The Pursuit of Efficient Copyright Licensing How Some Rights Reserved Attempts to Solve the Problems of All Rights Reserved
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Open Licensing Toolkit for Staff
Open Licensing Toolkit for Staff The Hewlett Foundation Open Licensing Toolkit for Staff is licensed May 2015 under a Creative Commons Attribution 4.0 International License. Legal Disclaimer: This material is for general informational purposes only and does not represent legal advice as to any particular set of facts; nor does it represent any undertaking to keep recipients advised of any relevant legal developments. Please consult appropriate professional advisors as you deem necessary. The Hewlett Foundation shall not be held responsible for any claims or losses that may arise from any errors or omissions in this document. Hewlett Foundation Open Licensing Toolkit for Staff Table of Contents 1. Hewlett Foundation Commitment to Open Licensing 2. Hewlett Foundation Procedures a. Frequently Asked Questions b. Decision Tree c. Creative Commons License Types d. Guidelines for Marking Openly Licensed Documents 3. Sample Language a. Grantee Communications b. Grant Proposal Template c. Grant Reporting Requirements d. Grant Agreement Letter e. Direct Charitable Activities (DCA) Contract May 2015 Hewlett Foundation Open Licensing Toolkit for Staff Hewlett Foundation Commitment to Open Licensing As part of our commitment to openness and transparency, the Hewlett Foundation has long supported open licensing—an alternative for traditional copyright that allows and encourages sharing of intellectual property. Open licenses, such as those developed by our longtime grantee Creative Commons, protect authors’ rights while giving explicit permission to others to freely use, distribute, and build upon their work. The benefits of open licensing are clear: open licensing increases the chances that good ideas will get a hearing, that others will be able to do something with them, and ultimately that they will have their greatest impact. -
Creative Commons Open Licenses - What Is It All About?
CREATIVE COMMONS OPEN LICENSES - WHAT IS IT ALL ABOUT? Introductory presentation by Paul G. West Creative Commons South African Chapter Lead STATING THE UNNECESSARY This workshop is dedicated to providing a harassment-free experience for everyone regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of participants or facilitators in any form. Sexual language and imagery is not appropriate, including in any online platform that may be used. AND IT IS IMPORTANT TO ADD THAT . • Nothing in this workshop should be construed as legal advice! • We will be talking about an interesting range of topics that touch on copyright, fair use and open licensing. • We will together learn more about copyright, open licensing and open practices in various communities. • Upon completion, you should feel a little more comfortable sharing facts about copyright and open licensing and good open practices. • I am NOT a lawyer – I am a supporter of Open Educational Resources (OER) and Creative Commons (CC) open licenses. THE STORY DOES NOT START IN 2002 UNESCO Forum on the Impact of Open Courseware for Higher Education in Developing Countries https://unesdoc.unesco.org/ark:/48223/pf0000181682 ORIGINS OF OER CREATION OF A MOVEMENT Larry Lessig and others founded the Creative Commons 2001 Charles M. Vest speaks of a meta-university 2007 a transcendent, accessible, empowering, dynamic, communally constructed framework of open materials and platforms -
Full Circle Magazine #63 1 Full Circle Magazine Is Neither Affiliated With, Nor Endorsed By, Canonical Ltd
