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February/March 2008 Volume I; Issue 4 WE’RE ONLINE Please Enroll Me As a Member of the Larchmont Historical Society
February/March 2008 Volume I; Issue 4 Membership Form WE’RE ONLINE Please enroll me as a member of the Larchmont Historical Society. My tax- Visit us virtually deductible dues for one year are enclosed. Annual membership year is: The at September - June.. www.larchmonthistory.org __New Member __ Renewing Member Visit our ONLINE Please indicate membership category: PHOTO MUSEUM. ___Individual $ 15 Make checks payable & mail to: Gazebo Gazette Learn more ___Family $ 25 about ___Senior (65+)& Student $ 5 The Larchmont Historical Society ___Institutional or Business $ 40 P.O. Box 742 Newsletter of the Larchmont Historical Society LARCHMONT HISTORY ___Sustaining $ 50 Larchmont, NY 10538 ___Life (individual only) $150 Find out Larchmont Luminaries Series: eral summers renting a house on Park Ave. and was about I would like to volunteer to help on the following committee(s): sometimes seen walking her pet duck on a pink ribbon MONTHLY PROGRMS Film Chicks & A Classic Flick through Manor Park. And ___Spring House Tour ___Museum Planning ___Grant Research/ SPECIAL EVENTS ___Membership ___Newsletter Writing As a special treat, Leslie Holleran will introduce “ My ___Exhibits ___Fire History ___Century Homes Club In honor of Women’s History Best Girl” with a discussion of women in Join LHS, pay dues or make ___Publicity ___Monthly Programs ___Fundraising Month, we’re celebrating two of the film industry throughout history. Ms. a donation online. ___Archives ___Special Events Larchmont’s female film luminar- Holleran’s own career credits include “The ies from yesteryear and today. Cider House Rules,” “Chocolat”, “The Find out how to research your Come join us for a special viewing Shipping News”, “An Unfinished Life”, home, join CHC, or Volunteer, Name: of one-time Larchmonter Mary “Casanova” and “The Hoax.” She is cur- ALL ONLINE! Pickford’s “finest romantic com- rently in production of her latest film, edy” on the silent screen with a “Sammy.” Ms. -
Neues Von Uns Kindern Aus Bullerbü E-Mail [email protected] More About the Children of Noisy Village Dt
Schweden Sweden Retrospektive Kinderfilme Retrospective Children’s Films 1987, 89 Min., 35 mm, Farbe colour, deutsche Fas- sung German version Ab 6 Jahren 6 years and older Regie Director Lasse Hallström Drehbuch Screenplay Astrid Lindgren, nach ihrem gleichnamigen Roman Kamera Camera Jens Fischer, Rolf Lindström, Mats Ardström Schnitt Editing Susanne Linnman Musik Music Georg Riedel Rollen Cast Linda Bergström (Lisa), Crispin Dick- son-Wendenius (Lasse), Henrik Larsson (Bosse), Ellen Demerus (Britta), Anna Sahlin (Anna), Harald Lönn- bro (Olle), Tove Edfeldt (Kerstin), Elisabeth Nordkvist (Mellangårds-Maja), Ingwar Svensson (Mellangårds- Anders) Produktion Production Waldemar Bergendahl, AB Svensk Filmindustri Mer om oss bam i Bullerbyn Adresse Address 16986 Stockholm, Tel: +46 86 80 35 00, Fax: +46 87 10 44 60, Neues von uns Kindern aus Bullerbü e-mail [email protected] More About the Children of Noisy Village dt. Verleih German distr. MFA + Filmdistribution Bismarckplatz 9, 93047 Regensburg, Tel: +49 94 15 86 Die Kinder von Bullerbü lieben die Sommerferien, aber auch 24 62, e-mail [email protected] die Vorweihnachtszeit hat für sie ihre Reize. Doch bevor sie mit glänzenden Augen endlich vor dem Weihnachtsbaum stehen, Regisseur Lasse Hallström, geboren 1946 in Stock- sind noch jede Menge Vorbereitungen zu treffen: Plätzchen und holm, arbeitet seit 1991 vornehmlich in den USA, wo er Kuchen werden gebacken, Würste und Schinken gemacht, Ge- 1994 die Schauspielerin Lena Olin geheiratet hat. schenke gebastelt und der Weihnachtsbaum geschlagen und ge- schmückt. Nun kann es losgehen: Erwachsene und Kinder fei- Director Lasse Halström was born in 1946 in Stock- ern ein fröhliches Weihnachtsfest! Doch dann bricht der Schre- holm. -
Masarykova Univerzita V Brně
