Nelson Freire

Total Page:16

File Type:pdf, Size:1020Kb

Nelson Freire Os melhores CDs do mês • Tasmin Little • Vladimir Jurowsky Um tributo à soprano Joan Sutherland, La Stupenda CONCERTOGuia mensal de música clássica Dezembro 2010 ROTEIRO MUSICAL LIVROS • CDs • DVDs ATRÁS DA PAUTA por Júlio Medaglia PALCO Audi Coelum ENTREVISTA Rafael Garcia R$ 11,90 Nelson Freire Pianista volta a se apresentar no Brasil, grava CD Liszt e segue carreira como um dos mais brilhantes músicos da atualidade ISSN 1413-2052 - ANO XVI Nº 168 1413-2052 ISSN TEMPORADAS 2011 VIDAS MUSICAIS Mozarteum Brasileiro e Sociedade Ludwig van Beethoven de Cultura Artística divulgam atrações CONCERTO Dezembro de 2010 nº 168 24 58 2 Carta ao Leitor 4 Cartas 26 6 Contraponto Notícias do mundo musical 10 Memória Sidney Molina escreve sobre o extraordinário trabalho do professor e violonista Henrique Pinto 12 Atrás da Pauta 60 Coluna mensal do maestro Júlio Medaglia 13 Temporadas 2011 Sociedade de Cultura Artística e Mozarteum Brasileiro 16 Música Viva João Marcos Coelho refl ete sobre populares e eruditos 18 Palco Audi Coelum toca Monteverdi sob direção de Roberto Rodrigues 20 Em Conversa 8 20 Entrevista com o maestro Rafael Garcia 22 Opinião Eliana Monteiro da Silva escreve sobre Clara Schumann 24 Vidas Musicais Ludwig van Beethoven, por Leonardo Martinelli 26 Capa Nelson Freire, Liszt, Chopin e suco de açaí 30 Roteiro Musical 51 10 Destaques da programação musical no Brasil 32 Roteiro Musical São Paulo 42 Roteiro Musical Rio de Janeiro Uma seleção exclusiva do melhor 46 Roteiro Musical Outras Cidades da revista GRAMOPHONE 51 Gramophone Uma seleção exclusiva do melhor da revista GRAMOPHONE 51 Notas Sonoras Notícias internacionais - Vladimir Jurowski 58 CDs e DVDs 52 A escolha do editor 61 Livros James Inverne aponta os dez melhores CDs do mês 62 Outros Eventos 53 Diário Tasmin Little 63 Classificados 54 Tributo 64 Minha Música Homenagem a Joan Sutherland, La Stupenda A música que inspira o empreendedor Helio Mattar CONCERTO Dezembro 2010 1 Prezado Leitor, É um enorme prazer dedicar a capa da Revista CONCERTO ao grande pianista brasileiro Nelson Freire. Há tempos vínhamos planejando esta edição: em fevereiro, o jornalista Irineu Franco Perpetuo viajou ao Rio de Janeiro e visitou Nelson em sua casa, em um encontro que rendeu uma ótima entrevista que publicamos na edição de março da Revista CONCERTO. Agora, que Nelson Freire acaba de retornar de sua participação no Concurso Chopin em Varsóvia (onde se apresentou com Martha Argerich), que prepara um novo CD com obras de Liszt para o bicentenário do compositor e que volta Foto: Decca / Eric Dahan a tocar no Brasil (na Sala São Paulo, solando o Segundo concerto de Brahms), não queríamos perder a oportunidade. Irineu voltou a conversar com Nelson, que falou de Chopin, Liszt, suco de açaí e muito mais (página 26). Convidamos você a conhecer as ideias deste excepcional pianista para curtir ainda mais as suas brilhantes interpretações! COLABORARAM NESTA EDIÇÃO Depois das novas temporadas da Osesp e da Filarmônica de Minas Gerais apresentadas no mês passado, chegou a vez de duas de nossas mais importantes entidades Camila Frésca, jornalista e pesquisadora promotoras divulgarem as suas programações. Mozarteum Brasileiro e Sociedade de Carlos Eduardo Amaral, jornalista Cultura Artística acabam de lançar suas temporadas internacionais de 2011, com atrações e pesquisador como a Sinfônica Simón Bolívar e Gustavo Dudamel (SCA) e a Sinfônica de Bamberg com Clóvis Marques, jornalista e crítico Jonathan Nott (MB). Confi ra, nas páginas 13 e 14, as atrações completas e as condições Eliana Monteiro da Silva, pesquisadora de assinaturas de cada uma das séries. Irineu Franco Perpetuo, jornalista e crítico João Marcos Coelho, jornalista e crítico A seção Vidas Musicais desta edição apresenta um dos maiores gênios da história, o compositor