Full Circle THE INDEPENDENT MAGAZINE FOR THE UBUNTU LINUX COMMUNITY WEB DEV ISSUE #63 - July 2012 LAMP & WEB DEVELOPMENT ) m o c . r k c i l F ( e u S : o t o h P RREEDDUUCCEE **BBUUNNTTUU BBOOOOTT TTIIMMEE WWIITTHH TTHHIISS IINN DDEEPPTTHH AARRTTIICCLLEE.. WWIITTHH GGRRAAPPHHSS!! full circle magazine #63 1 Full Circle Magazine is neither affiliated with, nor endorsed by, Canonical Ltd. contents ^ HowTo Full Circle Opinions THE INDEPENDENT MAGAZINE FOR THE UBUNTU LINUX COMMUNITY My Story p.39 Python - Part 34 p.07 Columns LibreOffice - Part 15 p.11 Command & Conquer p.05 Audio Flux p.52 My Opinion p.41 Amateur Astronomy - Pt1 p.14 Ask The New Guy p.26 Ubuntu Games p.54 Review p.44 Letters p.46 GIMP - Beanstalk Pt3 p.17 Linux Labs p.29 Q&A p.49 Inkscape - Part 2 p.19 Ubuntu Women p.53 Closing Windows p.36 Web Dev - Pt1 p.22 Graphics Web Dev The articles contained in this magazine are released under the Creative Commons Attribution-Share Alike 3.0 Unported license. This means you can adapt, copy, distribute and transmit the articles but only under the following conditions: you must attribute the work to the original author in some way (at least a name, email or URL) and to this magazine by name ('Full Circle Magazine') and the URL www.fullcirclemagazine.org (but not attribute the article(s) in any way that suggests that they endorse you or your use of the work). If you alter, transform, or build upon this work, you must distribute the resulting work under the same, similar or a compatible license. -
Tout Le Littoral Enneigé Par La Traîne De Joachim
BASKETBALL Union reste intouchable PAGE 28 COURSE À PIED La neige a rythmé la Trotteuse PAGE 21 DAVID MARCHON LUNDI 19 DÉCEMBRE 2011 | www.arcinfo.ch | N0 294 | CHF 2.50 | J.A. - 2002 NEUCHÂTEL Quand le président Vaclav Havel incarnait le printemps tchèque FIGURE Décédé hier à 75 ans, l’ex-président ACTION Vaclav Havel a su guider son pays ŒUVRE Ce fumeur invétéré laisse une œuvre tchèque Vaclav Havel reste la figure de la à deux moments particulièrement épineux considérable d’abord au théâtre et au cinéma, dissidence et du pouvoir qui a accompagné de sa récente histoire, la chute du Rideau mais aussi en littérature, puisqu’il est l’auteur la transition démocratique du pays. de fer et sa séparation d’avec la Slovaquie. d’essais et réflexions politiques. PAGES 17 L’ÉDITO Tout le Littoral enneigé PHILIPPE VILLARD [email protected] par la traîne de Joachim KEYSTONE Le président MUSIQUE «La Diva de velours aux pieds nus» Dans un pays démembré à Munich, puis n’est plus soumis au servage nazi, avant de plier PAGE 20 sous le joug soviétique, pour finir écarte- lé au cœur de l’Europe, Vaclav Havel fut avec les dissidents de la «Charte 77» un VAL-DE-TRAVERS de ces rêveurs acharnés qui désiraient que le Léviathan du pouvoir puisse un L’explosion d’un jour prendre un «visage humain». Cet intellectuel lettré, drôle et un peu récipient blesse rock’n’roll, en a sagement été l’incarna- deux écoliers tion. Sagement, car cet ancien des geôles PAGE 7 de la «normalisation» n’a eu de cesse de préserver et d’accompagner de son auto- rité morale le tout neuf exercice des li- SOLIDARITÉ bertés de son pays. -
Beyond Authorship Refiguring Rights in Traditional Culture and Bioknowledge
Beyond Authorship Refiguring Rights in Traditional Culture and Bioknowledge Martha Woodmansee and Peter Jaszi An “author” in the modern sense is the creator of unique literary, or artistic, “works” the originality of which warrants their protection under laws of intellectual property -- Anglo American “copyright” and European “authors’ rights.” This notion is so firmly established that it persists and flourishes even in the face of contrary experience. Experience tells us that our creative practices are largely derivative, generally collective, and increasingly corporate and collaborative. Yet we nevertheless tend to think of genuine authorship as solitary and originary. This individualistic construction of authorship is a relatively recent invention, the result of a radical reconceptualization of the creative process that culminated less than two centuries ago in the heroic self-presentation of Romantic poets. In the view of poets from Herder and Goethe to Wordsworth and Coleridge genuine authorship is originary in the sense that it results not in a variation, an imitation, or an adaptation, and certainly not in a mere