Masaryk University Faculty of Education Department of English Language and Literature Comparative Analysis of an NYC Accent as Performed by Non-native NYC Actors Bachelor Thesis Brno 2020 Supervisor: Author: Mgr. Irena Headlandová Kalischová, Ph.D. Pavla Spalová Bibliographical record Spalová, Pavla. Comparative Analysis of an NYC Accent as Performed by Non- native NYC Actors: bachelor thesis. Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2020. 48 pages. The supervisor of the bachelor thesis: Mgr. Irena Headlandová Kalischová, Ph.D. Bibliografický záznam Spalová, Pavla. Comparative Analysis of an NYC Accent as Performed by Non- native NYC Actors: bachelor thesis. Brno: Masarykova univerzita, Pedagogická fakulta, Katedra anglického jazyka a literatury, 2020. 48 stran. Vedoucí bakalářské práce: Mgr. Irena Headlandová Kalischová, Ph.D. Abstract The title of this thesis is “Comparative Analysis of an NYC Accent as Performed by Non-native NYC Actors”. This accent is one of the most easily recognizable accents of American English, so it is interesting to see what it is about and how it is possible that some actors can imitate an accent that is not natural to them and yet sound natural. The thesis consists of two parts. The first part provides basic information about the differences in pronunciation of standard American English and the specifics of the New York accent. There is also information about accent coaching or mentoring and basic information on how such coaching works. The second part then presents the results of data analysis from pre-selected movie scenes, clearly comparing the selected samples in graphs and tables. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Faking, Forging, Counterfeiting
Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) Faking, Forging, Counterfeiting Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) in collaboration with Simone Niehoff and Florencia Sannders Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis Funded by the Elite Network of Bavaria as part of the International Doctoral Program MIMESIS. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3762-9. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2018 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover concept: Maria Arndt, Bielefeld -
The Art of Deception: Aesthetics at the Perimeter of Truth HUM 598: Humanistic Perspectives on the Arts Spring 2011; Thursdays, 10Am-12:50Pm
The Art of Deception: Aesthetics at the Perimeter of Truth HUM 598: Humanistic Perspectives on the Arts Spring 2011; Thursdays, 10am-12:50pm D. Graham Burnett (History/History of Science) Princeton University hat is the relationship between art and falsehood? A significant tradition for W conceptualizing the arts has long defined their sphere by reference to doubling, fantasy, and betrayal: when we are in the realm of art, we have left the kingdom of the real—and our capacity for proper engagement depends to a considerable degree on our ability to maintain (or at least recover) an awareness of this fact. By these lights, the arts function as something like a safe house for lying, an Elysium for those good deceptions willing to declare themselves. But is all this correct? There are excellent reasons to think not. This course takes up the problem of truth and falsehood in the arts in a sustained way: we will sift the genealogy of current theoretical positions on this issue by means of close reading of classical and recent texts; we will investigate works of art (painting, sculpture, poetry, etc.) that engage these matters, with particular attention to gaming at the margins of the seemingly stable categories; we will weigh the political and critical implications of different postures in this large arena; and we will experiment with new perspectives and practices. WEEK 1: Introduction and Organizational Meeting (no reading) WEEK 2: Art and Truth: Confidence Games Herman Melville, The Confidence-Man; His Masquerade, [1857] (There are various suitable editions; I use the Library of America volume, which lumps this novella together with Pierre and various other things, but feel free to read it in any decent copy). -
Swedish Film Search
DVD & Blu-ray NÖTKNÄPPAREN OCH DE FYRA VÄRLDARNA NÖTKNÄPPAREN OCH DE FYRA VÄRLDARNA Allt Clara önskar sig är en väldigt speciell nyckel Allt Clara önskar sig är en väldigt speciell nyckel som kan låsa upp en ask vilken innehåller en som kan låsa upp en ask vilken innehåller en ovärderlig gåva från hennes döda mor. En gyllene ovärderlig gåva från hennes döda mor. En gyllene tråd, som hon får på sin gudfar Drosselmeyers tråd, som hon får på sin gudfar Drosselmeyers årliga julfest, leder henne till den eftertraktade årliga julfest, leder henne till den eftertraktade nyckeln. Men nyckeln försvinner omedelbart in i en nyckeln. Men nyckeln försvinner omedelbart in i en underlig och mystisk parallell värld. Där möter underlig och mystisk parallell värld. Där möter Clara soldaten Phillip, ett gäng möss och Clara soldaten Phillip, ett gäng möss och regenterna som härskar över tre av världarna: regenterna som härskar över tre av världarna: ÄVENTYR Från 11 år Tid 95min BLU-RAY ART000044BR ÄVENTYR Från 11 år Tid 95min DVD ART000044DVD HYPNOTISÖREN 100 STEG FRÅN BOMBAY TILL PARIS I ett omklädningsrum på en idrottsplats i Tumba "100 steg från Bombay till Paris" utspelar sig i utanför Stockholm hittas en man brutalt mördad. södra Frankrike där en nyinflyttad indisk familj Sedan återfinns hans fru och dotter lika öppnar en indisk restaurang bara 30 meter (100 besinningslöst ihjälhuggna i familjens radhus. foot) från en restaurang belönad med en stjärna i Avsikten tycks ha varit att utplåna hela familjen. Michelin-guiden. En kulinarisk kamp påbörjas Men sonen överlever, svårt skadad, och när mellan restaurangerna och utmanar familjekänsla, kriminalkommissarie Joona Linna förstår att det lojalitet och kärlek. -
The Doc, the Mock and the What? to My Philosophical Friend A-M, for Inspiring a Life of Freedom
The Doc, the Mock and the What? To my philosophical friend A-M, for inspiring a life of freedom. Örebro Studies in Media and Communication 23 MIRIAM VON SCHANTZ The Doc, the Mock, and the What? Events of Realing, Mockumentalities and the Becoming-Political of the Viewing Subject Cover illustration: Screenshot of the Prezi TittaFilm, 12th May, 2016 © Miriam von Schantz, 2018 Title: The Doc, the Mock, and the What? Events of Realing, Mockumentalities and the Becoming-Political of the Viewing Subject. Publisher: Örebro University 2018 www.oru.se/publikationer-avhandlingar Print: Örebro University, Repro 2/2018 ISSN 1651-4785 ISBN 978-91-7529-230-4 Abstract Miriam von Schantz (2018): The Doc, the Mock and the What? Events of Realing, Mockumentalities and the Becoming-Political of the Viewing Subject. Örebro Studies in Media and Communications 23. This study aims at making inquiry into what happens when a viewing subject encounters a film where it proves difficult to recognize if it is factual or fictional. In order to meet this aim the dissertation offers an experimental approach of both theoretical and methodological nature. Drawing on materialist-affective theory and Deleuzian philosophy a method assemblage for mediamateriality is suggested. This offers a set of conceptual keys that makes it possible to trace the unfolding of actual encounters with blurred boundaries between the factual and the fiction- al. By performing a reception study whereby six data-producers engage with Exit Through the Giftshop, (Banksy 2010), I’m Still Here (Affleck 2010) and Catfish (Joost and Schulman 2010), a three-fold data is pro- duced. -
Chomsky Noam
NOAM CHOMSKY NECESSARY ILLUSIONS THOUGHT CONTROL IN DEMOCRATIC SOCIETIES ESSENTIAL CLASSICS IN POLITICS: NOAM CHOMSKY EB 0007 ISBN 0 7453 1345 0 London 1999 The Electric Book Company Ltd Pluto Press Ltd 20 Cambridge Drive 345 Archway Rd London SE12 8AJ, UK London N6 5AA, UK www.elecbook.com www.plutobooks.com © Noam Chomsky 1999 Limited printing and text selection allowed for individual use only. All other reproduction, whether by printing or electronically or by any other means, is expressly forbidden without the prior permission of the publishers. This file may only be used as part of the CD on which it was first issued. Necessary Illusions Thought Control in Democratic Societies Noam Chomsky Pluto Press London 4 First published in the UK 1989 by Pluto Press 345 Archway Road, London N6 5AA 97 98 99 9 8 7 6 5 Copyright Noam Chomsky 1989 British Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0 7453 0380 3 Digital processing by The Electric Book Company 20 Cambridge Drive, London SE12 8AJ, UK www.elecbook.com Classics in Politics: Necessary Illusions Noam Chomsky 5 Contents Click on number to go to page Preface ....................................................................................... 7 1. Democracy and the Media......................................................... 9 2. Containing the Enemy............................................................. 36 3. The Bounds of the Expressible ................................................. 67 4. Adjuncts of Government....................................................... -
The Only Living Boy in New York
Presents THE ONLY LIVING BOY IN NEW YORK A film by Marc Webb (88 min., USA, 2017) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia THE ONLY LIVING BOY IN NEW YORK Adrift in New York City, a recent college graduate seeks the guidance of an eccentric neighbor as his life is upended by his father’s mistress in the sharp and witty coming-of-age story The Only Living Boy in New York. Thomas Webb (Callum Turner), the son of a publisher and his artistic wife, has just graduated from college and is trying to find his place in the world. Moving from his parents’ Upper West Side apartment to the Lower East Side, he befriends his neighbor W.F. (Jeff Bridges), a shambling alcoholic writer who dispenses worldly wisdom alongside healthy shots of whiskey. Thomas’ world begins to shift when he discovers that his long-married father (Pierce Brosnan) is having an affair with a seductive younger woman (Kate Beckinsale). Determined to break up the relationship, Thomas ends up sleeping with his father’s mistress, launching a chain of events that will change everything he thinks he knows about himself and his family. The Only Living Boy in New York stars Jeff Bridges (Hell or High Water, Crazy Heart), Kate Beckinsale (Love & Friendship, Underworld), Pierce Brosnan (GoldenEye, Tomorrow Never Dies), Cynthia Nixon (“Sex and the City,” A Quiet Passion), Callum Turner (Assassin’s Creed, Tramps) and Kiersey Clemons (Justice League, Neighbors 2: Sorority Rising). -
TITLE CALL NUMBER for Film Information, Follow This Link: Www
For film information, follow this link: www.imdb.com TITLE FORMAT CALL NUMBER (500) days of Summer DVD PN 1997.2 .F58 2009 (Un)qualified: how God uses broken people to do big things AB CD BV 4598.2 .F87 2016 *Batteries not included DVD PN 1997 .B377 B377 1999 21 DVD PN 1997.2 .A149 A149 2008 300 DVD PN 1997.2 .E79 T4744 2007 1408 DVD PN 1995.9 .H6 F6878446 2007 2012 DVD PN 1997.2 .T835 2010 2 fast 2 furious DVD PN 1997 .F377 F377 2003 2 guns BLU-RAY PN 1997.2 .A12 2013 2 guns DVD PN 1997.2 .A12 2013 2nd chance AB CD PS 3566 .A822 A614 2002 3:10 to Yuma DVD PN 1997.2 .A138 A138 2007 3 comedy film favorites. Dodgeball DVD PN 1995.9 .C55 V38 2014 V.3 3 comedy film favorites. The internship DVD PN 1995.9 .C55 V38 2014 V.1 3 comedy film favorites. The watch DVD PN 1995.9 .C55 V38 2014 V.2 3 days to kill DVD PN 1997.2 .A15 2014 4 classic film favorites : Affair to remember DVD PN 1997 .A1 F68 2014 V.1 4 classic film favorites : Laura DVD PN 1997 .A1 F68 2014 V.2 4 classic film favorites : A letter to three wives DVD PN 1997 .A1 F68 2014 V.3 4 classic film favorites : The three faces of Eve DVD PN 1997 .A1 F68 2014 V.4 4 film favorites. Western collective DVD PN 1997 .Y68 2010 4 Film favorites: Girl's night collection: Chasing liberty DVD PN 1997 .E88 2010 V.4 4 Film favorites: Girl's night collection: Cinderella story DVD PN 1997 .E88 2010 V.1 4 Film favorites: Girl's night collection: Sisterhood of the traveling pants DVD PN 1997 .E88 2010 V.3 4 Film favorites: Girl's night collection: What a girl wants DVD PN 1997 .E88 2010 V.2 4 for Texas DVD PN 1995.9 .W4 F62 2005 The 5th wave DVD PN 1997.2 .A15 2016 The 6th day DVD PN 1997 .S597 S597 2001 9-1-1. -
Production Notes
An Ang Lee Film A Focus Features Release PRODUCTION NOTES International Press Contacts: In Cannes Sarah Wilby Creative Publicity (44) 207 580 0222 London Office (33) 06 24 34 73 08 Sarah Wilby in Cannes (33) 06 10 91 43 31 Suhan Razzaque in Cannes [email protected] / [email protected] / [email protected] ABOUT THE PRODUCTION Remember Woodstock? Well, if you do, as the saying SYNOPSIS goes, then – you probably weren’t there. While Woodstock itself is a great subject, it’s one not readily able to be captured in a film – and, furthermore, Taking Woodstock is the new film from Academy Award- it’s been done definitively; Michael Wadleigh’s three-hour winning director Ang Lee – and it’s a trip! 1970 documentary feature Woodstock won an Academy Based on the memoirs of Elliot Tiber, the comedy stars Award. Taking Woodstock producer James Schamus, Demetri Martin as Elliot, who inadvertently played a role in who adapted the film’s script from Taking Woodstock: making 1969’s Woodstock Music and Arts Festival into the famed happening it was. Featuring a standout ensemble cast, A True Story of a Riot, A Concert, and A Life, written by and songs from a score of ‘60s musical icons including The Elliot Tiber with Tom Monte, explains, “What we’re do- Grateful Dead, The Doors, Jefferson Airplane, and Country Joe ing is telling a tiny piece of that story, from a little corner and the Fish – plus a new recording of “Freedom” from Richie of unexpected joy that happened almost by accident and Havens – Taking Woodstock is a joyous voyage to a moment which helped this incredible event take place.” in time when everything seemed possible.