The Inventory of the Patricia Bosworth Collection #1233

Total Page:16

File Type:pdf, Size:1020Kb

The Inventory of the Patricia Bosworth Collection #1233 The Inventory of the Patricia Bosworth Collection #1233 Howard Gotlieb Archival Research Center BOSTON UNIVERSITY Bosworth, Patricia / #1233 8/1/97 Preliminary Listing Box 1 I. Manuscripts. A. Re: ANYTHING YOUR LITTLE HEART DESIRES: AN AMERICAN FAMILY STORY, by PB. 1. Corrected galleys, 393p. 2. 7th draft, Nov. 1996, c.s., 410p. 3. Part I, rough draft 4. Part III, "rough, rough draft" 5. Original MS, rough draft, Summer 1990, t.s., 124p. 6. 4th draft, May 1995, c.s., p.1-158; p.382-747 (pages missing) 7. 3rd revision, May 1996, 524p., t.s. and c.s. with holo. corrections 8. Part III, 2nd draft, Jan. 1995 9. Parts I-II/Part III, rough draft 10. Part III, rough draft Box2 11. Revision, 3/28/96, 511 p. 12. Revised MS, June 12, 1996, 526p. 13. Parts IV-V, 6th draft 14. Part III, rough draft 15. Part III, original draft 16. Revision of Part I, rough Part III 17. Notes, early childhood, 1900-1916 18. Patt I, draft 19.· Rough draft/outline 20. Notes, Part III, 1947-1959 21. Notes, "The Book," 1990 22. Notes, Father's childhood, 1900-1916 23. Notes, Truman/Israel/Silva, 1945-47 24. Rough draft, March 1994 25. Part II, rough draft Box3 26. Revisions, Part III, March 16, 1994 27. Part II, rough draft 28. Part I, rough draft, Aug. 1989 29. Notes, Bartley Cavanaugh Crum's statements to FBI/State Dept. 30. Part I, rough draft, 1989 31. Part I, rough draft, Dec. 1988 32. Part 1, rough draft 33. Part 1, notes, Berkeley and marriage Bosworth, Patricia (8/1/97) Page 1 of 2 34. Rough draft 35. Notes: Happy/Wilkie, 1942-44 36. Prologue, July 1994 B. Novel by PB's mother re: "Happy" (named "Sully"), TS. II. Printed Materials. A. Book review of ANYTHING YOUR LITTLE HEART DESIRES, New York Times, 4/27 /97 B. Articles by PB 1. "Anything Your Little Heaii Desires," Lear's, April 1980, tearsheet 2. "Giving Credit where Credit is Long Overdue," p/c, New York Times, 4/20/79 3. "Memories ofHUAC," The Nation, 10/24/87 4. "Call It Suicide," Vanity Fair, tearsheet, March 1985 5. "Shadow King," Vanity Fair, tearsheet, Oct. 1987 Boswmih, Patricia (8/1/97) Page 2 of 2 Bosworth, Patricia #1233 12/9/97 Preliminary Listing I. Manuscripts. Box4 A. ANYTHING YOUR LITTLE HEART DESIRES, by PB (Biography ofBosworth's father, Bartley C. Crum), multiple drafts, TS with holograph corrections; includes draft fragments. II Research Materials. A. Subject Files, may include notes, printed materials, con-espondence, manuscript drafts. 1. ANYTHING YOUR LITTLE HEART DESIRES, 2 files. Box5 a. Ibid. 2. "Abba Silver." 3. "Choices." 4. "Colby." 5. "Glenn St. Sure." III. Manuscripts. A. By PB, TS unless noted. 1. ANYTHING YOUR LITTLE HEART DESIRES, 1962. 2. Untitled atiicle re: autoerotic asphyxiation; includes research material. 3. DIANE ARBUS: A BIOGRAPHY, early drafts. 4. "Ideas for Stories, 1962," file. 5. "Positions Gamble," article; includes research material. 6. "Showbiz Stories." 7. STAR QUALITY, 1965. 8. STAR QUALITY, first draft. 9. Various short stories, 1962. B. By Gertrude Bosworth Crum (Patricia Bosworth's mother). 1. FIRST LOVER, LAST LOVE, n.d. 2. Unpublished, untitled novel, c.1940s. IV Notebooks. Box 6 A. Spiral bound notebooks, 1984-1993. V. Research Materials. A. Subject Files, may include notes, printed materials, con-espondence, manuscript drafts. 1. ANYTHING YOUR LITTLE HEART DESIRES, includes correspondence to and from B.C., 1940s-1980s. Bosworth, Patricia (12/9/97) Page 1 of 4 Box 7 a. Ibid. 2. DIANE ARBUS: A BIOGRAPHY. Box8 a. Ibid. Box9 b. Ibid. VI. Printed Materials. A. Miscellaneous articles, clippings by PB. VII. Manuscripts. A. "Richard Burton," article by PB, TS; includes research material. B. DIANE ARBUS: A BIOGRAPHY, by PB, TS unless noted. 1. Draft, TS with holograph corrections. 2. Preface and epilogue. Box 10 3. Incomplete draft. C. Multiple short works and arttcles, all with related research. VIII. Printed Materials. A. Miscellaneous articles, clippings, reviews, Playbills. IX. Photographs. A. Prints re: Mel Arrighi. B. Prints relating to Diane Arbus (not featuring Arbus herself). C. "Nancy Christopherson," pictures of children, etc. X. Financial Materials. A. Financial records re: Mel Arrighi; includes correspondence. XI. Correspondence. A. Professional to/from publishers re: letters of release. XII. Research Materials. A. Subject Files, may include notes, printed materials, correspondence, manuscript drafts. 1. DIANE ARBUS: A BIOGRAPHY. Box 11 2. "Castro Complex." 3. "Baby Teaser." 4. "Daddy Pig." 5. "Ordinary Man." 6. "Delphine." 7. "Miscellaneous Business." 8. "Alter Ego." 9. "Unicorn in Captivity." 10. "Death Collection." 11. "Freak-Out." Bosworth, Patricia (12/9/97) Page 2 of 4 12. "The Hatchet Man." 13. "Nevora 1000." 14. "Turkish White." 15. "Chosen Parents." 16. "Manhattan Gothic." 17. "On Tour." XIII. Notebooks. A. Spiral notebooks, holograph. XIV. Financial Materials. A. Ledger/journal, re: rent collection, 1969-1983. XV. Memorabilia. A. PB's parents' wedding scrapbook. B. Scrapbook [red] including: news clips, family photos, drawings, correspondence. XVI. Photographs. A. Patricia Bosworth baby photos in album. Box 12 B. Patricia Bosworth and others [in "Dinner Party Record" album]. XVII. Printed Materials. A. Miscellaneous articles, clippings, by PB. XVIII. Notebooks. A. "European Trip, 1955", TS notebook. XIX. Memorabilia. A. Scrapbook containing clips re: Gertmde B. Cmm, late 1930s. XX. Manuscripts. A. ANYTHING YOUR LITTLE HEART DESIRES, TS. XXI. Research Materials. A. Subject Files, may include notes, printed materials, correspondence, manuscript drafts. 1. ANYTHING YOUR LITTLE HEART DESIRES. Box 13 2. FBI case files for ANYTHING YOUR LITTLE HEART DESIRES. XXII. Printed Materials. A. New York Times Magazine, article and letter, re: Bartley C. Cmm obituary. Bosworth, Patricia (12/9/97) Page 3 of 4 B. New York Times, December 11, 1959. XXIII. Audio Materials. A. Cassette tape re: interview with Diane Arbus. XXIV. Photographs. Pkg. 1 A. Patricia Bosworth, in her 20s and 30s. B. New York Star office, printing presses, and reporters at work. Bosworth, Patricia (12/9/97) Page 4 of 4 Bosworth, Patricia #1233 12/11/98 Preliminary Listing Box 14 I. Manuscripts. A. Screen plays. 1. By PB. a. "Making Contact," (1 act) rough draft typescript with holograph corrections, 27 p. (photocopy). b. "Montgomery Clift," (screen play based on book by PB), by PB and Mel Arrighi. 1) 2nd draft, TS, 142 p., 06/04/84. 2) Rough draft, TS with holograph corrections, 82 p. 2. By others. a. "A Passage Of Strangers," (3 acts) by Mel Arrighi, 113 p. b. "Blue Denim," (3 acts) by James Leo Herlihy and William Noble, typescript with holograph corrections, 102 p. c. "Small War On Murray Hill," (2 acts) by Robert Sherwood, TS with characterization notes, 120 p. (PB played the role of "Susan Lindley"). d. "Mary, Mary," (3 acts) by Jean Kerr, TS with holograph character notes, 118 p. e. "The Sin Of Paul Muldoon," (3 acts) by John McLiam, TS with holograph character notes, 99 p. f. "The Nun's story," (screen play) by Robert Anderson from original play by Kathryn Hulme, TS with holograph character notes, 143 p. (PB played the role of "Simone"). B. Books. 1. By PB. a. Untitled rough draft (paiiial) and author's notes for novel re: Diane Arbus. b. Untitled rough draft, typescript with holograph corrections. c. DIANE ARBUS: A BIOGRAPHY, uncorrected proof with holograph corrections, 321 p., 1984. d. ANYTHING YOUR LITTLE HEART DESIRES: AN AMERICAN FAMILY STORY, uncorrected proof with holograph corrections, 389 p. 2. By others. a HELP, HELP, by Ge1irude Bosworth Crum (PB's mother), bound typescript, 328 p. b THE WOMEN OF SUTTON PLACE, by G.B. Crum, TS with holograph corrections, 26 p. Bosworth, Patricia (12/11/98) Page 1 of 3 c. THE BLUE HOUSE, by G.B. Crum, 33 p., 1946. d. THE THIRTEENTH JUROR, by Mel Arrighi, TS photocopy, 151 p.; includes outline. II. Correspondence. A. Personal. 1. To various family members. 2. To and from the F.B.I. concerning the testimony of Bartley C. Crum (PB's father), 1943 to 1950. 3. C01Tespondence and articles collected by Larry Klingman for Bartley C. Crum including correspondence from Harry S. Truman, and J. Edgar Hoover. B. Professional. 1. Various signed consent forms. III. Printed Materials. A. By others. 1. Book reviews concerning ANYTHING YOUR LITTLE HEART DESIRES, by PB. a. Publisher's Weeldy; 02/10/97. b. Ente1iainment News and Views; 11/28/97 to 12/04/97. c. Irish American Magazine; 08/97. d. Washington Post; 05/23/97. e. New York Times; 04/20/97, 05/13/97, 06/15/97. 2. New York State Council On The Arts, funding report, 1977- 1980, 189 p. 3. "The Case For The Defense Of 'The 19'," by Bartley C. Crum, New Republic, pg.9. 4. Various newspaper articles concerning unions and President Roosevelt's "New Deal. 5. Various newspapers articles and dispatches by or re: B.C. Crum. B. By PB. 1. Book Reviews a. "Basquiat," New York Times Book Review, 08/09/98, pg.4. b. "Looking For My Father," Life Savers, winter 1998, pg. 4- 5. IV. Miscellaneous. A. Holograph and typescript research notes re: Avedon Sideone (photographer). B. 19 photocopied photographs of unknown subjects by Diane Arbus. C. Promotional catalog for exhibit of Marvin Israel paintings; Feb. 13 to March 9, 1974. Bosworth, Patricia (12/11/98) Page 2 of 3 D. Receipt and various notes for singing lessons, March 1, 1957. E. Affidavit of Bartley C. Crum denying any involvement or enrollment in the American Communist Party, TS, 42 p., May 6, 1953. V. Photographs. A. Black and white print re: Bartley C. Crum, 1953. Bosworth, Patricia (12/11/98) Page 3 of 3 Bosworth, Patricia #1233 3/1/99 Preliminary Listing Added to Box 14 I.
Recommended publications
  • A Than Or Xviii
    A THAN OR XVIII Fl.oRlllA S TATE LJICl\.'ERS ITY D EPA RT\IE'<T or ART H ISTORY ATHANOR XVIII FLORIDA STATE UNIVERSITY DEPARTMENT OF ART HISTORY Cosmic oven or Athanor from Annibal Barlet, Le Vray Cours de Physique, Paris, 1653. Front cover: Albrecht Dürer, Bearing of the Cross, semi-grisaille, 1527, Accademia Carrara Bergamo, Bergamo, Italy. Back Cover: Detail of the eagle standard. Papers Copyright 2000 by the Authors ------------ Athanor XVIII Copyright 2000 by Florida State University / Tallahassee, FL 32306-1140 All Rights Reserved L.C. #81-68863 Florida State University Talbot D'Alemberte President L:rn-re.ncc G. Abele Provost and Vice President for Academic Affairs J. L. Draper Dean, School or Visual A11s and Dance Graduate StudieJ· in the History of An (l'1d Architecture Fm:11/ry: Art History Kare.n A. Bearor, Ph.D. Paula Gerson, Ph.D. Patricia Rose, Ph.D. University of Texas, Austin Columbia University Columbia University ASsociatc Professor Professor Associa1c Professor 19th and 20th Century A,1 Chair for Art History /1alia11 and Nonhem Medie~•al Ari Renaissance Art J. L. Draper. Ph.D. Univcrsily of No11h Carolina Cynthia Hahn, Ph.D. Jchannc TeiJhc1-Fisk. Ph.D. Associa1c Professor Johns Hopkins University University of California Dean. School of Visual Arts and Dance Professor Professor Renaissance and 19th Cemwy Art A1etliel'ol and Islamic An Ocetmia. African and American Indian Ari Jack W. Freiberg. Ph.D. Brenda G. Jordan, Ph.D. lnstilutc of Fine Arts University of Kansas l.uurcn \Veingardcn. Ph.D. \Jew York University Assistant Professor Univcrsi1y of Chicago Associate Professor Asian An Associate ProfCssor halian Rennisscmce Art 19th and 201h Cemwy Art Robert Neum,.n, Ph.D.
    [Show full text]
  • Plague Diary by Margaret Porter Troupe
    Plague Diary Margaret Porter Troupe, Graham Court Apartments, Harlem, New York City April 4, 2020 By the time I start this diary, I’ve been sheltering in since March 20th. The last person who’s visited us inside the apartment was Monique Clesca. She came to lunch here. We sat apart and neither of us wore facemasks. We elbow bumped and didn’t shake hands or kiss. I waited 14 days to see if I had symptoms of Covid-19. The police arrived yesterday and made the people who hang out in A. Phillip Randolph Square Park, (formerly Dewey Square), drinking, loitering, littering, and just being an eyesore and nuisance, leave the park. This little triangular park is directly across the street from Graham Court and where Miles Davis and other beboppers playing at Minton’s during the 1940s used to come to shoot up or do whatever they did there in-between sets. Minton’s is around the corner on 118th Street between 7th Avenue and St. Nicholas. The police or parks people removed the benches too and put up a chicken-wire fence at the entrances to keep people out. Now those people come across the street and congregate under the scaffolding in front of Graham Court. There’s a lot of drug dealing going on too. It feels quite a bit more unsafe around here lately. Must keep antenna raised for trouble. Woke up today thinking about my friend Cynthia, who was sounding scary to me yesterday as we discussed how we’re both feeling. I’ve been having congestion the last eight days and she has been having symptoms too but don’t know whether to attribute them to her blood pressure medication, pollen (it’s Spring now and everything’s bursting in bloom) or the novel coronavirus, Covid-19.
    [Show full text]
  • Photography of Estrangement Arbus, Diane and San Francisco Muse
    16 Ways of Looking at a Photograph Further Resources Chapter 10: Photography of Estrangement Arbus, Diane and San Francisco Museum of Modern Art. Diane Arbus: Revelations. New York: Random House, 2003. Arbus, Diane, Marvin Israel, Doon Arbus and Museum of Modern Art (New York, NY). Diane Arbus. 25th anniversary ed. New York, N.Y: Aperture Foundation, Inc, 1997. Arbus, Diane, Thomas W Southall and Helen Foresman Spencer Museum of Art. Diane Arbus, Magazine Work: Exhibition. Millerton, N.Y: Aperture, 1984. Armstrong, Carol. "Biology, Destiny, Photography: Difference According to Diane Arbus." October, vol. 66, 1993, pp. 29 - 55. Baird, Lisa A.. "Susan Sontag and Diane Arbus: The Siamese Twins of Photographic Art." Women's Studies, vol. 37, no. 8, 2008, pp. 971 - 986. Bickford, Laura, Andrew Fierberg, Steven Shainberg, Erin Cressida Wilson, Carter Burwell, Patricia Bosworth, Sneak Reviews DVD Collection (University of Virginia) et al. Fur: An Imaginary Portrait of Diane Arbus. Edited by Deguchi, Keiko (Film and Boden, Kristina (Film. Burbank, CA: New Line Home Entertainment, 2007. Gross, Frederick. Diane Arbus's 1960s: Auguries of Experience. Minneapolis: University of Minnesota Press, 2012. Klein, Michele Gerber. "DIANE ARBUS: The FIRST CHAPTER JEFF ROSENHEIM With Michèle Gerber Klein." Brooklyn Rail, 2016, pp. 1 - 11. Koestenbaum, Wayne. "Diane Arbus and Humiliation." Studies In Gender & Sexuality, vol. 8, no. 4, 2007, pp. 345 - 347. Lee, Anthony W and John Pultz. Diane Arbus: Family Albums. New Haven, CT: Yale University Press, 2003. Lubow, Arthur. Diane Arbus: Portrait of a Photographer. New York, NY: Ecco, an imprint of HarperCollins Publishers, 2016. Mann, Sally. Sally Mann: Still Time.
    [Show full text]
  • Roger Vadim, BARBARELLA (1968, 98 Minutes)
    3 March 2015 (Series 30:6) Roger Vadim, BARBARELLA (1968, 98 minutes) Directed by Roger Vadim Written by Jean-Claude Forest (comic), Claude Brulé, Terry Southern (screenplay), Roger Vadim (screenplay), Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, and Tudor Gates Produced by Dino De Laurentiis Music by Charles Fox Cinematography by Claude Renoir Film Editing by Victoria Mercanton Production Design by Mario Garbuglia Costume Design by Jacques Fonteray and Paco Rabanne Jane Fonda ... Barbarella John Phillip Law ... Pygar Anita Pallenberg ... The Great Tyrant Milo O'Shea ... Concierge / Durand-Durand Marcel Marceau ... Professor Ping Games, 1976 Une femme fidèle, 1974 La jeune fille assassinée, Claude Dauphin ... President of Earth 1973 Don Juan (Or If Don Juan Were a Woman), 1972 Hellé, Véronique Vendell ... Captain Moon 1971 Pretty Maids All in a Row, 1968 Barbarella, 1966 The Giancarlo Cobelli Game Is Over, 1964 Circle of Love, 1963 Vice and Virtue, 1962 Serge Marquand ... Captain Sun Love on a Pillow, 1961 Please, Not Now!, 1960 Blood and Nino Musco Roses, 1959 Les liaisons dangereuses, 1958 The Night Heaven Franco Gulà Fell, 1957 No Sun in Venice, and 1956 ...And God Created Catherine Chevallier ... Stomoxys Woman. Marie Therese Chevallier ... Glossina Umberto Di Grazia Terry Southern (writer, screenplay) (b. May 1, 1924 in David Hemmings ... Dildano Alvarado, Texas—d. October 29, 1995 (age 71) in New York Ugo Tognazzi ... Mark Hand City, New York) wrote 18 films and television shows, which are Vita Borg ... La magicienne 2007 Terry Southern's Plums and Prunes, 2004 Heavy Put-Away, Chantal Cachin ... La révolutionnaire 1998 Terry Southern Interviews a Faggot Male Nurse, 1988 The Fabienne Fabre ..
    [Show full text]
  • BIO During the Pandemic BIO Announces Finalists for 2020
    Share this: April 2020 | Volume 15 | Number 2 BIO during the Pandemic Writing in the Time of Corona, By Linda Leavell Part 1 Working at home in their PJs may not be as unusual for biographers as for others affected by the COVID-19 pandemic, and yet many of us are suffering its effects Frantically rescheduling upended in unprecedented ways, from canceled research trips to canceled book tours. Please research trips? Worrying about rest assured that BIO is thriving, and its efforts to support your work, including the pub date of a forthcoming timely delivery of The Biographer’s Craft each month, continue uninterrupted. book? Trying to adapt to virtual The BIO Board of Directors has been practicing social distancing almost since book tours? Struggling to stay its inception. Since we are spread out over the country, we meet monthly by sane, and productive, while conference call. At our March meeting, we canceled the annual May conference being surrounded by family and planned to film the BIO Award winner, Dame Hermione Lee, giving her members who are usually away keynote address for distribution to our members. Lockdown restrictions in the UK, however, have thwarted those plans, at least temporarily. all day? If you’re not working, Everyone who registered for the conference will receive a refund. The full or fretting, how do you pass the amount you paid will be credited to the card you used to register. BIO will pay the time? Welcome to writing in the processing charge out of its coffers. The registration software company is time of corona.
    [Show full text]
  • The Men in My Life: a Memoir of Love and Art in 1950S Manhattan Online
    kog04 [DOWNLOAD] The Men in My Life: A Memoir of Love and Art in 1950s Manhattan Online [kog04.ebook] The Men in My Life: A Memoir of Love and Art in 1950s Manhattan Pdf Free Patricia Bosworth DOC | *audiobook | ebooks | Download PDF | ePub Download Now Free Download Here Download eBook #47555 in Audible 2017-04-18Format: UnabridgedOriginal language:EnglishRunning time: 760 minutes | File size: 75.Mb Patricia Bosworth : The Men in My Life: A Memoir of Love and Art in 1950s Manhattan before purchasing it in order to gage whether or not it would be worth my time, and all praised The Men in My Life: A Memoir of Love and Art in 1950s Manhattan: 3 of 3 people found the following review helpful. A Story Worth TellingBy Kindle CustomerAs this was my era in life, I was fascinated by this book. Her tales of NY and all the famous people she knew were so interesting. A very good memoir.3 of 3 people found the following review helpful. Reads like fiction. A very interesting lifeBy LubboReads like fiction. A very interesting life. Knew author, she was a lovely lady and her husband Mel was a wonderful guy2 of 2 people found the following review helpful. A beautiful autobiography about an actress/journalist who led an interesting life.By robfranjoA very moving and skillfully written autobiography of an actress/journalist who knew a lot of famous people and led a rather interesting lifel From Patricia Bosworth - acclaimed biographer of Montgomery Clift, Diane Arbus, Marlon Brando, and Jane Fonda - comes a series of vivid confessions about her remarkable journey into womanhood.
    [Show full text]
  • Diane Arbus: Documenting the Abnormal
    Hollins University Hollins Digital Commons Art History Senior Papers Art Spring 2021 Diane Arbus: Documenting the Abnormal Lyla Cornman Follow this and additional works at: https://digitalcommons.hollins.edu/art_history_senior_papers Part of the Contemporary Art Commons Lyla Cornman Art History Senior Paper Diane Arbus: Documenting the Abnormal The late Diane Arbus once said, “Everybody has that thing where they need to look one way but they come out looking another way and that’s what people observe. You see someone on the street and essentially what you notice about them is the flaw…there’s a point between what you want people to know about you and what you can’t help people knowing about you.”1 Arbus was aware that no one is exempt from others’ gaze, including herself, a theme repeated throughout her work. In this essay, I will be examining the work of Diane Arbus that showed intimate snippets of the lives of those that would be labeled as “freaks”, “disabled”, “handicapped”, “grotesque”, and other terms that were often used to be degrading or dehumanizing. I will be specifically focusing on her photographs that depict subjects with visual bodily ‘abnormalities’ as well as disabled bodies. Diane Arbus, according to her critics, is one of the first key figures to have focused her work on people with such visual differences, living their daily life, through the evidential medium of photography. I argue that the criticisms Diane Arbus faced from art critics, institutions, and the public for her work were unfair. Those who criticized Arbus did so unjustly, for they compared the people Arbus photographed to a traditional standard of beauty found in art.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • April Issue Of
    Share this: April 2017 | Volume 12 | Number 2 Conference Preview: James There's Still Time to Register Atlas in Conversation with for the 2017 BIO Patricia Bosworth Conference! Panel sessions and tours are filling fast for the Eighth Annual BIO Conference on May 19–21 at Boston’s Emerson College. Members receive a discount by using a registration code. Anyone who needs the code can contact Membership Coordinator Lori Izykowski. Learn more about the open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com conference and register here. From the Editor In a panel called "Biography and and Patricia Bosworth will As the BIO conference draws Style," James Atlas . discuss breaking the rules of closer, the various committees are biography and making it hard at work on last-minute work anyway. arrangements. In this issue of TBC, James Atlas gives a preview of his talk with Patricia Bosworth, which By James Atlas is sure to be one of the highlights Patricia Bosworth (“Patti,” as she is known to her wide circle of friends) has of Saturday’s events. And while we been a vivid presence on the New York literary scene for as long as I can like to think the conference is the remember—which is beginning to be a very long time. Her parties, held in a book- best way for biographers to learn and art-filled apartment in Hell’s Kitchen that looks as if it had time-traveled from how to hone their craft, biographers in the New York metro the West Village of the 1920s, are the kind where you walk in and want to talk to area recently had several everyone in the room at once.
    [Show full text]
  • An Examination of Three Attorneys Who Represented
    UCLA UCLA Entertainment Law Review Title Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced Permalink https://escholarship.org/uc/item/7mq6r2rb Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Bose, Erica Publication Date 1999 DOI 10.5070/LR862026987 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un- American Activities Committee Hearings in 1947 and the Consequences They Faced Erica Bose* I. INTRODUCTION On September 30, 1952 an attorney appeared before the House Subcommittee on Un-American Activities in Los Angeles as an extremely hostile witness. Ben Margolis, prominent labor lawyer and well-known radical, vehemently refused to answer nearly every question Chairman John S. Wood put forth to him. When asked if he knew Edward Dmytryk, one of the first "unfriendly witnesses" to appear before the House Un-American Activities Committee (H.U.A.C.) in Washington in 1947 who later recanted and named names, Margolis responded by stating, "Unfortunately he has become a member of your stable. I refuse to answer on the ground that it would tend to degrade me by association with any such person."' When "J.D. candidate, UCLA School of Law, 2001. I would like to express my sincere thanks to Ben Margolis, Patricia Bosworth, Ellenore Bogigian Hittelman, Ring Lardner, Jr., Ann Fagan Ginger, and Michael O'Malley. Without their help, I would never have been able to write this comment.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • American Zionism and US Foreign Policy
    AMERICAN ZIONISM richard stevens AND U.S. FOREIGN POLICY 1942-1947 .*.*.* • ****** mHHlHi1 » , i “ ^ pjt£ . ****** / J\: * * * /1 '* ' , •■ ‘T'5? • • -r■ ' * THE INSTITUTE FOR PALESTINE STUDIES AMERICAN ZIONISM and U.S. FOREIGN POLICY 1942—1947 by Richard P. Stevens, Ph. D. THE INSTITUTE FOR PALESTINE STUDIES The Institute for Palestine Studies is an independent non-profit Arab research organization not affiliated to any government, political party, or group, devoted to a better understanding of the Palestine problem. Books in the Institute series are published in the interest of public information. They represent the free expression of their authors and do not necessarily indicate the judgement or opinions of the Institute. Copyright © 1962, by Richard P. Stevens First published by Pageant Press, Inc., New York Reprinted by special arrangement by the Institute for Palestine Studies. Copyright © 1970, by the Institute for Palestine Studies, Beirut REPRINT SERIES No. 7. THE INSTITUTE FOR PALESTINE STUDIES Ashqar Bldg., Clemenceau Str., P.O.Box 7164, Beirut, Lebanon NOTE TO SECOND IMPRESSION At the request of the Institute for Palestine Studies the author has kindly given his permission for American Zionism and U.S. Foreign Policy (1942-1947) to be reprinted. To My Parents PREFACE The birth of the State of Israel on May 15, 1948, marked the climax of a vigorous campaign launched some six years earlier by world Zionism in the Biltmore Pro¬ gram. At the Biltmore Conference the Zionists had reason to proclaim openly their political intentions before the American public. Although political Zionism had long pursued the goal of a Jewish state, only the circumstances of modern history compelled the complete unveiling of Zionist intentions.
    [Show full text]