reproduction, but in a new, unique -- in a word, “original” -- work which, accordingly, may be said to be the property of its creator and to merit the law’s protection as such.1 With its emphasis on originality and self-declaring creative genius, this notion of authorship has functioned to marginalize or deny the work of many creative people: women, non-Europeans, artists working in traditional forms and genres, and individuals engaged in group or collaborative projects, to name but a few. Exposure of these exclusions -- the recovery of marginalized creators and underappreciated forms of creative production -- has been a central occupation of cultural studies for several 1 See Martha Woodmansee, “The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the ‘Author’”; rpt. -
C a R O L I N a Open-Space Bonds, P
• Controversial Sex-Ed • Ruling Has Charters Pushed, P. 8 Smiling, P. 9 Group’s Left Heritage, P. 16 C A R O L I N A Open-Space Bonds, P. 17 Statewide Edition A Monthly Journal of News, Analysis, and Opinion from March 2008 • Vol. 17, No. 3 the John Locke Foundation www.CarolinaJournal.com JOURNAL www.JohnLocke.org Parton, Watson Had Plans for More Theaters at the news conference, Parton acknowl- Locations sought in edged that the theater concept was Watson’s idea. “Rick Watson saw this Illinois, Missouri, and dream before anybody else,” he said. Watson was the president and CEO of Bertie County, N.C. the state-funded Northeast Commis- sion, a regional economic development organization, whose headquarters are in By DON CARRINGTON Edenton. Records show Watson began Executive Editor working with Parton in August 2004 or RALEIGH before. In March 2006, Watson’s board andy Parton says that for three of directors terminated him over con- years he dedicated his life to mak- flict-of-interest issues that arose over his ing the Roanoke Rapids theater a business relationship with Parton. Rsuccess, but after he signed the contract with the city Parton also tried to launch theaters in Bertie County, Illinois, and Bertie County theater Missouri. One month after signing the the- “For nearly three years Deb and I Randy Parton (left) listens as Rick Watson speaks during a press conference on Feb. 8 at The Umstead hotel in Cary. (CJ photo by Don Carrington) ater contract with Roanoke Rapids, Par- worked with the city to get the Parton ton presented James C. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Intellectual Property Rights – II
KLE LAW ACADEMY BELAGAVI (Constituent Colleges: KLE Society’s Law College, Bengaluru, Gurusiddappa Kotambri Law College, Hubballi, S.A. Manvi Law College, Gadag, KLE Society’s B.V. Bellad Law College, Belagavi, KLE Law College, Chikodi, and KLE College of Law, Kalamboli, Navi Mumbai) STUDY MATERIAL for IPR II Prepared as per the syllabus prescribed by Karnataka State Law University (KSLU), Hubballi Compiled by Dundappa B. Solapure, Principal K.L.E.Society's Law College, Chikodi This study material is intended to be used as supplementary material to the online classes and recorded video lectures. It is prepared for the sole purpose of guiding the students in preparation for their examinations. Utmost care has been taken to ensure the accuracy of the content. However, it is stressed that this material is not meant to be used as a replacement for textbooks or commentaries on the subject. This is a compilation and the authors take no credit for the originality of the content. Acknowledgement, wherever due, has been provided. Course –III: Optional –V Intellectual Property Rights – II Study Materials on Intellectual Property Rights – II Objectives: Intellectual Property law has assumed great importance in recent times as a result of the recognition that “knowledge is property”. The creations of the human brain as IP Legislations are required to be understood and protected. The syllabus encompassing all relevant IP Legislations in India with a view to understand and adjust with changing needs of the society because creative works useful to society and law relating to innovation/creativity i.e. Intellectual Property is one of the fastest growing subjects all over the globe because of its significance and importance in the present era. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
