Cambridge Apostles by Nikolai Endres
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AWAR of INDIVIDUALS: Bloomsbury Attitudes to the Great
2 Bloomsbury What were the anti-war feelings chiefly expressed outside ‘organised’ protest and not under political or religious banners – those attitudes which form the raison d’être for this study? As the Great War becomes more distant in time, certain actions and individuals become greyer and more obscure whilst others seem to become clearer and imbued with a dash of colour amid the sepia. One thinks particularly of the so-called Bloomsbury Group.1 Any overview of ‘alter- native’ attitudes to the war must consider the responses of Bloomsbury to the shadows of doubt and uncertainty thrown across page and canvas by the con- flict. Despite their notoriety, the reactions of the Bloomsbury individuals are important both in their own right and as a mirror to the similar reactions of obscurer individuals from differing circumstances and backgrounds. In the origins of Bloomsbury – well known as one of the foremost cultural groups of the late Victorian and Edwardian periods – is to be found the moral and aesthetic core for some of the most significant humanistic reactions to the war. The small circle of Cambridge undergraduates whose mutual appreciation of the thoughts and teachings of the academic and philosopher G.E. Moore led them to form lasting friendships, became the kernel of what would become labelled ‘the Bloomsbury Group’. It was, as one academic described, ‘a nucleus from which civilisation has spread outwards’.2 This rippling effect, though tem- porarily dammed by the keenly-felt constrictions of the war, would continue to flow outwards through the twentieth century, inspiring, as is well known, much analysis and interpretation along the way. -
Keynes and the Ethics of Socialism Edward W
THE QUARTERLY JOURNAL OF AUSTRIAN ECONOMICS VOLUME 22 | No. 2 | 139–180 | SUMMER 2019 WWW.QJAE.ORG Keynes and the Ethics of Socialism Edward W. Fuller* JEL Classification: B22, B24, E12, P20 Abstract: This paper examines John Maynard Keynes’s ethical theory and how it relates to his politico-economic thought. Keynes’s ethical theory represents an attack on all general rules. Since capitalism is a rule-based social system, Keynes’s ethical theory is incompatible with capitalism. And since socialism rejects the general rules of private property, the Keynesian ethical theory is consistent with socialism. The unexplored evidence presented here confirms Keynes advocated a consistent form of non-Marxist socialism from no later than 1907 until his death in 1946. However, Keynes’s ethical theory is flawed because it is based on his defective logical theory of probability. Consequently, Keynes’s ethical theory is not a viable ethical justification for socialism. INTRODUCTION ohn Maynard Keynes (1883–1946) was the most influential Jeconomist of the twentieth century. However, ethics and prob- ability were Keynes’s primary intellectual interests for the first seventeen years of his academic career. In fact, his early ideas on ethics and probability inspired and suffused his politico-economic theory. His biographer, Robert Skidelsky, agrees: “His theories of politics and economics were expressions of his beliefs about ethics * Edward W. Fuller ([email protected]), MBA, is a graduate of the Leavey School of Business. Quart J Austrian Econ (2019) 22.2:139–180 https://qjae.scholasticahq.com/ 139 Creative Commons doi.org/10.35297/qjae.010010 BY-NC-ND 4.0 License 140 Quart J Austrian Econ (2019) 22.2:139–180 and probability” (1991, 104). -
Lytton Strachey
Lytton Strachey: An Inventory of His Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator Strachey, Lytton, 1880-1932 Title Lytton Strachey Collection Dates: 1885-1957 Extent 5 boxes (2.08 linear feet) Abstract This collection documents the life and works of the English Bloomsbury group writer. The collection consists of manuscripts of Strachey's major biographical works Portraits in Miniature (1931) and Queen Victoria (1921), and drafts of essays, notes, and correspondence. RLIN record # TCRC98-A26 Language English. Access Open for research Administrative Information Acquisition Purchases, 1960-1970 (R919, R1452, R2848, R3849, R3948, R4152, R5174) Processed by Chelsea S. Jones, 1998 