A Day in the Life of Dennis Day Was a Natural Expansion of the Speak” That He Had Made at His Own Expense and Submitted to Various Agents and Producers
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The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Forecast Log
Forecast Log http://www.old-time.com/otrlogs2/forecast_mg.html FORECAST Is There a Sponsor in the House? Written by Martin Grams, Jr. The trial-and-error system being an old if frequently painful institution in the show business (else all stage plays would be hits, and all radio programs would have an Amos and Andy average in the Crossley ratings), the Columbia Broadcasting System’s Forecast series shrewdly dramatized the fact that there is no such phenomenon as a sure thing. For two particular seasons, the CBS people enlivened summer’s somewhat lethargic air waves with a schedule of experimental entertainments which, to tell the truth, aren’t experimental in the exact sense of the word, but have nevertheless a refreshing air about them, if only for the ideas they represented. The idea is that neither CBS nor anyone else knew, until they were produced, whether the programs were any good or not, though they were of course, hoping for the best. And, very sensibly, they made a game of it. Whereas the listener during the busy season was told to take what he got and, if possible, like it, Forecast invited criticism. Listening to the various episodes, one could not help but applaud for Marlene Dietrich in "The Thousand and One Nights," and convulsed with laughter as they listened to the amorous antics of "Mischa the Magnificent." (Mischa Auer, that is.) Whatever it was that made people bet on horse races or write letters to the editor, they could file an honest opinion about the programs and then sat back to await the verdict. -
Volume 88, Book 4 • January 7 - January 29, 2011 B:8.75 in T:8.5 In
B:5.75 in T:5.5 in Season 10-11 Volume 88, Book 4 • January 7 - January 29, 2011 B:8.75 in T:8.5 in T:8.5 beyond measure. Christopher Seaman, Music Director • Jeff Tyzik, Principal Pops Conductor Michael Butterman, Principal Conductor for Education and Outreach • The Louise and Henry Epstein Family Chair Arild Remmereit, Music Director-Designate Job #: J10-01085 Client/Product: RPO Initials Date w/changes Initials Date w/changes Ad Description: Bravo Cover Color: 4C Client Creative Director (Art) Art Director: Tim Live: N/A Traffic/Proofreader Creative Director (Copy) Copywriter: Matt Trim: 5.5 x 8.5 Production: Marianne Bleed: .125 Production Account Executive Mac Operator: Jennifer AE: Christan Copywriter Mac Supervisor Proof #: 1 Publication(s) & Issue Date(s): Art Director Mac Operator We applaud all great artists. Like a beautiful symphony, Stickley furniture design is timeless. COMPLIMENTARY DESIGN SERVICE 40 Eastview Park Mall, Victor, NY 14564 • 585.425.2302 StickleyAudi.com 2 rochesterPO.indd 1 9/10/10 4:44 PM ROCHESTERROCHESTER PHILPHILHARMONICHARMONIC ORCHES ORCHESTRATRA CHRISTOPHERCHRISTOPHER SESEAMAN,AMAN, MUSICMUSIC DIRE DIRECTORCTOR beyondbeyond measure. measure. BRBRAVO!AVO! TheThe official official magazinemagazine of thethe RochesterRochester PhilharmonicPhilharmonic OrOrchestrachestra We believe that COCONTENTSNTENTS our patrons are at the FrFromom thethe PrPresidentesident & & CEO CEO...............................................................................55 RochesterRochester PhilharmonicPhilharmonic OrOrchestrachestra...............................................76 -
Jack Benny Program 1953 Sep-Dec.Pdf
