DOCSLIB.ORG

Backstreet Boys More Than That Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Backstreet Boys More Than That Mp3, Flac, Wma Backstreet Boys More Than That mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: More Than That Country: Australia & New Zealand Released: 2001 Style: Europop, House, RnB/Swing MP3 version RAR size: 1361 mb FLAC version RAR size: 1329 mb WMA version RAR size: 1847 mb Rating: 4.3 Votes: 805 Other Formats: DMF MP3 RA MPC AHX AAC FLAC Tracklist Hide Credits More Than That (Radio Mix) Engineer – Adam Barber, Johan Gunnarsson, Mads Nilsen*Engineer [Assistant] – Dave 1 Poler, Jamie Allen Mastered By – Chaz HarperMixed By – Jean-Marie HorvatProducer, 3:40 Arranged By, Engineer, Written-By – Franciz & LePontRemix, Producer [Additional] – Rodney JerkinsWritten-By – Adam Anders More Than That (Album Version) Arranged By [Strings], Conductor [Strings] – Henrik Janson, Ulf JansonEngineer [Assistant Recording] – Jamie Allen Engineer [Assistant Strings Recording] – Björn 2 NorénEngineer [Mix] – Mads Nilsen*Engineer [Recording] – Adam BarberEngineer 3:44 [Recording], Engineer [Assistant Mix], Recorded By [Strings] – Johan GunnarssonMastered By – Tom CoyneProducer, Arranged By, Engineer [Mix], Written- By – Franciz & LePontWritten-By – Adam Anders The Call (Neptunes Remix With Rap) Engineer [Assistant Recording], Engineer [Pro Tools] – John AmatielloProducer, 3 3:53 Recorded By, Mixed By, Written-By – Max Martin, RamiRap [Background Rap Vocals] – TerrarRemix – Ken "Duro" Ifill, Neptunes* More Than That (Hani Mixshow Remix) Arranged By [Strings], Conductor [Strings] – Henrik Janson, Ulf JansonEngineer [Assistant Recording] – Jamie Allen Engineer [Assistant Strings Recording] – Björn NorénEngineer [Mix] – Mads Nilsen*Engineer [Recording] – Adam BarberEngineer 4 6:36 [Recording], Engineer [Assistant Mix], Recorded By [Strings] – Johan GunnarssonMastered By – Tom CoyneProducer, Arranged By, Engineer [Mix], Written- By – Franciz & LePontRemix, Producer [Additional Production] – HaniWritten-By – Adam Anders More Than That Video 3:54 Film Director [Video Directed By] – Marcus Raboy Companies, etc. Phonographic Copyright (p) – Zomba Recording Corporation Copyright (c) – Zomba Recording Corporation Manufactured By – Zomba Records Australia Pty Ltd. Marketed By – Zomba Records Australia Pty Ltd. Distributed By – Zomba Records Australia Pty Ltd. Made By – SMEA – 0142333 Engineered At – Franciz & LePont Studio Engineered At – Parc Studios Engineered At – Medley Studio Mixed At – The Hit Factory Criteria Produced At – Num Sound Remixed At – Num Sound Remixed At – Record Plant, Los Angeles Mastered At – Battery Mastering Studios Mastered At – Sterling Sound Published By – Universal Music Publishing AB Published By – Sony/ATV Music Publishing Scandinavia Published By – Sony/ATV Songs LLC Published By – SwedeDreams Music Published By – Zomba Music Publishers Ltd. Credits Management – The Firm Notes An original sound recording made by Zomba Recording Corporation. "More Than That" published by Universal Music Publishing AB / Sony/ATV Music Publishing Scandinavia / Sony/ATV Songs LLC / SwedeDreams Music (BMI). Track 1 engineered at Franciz & LePont Studio, Bergsharma, Sweden, Parc Studios, Orlando, Florida and Medley Studios, Copenhagen, Denmark. Remix and additional production for Darkchild Entertainment Inc. Mixed at The Hit Factory Criteria, Miami, FL. Mastered at Battery Mastering, NYC. Tracks 2 and 4 mastered at Sterling Sound, NYC. Track 4 remix and additional production at NUM Sound NYC. "The Call" published by Zomba Music Publishers Limited. Track 3 produced for Cheiron Productions. Remixed for No Question Entertainment at the Record Plant in Los Angeles, CA. From the album "Black & Blue" 9221172 on Jive Records. ℗ 2000 Zomba Recording Corporation © 2001 Zomba Recording Corporation Manufactured, marketed and distributed in Australia and New Zealand by Zomba Records Australia Pty. Ltd. Manufactured in Australia. Barcode and Other Identifiers Barcode: 9326382003059 Matrix / Runout: SMEA 0142333 01 Mastering SID Code: IFPI L601 Mould SID Code: IFPI 6154 Rights Society: MCPS / BIEM / STEMRA / NCB / SDRM / SIAE / SGAE Label Code: LC 07925 Other (Distribution Code): PM 515 Other: PC 16 Other versions Category Artist Title (Format) Label Category Country Year Jive, Trans Continental 9252192, Backstreet More Than That Records, Jive, 9252192, Europe 2001 9252193 Boys (CD, Maxi, Enh) Trans 9252193 Continental Records More Than That Backstreet 9252192P (Radio Mix) Jive 9252192P Europe 2001 Boys (CD, Promo) More Than That Jive, Trans Backstreet (Special Radio RTD199.3833.3 Continental RTD199.3833.3 Europe 2001 Boys Mix) (CD, Records, Inc. Single, Promo) More Than That Backstreet Virgin, Zomba none (VHS, Promo, none UK 2001 Boys Records Ltd. PAL) Backstreet More Than That 925219.0P Jive 925219.0P UK 2001 Boys (12", Promo) Related Music albums to More Than That by Backstreet Boys Taylor Dayne - Greatest Hits Backstreet Boys - Unbreakable Backstreet Boys - Black & Blue Emma Bunton - A Girl Like Me I Musici De Montréal / Yuli Turovsky / Barber / Bartók / Stravinsky / Prévost - In Concert C-Real - Round 1 R. Kelly - Chocolate Factory Celine Dion - One Heart.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • The Long Tail / Chris Anderson
    THE LONG TAIL Why the Future of Business Is Selling Less of More Enter CHRIS ANDERSON To Anne CONTENTS Acknowledgments v Introduction 1 1. The Long Tail 15 2. The Rise and Fall of the Hit 27 3. A Short History of the Long Tail 41 4. The Three Forces of the Long Tail 52 5. The New Producers 58 6. The New Markets 85 7. The New Tastemakers 98 8. Long Tail Economics 125 9. The Short Head 147 iv | CONTENTS 10. The Paradise of Choice 168 11. Niche Culture 177 12. The Infinite Screen 192 13. Beyond Entertainment 201 14. Long Tail Rules 217 15. The Long Tail of Marketing 225 Coda: Tomorrow’s Tail 247 Epilogue 249 Notes on Sources and Further Reading 255 Index 259 About the Author Praise Credits Cover Copyright ACKNOWLEDGMENTS This book has benefited from the help and collaboration of literally thousands of people, thanks to the relatively open process of having it start as a widely read article and continue in public as a blog of work in progress. The result is that there are many people to thank, both here and in the chapter notes at the end of the book. First, the person other than me who worked the hardest, my wife, Anne. No project like this could be done without a strong partner. Anne was all that and more. Her constant support and understanding made this possible, and the price was significant, from all the Sundays taking care of the kids while I worked at Starbucks to the lost evenings, absent vacations, nights out not taken, and other costs of an all-consuming project.
    [Show full text]
  • SEP 1 8 2014 of the City of Los Angeles
    ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council SEP 1 8 2014 Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk — NEW KIDS ON THE BLOCK RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square southerly of and between numbered locations 32 and 33 as shown on Sheet 19 of Plan D-30385 for the Hollywood Walk of Fame for the installation of the name of New Kids On The Block at 7072 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on October 9, 2014. FISCAL IMPACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated September 8, 2014, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council - 2 - C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of New Kids On The Block. The ceremony is scheduled for Thursday, October 9, 2014 at 11:30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N.
    [Show full text]
  • What's So Bad About a Boy Who Wants to Wear a Dress?
    What ’s So Bad About a Boy Who Wants to Wear a Dress? - NYTimes.com Page 1 of 13 August 8, 2012 What’s So Bad About a Boy Who Wants to Wear a Dress? By RUTH PADAWER The night before Susan and Rob allowed their son to go to preschool in a dress, they sent an e-mail to parents of his classmates. Alex, they wrote, “has been gender-fluid for as long as we can remember, and at the moment he is equally passionate about and identified with soccer players and princesses, superheroes and ballerinas (not to mention lava and unicorns, dinosaurs and glitter rainbows).” They explained that Alex had recently become inconsolable about his parents’ ban on wearing dresses beyond dress-up time. After consulting their pediatrician, a psychologist and parents of other gender-nonconforming children, they concluded that “the important thing was to teach him not to be ashamed of who he feels he is.” Thus, the purple-pink-and-yellow-striped dress he would be wearing that next morning. For good measure, their e-mail included a link to information on gender-variant children. When Alex was 4, he pronounced himself “a boy and a girl,” but in the two years since, he has been fairly clear that he is simply a boy who sometimes likes to dress and play in conventionally feminine ways. Some days at home he wears dresses, paints his fingernails and plays with dolls; other days, he roughhouses, rams his toys together or pretends to be Spider-Man. Even his movements ricochet between parodies of gender: on days he puts on a dress, he is graceful, almost dancerlike, and his sentences rise in pitch at the end.
    [Show full text]
  • How Linda Briceño Won Her Artistic Freedom
    How Linda Briceño Won Her Artistic Freedom Linda Briceño’s career as a trumpeter, vocalist, and producer has allowed her to rub shoulders with the likes of Wynton Marsalis and Arturo Sandoval. It also earned her a Latin Grammy. But all of that success took more practice and hard work; it demanded Linda break with people who’d been instrumental in her professional growth, and to stand firm in her vision for herself as an artist. ___________________________________________________________________________________ Alicia Menendez: Making Latina to Latina has been an incredible ride so far. Now, we want to bring you closer to the show by deepening our connection on Patreon. Your monthly support of $5, or $20, or whatever's in your heart to give, helps us find new ways to connect and bring together this awesome community. Plus, we have extra perks for patron members. Everything from early access to the podcast to one-on-one coaching sessions with me or Juleyka. Head over to Patreon.com/LatinatoLatina to join us today. That's patreon.com slash Latina to Latina. Linda Briceño: Quisiera agradecer a todas las mujeres que estuvieron en esta nominación hace muchos años.Honrar María Rita, Laura Pausini. Y ver que soy la primera mujer en ganar este premio. Menendez:: That's Linda Briceno accepting her award for Latin Grammy Producer of the Year. She's a songwriter, a trumpeter and vocalist. She fell in love with music as a child, but it would take years for her to come into her own as a woman and an artist. Linda, we have wanted to have you on this podcast for so long, so I'm so glad you're sitting across from me.
    [Show full text]
  • My Kafka: Internal Poems As Derivatives of Prose
    My Kafka: Internal Poems as Derivatives of Prose An homage. A response. A derivation. To me, Franz Kafka was the one that got away. Through my travels in life I had never read his work or stories, much to my surprise. He was illusive. Though intuitively I thought that his work would pique my interest, I waded through studies and pleasure reading without touching on him. Perhaps this was my own way of paying respect. Perhaps I was scared to invite someone in so compelling and applicable to me that I couldn’t bring myself to fall in love with all he represented. Or perhaps there was nothing so fated about it and it was just one of those many things that I didn’t get around to doing. Whatever the cause, my life traced itself through a Kafkaless spiral. But this was something that I wanted to change. The intent: to introduce myself to Kafka with personal poetic responses to his work. My own manifestations of Kafka’s stories revolve around my experience of reading. To say that this journey is a re-telling would be incorrect. Similarly, the responses do not involve critique or my infusing of political analysis to what he has done. Alternatively, I have endeavoured to capture my own feelings through poetic free verse to suffuse a sense of rejoinder on top of his stories, a perspective from my own understanding falling beside Kafka’s writing. The collection of poems is meant to be art in response to art. In an essay written by Stephen Collis entitled “The Poetics of Derivation”, included {00424898} in the book Reading Duncan Reading, Robert Duncan and the Poetics of Derivation, this very notion of drawing inspiration from other writers is acutely explored.
    [Show full text]
  • CHARLIE WORSHAM EPISODE TRANSCRIPT 1 PETER COOPER Welcome to Voices in the Hall
    VOICES IN THE HALL CHARLIE WORSHAM EPISODE TRANSCRIPT 1 PETER COOPER Welcome to Voices in the Hall. Presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest, Charlie Worsham.” CHARLIE WORSHAM My parents are sort of my right a left brain of music. My dad is whichever side of the brain is the full blown creative side, pie in the sky, dream. My mom always helped me find the necessary path for success that had everything to do with nuts and bolts and doing the work. There’s always something to learn. Nashville has an energy. And not unlike Hollywood, you can just walk the streets of this town and know that there is a higher per capita set of dreamers than most places on earth. And it’s an energy. And it can feed you and it can inspire you, but it can also really work against you. At the end of the day when I look back on those years they were some of the most beautiful times in my life because I grew and learned so much, not just as a musician but later, I would find, as a human being. Being a good friend. PETER COOPER It’s Voices in the Hall, with Charlie Worsham. “Southern By the Grace of God” - Charlie Worsham (Beginning of Things / Warner) PETER COOPER “Grandpa’s whiskey and grandma’s bible will get you through.” That’s Charlie Worsham, with “Southern by the Grace of God,” from his album, Beginning of Things. Welcome to Voices in the Hall, a production of the Country Music Hall of Fame and Museum.
    [Show full text]
  • Diversity Wins: How Inclusion Matters
    Diversity wins How inclusion matters May 2020 Preface In the COVID-19 crisis, diversity and inclusion matter more than ever For business executives the world over, the employees need to feel and perceive equality COVID-19 pandemic is proving to be one of the and fairness of opportunity in their workplace. greatest leadership tests of their careers. Not only Companies that lead on diversity have taken bold must they protect the health of their employees steps to strengthen inclusion. and customers, they must also navigate far- Early signs suggest that the COVID-19 crisis could reaching disruption to their operations, plan for deepen these trends. Companies that already recovery, and prepare to reimagine their business see I&D as a strength are likely to leverage it to models for the ‘next normal’. bounce back quicker—and they will use this time In this challenging context, the task of fostering to seek new opportunities to boost representation inclusion and diversity (I&D) could easily take a and inclusion to strengthen performance and back seat—and the painstaking progress made organizational health. As the CEO of a European by many firms in recent years could be reversed. consumer-goods company told us: “I know we have As this report shows, however, I&D is a powerful to deal with COVID-19, but inclusion and diversity is enabler of business performance. Companies a topic too important to put onto the back burner”. whose leaders welcome diverse talents and include On the other hand, some of the companies we have multiple perspectives are likely to emerge from the spoken to are viewing I&D as a “luxury we cannot crisis stronger.
    [Show full text]
  • Document Set 1 - Arguments for Bob Dylan’S Award of the Nobel Prize (Side a Reads First, Side B Reads Second)
    Document Set 1 - Arguments for Bob Dylan’s Award of the Nobel Prize (Side A reads first, Side B reads second) Author and Educator Rob Salkowitz, Forbes Magazine: Bob Dylan is many things, but he is not in need influences to such a degree that his recordings from of wider exposure. His entire recording catalog, that era, including his first album Bob Dylan, sound like stretching back 55 years, is in print, along with dozens the work of a grizzled middle-aged bluesman. of collections of live performances and session When he began writing his own songs, he continued outtakes. He has toured the world nonstop for nearly to mine this rich vein of influence. His 1963 album The 30 years, playing to millions of people. He’s been Times They Are A-Changin’, may be best remembered the subject of a shelfful of books and several films. for the rabble-rousing title song that anticipated The Nobel Prize for Literature comes with a cash the mass social protests ahead in the decade, but it award of about $904,000 – an amount that might be stands out today for a quartet of songs that mingle meaningful to a struggling poet in a poorer part of the the timeless themes of folk ballads with contemporary world, but which hardly registers as a rounding error in concerns. the income of an iconic global rock star. “North Country Blues,” the lament of an aging woman If Bob Dylan’s own voice is not in need of amplification, in a town that the mining industry left behind, echoes perhaps the Nobel Committee is seeking to call the despair and frustrations that one can still hear attention to the characters who populate his work.
    [Show full text]
  • OK So We Will Convene Budget Workshop Meeting 2020 Taken
    OK so we will convene budget workshop meeting 2020 taken away if anybody wants to see for everything that's not DVR view or water for the 8 one yeah everything in the fun that's not really DTW pretty much um most of it staying the same i did breakdown my salary and stacy's we took out it's just here we did take out the cleaning fees they used to be rolled into Roxanne salary up we took that out and put it into the .4 code that's why there's the cleaning services three 3000 down there that's the biggest change they're sure you ever look at all options for cleaning services or did you just pick one and that was the price that it was I mean let's do it again if you see it different people charged that advertised so we had advertised prior and we needed someone who was bonded and the only one who was bonded was Anita who had come forward to do cleaning and she does an excellent job I have to say she does she's here almost every weekend I think this is once a week once a week yeah yeah it's usually it's it's about 240 months and then the only time that it was a little bit more she bought some cleaning supplies and so she put it into her invoice which that would have been broken out we do have some smaller but that was the only option that you had at the time that the only person who came forward and we had asked quite a few people at the time and we had actually started looking before Roxanne left crystal tax accounting software um so the tax collection through the County was yes that was 4200 right this last year so purchasing the software
    [Show full text]
  • Mere Christianity by C.S
    Mere Christianity By C.S. Lewis Contents: Book Cover (Front) (Back) Scan / Edit Notes Preface Book I. Right And Wrong As A Clue To The Meaning Of The Universe 1. The Law of Human Nature 2. Some Objections 3. The Reality of the Law 4. What Lies Behind the Law 5. We Have Cause to Be Uneasy Book II What Christians Believe 1. The Rival Conceptions of God 2. The Invasion 3. The Shocking Alternative 4. The Perfect Penitent 5. The Practical Conclusion Book III. Christian Behaviour 1. The Three Parts of Morality 2. The "Cardinal Virtues" 3. Social Morality 4. Morality and Psychoanalysis 5. Sexual Morality 6. Christian Marriage 7. Forgiveness 8. The Great Sin 9. Charity 10. Hope 11. Faith 12. Faith Book IV. Beyond Personality: Or First Steps In The Doctrine Of The Trinity 1. Making and Begetting 2. The Three-Personal God 3. Time and Beyond Time 4. Good Infection 5. The Obstinate Toy Soldiers 6. Two Notes 7. Let's Pretend 8. Is Christianity Hard or Easy? 9. Counting the Cost 10. Nice People or New Men 11. The New Men Scan / Edit Notes Versions available and duly posted: Format: v1.0 (Text) Format: v1.0 (PDB - open format) Format: v1.5 (HTML) Format: v1.5 (PDF - no security) Format: v1.5 (PRC - for MobiPocket Reader - pictures included) Genera: Religion / Christian - Theology Extra's: Pictures Included (for all versions) Copyright: 1952 First Scanned: 2002 Posted to: alt.binaries.e-book Note: 1. The Html, Text and Pdb versions are bundled together in one zip file.
    [Show full text]
  • Backstreet Boys
    Backstreet Boys The Backstreet Boys are an American vocal group, formed in Orlando, Florida in 1993. The band originally consisted of A. J. McLean, Howie Dorough, Brian Littrell, Nick Carter and Kevin Richardson. They rose to fame with their debut international album, Backstreet Boys (1996). In the following year, they released their second international album, Backstreet's Back (1997) and their debut album in the United States which continued the group's success worldwide. They rose to superstardom with their album Millennium (1999) and its follow-up album, Black & Blue (2000). After a three-year hiatus, the band regrouped and have since released three albums: Never Gone (2005), Unbreakable (2007) and This Is Us (2009). Richardson left the group in 2006 to pursue other interests, leaving the band as a four- piece, but the remaining members did not rule out a possible return of the singer. The Backstreet Boys have sold over 130 million records worldwide, making them thebest-selling boy band of all time. According to Billboard, they are the first group since Sade to have their first seven albums reach the top 10 on the Billboard 200. The Backstreet Boys are sometimes referred to as BSB. 1 Chapter I Formation and early years (1992–1995) Cousins Kevin Richardson and Brian Littrell, both of whom came from Lexington, Kentucky, initially began singing in local church choirs and festivals while they were children. Howie Dorough and A.J. McLean were natives of Orlando, Florida, who met each other and later discovered Nick Carter through auditions who joined the two for local commercials, theater, and television.
    [Show full text]