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Table of Contents Volume 18, Number 1 (2012)

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Table of Contents Volume 18, Number 1 (2012) Articles Gayathri Khemadasa and the Phoolan Devi Opera Project .................................................. Jeff Hush...................................1 Images of Landscape in the Music of Anne Boyd ............................................................... Sally Macarthur ........................7 Changing Women: Performers, Patrons and Composers in Renaissance Europe ................. Nancy Hadden ........................14 In Search of the White Raven: Ruth Shaw Wylie and Her Music ........................................ Deborah Hayes .......................20 Envisioning Life Beyond the Academy: Building Community ............................................ Madeline Williamson .............25 Meet Five New IAWM Members A Woman on the Bench .................................................................................................. Gail Archer .............................29 Sound as a Generative Force .......................................................................................... Somna M. Bulist .....................30 Music in Migration ......................................................................................................... Tonia Ko .................................31 A Soprano on the Move .................................................................................................. Jessica McCormack ................31 The Patch-Work Musical Life ........................................................................................ Melissa E. Wertheimer ...........32 Book Reviews Sally Macarthur: Towards a Twenty-first Century Feminist Politics of Music ..................... Kimberly Greene ....................34 Jill M. Sullivan: Bands of Sisters: U.S. Women’s Military Bands during World War II ...... Deborah Rohr ........................35 Compact Disc Reviews Patricia Morehead: Good News Falls Gently ........................................................................ Jennifer Griffith ......................36 Songs and Cycles: Contemporary American Women Composers ........................................ Julie Cross ..............................37 Meira Warshauer: Living Breathing Earth ........................................................................... Anna Rubin ...........................39 Kiku Collins: Here With Me .................................................................................................. Ronald Horner ........................40 Odyssey: 11 American Premieres for Flute and Piano ......................................................... Pamela Murchison ..................41 Clare Maclean: Osanna ........................................................................................................ Jamie Reimer ..........................41 Recommended New CDs .......................................................................................................................................................42 Festival, Opera, and Concert Reports The 2012 Women Composers Festival of Hartford: Concert Report .................................... Jessica Rudman ......................43 Slaying the Dragon: World Premiere of the Opera ............................................................... Ellen Frankel ..........................44 Women’s Work 2012 Concert .............................................................................................. Sally Scott ..............................45 Reports Reports from Europe ..............................................................................................................................................................45 The Kapralova Society: Annual Report 2011 ....................................................................... Karla Hartl ..............................46 IAWM News IAWM Membership Report .................................................................................................. Deborah Hayes .......................47 Announcements ......................................................................................................................................................................48 Awards and Honors ................................................................................................................................................................49 Members’ News .................................................................................................................... Anita Hanawalt .......................50 IAWM MEMBERSHIP INFORMATION BACK ISSUES Members’ News IAWM membership includes a subscription For information on purchasing back issues, Please send your news items to the Mem- to the Journal of the IAWM (issued twice a contact Deborah Hayes at membership@ bers’ News Editor, Anita Hanawalt, at anita@ year), participation in the optional IAWM e- iawm.org. hanawalthaus.net, or 514 Americas Way mail list, eligibility to participate in IAWM PMB 3734; Box Elder, SD; 57719-7600. competitions, and eligibility to apply for par- IAWM ADMINISTRATIVE OFFICE Submissions are always welcome concerning ticipation in the IAWM congress and annual International Alliance for Women in Music honors and awards, appointments, commis- concert. Membership is paid on an annual Department of Music, FA 509 sions, premieres, performances, publications, basis, January through December, and mem- University of Maryland/Baltimore County recordings, and other news items. We recom- bership categories are US$55 for individuals, 1000 Hilltop Circle mend that you begin with the most significant US$30 for students, US$45 for seniors (65 or Baltimore, MD 21250 news first—an award, a major commission or over), US$85 for supporting membership, and publication, a new position—and follow that US$80 for joint membership (two members at IAWM WEBSITE with an organized presentation of the other the same address). A lifetime membership is Please visit the IAWM Website at www. information. Please note that she will no lon- US$1,000, which may be paid in five install- iawm.org. ger be monitoring the listserv for members’ ments of $200 each over a five-year period. activities. IAWM will be fundraising for the IAWM’s GUIDELINES FOR CONTRIBUTORS Reports and Announcements 20th-Anniversary celebration in 2015. Life- Articles time membership payments will go towards Reports, announcements, and other infor- the 20th-Anniversary Endowment Fund. Before submitting an article, please send an mation should be sent to the Editor, Eve R. Please contact the membership chair for more abstract (two or three paragraphs), the ap- Meyer, by e-mail at [email protected]. proximate number of words in the article, and information. Institutional subscriptions to Deadline the Journal are US$55 per year. Requests for a brief biography to the editor in chief, Dr. subsidized membership in return for IAWM Eve R. Meyer, by e-mail at evemeyer@spot- The deadline for the receipt of articles, re- service will be considered. IAWM member- cat.com. Most articles range between 1,500 views, reports, and news for the fall 2012 ship is open to all, regardless of ability to pay. and 5,000 words. The subject matter should issue is September 15, 2012. relate to women in all fields of music, either To pay dues online using Paypal, please contemporary or historical. If the proposal is PUBLICATION go to http://www.iawm.org/membership_ approved, the editor will send detailed infor- joinUs.htm and click on the orange “Join Copyright © 2012 by the International Alli- mation concerning the format, illustrations, Us” square. The IAWM adds a fee of US$2 ance for Women in Music. All rights reserved. and musical examples. For questions of style, to each PayPal dues payment to recover the No part of this publication may be reproduced refer to the Chicago Manual of Style. Authors fee that PayPal assesses the IAWMdues@unt. or transmitted in any form or by any means are responsible for obtaining and providing edu account. You may also pay by personal without permission. Any author has the right copyright permission, if necessary. check, cashier’s check, or money order made to republish his or her article in whole or in payable to IAWM and mailed to Membership Reviews part with permission from the IAWM. Please contact the editor. Chair Deborah Hayes (see below). All funds Compact discs, music, and books for review must be in U.S. dollars. For more informa- should be submitted to the Review Editor, Dr. The Journal of the IAWM is printed by Chee- tion, please contact her at membership@ Ellen K. Grolman; 101 Braddock St.; Music tah Graphics, Sevierville, TN. iawm.org, or Dept, Frostburg State Univ.; Frostburg, MD Deborah Hayes 21532. Please contact Dr. Grolman if you IAWM Membership Chair wish to be included on her list of reviewers, 3290 Darley Ave and indicate your areas of specialization. E- Boulder, CO 80305-6412 mail: [email protected]. Journal of the IAWM Staff EDITOR IN CHIEF MEMBERS’ NEWS EDITOR EDITORIAL BOARD Eve R. Meyer Anita Hanawalt Ellen Grolman 8355 Sunmeadow Lane [email protected] Lynn Gumert Boca Raton, FL 33496 Anita Hanawalt [email protected] REVIEW EDITOR Deborah Hayes Ellen Grolman Eve R. Meyer PRODUCTION MANAGER [email protected] Lynn Gumert Articles Gayathri Khemadasa and the Phoolan Devi Opera Project JEFF HUSH I am not a musicologist but a Prague, Czech Republic. “When I was sev- Gayathri left Prague when she won a writer and Shakespeare scholar, enteen,” Gayathri said, “I felt frustrated Fulbright scholarship
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  • Visiting Artist: John Sampen, Saxophone Composer

    Visiting Artist: John Sampen, Saxophone Composer

    As one of America's leading concert saxophonists, John Sampen is recognized as a distinguished artist in contemporary literature. He has commissioned and premiered over thirty new works, including compositions by Bolcom, Ussachevsky and Subotnick, and has presented saxophone premieres of music by Stockhausen and Lutoslawski. In 1970, Sampen was recitalist and certificate winner at the prestigious Visiting Artist: International Geneva Concours in Switzerland. He has performed as soloist with ensembles worldwide, including the Nurnberg Symphony Orchestra, the Biel Symphony (Switzerland), the Osaka Municipal Winds (Japan), the Toledo symphony Orchestra, the New Mexico Symphony, John Sampen, saxophone and the Pittsburgh New Music Ensemble. with As a recipient of an NEA Consortium Grant, John Sampen has most iv recently been involved with commissions and premieres of new music Mark Bunce, by Subotnick, Martino and Babbitt. His London premiere of Subotnick's it In Two Words with the Electric Symphony featured him as the first composer/electronics classical performer to solo on Yamaha's new WX7 Wind Controller. The performance inspired one English critic to write of "the excellence, the musicianship and the total involvement of John featuring works by Bolcom, Bunce, ■ Sampen...tremendous passion and eloquence." Freund, Noda, Shrude and Subotnick Mr. Sampen regularly performs traditional French and contemporary literature in recital with pianist/composer Marilyn Shrude. He has recorded with the Belgian and Swiss National Radio, as well as the Saturday, January 29, 1994 at Orion, CRI and Capstone labels. A clinician for the Selmer Company, Sampen has presented many master classes at universities and 8:00 pm conservatories in Europe and the USA.