DOCSLIB.ORG

This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Western Influence and the Place of Music in the Works of Shen Congwen Qianwei He PhD in Comparative Literature The University of Edinburgh 2016 2 3 Declaration I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or processional qualification. I have published an article, ‘Sing a Soundless Song for Beauty: Beauty in Literature and Music through Shen Congwen’s Fengzi’, in Beauty: Exploring Critical Perspectives, ed. by Pierre Wilhelm (Oxford: Inter-Disciplinary Press, 2016), pp. 105–13, which includes some content in Chapter 3. Signature: Date: Qianwei He 4 5 Abstract Shen Congwen [沈从文] (1902 – 1988), the famous Chinese writer most active from the late 1920s to the end of the 1940s, took particular interest in music throughout his literary career. From Shen’s earliest works, folksongs feature in his regional stories about West Hunan, his home region. These songs not only provide the stories with a special local colour, but also indicate Shen’s strong connection with Western anthropology and psychology. From the mid-1930s, Shen developed a passion for Western classical music. He stated on several occasions that he wished he could use the method of musical composition in his writing, even though he never attempted to learn to compose. This thesis will investigate Shen’s insistence on the assumption that the method of musical composition – especially the use of ‘harmony’ – would make literary works more beautiful and infinite. Shen’s discussion of Western classical music also points to the connection between music and abstraction. In Shen’s later career, he seems to be consistently pursuing the beauty of abstraction. At the same time, he writes about ‘soundless music’, which goes beyond concrete music such as folksongs or Western classical music. In the analysis of Shen’s ideas on music, one question remains: what are the possible sources of these ideas? Shen started writing after May Fourth Movement, a movement that massively involved learning from the West. His career thrived while socialising with a group of Chinese writers whose works bear evident marks of Western literature, and some of whom were also the translators of many Western works. Furthermore, Shen’s ideas on music appear to reflect those of Western literature, especially modern literature. This thesis will consider possible influences on Shen, starting with an examination of what Shen might have read or known about Western literary ideas. Finally, according to the evidence uncovered in my research, this thesis will propose a comparative study between possible Western sources of influence and Shen’s ideas on music, focusing on the influence of Western anthropology, psychology, Goethe (1749 – 1832), French Symbolism, Nietzsche (1844 – 1900), and Joyce (1882 – 1941). 6 Table of Content Acknowledgements ................................................................................................. 9 Introduction ........................................................................................................... 11 0.1 Research Questions ............................................................................................ 11 0.2 A Brief Biography of Shen Congwen .................................................................. 11 0.3 Literature Review on Shen and Music ................................................................ 13 0.4 Literature Review on Shen and Western Influence .............................................. 16 0.5 Structure of the Thesis ....................................................................................... 18 0.6 Methodology ...................................................................................................... 19 Chapter 1: Folk Music ........................................................................................... 21 1.1 Folk Music and Primitivism ................................................................................ 23 1.1.1 Against Sexual Repression ................................................................................................... 24 1.1.2 Country Life and Vitality ..................................................................................................... 28 1.1.3 Ritual Music and Mythology ................................................................................................ 31 1.2 Folk Music and Shen’s Memory and Imagination of West Hunan ...................... 36 1.2.1 Eternal Music and the Living Memory ................................................................................. 36 1.2.2 The Poetic Character in the Identity of West Hunan – Folk Music, Dream, and Poetry ....... 40 Chapter 2: Composed Music ................................................................................ 49 2.1 A Country Man against City Music ..................................................................... 52 2.2 The Beauty of Harmony ..................................................................................... 65 2.3 New Inspiration ................................................................................................. 74 Chapter 3: The Concept of Music ......................................................................... 83 3.1 Music and Nature............................................................................................... 84 3.2 Music and Abstraction ....................................................................................... 92 Chapter 4 Historical Evidence of Western Influence .......................................... 107 4.1 Western Anthropology ...................................................................................... 112 4.2 Freud and Western Psychology ........................................................................ 117 4.3 Western Philosophy .......................................................................................... 121 4.4 Western Literature ............................................................................................ 126 Chapter 5: Analysis of Western Influence in Shen’s Writing ............................... 141 5.1 Anthropology and Mythology ........................................................................... 141 5.2 Western Psychology ......................................................................................... 151 5.2.1 Sexual Repression .............................................................................................................. 153 7 5.2.2 Conscious, Preconscious, Subconscious, and Unconscious ................................................ 155 5.2.3 Collective Unconscious ..................................................................................................... 158 5.2.4 Jung, Libido, and Life Force .............................................................................................. 161 5.2.5 Daydreaming, Art Creation, and Appreciation of Art ......................................................... 163 5.3 Goethe ............................................................................................................. 177 5.4 French Symbolism ........................................................................................... 183 5.5 Nietzsche ......................................................................................................... 198 5.6 James Joyce ...................................................................................................... 208 Conclusion ........................................................................................................... 217 Bibliography ........................................................................................................ 223 8 9 Acknowledgements First and foremost, I would like to thank my supervisor, Prof. Peter Dayan, for his intellectual inspiration and his dedicated and patient guidance through my PhD study. My deep gratitude must be expressed for the fact that he has not only showed me a clear path of how to conduct research, but also led me to think and develop my very own ideas. I also want to thank my co-supervisor, Dr. Julian Ward, for helping me with my research, and giving me opportunity and guidance in teaching, as being a good teacher has always been my goal. Secondly, I must thank my parents, for being my biggest support, mentally and financially, and most importantly, for believing that their daughter can pursue whatever she wants. Last but not least, my most sincere thanks must be given to my friends in Edinburgh, because, with them, Edinburgh has
Load more

Recommended publications
  • March 2018.Cdr
    VOL. XXX No. 3 March 2018 Rs. 20.00 Ambassador Luo Zhaohui and his wife Counselor Jiang Ambassador Luo Zhaohui and his wife Counselor Jiang Yili met with Mr. V. Narayanasamy, Chief Minister of Yili met with Ms. Kiran Bedi, Lieutenant Governor of Puducherry. Puducherry. Ambassador Luo Zhaohui and his wife Counselor Jiang Ambassador Luo Zhaohui and his wife Counselor Jiang Yili had dinner with some Ambassadors to India and their Yili met with Mr. Syed Ahmed Bukhari and his family, the spouses. Shahi Imam of the Jama Masjid. Ambassador Luo Zhaohui and his wife Counselor Jiang Ambassador Luo Zhaohui and his wife Counselor Jiang Yili attended the Symposium in Memory of Professor Xu Yili visited the Fo Guang Shan Educational and Cultural Fancheng. Centre. NPC & CPPCC Annual Sessions 2018 1. Xi Jinping Unanimously Elected Chinese President, CMC Chairman 4 2. Newly-elected President Xi Steers China Toward Prosperity 5 3. Li Keqiang Endorsed as Chinese Premier 9 4. Premier Li Keqiang Meets the Press 10 5. China’s National Legislature Concludes Annual Session 22 6. China’s Top Political Advisory Body Concludes Annual Session 23 7. China’s Massive Cabinet Restructuring Plan Adopted 26 8. Landmark Two Sessions Set Course for “New Era” 28 External Affairs 1. Xi Jinping Holds Telephone Talks with President Vladimir Putin 30 of Russia 2. Xi Jinping Holds Telephone Talks at Request with Chancellor Angela 31 Merkel of Germany 3. Xi Jinping Holds Talks with King Tupou VI of Tonga 32 4. Leaders of Various Countries Warmly Congratulate Xi Jinping on his 34 Election as President of China 5.
    [Show full text]
  • Social Complexity in North China During the Early Bronze Age: a Comparative Study of the Erlitou and Lower Xiajiadian Cultures
    Social Complexity in North China during the Early Bronze Age: A Comparative Study of the Erlitou and Lower Xiajiadian Cultures GIDEON SHELACH ACCORDING TO TRADITIONAL Chinese historiography, the earliest Chinese state was the Xia dynasty (twenty-first-seventeenth centuries B.C.), which was lo­ cated in the Zhongyuan area (the Central Plain). The traditional viewpoint also relates that, over the next two millennia, complex societies emerged in other parts of present-day China through the process of political expansion and cul­ tural diffusion from the Zhongyuan. Some scholars recently have challenged this model because it is unilinear and does not allow for significant contributions to the emergence of social compleXity from areas outside the Zhongyuan. Recent syntheses usually view the archaeological landscape of the late Neolithic Period (the second half of the third millennium B.C.) as a mosaic of cultures of compar­ able social complexity that interacted and influenced each other (Chang 1986; Tong 1981). Nevertheless, when dealing with the Early Bronze Age, the period identified with the Xia dynasty, most archaeologists still accept the main premises of the traditional model. They regard the culture or cultures of the Zhongyuan as the most developed and see intercultural interaction as occurring, if at all, only within the boundaries of that area. One of the most heated debates among Chinese archaeologists in recent years has been over the archaeological identification of the Xia dynasty. The partici­ pants in this debate accept the authenticity of the historical documents, most of which were written more than a thousand years after the events, and try to cor­ relate names of historical places and peoples to known archaeological sites and cultures.
    [Show full text]
  • Adaptation and Invention During the Spread of Agriculture to Southwest China
    Adaptation and Invention during the Spread of Agriculture to Southwest China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation D'Alpoim Guedes, Jade. 2013. Adaptation and Invention during the Spread of Agriculture to Southwest China. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11002762 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Adaptation and Invention during the Spread of Agriculture to Southwest China A dissertation presented by Jade D’Alpoim Guedes to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts March 2013 © 2013 – Jade D‘Alpoim Guedes All rights reserved Professor Rowan Flad (Advisor) Jade D’Alpoim Guedes Adaptation and Invention during the Spread of Agriculture to Southwest China Abstract The spread of an agricultural lifestyle played a crucial role in the development of social complexity and in defining trajectories of human history. This dissertation presents the results of research into how agricultural strategies were modified during the spread of agriculture into Southwest China. By incorporating advances from the fields of plant biology and ecological niche modeling into archaeological research, this dissertation addresses how humans adapted their agricultural strategies or invented appropriate technologies to deal with the challenges presented by the myriad of ecological niches in southwest China.
    [Show full text]
  • Die Rezeption Des Philosophischen Werks Von Friedrich Paulsen in China
    Die Rezeption des philosophischen Werks von Friedrich Paulsen in China von der Fakultät für Geistes- und Sozialwissenschaften im Universitätsbereich des Karlsruher Instituts für Technologie (KIT) angenommene Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) vorgelegt von Guo Shengda, M.A. aus Bengbu, Prov. Anhui, Volksrepublik China Dekan: Prof. Dr. Klaus Bös 1. Gutachter: Prof. Dr. Hans-Peter Schütt 2. Gutachter: Privatdozent Dr. Heinz-Ulrich Nennen Tag der mündlichen Prüfung: 27. Mai 2010 Inhaltsverzeichnis 1 Einleitung .................................................................................. 4 2 Paulsen und seine Ideen ........................................................... 17 2.1 Biographie von Friedrich Paulsen ....................................... 17 2.2 Paulsens Beitrag zur Ethik .................................................. 18 2.2.1 Das Buch System der Ethik .......................................... 19 2.2.2 Hintergrund: Systematisierung ..................................... 21 2.2.3 Zum Inhalt von Paulsens System .................................. 21 3 Paulsen in China ....................................................................... 25 3.1 Der erste Übersetzer Cai Yuanpei ....................................... 25 3.1.1 Biographie Cais ............................................................ 25 3.1.2 Cais Ethik ..................................................................... 31 3.1.3 Cai Yuanpei und Paulsen ............................................
    [Show full text]
  • The Longshan Period and Incipient Chinese Civilization
    THE LONGSHAN PERIOD AND INCIPIENT CHINESE CIVILIZATION BY SHAO WANGPING (Institute of Archaeology, Chinese Academy of Social Sciences) Abstract In the ongoing reconceptualization of Chinese cultural origins, the Longshan period (third millennium BC) has emerged as the incipient stage of complex civilization in China. It is now realized that many important characteristics of traditional Chinese society came to fruition during prehistoric times. Following a brief outline of the early processes leading to the formation of state-level civilization in China, this essay dis- cusses some of the major archaeological indicators of socio-political complexity. The extremely plentiful materials accumulated by Chinese archaeolo- gists over the past seventy years have furnished a novel framework for understanding ancient Chinese history. We have come to realize that Chinese civilization grew from multiple origins that merged into one system, and we have abandoned earlier theories that regarded Chinese civilization as either derived from the West or from a single core area in the Central Plains. Building on work done by historians and archae- ologists during the rst half of the twentieth century, Chinese archae- ologists since 1949 have dened six macro-regions within which devel- opment toward complex civilization occurred separately during pre- historic times:(1) the upper reaches of the Yellow River basin; (2) the middle and lower reaches of the Yellow River basin; (3) the Yangzi River basin; (4) far southern China; (5) the northern steppes; and (6) China’s Northeast. Distinctive regional cultures continued to ourish in these six regions during the time when the Shang and Zhou had established their royal dynasties in the Central Plains.
    [Show full text]
  • Of the Chinese Bronze
    READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R.
    [Show full text]
  • February 2019 ` 40
    Vol. XXXI | No.2 | February 2019 ` 40 NEWS FROM CHINA CHINA-INDIA REVIEW A NEW YEAR NEW HORIZONS THE YEAR OF PIG From Ambassador’s Desk H.E. Luo Zhaohui China’s Ambassador to India In Year of Golden Pig, China-India ties to scale new frontiers pring Festival ushers in not only the Chinese and is inspiring both sides to widen the arc New Year, but also marks new beginnings of understanding between our two ancient Sand the collective yearning to map new civilisations. horizons in our lives. A friend told me that the Indian government is In the Chinese calendar, 2019 is the Year of now promoting four soft power elements abroad, the Golden Pig. Pig symbolises luck, fortune, and namely Yoga, Ayurveda, Buddhism, and overseas prosperity. I wish the people in India and from all Indians. I just wonder why Bollywood movies over the world a joyous and prosperous life. are not included in this list. In China, watching As we start another year, there is plenty to Bollywood movies, practicing yoga, and tasting rejoice. China’s economy has shown remarkable Darjeeling tea have become fashionable among resilience and is on an upswing. Our GDP is now the youth. about $13.6 trillion, with GDP per capita reaching Buddhism will always be our shared nearly $9,800. civilisational heritage. China has the largest Spring is in the air, and I am happy to see that Buddhist population in the world. Xuan Zang and the China-India relations remain on an upward Bodhidharma are very popular in both countries.
    [Show full text]
  • The Yangguanzhai Neolithic Archaeological Project
    THE YANGGUANZHAI NEOLITHIC ARCHAEOLOGICAL PROJECT, CHINA Course ID: ARCH 380A June 14 -July 18, 2020 Academic Credits: 8 Semester Credit Units (Equivalent to 12 Quarter Units) School of Record: Connecticut College PROJECT DIRECTORS: Dr. Richard Ehrich, Northwest University (China) and UCLA ([email protected]) Dr. Zhouyong Sun, Shaanxi Provincial Institute of Archaeology, China ([email protected]) Mr. Yang Liping, Shaanxi Provincial Institute of Archaeology, China ([email protected]) INTRODUCTION The prehistoric village of Yangguanzhai (YGZ) dates to the Middle to Late Yangshao period (c. 3,500 - 3,000 BCE). It is one of the largest settlements of its kind. The site is located in the Jing River Valley, approximately 25 kilometers north of the ancient city of Xi’an in northwest China. Since 2004, in preparation for a major construction project, the Shaanxi Provincial Institute of Archaeology began to conduct large-scale excavations and exploratory surveys – by means of test trenches and coring with the Luoyang spade – in various parts of the site. More than 18,000 square meters have been excavated to date. These activities revealed a moat, a row of cave dwellings, subterranean houses, child urn burials in the residential areas, and numerous pottery kilns. The quantity and quality of finds were impressive enough for the Chinese authorities to halt commercial development and declare the area a protected archaeological site. In 2010, as part of the ongoing excavation, a joint UCLA/Shaanxi Province Archaeological Academy/Xibei University project began to operate at the site. This project is shifting the focus from the large-scale exposure of architecture to a more careful and systematic analysis of local stratigraphy and a stronger 1 | P a g e emphasis on anthropological interpretations.
    [Show full text]
  • English Translations of Shen Congwen's Masterwork
    English Translations of Shen Congwen’s Masterwork, Bian Cheng (Border Town) ENGLISH TRANSLATIONS OF SHEN CONGWEN’S MASTERWORK, BIAN CHENG (BORDER TOWN) Jeffrey C. KINKLEY St. John’s University, New York City 8000 Utopia Parkway, Jamaica, NY 11439, USA [email protected] This essay compares the four published English translations of Bian cheng (Border Town) of Shen Congwen’s novel, discussing personal, linguistic, social, political, historical, and cross- cultural factors that might have influenced the translations and their reception when they appeared, respectively, in 1936, 1947, 1962, and 2009. Key words: Shen Congwen, Bian cheng, Border Town, Frontier City, translation, dialect, West Hunan, reception, Cuicui, Pearl Buck, Nobel Prize Shen Congwen’s 沈從文short novel Bian cheng 邊城, composed in 1933 − 1934, first published serially in Chinese in 1934,1 and translated under titles including Border Town (my own translation, which I shall privilege in this essay), The Frontier City, Une bourgade a l’écart (Fr.: An outlying town), Le passeur de Chadong (Fr.: The ferryman of Chadong), and Die Grenzstadt (Ger.: The frontier city), has for more than seven decades been acclaimed as Shen Congwen’s masterwork. That is the view in China and globally. 2 In China, biographical dictionaries from the 1930s to 1949 commonly (though not always 1 SHEN CONGWEN (1902 − 1988), Bian cheng, first published in the Guowen zhoupao 國聞週報. The initial installment appeared on 1 January 1934, yet the final installment bears a note indicating that Shen finished the work only on 19 April 1934. 2 I wish to thank Professor Gang Zhou (Zhou Gang 周刚) of Louisiana State University for organizing a panel on the “Global Shen Congwen” at the July 2013 conference of the International Comparative Literature Association in Paris.
    [Show full text]
  • Chapter 1 Chinese Archaeology: Past, Present
    Cambridge University Press 978-0-521-64310-8 - Cambridge World Archaeology: The Archaeology of China: From the Late Paleolithic to the Early Bronze Age Li Liu and Xingcan Chen Excerpt More information CHAPTER 1 CHINESE ARCHAEOLOGY: PAST, PRESENT, AND FUTURE The archaeological materials recovered from the Anyang excavations . in the period between 1928 and 1937 ...havelaidanewfoundation for the study of ancient China. (Li, C. 1977:ix) When inscribed oracle bones and enormous material remains were found through scientific excavation in Anyang in 1928, the historicity of the Shang dynasty was confirmed beyond dispute for the first time (Li, C. 1977: ix–xi). This excavation thus marked the beginning of a modern Chinese archaeology endowed with great potential to reveal much of China’s ancient history. Half a century later, Chinese archaeology had made many unprecedented discoveries that surprised the world, leading Glyn Daniel to believe that “a new awareness of the importance of China will be a key development in archaeology in the decades ahead” (Daniel 1981: 211). This enthusiasm was soon shared by the Chinese archaeologists when Su Bingqi announced that “the Golden Age of Chinese archaeology is arriving” (Su, B. 1994: 139–40). In recent decades, archaeology has continuously prospered, becoming one of the most rapidly developing fields of social science in China. As suggested by Bruce Trigger (Trigger 1984), three basic types of archae- ology are practiced worldwide: nationalist, colonialist, and imperialist. China’s archaeology clearly falls into the first category. Archaeology in China is defined as a discipline within the study of history that deals with material remains of the past and aims to reveal the laws of historical evolution, based on histor- ical materialism (Xia and Wang 1986: 1–3).
    [Show full text]
  • Bioarcheology of China
    Chapter 3 Bioarchaeology of China: Bridging Biological and Archaeological Inquiries Elizabeth Berger and Kate Pechenkina In China, anthropology (人类学 renleixue, literally “study of humanity”) is primar- ily used to refer to physical anthropology. Biological or physical anthropology is firmly situated within the biological disciplines, whereas archaeology is tradition- ally hosted by history departments. Consequent differences in research interests and approaches between archaeologists and biological anthropologists have influenced the development of the field. Research on archaeological human skeletons, and anthropology as a whole, in China can be divided into three historical phases: (1) the late 1800s to 1949, the formative period, when anthropology in China was practiced as a holistic discipline and biological anthropology research was dominated by comparative morphomet- rics, population history, and paleoanthropology; (2) 1949 to the early 1980s, when “anthropology” referred almost exclusively to physical anthropology, and morpho- metrics and paleoanthropology were independent of archaeology; and (3) the 1980s until today, when cultural anthropology has experienced a renewal and bioarchaeol- ogy has come to integrate the skeletal and archaeological records (Zhang 2012; Zhu 2004; Hu 2006; Guldin 1994). In its early years (before 1949), Chinese anthropology was in close communica- tion with American, British, and European scholarship. However, it also draws from a long tradition of Chinese historiography, antiquarianism, and medical stud- ies and has undergone more than 100 years of development within China to become a discipline with its own research foci and disciplinary boundaries (Guldin 1994; Hu 2006). E. Berger Lieberthal-Rogel Center for Chinese Studies, University of Michigan, Ann Arbor, MI, USA e-mail: [email protected] Copyright © 2018.
    [Show full text]
  • Report Title - P
    Report Title - p. 1 of 646 Report Title *Wood, Carlton Leroy. Die Beziehungen Deutschlands zu China : eine historische Betrachtung in politischer und ökonomischer Hinsicht vom 19. Jahrhundert bis zum Jahre 1934. (München : Gebr. Giehrl, 1936). Diss. Univ. Heidelberg, 1934. [WC] Die Arbeit der Berliner Mission im Lichte ihrer Dezemberversammlungen 1913 : den Freunden des Werkes überreicht. (Berlin : Berliner Missionsgesellschaft, 1913). [WC] A collection of portraits of Chinese heroes and others. Drawn by a native artist with a description in Chinese of each ; purchased from the private collection of Herbert A. Giles. Vol. 1-2. (Cleveland : Private collection of Charles W. Wason, 1917). A dictionary of Chinese buddhist terms : with Sanskrit and English equivalents and a Sanskrit-Pali index. Compiled by William Edward Soothill and Lewis Hodous. (Delhi : Motial Banarsidass, 1937). A feast of lanters. Rendered with an introduction by L[auncelot] Cranmer-Byng. (London : J. Murray, 1916). (Wisdom of the East series). A first reading book for students of colloquial Chinese : Chinese merry tales. Collected and ed. by Baron Guido Vitale. (Peking : Beitang Press, 1901). [WC] A gallery of Chinese immortals : selected biographies. Translated from Chinese sources by Lionel Giles. (London : J. Murray, 1948). A harp with a thousand strings : a Chinese anthology. Ed. by Hsiao Ch'ien [Xiao Qian]. (London : Pilot Press, 1944). [WC] A lute of gold : being selections from the classical poets of China. Rendered with an introduction by L[auncelot] Cranmer-Byng. (London : J. Murray, 1918). (Wisdom of the East series). A lute of jade : being selections from the classical poets of China. Rendered with an introduction by L[auncelot] Cranmer-Byng.
    [Show full text]