alemão Ludwig van Beethoven. Coube ao nosso colaborador Leonardo Júlio Medaglia, maestro Martinelli a“missão impossível” de condensar em duas páginas vida e obra desta Leonardo Martinelli, jornalista e compositor personalidade extraordinária (página 24). Já a entrevista deste número fi cou a cargo de Sidney Molina, violonista e crítico nosso correspondente no Nordeste Carlos Eduardo Amaral, que conversou com o maestro Rafael Garcia, cofundador e diretor artístico do Festival Virtuosi (página 20). Como você poderá conferir no roteiro musical (página 48 e seguintes), neste mês de dezembro o ACONTECEU EM DEZEMBRO Virtuosi realiza sua 13ª edição com atrações no Recife e em Olinda. NASCIMENTOS Nosso colunista João Marcos Coelho gosta das refl exões em torno da música de Hector Berlioz, compositor nossos dias e de seus desdobramentos. Com ampla cultura musical e o preparo de uma 11 de dezembro de 1803 vida dedicada ao métier, já no Site CONCERTO (www.concerto.com.br) ele havia tecido César Franck, compositor e organista críticas a um tipo de crossover que considera fácil e pouco criativo. Em sua coluna Música 10 de dezembro de 1822 Viva desta edição, João Marcos Coelho volta a comentar o assunto, contrapondo essas Felicja Blumental, pianista composições a criações de músicos como Gershwin e Piazzolla (página 16). 28 de dezembro de 1908 Ainda neste número você lê a coluna do maestro Júlio Medaglia (em homenagem FALECIMENTOS ao violista Perez Dworecki que completará 90 anos em dezembro), e artigos de Clóvis Alban Berg, compositor Marques (sobre Fábio Martino, o pianista vencedor do II Concurso BNDES de Piano), 24 de dezembro de 1935 da pianista Eliana Monteiro da Silva (sobre Clara Schumann) e do crítico e violonista Clara Haskil, pianista Sidney Molina (que presta tributo póstumo ao professor Henrique Pinto). E, como todos 6 de dezembro de 1960 os meses, acompanha todas as atividades musicais clássicas em nosso roteiro ilustrado Benjamin Britten, compositor (em São Paulo tem Osesp, New Classic Ensemble Vienna, Osusp, Sinfônica de Santo 4 de dezembro de 1976 André, A viúva alegre no Teatro São Pedro, Solistas Interarte, Richard Wagner no Espaço Aaron Copland, compositor É Realizações e muito mais). 2 de dezembro de 1990 Desejamos a todos um ótimo dezembro musical e boas festas de fi m de ano! ESTREIAS Sinfonia nº 6 Pastoral, de Ludwig van Beethoven, em 22 de dezembro de 1808 Sinfonia nº 9 Do novo mundo, de Antonin Dvorák, em 16 de dezembro de 1893 La Fanciulla del West, de Giacomo Puccini, em 10 de dezembro de 1910, Metropolitan Opera Nova York Nelson Rubens Kunze Choros nº 10, de Heitor Villa-Lobos, diretor-editor em 15 de dezembro de 1926 2 Dezembro 2010 CONCERTO Retificando falsas atribuições dos trabalhos inaugurados por Celso Woltzenlogel, Guia mensal de música clássica ainda na gestão de Marlos Nobre, de apoio às www.concerto.com.br bandas de música e a seu instrumental. Foi nesse Camila Frésca foi induzida a dois erros graves na DEZEMBRO 2010 contexto que surgiu a ideia de organizar um matéria sobre luteria da edição de novembro da Ano XVI – Número 168 Revista CONCERTO (nº 167, pág. 18). O ensino co- projeto de pesquisa envolvendo instituições como Periodicidade mensal letivo de luteria não começou em Tatuí, mas na o Instituto de Pesquisas Tecnológicas (IPT), de ISSN 1413-2052 Funarte, como um dos braços do Projeto Espiral, São Paulo; o Instituto de Pesquisas da Amazônia REDAÇÃO E PUBLICIDADE de formação de instrumentista de cordas, sobre (Inpa), em Manaus; e a Escola de Agricultura Luiz Rua João Álvares Soares, 1.404 o qual a articulista redigiu recente e excelente Eça de Queiroz, de Piracicaba (SP). 04609-003 São Paulo, SP matéria. O Projeto Espiral foi o nome dado a esse Carlos Cruz, um dos diretores da Finep e Tel. (11) 3539-0045 – Fax (11) 3539-0046 e-mail: [email protected] trabalho de formação, que já estava sendo de- clarinetista amador, interessou-se em financiar senvolvido em Fortaleza por Alberto Jaffé, e que o projeto elaborado na Funarte, que foi lançado REALIZAÇÃO Marlos Nobre, diretor do então Instituto Nacional em São Paulo na então representação do MEC, diretor-editor Nelson Rubens Kunze (MTb-32719) de Música, da Funarte, resolveu incluir entre as à Rua Apa, com participação de representantes daquelas instituições, de fabricantes, de músicos editoras executivas ações apoiadas por esse órgão. Cornelia Rosenthal Como a formação de instrumentistas de cordas e de diversos setores ligados a atividades Mirian Maruyama Croce demandaria mais técnicos na construção, ma- próximas ao objetivo visado. Os trabalhos reportagens Camila Frésca nutenção e reparo dos instrumentos correspon- demandavam coleta de madeiras, sobretudo na revisão Gabriela García Maloucaze, Thais Rimkus dentes, foi criada, por aquele diretor, naquele região amazônica, onde eram capitaneados por site e projetos especiais Marcos Fecchio Instituto, a Escola de Luteria dirigida pelo luthier Harry van der Slooten, técnico holandês ligado apoio de produção Guido Pascoli, há anos falecido, ajudado por seu ao Inpa e com ampla experiência na Indonésia. Kátia Sabino, Luciana Alfredo Oliveira, assistente Orlando Motta Ramos, ainda hoje ser- O Centro de Documentação da Funarte conserva Priscila Martins, Vanessa Solis da Silva, Vânia Ferreira Monteiro vidor da Funarte. É claro que essa era uma escola vasta documentação sobre esse trabalho, que projeto gráfico BVDA Brasil Verde livre, que não teria como conceder diplomas nada teve a ver com o Conservatório de Tatuí. É lamentável constatar que pessoas ligadas a editoração e produção gráfica reconhecidos pelo Estado. Era comovente ver o Lume Artes Gráficas / Gilberto Duobles idealismo com que Pascoli acompanhava o ama- instituições respeitáveis não
Recommended publications
  • Beethoven's 250 Anniversary
    PIANO MAGAZINE WINTER 2020–2021 | VOL 12 | NO 5 CELEBRATING TH BEETHOVEN’S 250 ANNIVERSARY AND MUSICAL INNOVATORS WINTER 2020–2021 Anne-Marie Commissioning Stories McDermott: Composition & Celebrating | VOL 12 | NO 5 $12.99 VOL of Pianists’ Creativity Artist, Leader, Innovator Underrepresented Composers CLAVIERCOMPANION.COM / a magazine for people who are passionate about the piano PIANO MAGAZINE PUBLISHER The Frances Clark Center for Keyboard Pedagogy EDITOR-IN-CHIEF / CHIEF CONTENT DIRECTOR WHAT YOU’LL Pamela D. Pike FIND INSIDE SENIOR EDITOR / DIRECTOR OF DIGITAL CONTENT Andrea McAlister • SENIOR EDITORS Steve Betts RESOURCES TO SUPPORT Craig Sale OUR COMMUNITY IN COLUMN EDITORS MUSICAL ENGAGEMENT Linda Christensen, Technology & ADVOCACY Vanessa Cornett, Healthy Playing, Healthy Teaching Barbara Kreader Skalinder, Teaching • Artina McCain, Diversity, Equity, and Inclusion Nicholas Phillips, Recordings COVERAGE OF THE Suzanne Schons, Books, Materials, and Music NEWEST TRENDS & IDEAS Helen Smith Tarchalski, Keyboard Kids IN PERFORMANCE Jerry Wong, International Richard Zimdars, Poetry Corner AND PEDAGOGY EXECUTIVE DIRECTOR & CEO • Jennifer Snow PRACTICAL SOLUTIONS DESIGN & PRODUCTION FOR PIANO TEACHING studio Chartreuse & LEARNING PROFILES COPY EDITORS Rebecca Bellelo • Kristen Holland Shear THOUGHT-PROVOKING DIGITAL OPERATIONS Shana Kirk IDEAS FROM A RANGE OF CONTRIBUTORS ADVERTISING COORDINATOR Anna Beth Rucker • CUSTOMER SUPPORT Morgan Kline REVIEWS OF THE LATEST MUSIC, RECORDINGS, CIRCULATION The Frances Clark Center for Keyboard Pedagogy BOOKS, TECHNOLOGY, & EDUCATIONAL EDITORIAL BOARD Nancy Bachus PRODUCTS Alejandro Cremashi Barbara Fast Rebecca Grooms Johnson Scott McBride Smith Winter Issue 2020-2021 Vol 12 No 5 / 1 CONTENTS Anne-Marie McDermott: ARTIST, LEADER, INNOVATOR by Andrea McAlister 12 Photo: Group lesson at NSMS (1960s) EXPLORE LEARN TEACH 9 EDITOR’S LETTER 32 THE GIFT OF NEW 36 BECOMING WEAVERS: Pamela D.
    [Show full text]
  • The Perfect Fool (1923)
    The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD.
    [Show full text]
  • Symphony Shopping
    Table of Contents | Week 1 7 bso news 15 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a message from andris nelsons 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Dmitri Shostakovich 33 Pyotr Ilyich Tchaikovsky 41 Sergei Rachmaninoff 49 To Read and Hear More… Guest Artist 55 Evgeny Kissin 58 sponsors and donors 78 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on october 2 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Chris Lee cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
    BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE • a (tie. Leaa richer J [fH1*V?*!?n w If John Hancock is proud to support the Boston Symphony Orchestra. the future is yours A World-Class Alcohol and Drug Treatment Program lliii View from The McLean Center, Princeton, MA E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment wvvw.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teaching facility of Harvard Medical School, an affiliate of Partners Massachusetts General Hospital and a member of H E A I T H L \ R F Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Official | Hospital of the Boston Red Sox Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
    2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30Pm, Hall
    Jansen/Maisky/ Argerich Trio Tuesday 6 February 2018 7.30pm, Hall Beethoven Cello Sonata in G minor, Op 5 No 2 Shostakovich Piano Trio No 2 in E minor, Op 67 interval 20 minutes Schumann Violin Sonata No 1 in A minor, Op 105 Mendelssohn Piano Trio No 1 in D minor, Op 49 Janine Jansen violin Mischa Maisky cello Martha Argerich piano Adriano Heitman Adriano Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we are delighted to welcome three friend Ivan Sollertinsky, an extraordinarily musicians so celebrated that they need no gifted man in many different fields. introduction. Martha Argerich and Mischa Maisky have been performing together We begin with Beethoven, and his Second for more than four decades, while Janine Cello Sonata, a work that is groundbreaking Jansen is a star of the younger generation. for treating string instrument and piano equally and which ranges from sheer Together they present two vastly different wit to high drama.
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]
  • Music Credits for Music in Episode Composer, Title and Movement Title If Applicable: Performer, Conductor If Applicable (Year Written)
    Music Credits for music in Episode Composer, Title and Movement Title if applicable: Performer, Conductor if applicable (year written) ❖ Colleen et les Boîtes à Musique, Happiness Nuggets ❖ Wolfgang Amadeus Mozart, Die Zauberflöte - Act 2: Der Hölle Rache Kocht In Meinem Herzen: Gundula Janowitz, Nicolai Gedda, Etc. with Philharmonia Orchestra & Chorus, Otto Klemperer ❖ Wolfgang Amadeus Mozart: Symphony #41 In C, K 551 "Jupiter"4. Finale: New York Philharmonic Orchestra, Leonard Bernstein Time Machine *listen to full excerpts at wuol.org/timemachine Transition/Flying Music ❖ John Adams, Short Ride In a Fast Machine: BBC National Orchestra of Wales, Grant Llewellyn Medieval(476-1475)/Renaissance(1475-1600) ❖ Anononymous, Saltarello: Studio Der Fruehen Musik, Thomas E. Binkley (12th/13th century) ❖ John Dowland, Mr. Knights Galliard: Paul O’Dette (late 1500s) ❖ Hildegard von Bingen, O Vis Aeternitatis: Sequentia (1100s) Baroque(1600-1750) ❖ Antonio Vivaldi, L’Estro Armonico: III Solisti Di Zagreb, Anton Nanut (1711) ❖ George Frideric Handel, Giulio Cesare Act I: Barbar Schlick, Derek Lee Ragin, Jennifer Larmore (1724) ❖ J.S. Bach, Violin Sonata 1 Allegro: Rachel Podger (ca. 1700) Classical(1750-1820) ❖ Joseph Haydn, String Quartet no. 53 Allegro Moderato: Hagen Quartet (ca. 1790) ❖ Wolfgang Amadeus Mozart, Duettino from Don Giovannini: Rodney Gilfry/Eirian James and English Baroque Soloists, John Eliot Gardiner (1787) ❖ Ludwig van Beethoven, Symphony no 1 Adagio Molto, Allegro Con Brio: Chamber Orchestra of Europe, Nikolaus Harnoncourt (1806) Romantic(1820-1900) ❖ Sergei Rachmaninov, Suite no. 2 For 2 Pianos Tarantella: Martha Argerich and Nelson Freire (1901) ❖ Giuseppi Verdi, La Donna E Mobile from Rigoletto: Luciano Pavarotti (1851) ❖ Johannes Brahms, Symphony no.
    [Show full text]
  • Embassy of Brazil in Canberra – DVD Collection
    Embassy of Brazil in Canberra – DVD Collection July, 2014 Portuguese Intern. English Year Title Duration Director Synopsis No. Title The story of the first football World title at the 1958 World Cup in Sweden told by the protagonists themselves, where Brazil won an 1958 - O 1958 - The impressive 5-2 against Sweden. Members of the teams from the Ano em que Year the different countries that faced Brazil participate in the movie, *1 o Mundo World 2008 85’ José Carlos Asberg providing a first-hand and explicit opinion about the performance of descobriu o discovered the 1958 Brazilian team and showing the respect they have gained Brasil Brazil internationally. The film pays homage to the legendary team, composed of Pelé, Garrincha and Didi, that led the nation to this victory. The story of Francisco, a simple, poor tenant farmer in the hinterlands of Goiás, who pursues what appears to be an impossible dream – to transform two of his nine children into a 2 Filhos de Two Sons of *2 2005 129’ Breno Silveiro Francisco Francisco famous country music duo. With the manic and almost unnerving determination of their father, the two brothers are propelled to success from a position initially very far from stardom. Though their father is not the first father figure to have pressured his 1 Portuguese Intern. English Year Title Duration Director Synopsis No. Title children into becoming entertainers, few have had to embark upon such an arduous journey and overcome such a daunting tragedy. 2 Filhos De Francisco adopts a unique cinematic approach which casts a sweet spell upon its audience, breaking away from traditional ‘made-for-television’ portrayals of similar stories.
    [Show full text]
  • ARSC Journal
    ELISABETH SCHU}~.NN ON THE ART OF SONG INTERPRETATION: MOZART: Das Veilchen; SCHLiF::rr: Lachen unc~ weinen; BRAHMS: Vergebliches Standchen; STRAUSS: Morgen; SCHUBERT: Die Forelle; WOLF: Mausfallen-Spruchlein; In dem Schetteil°meiner Locken (with Ernest Lush, piano) (1950). Pre­ ceded by MOZART: Il Re pastore--L'amero sero costante; Alleluia (with BBC Symphony; Sir Henry Wood, conductor, 8 September 1936). IGI 274 (Educational Media Association, P. 0. Box 921, Berkeley, California 94701) These lectures have been around before as EJS 328. Schumann opens with some general remarks on singing and teaching in rather quaint but perfectly clear and understandable English. She sings each song through, then offers a few points on interpretation. She places strong emphasis on the importance of the words. There are points about the art of coloring the voice, about breath control and vowel sounds. In Morgen, she says, the singer must be "singing" mentally from the beginning of the prelude, so that when she comes in she is already with it. One remembers her as one of the few singers who really did this. Also in this song, she speaks of the importance of counting the rests in the final lines. Her voice in 1950 was by no means what it had been, but some of the old sparkle was still there, even when the going was not easy. She concludes her talk with encouragement to the young singer - don't worry - have confidence. The lecture is preceded by the Re pastore aria and the Alleluia in a public performance, complete with tumultuous applause. L'amero is less fresh vocally than in her earlier commercial recording; the old radiance is there in the upper voice, but the bottom is rather weak.
    [Show full text]
  • MEC FM Dial: 99,3 Mhz Cidade: Rio De Janeiro UF: RJ
    Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A CNPJ: 09.168.704/0001-42 Nome Fantasia: MEC FM Dial: 99,3 Mhz Cidade: Rio de Janeiro UF: RJ Data Hora Nome da música Nome do intérprete Nome do compositor Gravadora Vivo Mec. 01/03/2020 02:01:50 BACHIANAS BRASILEIRAS Nº2 REGENTE: ROBERTO MINCZUK VILLA-LOBOS (Heitor) X ORQUESTRA SINFÔNICA DE SÃO PAULO (1887 - 1959) (OSESP) 01/03/2020 02:24:40 CLAIR DE LUNE, DA SUÍTE BERGAMASQUE PIANO: NELSON FREIRE (1862 - 1918) X DEBUSSY (Claude) 01/03/2020 02:30:19 RAPSÓDIA ESPANHOLA REGENTE: LORIN MAAZEL RaVeL (Maurice) X ORQUESTRA FILARMÔNICA DE VIENA (1875 - 1937) 01/03/2020 02:48:47 SUÍTE SAINT-PAUL OP.29 REGENTE: RICHARD STUDT HOLST (Gustav)(1874-1934)(Reino Unido) X SINFONIETTA DE BOURNEMOUTH 01/03/2020 03:02:20 SINFONIA Nº 6 EM SI MENOR OPUS 74 - PATÉTICA REGENTE: CARLO MARIA GIULINI (1840 - 1893) X ORQUESTRA FILARMONIA TCHAIKOVSKY (Pyotr Ilyich) 01/03/2020 03:50:26 DANÇA MACABRA ORQUESTRA DE PARIS X SAINT-SAENS (Camille) (1835 - 1921) (França) VIOLINO SOLO: LUBEN YORDANOFF (1835 - 1921) REGENTE: DANIEL BAREMBOIM 01/03/2020 08:00:57 CONCERTO PARA VIOLONCELO E ORQUESTRA Nº1 ORQUESTRA DE CÂMARA INGLESA HAYDN X EM DO MAIOR VIOLONCELO: YO-YO MA (Franz Joseph) REGENTE: JOSÉ-LUIS GARCIA (1732 - 1809) 01/03/2020 08:25:18 SONATA Nº8 K.310, EM LÁ MENOR PIANO: ALICIA DE LARROCHA MOZART X 01/03/2020 08:43:11 SINFONIA Nº8, EM SI MENOR - "INACABADA" THE CLASSICAL BAND SCHUBERT (Franz) (1797-1828) (Áustria) X REGENTE: BRUNO WEIL 01/03/2020 09:04:22 QUARTETO DE CORDAS Nº 13 EM SI BEMOL MAIOR QUARTETO ALBAN BERG (1770 - 1827) X OP.
    [Show full text]
  • Oxford Piano Festival 1 - 9 August 2020
    Alfred Brendel KBE Patron Oxford Sir András Schiff President Philharmonic Marios Papadopoulos MBE Artistic Director Orchestra Oxford Piano Festival 1 - 9 August 2020 Pianist MAGAZINE Media partner REFLECTIONS ON THE 2019 OXforD PIANO FESTIVAL WELCOME from FESTIVAL ARTISTIC DIRECTOR MARIOS PapaDopoULOS ‘So great to come across and performance of two titled sonatas and the Diabelli Variations later that evening – a fitting exchange ideas with so many way to mark 250 years since the birth of the legendary pianists.’ composer who transformed the piano sonata. As well as young talent, we have some ‘Was a blast to be back! I’m highly distinguished guests at this year’s festival. Nelson Freire, one the finest Brahms enjoying so much to be a part of players alive, makes his Festival debut in a the Oxford family and I would performance of Brahms’s Piano Concerto No. 2 with the Oxford Philharmonic Orchestra, love to come back next year!’ which it is my privilege and pleasure to conduct. Elisabeth Leonskaja, a towering Last year in this introduction, I wrote pianist and prolific recording artist, also ‘Every performance I played, I had about the apparently endless, universal makes her Festival debut in the opening a lot of useful feedback from the capabilities of the piano – the instrument’s concert on 1 August. A champion of unusual status as both a solo orator and a congenial and contemporary repertoire, Alain Lefèvre professors, audiences and observers.’ conversationalist, a vessel for self-absorbed also joins us for the first time. introspection and unbounded, triumphant communication. I am particularly proud that the Festival has a habit of cultivating long-term friendships.
    [Show full text]