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Strachey, Lytton, 1880-1932 Biographical Sketch Giles Lytton Strachey was born in 1880, the eleventh of thirteen children, to General Sir Richard Strachey and his wife Jane Grant. Though he spent some years at boarding schools, including Abbotsholme and Leamington College, he received much of his education at home. His mother enjoyed strong interests in literature and politics and Strachey met many of the leading writers and thinkers of the day when they came to visit Lady Strachey. Strachey's secondary education was completed at University College in Liverpool where he studied Latin, Greek, mathematics, and English literature and history. It was at University College that he met and was influenced by Walter Raleigh, a professor of English literature and well known biographer. After failing to receive a scholarship to Oxford in 1899, Strachey decided to attend Cambridge where he developed many friendships which lasted the rest of his life. -
Howard J. Garber Letter Collection This Collection Was the Gift of Howard J
Howard J. Garber Letter Collection This collection was the gift of Howard J. Garber to Case Western Reserve University from 1979 to 1993. Dr. Howard Garber, who donated the materials in the Howard J. Garber Manuscript Collection, is a former Clevelander and alumnus of Case Western Reserve University. Between 1979 and 1993, Dr. Garber donated over 2,000 autograph letters, documents and books to the Department of Special Collections. Dr. Garber's interest in history, particularly British royalty led to his affinity for collecting manuscripts. The collection focuses primarily on political, historical and literary figures in Great Britain and includes signatures of all the Prime Ministers and First Lords of the Treasury. Many interesting items can be found in the collection, including letters from Elizabeth Barrett Browning and Robert Browning Thomas Hardy, Queen Victoria, Prince Albert, King George III, and Virginia Woolf. Descriptions of the Garber Collection books containing autographs and tipped-in letters can be found in the online catalog. Box 1 [oversize location noted in description] Abbott, Charles (1762-1832) English Jurist. • ALS, 1 p., n.d., n.p., to ? A'Beckett, Gilbert A. (1811-1856) Comic Writer. • ALS, 3p., April 7, 1848, Mount Temple, to Morris Barnett. Abercrombie, Lascelles. (1881-1938) Poet and Literary Critic. • A.L.S., 1 p., March 5, n.y., Sheffield, to M----? & Hughes. Aberdeen, George Hamilton Gordon (1784-1860) British Prime Minister. • ALS, 1 p., June 8, 1827, n.p., to Augustous John Fischer. • ANS, 1 p., August 9, 1839, n.p., to Mr. Wright. • ALS, 1 p., January 10, 1853, London, to Cosmos Innes. -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
Russell and the Cambridge Moral Sciences Club L by Jack Pitt
Russell and the Cambridge Moral Sciences Club l by Jack Pitt IN HIS Autobiography Russell records his extreme satisfaction at being elected to the fraternal discussion group at Cambridge familiarly known as the Apostles. 2 In addition to including a number of congratulatory letters from elder Apostles, he writes: "The greatest happiness ofmy time at Cambridge was connected with a body whom its members knew as 'The Society,' but which outsiders, if they knew of it, called 'The Apostles.'''3 The sub sequent notoriety of this group obscured the fact that Russell I Gratitude is expressed to those at the University of Cambridge who kindly provided access to the Minutes of the Cambridge University Moral Sciences Club. The Minutes have been invaluable in constructing an historical context in which to locate Russell's participation in the Club, and in providing many details pertinent to that participation. 2 Its complete name is the Cambridge Conversazione Society. Its character and history is treated in Paul Levy's fascinating study, G. E. Moore and the Cam bridge Apostles (London: Weidenfeld and Nicolson, 1979). I am indebted to this book for many points of fact in this essay, especially as these concern members of the Society. The interested reader may also wish to consult Peter Allen's The Cambridge Apostles: The Early Years (Cambridge: Cambridge University Press, 1978). 3 Autobiography, 1872-1914 (Boston: Atlantic-Little, Brown, 1967), p. 91. 103 104 Russell winter 1981-82 Russell and the Cambridge Moral Sciences Club 105 maintained membership in other Cambridge societies. for The Athenaeum. Another of those in attendance was Alfred Philosophically the most important, and the one which will con Williams Momerie (Mummery), subsequently Professor of Logic cern us here, is the Cambridge University Moral Sciences Club and Metaphysics (1880-91) at King's College, London, and also (CUMSC). -