| | Reapportionment Vote in House
6 THE EYENTXH STAR. TYASHTXfiTOy. P. C, SATURDAY. JANUARY TO. WW. [THE EVENING STAR ? ferences and seiztng an opportunity be- ha* perfected a tube which, through a set with perils. He has yet to conclude color change of its content, unerringly THE LIBRARY TABLE With Sunday Morning Edition. -1 I ANSWERS TO QUESTIONS | his dealings with the Shlnwarls, who indicate* the presence of ga*. That I THIS AND THAT I WASHINGTON, C. are still on the road of insurgency, but will supplant the l D. science feathered i By th« Booklovtr J. HASKIN. Kabul reports confidence that he will songsters in is almost BY FREDERIC | . 1929 > future conflicts SATURDAY. .January 19, effect an adjustment with them. certain. BY CHARLES E. TRACER'ELL. Augustine Birrell says in his “Obiter. public Instruction, reports that it . Afghanistan's new king will not be Doubtless it la better so. The soldier Stop a minute and think about this of , THEODORE W. NOYES... .Editor They are all Dicta,” “History is a pageant and not fact: You can aak our Information is sll4. At the beginning of this cen- known as Bacha Sagao, which Is not a now seldom uses horse* or rpules, which i There is nothing like getting mad have arisen from them. average salary $24. of their origins, just philosophy.” This dictum would ap- Bureau any question of fact and get the tury the was royal designation. He has, it is stated, once played ao important so , 1 to make one forget minor ills. the finer because a The Star Newspaper Company r and tragic powers of anger, in not as a coward who performs bravely on history well as to the answer back in a personal letter. -
Effects of State-Wide Salary Equity Provisions on Institutional Salary
' . * o :0 '4 41,1,4 MINED! RUDE mt. ID 152,205 .HE 009 800 . JUTHOR Nittin, NaryP. 'Mitts, Johat.D. TITLE: Affects ,of State -Wide Salary Equity Provisions on Xpdtitutionhl Salary Policies: A Regression fAlysis; , , . 111SirrillIZON Plorilla'StatelnAv., TalltlAssee.Laorth Dakiita. Univ., Grand Perks. 11.18 DiT.) 78. , , - 17p. 110T3 % . pRicv NP -10,83 Plus-Postage.' RIpIORS., *College Eacultt; *Contracts; Higher Education; si VrivateColleges***Salary Differentials;.*State . : Action; State.Coileges; State Universities; 'Statistical Analysis; Statistical Data; *teacher' Salaries: Tenure. lb$NTIFIERS. .North Dakota; *Univeetity of Nortb-Dalota . A SBSTRAC2 . 4 . fla A procese cl4 equalization of salariel "has- taken plagAl _in thef*State of forth:Dakota-for higher eddcaticn 4uring' the 1977:78- school year. She stab cf North Dakota suppa*ts eight:instittrtionsof kigherleducation: tmoagiveisities, four state colleges, and tvb . two-.y partinstitutions. fhe equalization process as it effected the ,decid4.oa leaking at the .University 01 North Dakota is docualhted. , -:Table 0are, presented" that report' the results for the 1977-78 contracted., salary and the 1977 -78,salary after the equity' adjittaeits. (SPG) ! - :- I 4 ) ************************4****************************** 4,************** * - Reproductions sipplied'by16RS are the best that cab be made - * frothe original document. * *********************4**********************.*************************** , Ai f. 4 4 1 -ewe- teagil I tt-e, ..i_:10 EFFECTS OF STATE-WIDE SALARY EQUITY PROVISIONS ON. (gt-p;,2. _ 10-Is INSTITUTIONAL SALARY POLICIES: A REGRESSION ANALYSIS LiA* 44).;0=0_I ,,_c§f0zaz /. Duz e xi.A0.-0.79, 2 ..0.01, 0 ,Mary P:' Martin and John D. Williams Florida State University University of North Dakota t A process of equalization of sa3aries has taken place in the State Of Ntrth Dakota for.highertducation during the 1977/-78 schoolyear. -
Chance the Rapper's Creation of a New Community of Christian
Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough.