doodle, keep it up Yankee Doodle dandy Mind the music and the step and with the girls be handy! Father and I went down to camp Along with Captain Gooding And there we saw the men and boys As thick as hasty pudding. Chorus And there was Captain Washington And gentle folks about him They say he’s grown so tarnal proud He will not ride without them. Chorus Z is for Zoo (sung to “Wheels on the Bus”) Oh, the bear at the zoo goes Grr, grr, grr, Grr, grr, grr. Oh, the bear at the zoo goes Grr, grr, grr, All day long. Repeat additional verses: Monkey at the zoo… ooo, ooo, ooo Snake at the zoo…. hiss, hiss, hiss Lion at the zoo….raar, raar, raar …etc. Z is for Zoom Zoom, zoom zoom, We’re going to the moon. Zoom, zoom, zoom, We’ll be there very soon. So if you’d like to take a trip Just step inside my rocket ship. Zoom, zoom, zoom, We’re going to the moon. Zoom, zoom, zoom, We’ll be there very soon. 10 – 9 – 8 -7 – 6 – 5 – 4 – 3 – 2 – 1 – BLAST OFF! 40 A Counting We Will Go A counting we will go A counting we will go 1, 2, 3, 4 and 5 A counting we will go. We’re counting as we clap (clap) We’re counting as we jump (jump) We’re counting as we march (march) We’re counting as we spin (turn around) Acka Backa Acka backa soda cracker, Acka backa boo.
    [Show full text]
  • Gene Pitney, 1940-2006
    10 Grapevine GRAPELEAVES Gene Pitney, 1940-2006 Singer/songwriter and News & notes: The James Gang rides Yoakam and others... There are two new Rock And Roll Hall Of again! For the first time in 35 years James titles in Music Video Distributors’ Under Fame member (2002), Gang members Joe Walsh, Jim Fox, and Review series, Velvet Underground, Gene Francis Allan Dale Peters will tour together. The first Under Review and Captain Beefheart, Pitney, age 66, died show kicks off Aug. 9 at Colorado’s Red Under Review. Each DVD features rare unexpectedly of natural Rocks Amphitheatre. Complete tour date performances and interviews along with causes in his Hilton info is available at jamesgang commentary and criticism from band Hotel room April 5, ridesagain.com... This spring will find members and music writers... Other 2006, in Cardiff, Wales. another band on the road for the first time recent DVD releases include Judas He was midway through in many years. Seattle’s Alice In Chains Priest, Live Vengeance ’82. This 17-song www.goldminemag.com GOLDMINE #673 May 12, 2006 • GOLDMINE #673 May www.goldminemag.com a 23-city United members Jerry Cantrell, Mike Inez, and set features the band’s 1982 Memphis, Kingdom tour; he had Sean Kinney haven’t toured together as a Tenn., show ripping out fan faves such just played Cardiff’s St. band since 1996. A re-linked Chains will as “The Hellion/Electric Eye,” “Heading David’s Hall and was hit the stage May 26 at Lisbon, Portugal’s Out To The Highway” and “Hell Bent scheduled to perform Super Bock Festival.
    [Show full text]
  • Baila
    1. A song shot in one of these locations is an item number featuring women dressed in traditional North ​ Indian clothing, despite being from South India. That song would later be remade for the movie Maximum, although it’s location was changed from one of these locations. That song shot in one of these locations repeatedly lists the name of cities, and was part of a breakout film for Allu Arjun. In addition to (*) Aa Ante Amalapuram, another song shot in one of these locations features a lyric that ​ ​ praises someone’s speech to be “as fine as the Urdu language.” Shahrukh Khan dances on top of, for 10 points, what location in Chaiyya Chaiyya? ​ ​ ANSWER: Train [accept railroad or railway or equivalents] ​ ​ ​ ​ ​ ​ ​ <Bollywood> 2. This word is the name of a popular dance in Sri Lanka, and a song titled “[this word] Remix Karala” ​ was remixed into the 2011 Sri Lankan Cricket Team’s song. Another song with this word in its title claims that this word “esta cumbia,” and is by Selena. A song with another conjugation of this word in its title says (*) “Nothing can stop us tonight” before the title phrase. That song featuring this word in its ​ title also says “Te quiero, amor mio” before the title word is repeated in the chorus. For 10 points, name this word which titles an Enrique Iglesias song, in which it precedes and succeeds the phrase “Let the rhythm take you over.” ANSWER: baila [accept bailar or bailamos - meta tossup lul] ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ <Latin American Music> 3. The second episode of the History Channel TV show UnXplained is partially set in this location.
    [Show full text]
  • Judas Priest Live Nation Press Release
    FOR IMMEDIATE RELEASE: METAL LEGENDS JUDAS PRIEST, HEAVEN & HELL, MOTORHEAD, AND TESTAMENT UNITE FOR ‘METAL MASTERS TOUR’ WORLD PREMIERE OF JUDAS PRIEST ‘NOSTRADAMUS’ COVER ART AND FREE MP3 DOWNLOAD OF TITLE TRACK AT LIVENATION.COM After weeks of speculation, Live Nation has put together a killer package that is bound to go down as the heavy metal event of 2008 - Judas Priest, Heaven and Hell, Motorhead and Testament will be touring together for the first time. Dubbed „The Metal Masters Tour,‟ the fifteen-date U.S. trek kicks off August 6th at the Susquehanna Bank Center in Camden, New Jersey. Tickets go on sale to the public beginning this weekend at www.livenation.com. Judas Priest will be supporting their epic concept album, „Nostradamus,‟ arriving June 17th via Epic Records, which tells the tale of the renowned 16th century prophet. A few tracks from „Nostradamus‟ will make their in-concert debut on „The Metal Masters Tour,‟ but the majority of Priest‟s set list will include some of metal‟s all-time classics, as well as fan favorites that span the quintet‟s entire career. Without a doubt, this will be one of Priest‟s most powerful sets ever. As a „sneak peak treat‟ to fans starved for a musical taster, the first cut off the new album will make its world premiere debut as exclusive free MP3 download starting today exclusively at www.livenation.com/judaspriest. Heaven & Hell will be supporting the release of „The Rules Of Hell,‟ a five-CD boxed set available July 22nd from Rhino Records, which features re-mastered versions of all four Dio-era Black Sabbath albums („Heaven and Hell,‟ „Mob Rules,‟ „Live Evil‟ and „Dehumanizer‟) in a deluxe package with new liner notes.
    [Show full text]
  • Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
    Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities.
    [Show full text]
  • 100% Rock Vol. II
    100% Rock Vol. II Interpret Titel CD1 1 EUROPE The Final Countdown 2 RAM JAM Black Betty 3 MEAT LOAF You Took The Words 4 JUDAS PRIEST Living After Midnight 5 KANSAS Carry On Wayward Son 6 HOOTERS Satelite 7 ALICE COOPER Poison 8 SPIN DOCTORS Two Princes 9 OUTFIELD Your Love 10 LOVERBOY Turn me loose 11 JOURNEY Don't stop believin 12 UFO Boogie 13 ASIA Don't Cry (re-recording) 14 TOTO Stop Loving You 15 STATUS QUO Mean Girl 16 FIREHOUSE Don't treat me bad 17 URIAH HEEP Free Me CD2 1 EMERSON LAKE & PALMER Fanfare For The Common Man 2 EDDIE MONEY Take Me Home Tonight 3 TOTO Rosanna 4 BOSTON More Than A Feeling 5 JUDAS PRIEST Turbo Lover 6 MEAT LOAF Heaven Can Wait 7 REO SPEEDWAGON Can't Fight This Feeling 8 MOTÖRHEAD Ace Of Spades 9 BIRTHCONTROL Gammaray 10 ALICE COOPER Hey Stoopid 11 EUROPE Heart Of Stone 12 BONNIE TYLER Holding Out For A Hero 13 NAZARETH This Flight tonight 14 SANTANA Black Magic Woman How Am I Supposed To Life Without 15 MICHAEL BOLTON You 16 PROCUL HARUM A Whiter Shade Of Pale 17 MOTHERS FINEST Baby Love CD3 1 URIAH HEEP Easy Livin 2 BLACK SABBATH Paranoid 3 MAGNUM Kingdom Of Madness 4 UFO Too Hot To Handle 5 BLUE ÖYSTER CULT Don't Fear The Reaper (re-rec) 6 MOTÖRHEAD Stay Clean 7 COCK ROBIN Just Around The Corner 8 DON JOHNSON Heartbeat 9 TOTO Africa 10 CHEAP TRICK The Flame 11 HOOTERS All You Zombies JACKSONS FEAT MICK 12 JAGGER State Of Shock 13 MEAT LOAF Bat out of hell 14 TED NUGENT Stranglehold 15 JOHNNY WINTER Jumpin' Jack Flash 16 ALICE COOPER Spark In The Dark 17 REO SPEEDWAGON Keep Pushin' CD4 1 LIQUIDO Narcotic
    [Show full text]
  • DEFENDER of the FAITH: the Life of J. Gresham Machen Part 2: the Battle for the Presbyterian Church
    IIIM Magazine Online, Volume 3, Number 15, April 9 to April 15, 2001 DEFENDER OF THE FAITH: The Life of J. Gresham Machen Part 2: The Battle for the Presbyterian Church By Rev. Randy Oliver THE BATTLE FOR THE PRESBYTERIAN CHURCH “The author is convinced that liberalism on the one hand and the religion of the historic church on the other are not two varieties of the same religion, but two distinct religions proceeding from altogether separate roots.” – J. Gresham Machen On Sunday May 21, 1922, Henry Emerson Fosdick, supply pastor at First Presbyterian Church in New York City (although he was a Baptist), preached a sermon entitled “Shall the Fundamentalists Win?” The preaching of this now famous sermon “was the signal for a new and public outbreak of the conflict between the forces of historic Christianity and modern liberalism within the Presbyterian Church in the USA.”1 In the sermon, Fosdick pled for tolerance of differing views on the inspiration of Scriptures, the virgin birth, the atonement, and the Second Advent of Christ. It soon became clear that, despite his protestations to the contrary, Fosdick “advocated modernism as the religion for this day and generation.”2 Fosdick’s sermon reflected the growing influence of progressivism, ecumenism, and liberal theology in the Presbyterian Church. These tendencies caused the Presbyterian Church, in its General Assemblies of 1910 and 1916, to rule “that biblical inerrancy, the virgin birth, the substitutionary atonement, the resurrection, and miracles were essential doctrines.”3 The Presbytery of Philadelphia overtured the General Assembly to “take such action as will require the preaching and teaching in the First Presbyterian Church of New York City to conform to the 1 Rian, Edwin H, The Presbyterian Conflict (Philadelphia: The Committee of the Historian for the Orthodox Presbyterian Church, 1940, 1992), 17.
    [Show full text]
  • JUDAS PRIEST the Broadmoor World Arena Wednesday, June 5, 2019
    FOR IMMEDIATE RELEASE JUDAS PRIEST with special guest Uriah Heep The Broadmoor World Arena Wednesday, June 5, 2019 – 7:30pm Colorado Springs (December 3, 2018) -- AEG Presents and The Broadmoor World Arena are excited to announce JUDAS PRIEST Firepower 2019 Tour with URIAH HEEP at The Broadmoor World Arena on Wednesday, June 5, 2019. With Judas Priest’s latest studio album, Firepower, confirmed as one of the most successful of the band’s entire career - landing in the "Top 5" of 17 countries (including their highest chart placement ever in the U.S., at #5) - demand to see the legendary metal band in concert is higher than ever. Colorado Springs “head-bangers” will get their chance to experience the legendary band when KILO presents Judas Priest Firepower 2019 Tour at The Broadmoor World Arena – one of their 32 tour dates next summer - on Wednesday, June 5 with the classic metal band Uriah Heep. “Metal maniacs - Judas Priest is roaring back to the USA for one more blast of Firepower! Firepower 2019 charges forth with new first-time performances born out of Firepower, as well as fresh classic cuts across the decades from the Priest world metalsphere. Our visual stage set and light show will be scorching a unique, hot, fresh vibe - mixing in headline festivals, as well as the in-your-face venue close ups. We can’t wait to reunite and reignite our maniacs...THE PRIEST IS BACK!” said Judas Priest. Tickets will go on sale Friday, December 7 at 10 a.m., and will range in price from $49.50 to $69.50, plus applicable fees.
    [Show full text]
  • ​Judas Priest Till Rättvik Och Linköping
    Judas Priest 2019-10-23 10:00 CEST JUDAS PRIEST TILL RÄTTVIK OCH LINKÖPING Det finns få heavy metal-band som har lyckats nå samma höjder som Judas Priest under deras 50-åriga karriär. Deras närvaro och inflytande är mer aktuell än någonsin, vilket tydligt framgår i albumet ”Firepower” från 2018, som gick direkt in på #5 på albumtopplistan! Den 13 juni spelar de på Dalhalla i Rättvik och dagen därpå, den 14 juni, spelar de på Saab Arena i Linköping! Biljetter släpps tisdag den 29 oktober kl 10.00 via LiveNation.se Judas Priest bildades ursprungligen 1969 i Birmingham, England, ett område som många anser är födelseorten för heavy metal. Rob Halford, Glenn Tipton, K.K. Downing och Ian Hill kom att bli bandets kärna (tillsammans med flera olika trummisar under åren) och de kom tillsammans att ändra synen på heavy metal. Man kan säga att Judas Priest helt enkelt ägde 80-talet då de var i en klass för sig när det kom till ren metal och släppte tidlösa, klassiska album som ”British Steel”, ”Point of Entry”, ”Screaming for Vengeance"och "Defenders of the Faith". Dessa låtar blev inspirationen till otaliga heavy metal-hitar inklusive "Breaking the Law", "Living After Midnight", "Heading Out to the Highway" och "You've Got Another Thing Coming". 2010 tilldelades bandet en Grammy Award för ”Best Metal Performance” och under 2017 blev de nominerade till Rock and Roll Hall of Fame och gjorde sig redo att släppa ett nytt studioalbum, ”Firepower” (producerat av Andy Sneap och Tom Allom). Albumet blev en global succé och kritikerrosad och bandet åkte på den utsålda världsturnén ”JUDAS PRIEST - FIREPOWER 2018 World Tour”.
    [Show full text]
  • Los Músicos Presentarán Canciones De Su Más
    10515465 05/21/2005 10:53 p.m. Page 3 ESPECTÁCULOS | DOMINGO 22 DE MAYO DE 2005 | EL SIGLO DE DURANGO | 3B El quinteto británico ha marcado la diferencia en su género por varias décadas. SUCESO | VOCALISTA ORIGINAL DEL GRUPO BRITÁNICO HA VUELTO Judas Priest viene a México Los músicos Discografía presentarán Judas Priest se ha consolidado como uno de los grupos históricos del canciones de su más metal debido a la gran demanda de sus materiales discográficos. reciente álbum, ■ “Live in London” ■ “Defenders of the faith” “Angel of retribution” ■ “Demolition” ■ “Screaming for vengeance” ■ “The best of Judas Priest - ■ “Point of entry” living after midnight” ■ “British steel” NOTIMEX ■ “Live meltdown” ■ “Unleashed in the east” ■ “Jugulator” ■ “Stained class” MÉXICO, DF.- El legendario gru- ■ “Metal works 73-93” ■ “Hell bent for leather” po británico Judas Priest, con- ■ “Painkiller” ■ “Sin after sin” siderado uno de los más influ- ■ “Ram it down” ■ “Sad wings of destiny” yentes en la historia del metal, ■ “Turbo” ■ “Rocka rolla” actuará en los escenarios mexi- FUENTE: Investigación de El Siglo de Durango. canos el 3 de septiembre próxi- mo acompañado por su vocalis- ta original Rob Haldford. considerado el padre del me- desde el aspecto musical has- La agrupación originaria tal, Judas Priest toma enton- ta el atuendo de los pantalo- de Birmingham, Reino Uni- ces el papel de “padrino del nes de cuero y estoperoles. do, presentará en vivo los metal”, pues fue quien inven- Después de que Rob temas de su disco de estudio tó el ataque sonoro a dos gui- Haldford anunció que se reti- más reciente “Angel of re- tarras, al cual le añadió el ele- raba del grupo vinieron años tribution”, que marcó el re- mento de la velocidad.
    [Show full text]
  • I Love Metal Press Release.Docx
    Tony Iommi/Black Sabbath and Judas Priest backs #ILoveMetal – The world’s biggest ever metal-music charity prize draw. Visit - www.ilovemetal.co.uk Donated by international metal-music industry heavyweights such as Black Sabbath, Judas Priest, Nuclear Blast, My Dying Bride, Laney, Epiphone, Earache, Sony/BMG, Razamataz, PRS Guitars, Live Nation/Download, 5BAM, Bravado, and UK Metal Merger resulting in nine incredible bundles, with over 1,000 items of ‘money-can’t-buy’ metal memorabilia, merchandise and rarities - #ILoveMetal is the world’s biggest ever metal-music charity prize draw. In partnership with Julie Weir/Music For Nations – the #ILoveMetal collection was collated by the UK Metal Merger ‘In Solitude’ single supergroup collaboration, again with the motivation of raising funds for the Stagehand Charity. Stagehand is the only UK charity that specifically helps music stage and road crew, and is dedicated to providing severe-hardship funding and mental health support for live events industry workers. The #ILoveMetal campaign is critical to supporting the ‘behind the scenes’ workers in the live music industry that, right now, are in crisis. Without them there won't be a live events industry, even when covid restrictions are lifted. Whilst providing the opportunity to win money-can’t-buy prizes, #ILoveMetal is a way for the metal community to come together to support live music (a cause very dear to our hearts and ears!) giving back to the people who make these life-affirming events happen. This is not an auction! It is a series of prize draws for each available bundle. With an auction, only fans with the deepest pockets get involved, whereas with a prize draw the whole international metal community can participate through £5 entries via the #ILoveMetal Crowdfunder page.
    [Show full text]