Ashby Library Catalogue
ASHBY LIBRARY CATALOGUE Abdel-Malek, A., Ed. (1982). Science and Technology in the Transformation of the World. Tokyo, United Nations University. Abdel-Malek, A. and A. N. Pandeya, Eds. (1981). Intellectual Creativity in Endogenous Culture. Tokyo, United Nations University. Abdulkadir, M. S. (2000). "Resistance to Colonial Taxation in Northern Nigeria in the 1930s." FAIS Journal of Humanities 1(2): 32-44. Abdullah, M. M. (1993). Valley of the Giant Buddhas. London, Octagon. Abulafia, A. S. (1995). Christians and Jews in the Twelfth-Century Renaissance. London, Routledge. Achebe, C. (1988). Anthills of the Savannah. New York, Anchor. Achebe, C. (1989). Hopes and Impediments. New York, Doubleday. Ackerman, B. (2006). Before the Next Attack. Preserving Civil Liberties in an Age of Terrorism. New Haven, Yale University. Ackerman, R. (1988). JG Frazer: His Life and Work. Cambridge, Cambridge University. Acort, P. A. (2008). Progress Utopia and Intellectual Practice. Arguments for the Resurrection of the Future, Bright Pen. Acourt, P. A. (2008). Progress, Utopia and Intellectual Practice. Arguments for the Resurrection of the Future, Bright Pen. Acrivos, J. V., et al., Eds. (1984). Physics and Chemistry of Electrons and Ions in Condensed Matter. Dordrecht, Reidel Publishing Co. Aguirre, M. S., et al. (2011). The Case of the "Big Seven" Basque Chefs. Zamudio, Innobasque. Ahlbrandt, C. D. and A. C. Peterson (1996). Discrete Hamiltonian Systems, Kluwer Academic. Airaksinen, T. (1995). The Philosophy of the Marquis de Sade. London, Routledge. Airaksinen, T. and M. A. Bertman, Eds. (1989). Hobbes: War Among Nations. Aldershot, Avebury. Alacevich, M. and A. Soci (2018). A Short History of Inequality. Brookings Institution, Washington, Agenda. -
École Normale Supérieure De Lyon Département D'études
École Normale Supérieure de Lyon Département d'Études anglophones Mémoire de Master 1 Céline Autin Oscar Browning and the making of popular history: education, identity and Empire in Britain, 1878 – 1912 Sous la direction de Monsieur le Professeur Neil Davie 2015-2016 Acknowledgements I wish to thank several persons for helping me in my research: the Archivist of King’s College Library, Dr. Patricia McGuire, and the Assistant Archivist, Mr Peter Monteith, for their guidance and kind pieces of advice, as well as permission to quote from the papers of Oscar Browning; the Library staff in the Rare Books reading room of the Cambridge University Library for their support and inspiring presence. I would like to mention the organizers of the Modern Cultural History Seminars, Dr. Lawrence Klein and Dr. Peter Mandler, as well as the conveners of the interdisciplinary symposium “Books in the Making”, Dr. Kasia Body and David Winters, with the support of the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH), for their enlightening research programmes. I am also deeply grateful to Piotrek Czosnyka, whose work on the cultural and social history of toy soldiers has been decisive in the way I thought of the fashioning of childhood, and with whom I had thrilling exchanges. Grateful acknowledgement is also extended to Dr. Neil Davie for his watchful supervision and crucial suggestions. In their different ways, these persons helped to refine my ideas and brought me to a keener understanding of my subject. They also powerfully embody the academic culture of interdisciplinarity and lively intellectual exchange in which I have a lasting belief. -
Biographies and Autobiographies of Historians, Edited by Doug Munro and John G
7 Intersecting and Contrasting Lives: G.M. Trevelyan and Lytton Strachey Alastair MacLachlan This essay is about history and biography in two senses. First, it examines two parallel and intersecting, but contrasting lives: that of George Macaulay Trevelyan (b. 1876), probably the most popular historian and political biographer of early twentieth-century England – a Fellow and in old age the Master of Trinity College, Cambridge, an independent scholar for 25 years and, for 12 years, Regius Professor of Modern History – and that of his slightly younger Trinity protégé, Giles Lytton Strachey (b. 1880), a would-be academic rejected by the academy, who set himself up as a critical essayist and a historical gadfly – the writer credited with the transformation of a moribund genre of pious memorialisation into a ‘new’ style of biography. Second, the essay explores their approaches to writing nineteenth-century history and biography, and it assesses their works as products of similar but changing times and places: Cambridge and London from about 1900 to the 1930s.1 1 I shall therefore ignore Trevelyan’s later writings (he died in 1962), and concentrate on the biographies written by Strachey (S) and Trevelyan (T), with a focus on their nineteenth-century studies. 137 CLIO'S LIVES ‘Read no history’, advised Disraeli, ‘nothing but biography, for that is life without theory’. But ‘life without theory’ can be intellectually emaciated, and a comparative biography may have the advantage of kneading into the subject theoretical muscle sometimes absent in single lives, highlighting the points where the two lives intersected and what was common and what distinctive about them. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
Mysticism’ in Victorian Poetry and Poetics
The making of an aesthetic and ineffable ‘mysticism’ in Victorian poetry and poetics Nada Abdullah Alotaibi Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English February 2016 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2016 The University of Leeds and Nada Abdullah Alotaibi ii ABSTRACT Relying on a constructivist framework of analysis drawn from the disciplines of Philosophy, Religious Studies, and History, this thesis examines the contribution of Victorian poetry and poetic theory to the modern construction of ‘mysticism’ as an aesthetic and ineffable category. My analysis is guided by the Foucaultian notion that any definition of a given concept reflects issues of authority, which I use to propose that, in the increasingly secularized milieu of nineteenth-century culture, many Victorian intellectuals sought to assert the ineffability and aesthetic character of mysticism as part of a larger nineteenth-century search for an authoritative place for poetry. With a special focus on the writings of Thomas Carlyle and James Thomson (B. V.), the problematization of mysticism I offer here spans the period between the mid- 1820s and 1880s, a relatively broad context that allows me to draw connections among various poets, critics and their works, and weave these into a readable narrative where mysticism figures as a key player in the collective aesthetic consciousness of an age. -
Journal of Arts & Humanities
Journal of Arts & Humanities Volume 06, Issue 11, 2017, 09-19 Article Received: 25-10-2017 Accepted: 09-11-2017 Available Online: 10-11-2017 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v6i10.1292 Lytton Strachey, A Rebellious Man of Peculiarity: A Review of Holroyd’s Lytton Strachey: The New Biography Qinchao Xu1, Junhao Li2 ABSTRACT Lytton Strachey: The New Biography is an important biography by Michael Holroyd, portraying the extraordinary life of Lytton Strachey, who is also a biographer, in detail. Based on reading the text of Lytton Strachey: The New Biography, this paper analyzes Lytton Strachey’s most distinct character - rebel combined with the social background and the theory of “the New Biography” in three aspects. First, Strachey’s rebellious character in his daily life is analyzed. His beating falsetto, ironic tone and ambiguous silence make him mysterious; his unique dressing style makes him different in the Victorian Age when people tended to wear similar clothes with others in dark suits; and at this time people were all optimistic because of their powerful country while Strachey was always surrounded by a mysterious pessimistic air. Second, Strachey’s view of love is analyzed. He had a strong tendency of homosexual and most of his lovers in his life were males. While, in the Victorian Age, homosexual was illegal. Under the pressure of morality and law, Strachey still followed his heart and fell in love with his boys. His life interprets what love really is — his love is a kind of humanistic love, rather than simple lust.