-'^:AD-IH TO THE COMMERCIAL Bv JACK BENRY Affi} TAG DI'.iEOTLYBY JACK BENNY IdAS RELEASED FflCM a>)C SOS ANGELES, BECAUSE OF TV PROGRAM BEING SEEN AT 10 P1S-LOS ANGELES TIME, RY ;KU1 016+2-1 0 1 PROGRAM $`1 REVISID SCRIPT 11~7 it /15 IJrOGC/CUSf' AbIERICAN''16SACC~O COMP~ LUCK? STRII~ TfIE JACK SRPIPIY PROGHAM SurIDas, SEPTEMW 13, 1953 CES 4 :00-4 :30 PM PDT (TRANSCRI3ED Sr PT . 9, 1953) KT R1'Y;tJ1 018410 2 THE .TA.CK BF~NNY PROGRAM AMIIdTCPN TOBACCO CO . "SEPTEMBER 13, 1953 (Transcribed September 9, 1953) OPENING COM[uIERCIAL : WILSON : The Jack Benny program . transcribed ar.d presented by Lucky Strike! (Pause) You know, friends . smoking enjoyment is all a matter of taste! And the fact of the matter is . ~ ' COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother COLISNS : Luckies taste better CHCRUS ; Cleaner, fresher, smoother For Lucky Strike means fine tobacco Richer tasting fine tobacco COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother Lucky Strike . Lucky StriKe WITSON : This is Don Wilson . You know, your enjoyment of a I cigarette depends on its taste . That's true, friends . Smoking enjoyment is all a matter of taste . And the fact of the matter,is -- Luckies taste better . cleaner, fresher, smoother . Now there are two mighty good reasons for that . The first one you already know . iS/MFT, :.ucky 1 Strike means fine tobacco . light, naturally mi':d, good-tasting tobacco . And second, Luckies are made to taste better -- made round and firm and fully packed to draw freely and smoke evenly . -
Jack Benny Program 1950 Sep-Oct.Pdf
A T r) •t rl r~Q -0 1 10 PROGRAM #1 REVISED SCRIPT AMERICAN TOBACCO COMPANY LUCBY STRIKE THE JACK BENNY PROGRAM B D SUNDAY, SE.PTIIVSMAS 10, ROA1950 CASTCBS 4 : 00 -4 : 30 PM CDT , . ._•.~ ~ .u . .F 2t'm~~.v.:+:....... .~__ _ . AT'14 11 .t t~rl9 9 '2 19 THE JACK &MiNY PROGRAM SEPTEIeM 10, 1950 OPEPtI1VG CODOMCIAL RIGGS : (CHANT -- 65 to 68 -- SOLD Ar~RICAN) SHP.RBUTT : THE JACK BENNY PROGRAM . presented by LUCKl.' STRIKE . CHORUS : Be Happy -- Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike today! (SHORT CLOSE) ORCH : (SHORT VAMP) MAN : To pick the mildest cigarette You donTt need sleight of hand . Taste Luckies' magic mildness, then They'll be your favorite brand! ORCH : (SHORT VAMP) GIRL : I wash and scrub, and cook and sew And still I sing a song -- Because I never work alone . I've Lucky Strike along ; CHORUS : Be happy - - Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike toda9 : (SHORT CLOSE) (CONTID NE$T PAGE) THE JACK BENIVY PROGRAM SEPTEMBER 10,1950 OPENING COMMERCIAL ( CoiVT tD) SHARBUTT : (FRIENDLY AN.D SP IRZTED ) Eri j oy your c igare tte . En j oy truly fine tobacco that combines both perfect mildness and rich taste in one great cigarette -- Lucky Strike! For only fine tobacco gives you both real mildness and rich taste . And, LS/MFT -- Lucky Strike means fine tobacco . So friends, Be Happy -- Go Lucky! Try a carton of Lucky Strike! CHORUS : Be Happy -- Go Luck,F Be Happy -- Go Luck,y Strike Be Happy -- Go Lucks- Go Lucky Strike today ; (LONG CLOSE) , -1- (FIRST ROUTINE) (AFTER CONUIPRCIAL, MUSIC UP AND DOWN) DON : THE LUCKY STRIKE PROGRAM, STARRING JACK BENNY .WITH 'MARY LIVINGSTONE, PHIL HARRIS, ROCHESTER, DENNIS DAY, AND YOURS TRULY" DON WILSOiV . -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
HCM Nomination, December 14, 2017
DEPARTMENT OF EXECUTIVE OFFICES CITY PLANNING City of Los Angeles VINCENT P. BERTONI, AICP 200 N. Spring Street, Room 532 California director Los Angeles, CA 90012-4801 (213) 978-1271 c vOS cultural heritage commission Op-,* KEVIN J. KELLER, AICP '% EXECUTIVE OFFICER richard barron a (213) 978-1272 president gail kennard lisa m. webber, aicp vice president DEPUTY DIRECTOR pilar buelna (213) 978-1274 diane kanner barry a milofsky rocky wiles eric garcetti commission office manager mayor http://planning.lacity.org (213) 978-1300 December 14, 2017 Los Angeles City Council c/o Office of the City Clerk City Hall, Room 395 Los Angeles, CA 90012 Attention: PLUM Committee Dear Honorable Members: BENEFICIAL PLAZA AND LIBERTY PARK; 3700-3732 WILSHIRE BOULEVARD; 658-674 SOUTH OXFORD AVENUE; 651-673 SOUTH SERRANO AVENUE CASE NO. CHC-2017-3695-HCM; ENV-2017-3696-CE At its meeting of December 7, 2017, the Cultural Heritage Commission took the actions below to include the above-referenced property in the list of Historic-Cultural Monuments, subject to adoption by the City Council: 1. Determined that the proposed designation is categorically exempt from the California Environmental Quality Act (CEQA), pursuant to Article 19, Section 15308, Class 8 and Article 19, Section 15331, Class 31 of the State CEQA Guidelines; 2. Determined that the property conforms with the definition of a Monument pursuant to Section 22.171.7 of the Los Angeles Administrative Code; and 3. Recommended that the City Council consider and designate the subject property a Historic-Cultural Monument; and 4. Adopted the staff report findings as the findings of the Commission. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
The Grapes of Wrath: a Retrospect on the Folkish Expression of Justice in Popular Culture and Family
The Grapes of Wrath: A Retrospect on the Folkish Expression of Justice in Popular Culture and Family by Neville Buch, member of the Classics Books Club, Brisbane Meet Up 25 April 2020 Figure 1: Cover of ‘The Grapes of Wrath’ by John Steinbeck, 1902-1968, By New York: Viking - image, page, Fair use, https://en.wikipedia.org/w/index.php?curid=5177527 The Grapes of Wrath: A Popular Culture Retrospect INTRODUCTION The story of rural folk migrating in times of poverty and social injustice seeped well into my childhood history, through three popular cultural forms of entertainment:- several television series in the 1960s, a series of comedy films from the late 1940s and 1950s, and a novel published in 1939 with a classic Hollywood movie the following year. There was in my own family history points of connection to the longer story, which I would only find out many years later. The story told here will move backwards in time, and the historical settings are different; that is the particular point I am making. Different histories are linked by a common theme, and in this case, we are considering the folkish expression on social justice. Retrospectively, we can also see how popular entertainment works to thin-out the social justice message. What starts as a serious educative process of informing the public on important social justice issues, in the end, becomes a mocking and light reflection on life- changing questions. By going backwards, we dig below the surface for the gold, rather than being satisfied in panning for the golden flakes. -
Jack Benny Program 1951 Apr-Jun.Pdf
111,' 4 07 0 16<)i"1A PROGRAN #30 REVISED SCRIPT ' LUCkY STRIKE ' TRE JACK BENNY PROCdiAM . SUNDAY, APRIL 1, 1951 CBS 4 :00-4 :30 PM (Transcribed, March 22,4 1951) prxoT oiea P1 s THE JACK BENNY PROGRAM SUNDAY, APRIL 1, 1951 (TRANSCRIBED MARCH 22, 1951) OPhNING COMMERCIAL . RIGGS : (CHANT -- 65 to 68 -- SOLD AMERICAN) SHARBUTT : THE JACK BENNY.PRCGRAM -- transcribed -- presented by LUCKY STRIICE! . CHORUS : Be Happy -- Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike today! (SHORT CLOSE) ORCH : (VAMP) GIRL: To pick a better cigarette You don't need sleight of hand, Try Luckies' better taste and then They'll be your favorite brand! (SAYS) Honestly -- Luckies taste better than anv other ciaarette! MAN : I roamed around the whole wide world From New York to Tibet, And I can tell you Lucky Strike's The finest cigarette! (SAYS) You'll discover -- Luckies taste better than any other cigarette! CHORUS : Be Happy -- Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike today! (SHORT CLOSE) RT}l01 0180~ 17 THE JACK BENNY PROGRAM .,UNDAY, APRIL 1, 1951 (TRANSCRIBED MARCH 22, 1951) OPFR'IIJG CO~II''IE.RCL4L (CONT'D) Sf41RBUTT : Friends, millions of amokers agree -- Luckies taste better than any other civ,arettet And here's why . You see, fine tobacco and only fine tobacco always gives you that happy blending of' perfect mildness and rich, true tobacco taste, and -- LS/DIFT -- Lucky Strike means fine tobacco! Yes, Lucky Strike's fine tobacco giveJs you everything you want in a cigarette -- real mildness -- rich taste -- complete smoking enjoyment! So, if you're not happy with your present brand, and a recent 38-city survey shows that millions are not, switch to Lucky Strike . -
Jack Benny to Howard Stern
An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions.