A Content Analysis of Health-Related Themes
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4H713 4-H Crops and Weeds Contest
4-H Crops and Weeds Contest When 4-H’ers become members of a team, they learn how http://www.thundersnow.com/weedid.htm to work with one another and to respect the differences of 5. Weed Seeds of the Great Plains: A Handbook for Identifi- each individual. In addition, as they learn to identify plant and cation, University Press of Kansas, 2502 Westbrooke seed samples, they gain an appreciation for the importance of Circle, Lawrence, KS 66045, http://www.kansaspress. attention to detail and improve their decision-making skills. ku.edu/printbytitle.html Objectives General Rules Local 4-H Crops and Weeds Contests help 4-H members 1. No communication is permitted among contestants develop their skills in plant and seed identification. This activ- or anyone else, except officials, during the contest. ity can be a vital part of the 4-H Crops Project. No cell phone use is allowed during the competition. The State 4-H Crops and Weeds Contest is held annually Contestants will be paced to move from one station to during the Kansas State Fair in Hutchinson. It consists of iden- the next by a contest official every 30 seconds. Only one contestant will be allowed at each station at a time. tification of both plants and seeds of common crops and weeds. Failure to follow directions and rules will be grounds Resources for disqualification. 2. Contestants may bring a small hand lens (with or with- Plant and seed samples of most field crops and weeds are out battery powered light) to use in both plant and seed available at a nominal cost from the Department of Agrono- identification. -
Gunsmokenet.Com
GUNSMOKE ! By GORDON BUDGE f you had lived in Dodge City in I the 1870’s, Matt Dillon-the fic- tional Marshal of CBS Radio and TV’s Gunsmoke-would have been just the sort of man you would like to have for a friend. The same holds for his sidekick, Chester, and his special pals, Kitty and Doc. They are down-to-earth, ‘good and honest people. That one word “honest” is, to a great extent, responsible for the success of Gunsmoke on both radio and TV. It best describes the sto- ries, characters and detailed his- torical background which go to make up the show. Norman Macdonnell and John Meston, Gunsmoke’s producer and writer, are the two men who created the format and guided the show to its success (the TV version has topped the Nielsen ratings since June, 1957)) and the show is a fair reflection of their own characters: Producer Macdonnell is a straight- forward, clear-thinking young man of forty-two, born in Pasadena and raised in the West, with a passion for pure-bred quarter horses. He joined the CBS Radio network as a page, rose to assistant producer in two years, ultimately commanded such network properties as Sus- pense, Escape, and Philip Marlowe. Writer John Meston’s checkered career began in Colorado some forty-three years ago and grass- hopped through Dartmouth (‘35) to the Left Bank in Paris, school- teaching in Cuba, range-riding in Colorado, and ultimately, the job as Network Editor for CBS Radio in Hollywood. It was here that Meston and Macdonnell met. -
Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
From Broadcast to Broadband: the Effects of Legal Digital Distribution
From Broadcast to Broadband: The Effects of Legal Digital Distribution on a TV Show’s Viewership by Steven D. Rosenberg An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Jarl G. Kallberg Faculty Adviser Thesis Advisor 1. Introduction ................................................................................................................... 3 2. Legal Digital Distribution............................................................................................. 6 2.1 iTunes ....................................................................................................................... 7 2.2 Streaming ................................................................................................................. 8 2.3 Current thoughts ...................................................................................................... 9 2.4 Financial importance ............................................................................................. 12 3. Data Collection ............................................................................................................ 13 3.1 Ratings data ............................................................................................................ 13 3.2 Repeat data ............................................................................................................ -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Which Seinfeld Character Are You?
EPISODE 181: THE BUSINESS DEVELOPMENT MEETING WHICHWHICH SEINFELDSEINFELD CHARACTERCHARACTER AREARE YOU?YOU? In our business dealings, we are often guilty of just not listening. We come to the table with an agenda—a new product, a new service—and wait while a prospect or existing client tells us what’s going on with his or her business. At some point, that person will pause—and we pounce with our spiel. This approach rarely works - successful business development requires some level of rapport and relationship building. As in all aspects of life, this can mean dealing with those who may not share your views or approach. In order to adapt quickly and improvise in these instances, it’s helpful to understand people’s communication and personality styles. There are a number of tests that can help us understand the personality and communication styles of others, including the popular DISC model. This model has four quadrants: dominance, influence, steadiness, and conscientiousness. Influence and steadiness are on the right side of the brain, and dominance and conscientiousness are on the left side. Understanding someone’s dominant quadrant can help you find a way to work more effectively with them. UNDERSTANDING WHAT SEINFELD YOUR SITCOM CAST Now that you understand where you fall QUADRANT ARE YOU? within the quadrants, you can begin to think about how to work and respond to any cast of characters you may come I’ll let you in on an interesting tidbit, successful sitcoms often across. Friction will naturally arise include a character from each of the following quadrants, because these are people with opposite because the resulting friction tends to be funny. -
Chapters 11 and 12 Contributed by Stoljar-Gold Ziegler Gold Source
Chapters 11 and 12 Contributed by Stoljar-Gold Ziegler Gold Source: Chapter Eleven 1. The Lord said to Jerry, "I will bring one more plague upon Pharaoh and upon Manhattan; afterwards Newman will drive you out of here. He’s an idiot altogether.” 1. Please, speak into the ears of the people, and let them “borrow”, each man from his friend and each woman from her friend, silver vessels and golden vessels. That’s right. Gold, Jerry! Gold!” 1. So the Lord gave the people favor in the Manhattanites’ eyes; also Jerry was highly esteemed in the land of Manhattan – How could anyone not like him? 1. Jerry said, "So said the Lord, Art Vandelay, ‘At the dividing point of the night, I will go out into midtown Manhattan, and every firstborn Bubble Boy in the land of Manhattan will die, from the firstborn Bubble Boy of Pharaoh, who sits on his throne to the firstborn Bubble Boy of the slave woman who is behind the millstones, and every firstborn Bubble animal. 1. And there will be a great cry throughout the entire land, such as there never has been and such as there shall never be again. They’ll cry, and then they’ll cry again. 1. But to all the children of Israel, not one dog will whet its tongue against either man or beast, in order that you shall know that the Lord will separate between the Manhattanites and between Israel”. What does dog licking have to do with the slaying of first Bubble boys? That’s what I’d like to know about it. -
A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism" (2019)
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2019 A Sense of Unending: Apocalypse and Post- Apocalypse in Novels of Late Capitalism Brent Linsley University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the American Literature Commons, Literature in English, North America Commons, and the Modern Literature Commons Recommended Citation Linsley, Brent, "A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism" (2019). Theses and Dissertations. 3341. https://scholarworks.uark.edu/etd/3341 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. A Sense of Unending: Apocalypse and Post-Apocalypse in Novels of Late Capitalism A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Brent Linsley Henderson State University Bachelor of Arts in English, 2000 Henderson State University Master of Liberal Arts in English, 2005 August 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. _____________________________________ M. Keith Booker, Ph.D. Dissertation Director _____________________________________ ______________________________________ Robert Cochran, Ph.D. Susan Marren, Ph.D. Committee Member Committee Member Abstract From Frank Kermode to Norman Cohn to John Hall, scholars agree that apocalypse historically has represented times of radical change to social and political systems as older orders are wiped away and replaced by a realignment of respective norms. This paradigm is predicated upon an understanding of apocalypse that emphasizes the rebuilding of communities after catastrophe has occurred. -
Judgment Apocalypse Survival Simulation Defense
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Your Local Independent Bookstore Delivers Holiday Joy Everywhere
IN STORE, ONLINE, CURBSIDE, AND RIGHT TO YOUR DOOR, your local independent bookstore delivers holiday joy everywhere. Winners Just Announced Booksellers from your favorite bookstores throughout the Greater Midwest selected these titles as award-winning books from the region this year. Celebrate these authors by shopping for their books at your local independent bookstore. FICTION NONFICTION POETRY Everywhere You In the Dream House Homie Don’t Belong Carmen Maria Machado Danez Smith Gabriel Bump Graywolf Press Graywolf Press Algonquin Books $16.00 | 9781644450031 $16.00 | 9781644450109 $25.95 | 9781616208790 YA / MIDDLE GRADE PICTURE BOOK The Fountains of Silence A Map into the World Ruta Sepetys Kao Kalia Yang Philomel Books Carolrhoda Books $11.99 | 9780399160318 $17.99 | 9781541538368 See all finalists for the Heartland Booksellers Award at heartlandfallforum.org/heartland-booksellers-award.html 3 Fiction Good Reads Sapiens: A Graphic History Snow African American Poetry: Make Life Beautiful Yuval Noah Harari John Banville 250 Years of Struggle & Syd & Shea McGee The graphic adaptation of the The incomparable Booker Prize Song Meet Syd and Shea #1 New York Times bestseller winner’s next great crime novel: Kevin Young, Editor McGee, the powerhouse couple by Yuval Noah Harari, now with a beautifully crafted and darkly A literary landmark: the behind Studio McGee, the gorgeous color illustrations and evocative story of an aristocratic biggest, most inclusive fastest-growing interior design digestible text for readers of family whose secrets resurface anthology of Black poetry ever studio in the U.S. Learn how all ages. when a parish priest is found published, gathering nearly 250 classic design principles can be Harper Paperbacks murdered. -
The Madison Square Garden Company Announces Six Additional Jerry Seinfeld Shows in 2019 at the Historic Beacon Theatre
The Madison Square Garden Company Announces Six Additional Jerry Seinfeld Shows in 2019 at the Historic Beacon Theatre March 20, 2019 New Shows Added on September 20, October 25, and October 26, 2019 NEW YORK, March 20, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE: MSG) announced that legendary New Yorker and comedian Jerry Seinfeld has added six more 2019 performances at the Beacon Theatre. The newly announced 2019 dates are as follows: September 20, October 25, and October 26, with performances at 7:00pm and 9:30pm on all three nights. The October events will be part of a Netflix special live taping. Tickets will go on-sale for the three new dates on Friday, March 22, 2019 at 10:00am (EST). Limited tickets remain for the previously announced performances. The 2019 shows are as follows: January 11 – 7p & 9:30p SOLD OUT! May 4 – 7p & 9:30p February 8 – 7p & 9:30p SOLD OUT! June 6 – 7p & 9:30p March 14 – 7p & 9:30p SOLD OUT! June 7 – 7p & 9:30p March 15 – 7p & 9:30p SOLD OUT! September 20 – 7p & 9:30p April 4 – 7p & 9:30p October 25 – 7p & 9:30p April 5 – 7p & 9:30p October 26 – 7p & 9:30p May 3 – 7p & 9:30p Ticket prices for Jerry Seinfeld at The Beacon are $195.00, $99.50 and $87.50. Tickets for the newly added 2019 shows go on-sale on Friday, March 22, 2019 at 10:00am (EST) and will be available online at beacontheatre.com and ticketmaster.com and Ticketmaster Charge By Phone at 866-858-0008.